Category Archives: Designmatters

Art Center students and alumni ignite Spark!

Student Mathias Hintermann's Aiguille short track speed skater headgear won a Spark! Award.

Student Mathias Hintermann’s Aiguille short track speed skater headgear won a Spark! Award.

With designs ranging from a portable desk for low-income children in India to lighting inspired by the beauty found in Japanese metal craft, Art Center students and alumni brought home several awards last week from the 2013 Spark International Design Awards.

Students and professionals from more than 27 countries across the globe competed in the categories of Experience Design, Product Design, Spaces Design, Transport Design, Communication Design, App Design and Concept Design, with awards ranging from Bronze Awards to the highest award, the Spark! Award.

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Veterans enlist at Art Center to influence hearts and minds through art and design

COURAGE_FEATURE_HERO

Art Center’s reputation, culture and even the school’s site in Pasadena have been shaped by the military veterans who have come through its doors. From the post-World War II student population burst, sparked by the GI Bill, that led the College to move from its Seventh Street location to the larger Third Street campus, to many notable alumni and faculty, Art Center’s history has been enriched by individuals who honorably served their country.

Today, servicemen and servicewomen—whose discipline and desire to make a positive impact align closely with the College’s educational mission—continue to distinguish themselves as students and alumni.

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How embracing failure has helped John Ryan design solutions to life’s most puzzling questions

John Ryan (second from left) works with UNICEF and frog design staff on mHealth solutions

John Ryan (second from left) works with UNICEF and frog design staff on mHealth solutions

What was your background prior to Art Center?
I was born in Dublin, Ireland and studied multimedia as an undergraduate. I began my career working as a digital and web designer, and early on I knew that I really wanted to start my own studio. After working for a couple of in-house design teams, I couldn’t quite find the right fit: designers weren’t supposed to have the desire to move so broadly throughout the design process. So I started my own business and worked directly with clients throughout Ireland and UK. It was a fun couple of years and I learned a lot from the experience.

But I had always had a desire to go to grad school, and with my weird mix of interests across disciplines — design and art, technology and code, politics and culture — I became hungry for a new challenge that would integrate more of my own passions and curiosities into my design practice.

Art Center’s Media Design Practices program was exactly the kind of interdisciplinary environment I was looking for—innovative, experimental design work that would give me a platform to engage with the bigger ideas, concepts and questions that lay beyond the previous client work I had been doing.

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‘Insights’ highlights: 108 high-intensity doses of creative inspiration in 130 characters or less

Alum Lynne Aldrich leads a tour of her sculpture exhibit in the Williamson Gallery

Alum Lynne Aldrich leads a tour of her sculpture exhibit in the Williamson Gallery

While Car Classic dominated last weekend’s headlines, with its lineup of head-turning, high-revving art-imitates-life works of automotive aesthetics and ingenuity. Sunday’s auto design showcase wasn’t even the only audacious display of Art Center’s creative assets on view last weekend. On Saturday, the College hosted a curated selection of seminars and workshops known as Art Center Insights. The invitation-only event offers donors and trustees an opportunity to experience what it’s like to be Art Center student for an afternoon (minus the mountain of pressure to complete competing creative projects). 

After a lunch in the student dining room with President Lorne M. Buchman, participants chose from the following Session 1 presentations: 3D Printing: A Revolution in 3D, Environmental Design: The Safe Aqua Project and Interaction Design: Evolving User Experience. Then came the second and final round of workshops: Transportation Design/Sustainability: Nature, The Mobility Innovator, Photography: Portraiture Unplugged and Fine Art: Lynn Aldrich: Un/Common Objects.

Because Insights reaches only a small slice of the population who might benefit from it; we embedded reporters in each of the workshops and live-tweeted the entire event. Taken together, these concise dispatches offer a cohesive (if not comprehensive) narrative of what it was like to experience Insights and the inspiring ideas and tools exchanged over the course of all six workshops.

Some people dream of being king for a day. But Insights makes a good case for the rewards that go along with being a student, for a day or a lifetime. Hopefully the chronicle below will conjure some of that mind-expanding thrill vicariously.

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Myspace takeover 2.0: New videos track students’ creative progress and problems

Art Center invades Myspace homepage

Art Center invades Myspace homepage

Update: Our quartet of students leading our Myspace occupation has produced a new batch of posts — three videos and one written narrative. Visit our Myspace profile for the latest news on how these artists and designers are devising solutions to the roadblocks and detours they encounter en route to their destination: creating something of lasting value that didn’t exist before.

Space. Whether it comes in the form of a blank canvas, an empty sound stage, a blinking cursor on a computer screen or a room of one’s own — space itself has always been fundamental to the act of creation. Art Center has long provided that space for its community of compulsively creative forward-thinking doers and makers, united by a desire to disrupt the status quo with explosive feats of imagination and artistry.

At its most basic level, it’s an invitation to create, explore and invent. And put simply, artists need their space. This was the operative principle behind the supernova success of Myspace, the 1.0 generation social network that became a hub where music lovers connected to their favorite bands. Ten years later, Myspace has reinvented itself, beginning with its June 2013 relaunch, as a social network “purpose-built to empower an infinitely expanding creative community.” The new Myspace has been designed around 21st Century creators’ needs to “connect, make, discover, collaborate, promote and expand.”

And what better place to seed that artistic ecosystem than the hothouse of creativity that is Art Center? So, for the next week, Art Center’s unique approach to bringing audacious ideas to fruition will receive unprecedented exposure as it stages an occupation of the MySpace homepage, which has a massive global reach of 35 million users.

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View from the Bridge: Art Center’s incoming class, the LEAP Symposium and bringing the Bard to Lida Street

President Lorne M. Buchman

President Lorne M. Buchman

Being surrounded each and every day by thought-provoking ideas and inspiring individuals is perhaps the greatest benefit of working at Art Center. As President, I’m in a unique position to see so much of the remarkable work created here.

A clear side effect—and thankfully, it’s a good one—is that at the end of the day I have a lot on my mind. Which is why I’d like to start sharing with you here, on occasion, my thoughts on what I’m seeing, hearing and experiencing around campus and in the larger community.

First things first: The Fall 2013 term is well underway. Before we reach that busy midterm crunch, I’d like to tell you a few things about our latest incoming class. After receiving the highest number of applicants across all disciplines in our 83-year history, Art Center this fall welcomed 361 undergraduates and 68 graduate students, our largest incoming class ever. The increase reflects the strength and growth of our academic programs, as well as the planned expansion envisioned in Create Change, Art Center’s 2011–2016 strategic plan.

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Art Center in the news, August – September 2013

Mego Lin and Jon Jon Augustavo on the set of “Same Love.” Photo by Craig Nisperos.

Art Center students, faculty, alumni and staff have been busy racking up awards, giving interviews and making news. Here is a selection of some recent coverage.

MTV.com, “Macklemore & Ryan Lewis Smash Hip-Hop Competition With VMA Knockout”
Two music videos directed by Art Center alum Jon Jon Agustavo with cinematography by Grad Film student Mego Lin earned some shiny Moonmen awards at the 2013 Video Music Awards.

SciArt in America
October issue featuring ACCD faculty Lita Albuquerque’s Stellar Suspension (from OBSERVE, Williamson Gallery, 2008) on the cover and a 4-page interview with Williamson Gallery director Stephen Nowlin.

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LEAP Day 3: Tools and takeaways to activate social innovation career tracks

by Wendy McNaughton

by Wendy McNaughton

This is the third in our three-part Dotted Line series covering “The New Professional Frontier in Design for Social Innovation: LEAP Symposium,” hosted by Art Center College of Design Sept. 19–21, 2013.

Overheard (Random quotes from the day)

  • “Fire it up.”
  • “This has been like a wonderful summer camp.”
  • “I can’t tell you how in awe I am of the amazing, creative people I have met.”
  • “You fired every synapse in my brain, especially those that have been dormant for the last three or four years.”
  • “The conversation has really progressed since I joined this field in 2009 and it’s been like amazing to be a part of this.”
  • “I love the word designer.  It’s sexy, it’s powerful and it’s dynamic just like me and that’s what’s important.”
Mind-blowing Ideation session at LEAP. Photograph by Terry Bond

Mind-blowing Ideation session at LEAP. Photograph by Teri Bond

Practical tools, next steps and taking action were the focus of the third and final day of the LEAP Symposium presented by Designmatters, the College’s social impact department. A key aim expressed by many attendees was to bring the valuable new tools they gained during the confab back to their home base organizations to help establish solid career pathways for young design talent and clarify the direct link between great design and success.

The last day was choreographed in three parts. First, working groups who had self-organized in to small thematic clusters, spent a few hours finalizing proposals that were later displayed on giant poster boards all around the student dining room, taking a page from grade school science fairs. Then, a spokesperson for each project pitched it to the larger group.

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LEAP Day 2: Designing strategies for the future of social impact design careers.

Overhead view of a LEAP design storm. Photograph by Dice Yamaguchi

Overhead view of a LEAP design storm. Photograph by Dice Yamaguchi

This is the second in our three-part Dotted Line series covering “The New Professional Frontier in Design for Social Innovation: LEAP Symposium,” hosted by Art Center College of Design Sept. 19–21, 2013.

LEAP’s Day One established the event’s tone, methodology, purpose and goals as well as a set of burning questions facing the field of social impact design professional pathways. The following morning, participants arrived eager to drill down into the issues that arose during the previous day’s workshops.  Leap’s faculty team of facilitators and student teaching assistants were ready to continue guiding the second day of collaborative ideation sessions.  Leap’s core programming team which included Karen Hofmann, Sherry Hoffman and Heidrun Mumper-Drumm, had mapped out a programming flow for these charrettes based on Art Center’s tried and true Design Storm methodology, which enabled intense collaborative study, brainstorming, and problem solving throughout the day.

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