Archive for the ‘Film’ Category

Writer Seeks Same: Film faculty Douglas J. Eboch and Paul Guay discuss the pitfalls and pleasures of screenwriting partnerships

Tuesday, August 18th, 2015
Spanky and Stymie form a partnership in Paul Guay's The Little Rascals (1994).

Spanky and Stymie, classic partners, pledging “No girls allowed” in Paul Guay’s The Little Rascals (1994).

History is full of partnerships. Some, like Adam and Eve, can be very productive. Others end in ruin, such as Lancelot and King Arthur, when the former’s secret love affair undid the latter’s kingdom. The same is true in Hollywood where screenwriting partners are an integral part of the machinery—and mythology—of the business. Understanding what to look for in a writing partner, and why to work with one in the first place, is crucial to making sure the drama stays on the page.

Film faculty Douglas J. Eboch interviewed fellow Film faculty Paul Guay on his fruitful writing career in, and out of, partnerships.  (more…)

You go, grads: Let the Summer Graduation festivities begin!

Wednesday, August 12th, 2015
Graduating students with friends and family following Spring 2015 commencement. Photo: John Dlugolecki

Graduating students with friends and family following Spring 2015 commencement. Photo: John Dlugolecki

“Sun is shining. Weather is sweet. Make you wanna move your dancing feet.” Bob Marley

This Saturday, following a sometimes exhaustive, always intensive, memorably vigorous and astonishingly creative commitment to making and learning, 91 ArtCenter students will receive their diplomas. This will be the second graduation ceremony to be held at the Pasadena Civic Auditorium, a thankfully climate-controlled venue conveniently located between Hillside and South campuses.

As the day approaches, let’s celebrate these creative and talented individuals who are about to take on the world. Here’s the lowdown for the week:

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Extra! Extra! May-June Art Center alumni notes are hot off the press

Wednesday, July 22nd, 2015
Laura Leiman's RAAC project

Laura Leiman’s RAAC project

Here’s your early summer bounty of Art Center alumni notes, news and happenings, best enjoyed with a cool beverage, under a shady tree on a breezy afternoon.

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Destination Ghana! Art Center students raise funds for ambitious documentary project.

Wednesday, July 15th, 2015

We are The Next Level Brothers, D’Angelo and Martel McCornell, writer/director filmmakers from Cleveland, Ohio, currently studying Film at the Art Center College of Design in Pasadena, CA. We will travel to Ghana to direct and film a documentary about the grand opening of the first international Gloria Pointer Teen Movement Education Center. We have known Yvonne Pointer, of Cleveland, since childhood. Ms. Pointer became a community activist after her daughter, Gloria, was raped and murdered in December 1984.

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Best summer job ever? American Apparel hires Film student Zak Marx to direct a slate of commercials

Tuesday, July 14th, 2015
Screen Shot 2015-07-13 at 2.59.35 PM

Current Film student, Zak Marx, between summer jobs for Nike and American Apparel. Photo by Photography and Imaging student, Christopher Stoltz.

Relevance is a loaded topic for anyone with creative aspirations. That goes double for members of the Instagram Generation seeking to forge a directing career on screens big or small. And multiply that to the power of three for anyone and everyone working in advertising.

The relevance of relevance certainly is not lost on Zak Marx, a current student in Art Center’s undergraduate Film Department who happens to qualify in all three of the above categories after scoring a coveted gig with American Apparel directing 12—count ‘em, 12!—commercial spots central to the brand’s image overhaul under its new CEO, Paula Schneider.

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Looking to fire up your Fourth of July? Check out these blast-tacular movie explosions!

Thursday, July 2nd, 2015

Wherever you decide to celebrate the anniversary of our nation’s independence—in a small town watching a patriotic parade or an urban center sampling designer cocktails on a hotel rooftop—we know you are really just passing time until dark, waiting for the fireworks start.

To whet your appetite in anticipation of the pyrotechnic exhibition of your choice, we offer up some dynamite detonation displays from the silver screen.

No 4th of July celebration should go by without a viewing of the spectacular demolition of Paris in Michael Bay’s (BFA 88 Film) Armageddon.

An oldie but goodie, it is always worth watching the final scene of David Lean’s classic, The Bridge on the River Kwai.

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Film alumnus Chris Campbell’s Maglite commercial wins student Emmy

Friday, May 15th, 2015
CCampbell

Alumnus Chris Campbell accepts the 1st Place Commercial award for “Maglite – Dreamweaver” at the 36th College Television Awards, presented by the Television Academy Foundation at the Skirball Cultural Center in Los Angeles on Thursday, April 23, 2015.

And the College Television Award for best commercial goes to….Art Center alumnus, Chris Campbell, for his Maglite—Dreamweaver spot, a heartwarming ad concept which features a father and son bonding while using the flashlight to make shadow puppets.

The Television Academy, which hosts the Emmy Awards, created The College Television Awards to offer film students a national platform to showcase their work and talent. Modeling itself on the Primetime Emmy judging process, entries are reviewed by active Television Academy members. With more than 1,100 students from 500 schools across the United States vying for a few slots it is also extremely competitive.

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Art Center alumni notes: Spring 2015

Tuesday, May 12th, 2015
Alum Catherine Taft assistant curated America is Hard to See at the Whitney Museum of American Art, a show which features the work of alum Bill Wheelock

Alum Catherine Taft assistant curated America is Hard to See at the Whitney Museum of American Art, a show which features the work of alum Bill Wheelock

Spring has sprung for Art Center’s alumni community, which collectively bloomed with media attention and creative activity. Here we’ve gathered a bouquet sampling this group’s impressive undertakings.

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Onward and upward: Art Center’s Spring 2015 Grad Show

Monday, April 20th, 2015
Bruno Gallardo shows off his Zero Motorcycle prototype to alum Miguel Galluzzi of Aprilia/Piaggio. Photo by Jennie Warren

Bruno Gallardo shows off his Zero Motorcycle prototype to alum Miguel Galluzzi of Aprilia/Piaggio.
Photo by Jennie Warren

A fresh crop of creatives, 205 strong graduated from Art Center this past weekend, ready to harvest and haul their skills to the marketplace. The first pages of these grads’ yet-to-be-told professional narratives could involve launching a start-up, diving into a new position at a high-profile agency or escaping on a global adventure to see the world and collect some inspiration in the wilderness instead of the concrete jungle.

We decided to check in with a few during Spring 2015 Grad Show—our annual recruitment open house.

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Art Center Dialogues: Dede Gardner on leadership in Hollywood

Thursday, March 26th, 2015

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“Leaders in art, film, business and design practices, our speakers have changed both the questions we ask and the solutions we might find when it comes to thinking about 21st-century culture,” says Humanities and Sciences (H&S) Chair Jane McFadden, who curates the series, Art Center Dialogues.  The most recent speaker was Dede Gardner. Her long list of producing credits in film and television include award winners such as Tree of Life and 12 Years a Slave, as well as box office smashes World War Z and Eat Pray Love. As President of Plan B, (Brad Pitt’s production company), she has overseen the creation of dozens of films with some of the industry’s top talent.

The auditorium was at capacity with students eager to participate in the Q & A, followed by a screening of the Academy Award nominated Selma, her most recent project. Gardner was on campus to talk about leadership, and much to the pleasure of the crowd, a little insider gossip. When an audience member asked if she was able to speak about Andrew Dominik’s Marilyn Monroe project she said, “Yes, do you have eighteen million dollars?” Or, when a student inquired if she would do everything the same again, starting over as a 16 year-old, she quipped, “Can I start at 36, instead?”

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