Archive for the ‘Fine Art’ Category

Kickstarter powers epic journey across Argentina for artist Antrese Wood

Tuesday, March 17th, 2015

The Dotted Line caught up with Alumna Antrese Wood (BFA 94 Illustration) at the opening of her show, “A Portrait of Argentina” at the dA Center for the Arts in Pomona.

Perito Moreno glacier. Antrese Wood.

Perito Moreno glacier. Antrese Wood.

Dotted Line: What have you been doing personally since you left Art Center?

Antrese Wood: I’ve had a windy path.

I left Art Center and worked for Disney for about 12 years. I got that job by being extraordinarily persistent, possibly stalker-ish. Sometimes, I wondered if they hired me so I’d finally leave them alone.

Working at Disney allowed me to mature and continue to develop skills I learned at Art Center. The real lesson in all the class critiques is not so much about the details of the work itself; it’s about being able to objectively talk about the work. To listen to other people’s opinions about your ‘baby’ without taking it personally or getting defensive. Part of my job at Disney was providing art direction for video games. I can tell you the people who did not pick up that skill were not happy and did not make it very far.

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Jeff Wall on artifice, actuality and accident — and why he doesn’t make films

Monday, March 9th, 2015
Jeff Wall spoke about his work and its influences. (Art Center photo by Juan Posada)

In the Grad Art Seminar series, Jeff Wall spoke candidly about his work and its influences. (Art Center photo by Juan Posada)

Vancouver-born and -based artist Jeff Wall is now living and working part-time in Los Angeles, which is good news for students at Art Center. A capacity crowd filled the L.A. Times Media Center at Hillside Campus last Tuesday night, eager to hear what he had to say.

Jack Bankowsky, who co-curates the popular Grad Art Seminar series with fellow faculty member Walead Beshty, introduced Wall, and reminded the audience of three of his works—opaque black and white prints—that are set in Los Angeles: Citizen (1996), a man lying on the lawn in a public park; 8056 Beverly Blvd., Los Angeles (1996), a cinema-turned-synagogue, framed in a circular black vignette; and Office Hallway, Spring Street, Los Angeles (1997), a man in a dimly lit, nondescript hallway.

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The Williamson Gallery’s latest show, With Hidden Noise, features the work of eight sound artists

Thursday, February 26th, 2015
Installation view, With Hidden Noise Alyce de Roulet Williamson Gallery, Art Center College of Design Photo: Chuck Spangler

Installation view, With Hidden Noise
Alyce de Roulet Williamson Gallery, Art Center College of Design
Photo: Chuck Spangler

Sound is a fugitive object. We live in a muted cosmic universe – the big silence – where aural comprehension is confined to only certain molecule-rich atmospheres of planets supporting species of living things with an evolved ability to hear. We’re just damned lucky to be one of them—and even luckier to know of our own good fortune.

Without volume or mass (at least not the kind that succumbs to gravity) sound on Earth is weightless, fleeting and ephemeral—certainly not the solid we think of when contemplating the form of a physical thing. And yet sound is described in just those tangible terms, as having color, weight, body or texture. It isn’t that the material world just happens to offer us a robust set of analogies; it’s also because sound is, to our comprehension, very much like an object—a transient form of object, one that moves through time. Its shape, it might be said, is something we sense fourth-dimensionally.

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Carol Johnson’s WWII illustrations on view at Art Center’s Hutto-Patterson Exhibition Hall

Thursday, January 15th, 2015

Drawing-FireThe following Pasadena Now article adds a concise bit of context to Art Center’s new show of work by illustrator Carol Johnson. The exhibit opens today in the College’s newest gallery space, the Hutto-Patterson Exhibition Hall, located within South Campus’ Illustration and Fine Art hub at 870 South Raymond Avenue. This show offers a rare glimpse at both Johnson’s uniquely evocative illustrated narrative about WWII and, ultimately, our evolving relationship with war and how its atrocities and triumphs are conveyed and covered. And for those who have yet to visit Art Center’s newest building, this ongoing exhibition also represents the perfect opportunity to pay a visit to the meticulously renovated former US Post Office warehouse. 

Art Center College of Design presents Drawing Fire, an exhibition curated by alumnus Brody Albert, bringing attention to the work of his grandfather, illustrator Carol Johnson. As a World War II correspondent, Johnson helped translate the immediate experience of war into raw observational sketches for nationally syndicated newspapers, conveying a first hand experience of the war into the households of thousands of Americans.

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LA Art Show casts a New Eye on Illustration’s emerging artists

Tuesday, January 13th, 2015

The West Coast’s most comprehensive art experience, LA Art Show, is commemorating its 20th Anniversary at the LA Convention Center from January 14-18, 2015 and a handful of recent alumni from Art Center’s Illustration Department will be there to help celebrate.

Building on the success of last year’s partnership, Red Truck Gallery owner Noah Antieau again invited Associate Chair Aaron Smith to assemble a collection of work by Art Center’s Illustration alumni to showcase in “Littletopia,” a curated selection of galleries that are “bucking convention” in the art world. Smith has tapped emerging artists Zander Bice, Ranee Henderson, Ariel Lee, Valerie Pobjoy, Chris Youssef, Cassie Zhang to display their work under the “New Eye” banner, a term borrowed from the diverse tracks of study available within Art Center’s Illustration program. To add to the spectacle, upper-term students Addison Eaton and Erica Buttenschen will be presenting large, site specific sculptural installations at the fair.

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The redeeming power of Unlovable, a graphic novel by alumna Esther Pearl Watson

Monday, December 15th, 2014
Behold the cover of Esther Pearl Watson's teen angst graphic novel

Behold the cover of Esther Pearl Watson’s teen angst graphic novel

“This is going to be the best summer ever…I know my hot guy is sitting on a couch or mat and wondering if some fine lady is dreaming about him,” muses Tammy Pierce, the unlucky underdog of Unlovable, a graphic novel series by Illustration alumna Esther Pearl Watson.

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Art Center alumni notes: November 2014

Wednesday, December 10th, 2014
Jesse Hazelip launches his first solo show, "Mark of Cain" at Known Gallery in Los Angeles.

Jesse Hazlip launches his first solo show, “Mark of Cain” at Known Gallery in Los Angeles.

Art Center alums wrapped up 2014 with a flurry of media attention and creative activity. Here’s a snapshot of their impressive undertakings.

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Artist Frederika Roeder explores “the shimmering luminosity of it all” with Art Center at Night

Tuesday, December 2nd, 2014
Artist Frederika with her work Nightfog from her 2012 "Fog Series." Photo: Chuck Spangler

Artist Frederika Roeder with her work Nightfog from her 2012 “Fog Series.” Photo: Chuck Spangler

What kinds of students enroll in Art Center at Night (ACN), Art Center’s continuing studies program? Everybody from recent high school graduates to mid-career professionals to more experienced individuals pursuing new creative passions.

One student who took full advantage of ACN’s opportunities is artist Frederika Roeder, a California native whose work reflects the wide vistas, horizons and expanses of the Golden State. She uses mixed media—including acrylic, gels, resin and molding paste—to explore what she calls “the shimmering luminosity of it all.”

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Beyonce and beyond: Fine Art department responds to debate over “Pretty Hurts” course description

Monday, November 24th, 2014
Beyoncé Inc. (S, M, L, XL) by April Bey Oil on maternity mannequin and board 36''X48'' 2014

Beyoncé Inc. (S, M, L, XL), by April Bey. Oil on maternity mannequin and board, 36”X48”, 2014

This guest blog post comes in response to recent digital conversation sparked by an article on MTV.com taking issue with the description for an undergraduate Fine Art course (co-taught, not incidentally, by a woman of color) entitled “Pretty Hurts.” This piece, composed by Fine Art department chair Vanalyne Green and course instructors Ariel McCleese and April Bey, was intended to contribute to this vital and momentous exchange as well as to elucidate the intentions animating the description’s provocation. We hope the dialogue will continue as we wholeheartedly embrace the values of inclusivity and gender equality that have informed this conversation as well as the work of all the artists discussed below. Please continue to weigh in with your thoughts and ideas on this dynamically shifting terrain in the comments section below. 

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