Category Archives: Faculty

Ready. Set. Snap! Corporate teams stretch boundaries at rubber band-powered Formula-E race

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Team Mattel celebrates record breaking speed after competing in the new Formula-E race Pro-Class category.

Figuring out how to build and power a race car using a 16-foot long rubber band is not your typical corporate team building exercise. But, it turns out, that’s exactly the kind of creative boost the business world needs. For the first time, the international Formula-E race at Art Center included a “Pro Class” category with teams participating from Mattel in El Segundo and Axial, a remote control car company based in Irvine. Competition was fierce and teams were gunning for the gold in the 9th annual “day at the races” showcasing talented students, businesses and even a junior race car design set.

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Summer 2014: Countdown to commencement!

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Getting ready for Grad Show. Photo: Lucia Loiso

The computer labs are packed. The shops are humming at all hours. Visitors from sponsoring companies and organizations are streaming through campus to attend final presentations. And the Student Gallery is full of projects in and out of the coveted space. These telltale sights and sounds can only mean one thing at Art Center: Week 14 has arrived.

The state of the campus is a visual reminder of the frenetic energy generated by Art Center students sprinting toward finals. The end of the term is here; and for 111 students, this week marks their last. Saturday evening, after countless all-nighters, critiques, finals, internships and hopefully some fun, 100 undergraduate and 11 graduate students will be awarded their degrees. As we count down to commencement, we celebrate these creative and talented individuals who are about to take on the world and honor the great teachers who have guided the way. Here’s the lowdown for the week.

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Not sure what type of design to study? Sample them all in Andrew Hall’s Design 360

Artist and ACN instructor Andrew Hall in his studio. Courtesy of the artist.

Artist and ACN instructor Andrew Hall in his studio. Courtesy of the artist.

For the past four years, artist Andrew Hall has taught Design 360 at Art Center at Night (ACN), Art Center’s continuing studies program. Design 360 gives students a whirlwind tour of many of the major disciplines offered at the College, including: advertising, graphic design, filmmaking, illustration, product design and transportation design.

In the class, he asks his students to imagine a product that “protects something” which can be “something obvious like safety goggles” or something more abstract “like a camera, which protects memories.” Then, for the next 12 weeks, students give their product the full treatment—designing everything for it from a logo to a storyboard for a 30-second commercial—and then present it to the class, complete with drawings that show their process. “The presentation teaches the importance of really owning your concept.”

Hall finds the diversity of his students particularly inspiring—some take Design 360 when they’re at a point in their career where “they’re just treading water and need to make a big decision” while others treat the course as a philosophical journey. “Some of them come up with solutions far more cerebral and spiritual than a product you can hold in your hand.” Continue reading

Artworld luminaries and Art Center alums pay tribute to Mike Kelley’s legacy as an educator

Of all the ways Mike Kelley has been celebrated for his pivotal contributions to contemporary art, since his death on January 31, 2012, his impact as an educator may be the most significant aspect of his legacy to go relatively unexamined, if not unsung. Kelley was a faculty member of Art Center’s Graduate Art Department from 1992 to 2007. And during his time teaching at Art Center, Kelley mentored such monumental talents as video artist Diana Thater (who now chairs the department from which she graduated), multimedia artist Pae White, installation artist Jennifer Steinkamp and Fine Art faculty member Jean Rasenberger.

In the above video, inspired by Kelley’s MOCA retrospective, these artists examine the ways in which Kelley influenced the kind of artists they’ve become, the work they create and, perhaps most importantly, how they go about crafting and sustaining a life as an exhibiting artist. Kelley has often been credited with helping raise the clout and visibility of LA’s art scene when his career took off and he declined to follow the well-worn path previous west coast supernova artists had followed to New York. As one of the first internationally acclaimed artists to root himself in Los Angeles, Kelley was, in essence, laying the groundwork for his students and their contemporaries to do the same.

If these artists’ upwardly-tilting career paths are any indication, Kelley’s impact on his students, his city and his creative discipline only gets deeper as time goes on.

Outgoing Grad Art chair Jeremy Gilbert-Rolfe on teaching, beauty and art’s unlikely logic

Jeremy Gilbert-Rolfe

Jeremy Gilbert-Rolfe

After logging 11 years as Chair of Art Center’s Graduate Art department, Jeremy Gilbert-Rolfe handed over the reigns to incoming co-chairs Diana Thater and Jason Smith. Gilbert-Rolfe has spent a total of 28 years on Art Center’s faculty, and will migrate into a full-time teaching position in 2015 after a sabbatical during which he’ll dedicate himself to one of the many writing projects vying for his attention (see Q & A below for details).

Throughout his tenure with the college, Gilbert-Rolfe has had a hand in educating an impressive array of art world luminaries, including Lynn Aldrich, Lisa Anne Auerbach, David Bailey, Olivia Booth, Mason Cooley, Aaron Curry, Kevin Hanley, Nate Hylden, Melissa Kretschmer, Sharon Lockhart, T. Kelly Mason, Rebecca Norton, Steve Roden, Sterling Ruby, Frances Stark, Jennifer Steinkamp, Alexis Marguerite Teplin, Diana Thater, Pae White, Jennifer West and T.J. Wilcox. At the same time, he has distinguished himself as a formidable writer and critical thinker, best known for probing philosophical and aesthetic ideas around beauty and other issues informing the way we interact with art.

Gilbert-Rolfe makes clear in his candid and enlightening responses to our questions below that he will continue to build upon this legacy as an educator and critic.

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Change Makers: Alumni Q&A with video artist Filip Kwiatkowski on capturing the undefinable

 

Working Title (I Am Not Your Father), 2013, by Filip Kwiatkowski. HD video projection with sound

Working Title (I Am Not Your Father), 2013, by Filip Kwiatkowski. HD video projection with sound

Warsaw-born video artist Filip Kwiatkowski (Grad Art, MFA 2013), who earned his BFA in film and television at the Tisch School of the Arts, came to Art Center after a successful career as a freelance photographer in New York. Shortly after completing his MFA in Art Center’s Graduate Art program, Kwiatkowski was awarded a fellowship at the Academy of Media Arts in Cologne, Germany, where he had studied as a participant in an Art Center exchange program. In his work today, Kwiatkowski continues to explore issues that fueled his graduate film project: how media interfaces transform personal narratives, shape behavior and create “a circumstance in which the relation between private, public, work and personal time are increasingly hard to separate.”

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The future of the digital novel is here thanks to Art Center faculty members Norman Klein and Margo Bistis

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Built with a team of artists and designers, Art Center Humanities & Sciences faculty Norman Klein and Margo Bistis released The Imaginary 20th Century, a ‘wunder-roman’ online narrative engine where fact and fiction split off and return to each other to tell the story in a unique form.

The Imaginary 20th Century is a tale of seduction, as well as espionage; of archiving and the transitive poetics of excavation. According to legend, in 1901 a woman named Carrie selects four men to seduce her, each with a version of the coming century. Inevitably, the future always spills off course. We navigate through the suitors’ worlds, follow Carrie on her travels and discover what she and her lovers forgot to notice. In 1917, Carrie’s uncle sets up a massive archive of her life.  For decades, Uncle Harry had worked for the oligarchs of Los Angeles erasing crimes that might prove embarrassing.  Thus, as he often explains, seduction itself is a form of espionage. In 2004, this archive was unearthed in Los Angeles.

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Designmatters and Aspen Institute examine the social, creative and economic impact of the new culture of ‘intrapreneurs’

Mariana Amatullo speaking at Desigmnatters' Leap Symposium on the New Professional Frontier in Design For Social Innovation." Photo by Alex Aristei

Designmatters’ Mariana Amatullo opening the Leap Symposium: The New Professional Frontier in Design for Social Innovation. Photo ©2013 Alex Aristei for LEAP

This week the Aspen Institute launched a new series of essays on the growing importance of social intrapreneurs — change-agents within organizations large and small who are fusing business success with positive social and environmental impacts — and the value they are adding to their organizations and society. To kick off the series, the Institute, in collaboration with The Huffington Post, published the following piece by Mariana Amatullo, co-founder and vice president of Designmatters at Art Center College of Design.

Safir BellaliThe Institute also named 2001 Art Center alumnus Safir Bellali, Design Innovation director for Vans, to its incoming class of 2014 First Movers Fellows. Each fellow will tackle a project that will have a positive financial, social and environmental impact on both their company and society. Bellali, who maintains close ties with the College through his participation in critiques and hiring student interns, will explore how new manufacturing technologies will allow Vans to work toward bringing production back to the United States. In Fall 2014, Vans will sponsor a Designmatters/Product Design studio at Art Center.

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View from the Bridge: Grounded in reality and ready for professional liftoff

Students present work to Honda Research and Development executives.

In a Sponsored Project, Graphic Design student Sungmoon Chung, center, presents work to alumnus and Honda R&D Americas Division Director Dave Marek (BS 87 Industrial), far right.

Summertime is traditionally set aside for leisurely activities—poolside lounging, pleasure reading and, at least through June, watching the Stanley Cup Final.

But here at Art Center, our students are as busy as ever. Many students continue their studies through the Summer term, while others, thanks to our dedicated staff in the Office of Career + Professional Development, scatter across the globe working as interns at an impressive array of organizations. It’s amazing, really, when you stop to look at where our students have landed internships:

  • Illustration student Adriana Crespo is at design firm IDEO in San Francisco;
  • Film student Juliana Rowlands is at director Roman Coppola’s production company The Director’s Bureau in Los Angeles;
  • Transportation Design student Harrison Scott Yen is at Chrysler’s Street and Racing Technology division in Michigan;
  • Graphic Design student Siyun Oh is at the Museum of Modern Art in New York;
  • Transportation Design student Yang Fu is at vehicle manufacturer Renault in France;
  • Product Design student Benji Kurada is at Google in Switzerland; and
  • Transportation Design student Sean Peterson is at Suzuki Motor Corporation in Japan.

I could go on, but I think you get the picture. These are not your everyday assignments; our students are working with some of today’s most prestigious companies.

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Warner Bros. President Greg Silverman, Directors Tarsem and Tom Kuntz offer insider tips at Dot Independent Film Festival

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Film lovers and film makers from around the world will be celebrated and honored at DIFF LA, the Dot Independent Film Festival of Los Angeles, a student organized gathering on Saturday, June 7, 2014 from 9 a.m. until 10 p.m. on the Art Center College of Design Hillside Campus at 1700 Lida Street in Pasadena. The event is free and open to the public. More than 200 U.S. and international student filmmakers vying for exposure in the celluloid landscape submitted work hoping to be selected to screen and maybe even stand out as an award winner in this 2nd annual festival.

Kicking off the event is Greg Silverman, president, Creative Development and Worldwide Production, Warner Bros. Pictures and Art Center Trustee. Additional special guests making appearances during the day are film director and Art Center alumnus Tarsem (Immortals, Mirror Mirror, The Fall) and commercial director Tom Kuntz (Old Spice, Skittles, The Man Your Man Could Smell Like).

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