Last summer, I taught a production workshop class at ArtCenter College of Design in Pasadena and was very impressed with their film program and the students. I knew the Film department Chair Ross LaManna, having hired him as a screenwriter several times over the years. But the teaching experience got me thinking about the role of film schools in today’s entertainment industry, and I hoped Ross could help explain it to me. (more…)
Archive for the ‘Film’ Category
Writer Seeks Same: Film faculty Douglas J. Eboch and Paul Guay discuss the pitfalls and pleasures of screenwriting partnershipsTuesday, August 18th, 2015
History is full of partnerships. Some, like Adam and Eve, can be very productive. Others end in ruin, such as Lancelot and King Arthur, when the former’s secret love affair undid the latter’s kingdom. The same is true in Hollywood where screenwriting partners are an integral part of the machinery—and mythology—of the business. Understanding what to look for in a writing partner, and why to work with one in the first place, is crucial to making sure the drama stays on the page.
“Sun is shining. Weather is sweet. Make you wanna move your dancing feet.” Bob Marley
This Saturday, following a sometimes exhaustive, always intensive, memorably vigorous and astonishingly creative commitment to making and learning, 91 ArtCenter students will receive their diplomas. This will be the second graduation ceremony to be held at the Pasadena Civic Auditorium, a thankfully climate-controlled venue conveniently located between Hillside and South campuses.
As the day approaches, let’s celebrate these creative and talented individuals who are about to take on the world. Here’s the lowdown for the week:
Here’s your early summer bounty of Art Center alumni notes, news and happenings, best enjoyed with a cool beverage, under a shady tree on a breezy afternoon.
Relevance is a loaded topic for anyone with creative aspirations. That goes double for members of the Instagram Generation seeking to forge a directing career on screens big or small. And multiply that to the power of three for anyone and everyone working in advertising.
The relevance of relevance certainly is not lost on Zak Marx, a current student in Art Center’s undergraduate Film Department who happens to qualify in all three of the above categories after scoring a coveted gig with American Apparel directing 12—count ‘em, 12!—commercial spots central to the brand’s image overhaul under its new CEO, Paula Schneider.
Wherever you decide to celebrate the anniversary of our nation’s independence—in a small town watching a patriotic parade or an urban center sampling designer cocktails on a hotel rooftop—we know you are really just passing time until dark, waiting for the fireworks start.
To whet your appetite in anticipation of the pyrotechnic exhibition of your choice, we offer up some dynamite detonation displays from the silver screen.
No 4th of July celebration should go by without a viewing of the spectacular demolition of Paris in Michael Bay’s (BFA 88 Film) Armageddon.
An oldie but goodie, it is always worth watching the final scene of David Lean’s classic, The Bridge on the River Kwai.
And the College Television Award for best commercial goes to….Art Center alumnus, Chris Campbell, for his Maglite—Dreamweaver spot, a heartwarming ad concept which features a father and son bonding while using the flashlight to make shadow puppets.
The Television Academy, which hosts the Emmy Awards, created The College Television Awards to offer film students a national platform to showcase their work and talent. Modeling itself on the Primetime Emmy judging process, entries are reviewed by active Television Academy members. With more than 1,100 students from 500 schools across the United States vying for a few slots it is also extremely competitive.