1. Since graduating from ArtCenter nearly 25 years ago, Doug Aitken (BFA 91 Illustration) has blazed a luminous trajectory. From his breakout Electric Earth video installation at the 1999 Whitney Biennial, to the nomadic Station to Station (2013), the Southern California native creates multimedia works at once monumental and ephemeral.
Archive for the ‘Fine Art’ Category
With the arrival of the holiday season comes a time for hot beverages and brightly-patterned sweaters; for giving and receiving, at work and at home. We’re excited kick off the next six weeks’ worth of non-stop merriment by presenting you with with an early gift in the form of the latest installment of ArtCenter alumni notes, which is teeming with impressive news and accomplishments, from book releases and public engagements to major exhibitions at the Hammer Museum and LACMA.
Jon Jon Augustavo (MFA 13 Grad Film)
This short is not only something I’m proud of—the tone, the look and the story are all representative of my voice as a filmmaker and it is probably the last time I was able to create something that’s not weighed down by expectation or inundated by other voices. This is something that is truly me. More recently I’m waking up and developing a few independent feature films. Films go much slower than commercials and music videos and the projects start out seeming so far away, like a pipe dream. But in the blink of an eye everything starts to happen and it’s all on top of you.
We have created a virtual sharing space, Untold Stories: Q&As with ArtCenter Alumni, for alumni to talk about their past, present and future projects as well as the ideas and challenges that shape their careers, lives and work.
ArtCenter alumni are some of the most accomplished art and design professionals in the world. We hail their prominent successes in our various digital and print publications, including Dotted Line, Dot magazine, the Viewbook and social media channels.
We are proud to share these triumphant moments. But fame—or even outsize accomplishment—is not the only evidence of success. We believe that inspiration, innovation and authenticity are the true hallmarks of a creative and fulfilling life. So, as we celebrate our 85th anniversary we are embarking on an effort to understand meaningful achievement in all its variations and to share the many untold stories of ArtCenter alumni.
In many ways the site is an anthology of alumni work and will be used as a source for content on all of our communications channels where we will continue to share the ArtCenter story with the world. Alumni have been invited to explore and engage with Untold Stories by answering questions and submitting images to this highly visual and highly personal space. This is the place where designers and artists share their thoughts as well as their work. Here is a small sample of posts already inhabiting the space. We invite you to visit Untold Stories to peruse the rest and keep checking back for new entries.
“Sun is shining. Weather is sweet. Make you wanna move your dancing feet.” Bob Marley
This Saturday, following a sometimes exhaustive, always intensive, memorably vigorous and astonishingly creative commitment to making and learning, 91 ArtCenter students will receive their diplomas. This will be the second graduation ceremony to be held at the Pasadena Civic Auditorium, a thankfully climate-controlled venue conveniently located between Hillside and South campuses.
As the day approaches, let’s celebrate these creative and talented individuals who are about to take on the world. Here’s the lowdown for the week:
Here’s your early summer bounty of Art Center alumni notes, news and happenings, best enjoyed with a cool beverage, under a shady tree on a breezy afternoon.
A spectre is haunting fashion — the spectre of JUMPSUIT. Fine Art Adjunct Instructor Maura Brewer and Rational Dress Society co-founder Abigail Glaum-Lathbury are bringing the people a new voice for non-choice. Curious? The Dotted Line caught up with Brewer in between lectures in Sweden, guerrilla actions at fashion week in NYC and her successful Kickstarter campaign to find out more about the project.
Spring has sprung for Art Center’s alumni community, which collectively bloomed with media attention and creative activity. Here we’ve gathered a bouquet sampling this group’s impressive undertakings.
Pretty Hurts (Art 257) started out as a class that stirred debate and outright defiance both within Art Center’s student community and online publications. As the instructors of Pretty Hurts we would like to highlight the outcomes of the course as well as the projects that originated as a result of the class and how the ideas discussed fractured away from the class to influence Art Center College of Design’s student and faculty community. (more…)
The work ranges in scale and media, from large wooden and wool wall pieces that encompass the viewer, to small copper and salt sculptures that could fit in a child’s hand. Her hybrid objects blend artistic and craft traditions with personal and art historical references. The result is a generous and inviting array of objects that want to shift when you grasp at them but linger in your mind long after the encounter.
In her own words:
As far back as I can remember, there has been a clash between my cultural background and the transplanted American culture in which I was raised. I find myself pushing together what is considered valuable art histories of: frames, prescribed minimalist shapes, drawing and painting, up to traditional textile, fiber, and domestic objects that lack validity within the same art worlds structure in which the formerly mentioned genres reside. In order to form a dynamic exhibition that allows for a critical viewing of such histories, traditions, and acceptable forms of high art, and in doing so directly confronting the polarized art histories and blatant appropriation of traditionally “female” shapes and practices, and questioning the exclusion of craft into the realm of “fine art.”
Dotted Line: What have you been doing personally since you left Art Center?
Antrese Wood: I’ve had a windy path.
I left Art Center and worked for Disney for about 12 years. I got that job by being extraordinarily persistent, possibly stalker-ish. Sometimes, I wondered if they hired me so I’d finally leave them alone.
Working at Disney allowed me to mature and continue to develop skills I learned at Art Center. The real lesson in all the class critiques is not so much about the details of the work itself; it’s about being able to objectively talk about the work. To listen to other people’s opinions about your ‘baby’ without taking it personally or getting defensive. Part of my job at Disney was providing art direction for video games. I can tell you the people who did not pick up that skill were not happy and did not make it very far.