Archive for the ‘Film’ Category

Looking to fire up your Fourth of July? Check out these blast-tacular movie explosions!

Thursday, July 2nd, 2015

Wherever you decide to celebrate the anniversary of our nation’s independence—in a small town watching a patriotic parade or an urban center sampling designer cocktails on a hotel rooftop—we know you are really just passing time until dark, waiting for the fireworks start.

To whet your appetite in anticipation of the pyrotechnic exhibition of your choice, we offer up some dynamite detonation displays from the silver screen.

No 4th of July celebration should go by without a viewing of the spectacular demolition of Paris in Michael Bay’s (BFA 88 Film) Armageddon.

An oldie but goodie, it is always worth watching the final scene of David Lean’s classic, The Bridge on the River Kwai.

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Film alumnus Chris Campbell’s Maglite commercial wins student Emmy

Friday, May 15th, 2015
CCampbell

Alumnus Chris Campbell accepts the 1st Place Commercial award for “Maglite – Dreamweaver” at the 36th College Television Awards, presented by the Television Academy Foundation at the Skirball Cultural Center in Los Angeles on Thursday, April 23, 2015.

And the College Television Award for best commercial goes to….Art Center alumnus, Chris Campbell, for his Maglite—Dreamweaver spot, a heartwarming ad concept which features a father and son bonding while using the flashlight to make shadow puppets.

The Television Academy, which hosts the Emmy Awards, created The College Television Awards to offer film students a national platform to showcase their work and talent. Modeling itself on the Primetime Emmy judging process, entries are reviewed by active Television Academy members. With more than 1,100 students from 500 schools across the United States vying for a few slots it is also extremely competitive.

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Art Center alumni notes: Spring 2015

Tuesday, May 12th, 2015
Alum Catherine Taft assistant curated America is Hard to See at the Whitney Museum of American Art, a show which features the work of alum Bill Wheelock

Alum Catherine Taft assistant curated America is Hard to See at the Whitney Museum of American Art, a show which features the work of alum Bill Wheelock

Spring has sprung for Art Center’s alumni community, which collectively bloomed with media attention and creative activity. Here we’ve gathered a bouquet sampling this group’s impressive undertakings.

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Onward and upward: Art Center’s Spring 2015 Grad Show

Monday, April 20th, 2015
Bruno Gallardo shows off his Zero Motorcycle prototype to alum Miguel Galluzzi of Aprilia/Piaggio. Photo by Jennie Warren

Bruno Gallardo shows off his Zero Motorcycle prototype to alum Miguel Galluzzi of Aprilia/Piaggio.
Photo by Jennie Warren

A fresh crop of creatives, 205 strong graduated from Art Center this past weekend, ready to harvest and haul their skills to the marketplace. The first pages of these grads’ yet-to-be-told professional narratives could involve launching a start-up, diving into a new position at a high-profile agency or escaping on a global adventure to see the world and collect some inspiration in the wilderness instead of the concrete jungle.

We decided to check in with a few during Spring 2015 Grad Show—our annual recruitment open house.

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Art Center Dialogues: Dede Gardner on leadership in Hollywood

Thursday, March 26th, 2015

Gardner_Dotted_V2

“Leaders in art, film, business and design practices, our speakers have changed both the questions we ask and the solutions we might find when it comes to thinking about 21st-century culture,” says Humanities and Sciences (H&S) Chair Jane McFadden, who curates the series, Art Center Dialogues.  The most recent speaker was Dede Gardner. Her long list of producing credits in film and television include award winners such as Tree of Life and 12 Years a Slave, as well as box office smashes World War Z and Eat Pray Love. As President of Plan B, (Brad Pitt’s production company), she has overseen the creation of dozens of films with some of the industry’s top talent.

The auditorium was at capacity with students eager to participate in the Q & A, followed by a screening of the Academy Award nominated Selma, her most recent project. Gardner was on campus to talk about leadership, and much to the pleasure of the crowd, a little insider gossip. When an audience member asked if she was able to speak about Andrew Dominik’s Marilyn Monroe project she said, “Yes, do you have eighteen million dollars?” Or, when a student inquired if she would do everything the same again, starting over as a 16 year-old, she quipped, “Can I start at 36, instead?”

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Grad Film alum Elran Ofir conjures a slot in Cannes Short Film Corner

Wednesday, March 18th, 2015

ReSized_EO

Spring brings the arrival of many things. Swans pursue the thawing lakes in the north. Leaves return to barren trees. And film moguls descend on the white beaches of Cannes for premiers and deal making. This year, alum Elran Ofir (Grad Film 14), will be one of the fortunate few whose film will be included in the Cannes Short Film Corner, a special section for filmmakers to gain access to industry meetings, workshops and conferences on strategic issues.

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Jeff Wall on artifice, actuality and accident — and why he doesn’t make films

Monday, March 9th, 2015
Jeff Wall spoke about his work and its influences. (Art Center photo by Juan Posada)

In the Grad Art Seminar series, Jeff Wall spoke candidly about his work and its influences. (Art Center photo by Juan Posada)

Vancouver-born and -based artist Jeff Wall is now living and working part-time in Los Angeles, which is good news for students at Art Center. A capacity crowd filled the L.A. Times Media Center at Hillside Campus last Tuesday night, eager to hear what he had to say.

Jack Bankowsky, who co-curates the popular Grad Art Seminar series with fellow faculty member Walead Beshty, introduced Wall, and reminded the audience of three of his works—opaque black and white prints—that are set in Los Angeles: Citizen (1996), a man lying on the lawn in a public park; 8056 Beverly Blvd., Los Angeles (1996), a cinema-turned-synagogue, framed in a circular black vignette; and Office Hallway, Spring Street, Los Angeles (1997), a man in a dimly lit, nondescript hallway.

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Art Center’s Film department joins Birdman’s Emmanuel Lubezki in embracing ARRI Pro Camera Accessories

Friday, February 27th, 2015

ARRI PCA Gear for the C300 from Chase Hagen on Vimeo.

This video is more than it seems. It’s not just a polished promotional piece for ARRI Pro Camera Accessories, targeting young filmmakers. It’s actually a multi-layered (and slightly meta) example of Art Center’s core values—collaboration, industry-minded creativity, polished production values. Look closely at the video’s ingredient list (aka credits) and you’ll find that it’s been fortified with Art Center talent at every level. Film student Chase Hagen produced the above behind-the-scenes look at the production of a music video, directed by Art Center Film alumnus, Steve Dabal.

The piece, which was shot in the soundstage at Art Center’s Hillside campus, was commissioned by ARRI Pro Camera Accessories as a result of a relationship fostered by Undergrad & Grad Film chair Ross LaManna and Advanced Cinematography instructor Affonso Beato, ASC. Then again, Art Center filmmakers are in good company: Here’s an interview with Birdman‘s Oscar-winning cinematographer, Emmanuel Lubezki, in which he credits ARRI equipment with facilitating some of the film’s most innovative camera-work and creative flourishes.

 

2015 Oscar predictions from Art Center’s movie makers

Friday, February 20th, 2015
Birdman

Birdman

As you plan your viewing party and fill out Academy Award voting ballots before the winners are revealed Sunday night, consider these opinions from our working professional Film Department faculty. The race for Oscar gold is nearing the finish line, so we asked our panel of  experts not only what they think will win but what movies they would like to see recognized in various categories and why.

May the best film take home the biggest box office regardless of the number of statues the cast and crew collect.

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Connecting the dots between illustration, Linkin Park and a feature adaptation of Eric Bogosian’s Mall

Monday, February 16th, 2015

On the occasion of his recent feature filmmaking debut, we invited Illustration alumnus and Linkin Park turntablist Joe Hahn to share his thoughts on the creative process and his Art Center experience.

I attended Art Center in the fall of ’95. Having a love for comics, illustration and films,  I knew that I wanted to pursue a life where I could create things. Attending Art Center for 2 semesters was the beginning of the journey I’m still on. For me, it was an institution of talented instructors and a mixed bag of talented students that were on a journey of their own. Although, my focus at the time was Illustration, my mind didn’t settle on the fact that I would settle on that as a career. It was more of a feeling than an intellectual acknowledgement that I would realize years later. However, many of the principals in the foundation of art and illustration are principals that I apply to all of my creative endeavors that anchor much of my intentions.  These endeavors include art, music, film and communication.

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