Archive for the ‘Fine Art’ Category

Science and Art collide in the REALSPACE exhibition at Art Center’s Williamson Gallery

Thursday, September 25th, 2014
Dan Goods andDavid Delgado Refraction, 2014 Theater light, water, custom electronics 19 x 25 ft., dimensions variable. Courtesy of the artists.

Dan Goods and David Delgado; Refraction, 2014; Theater light, water, custom electronics; Courtesy of the artists.

The painter Willem de Kooning once said that the idea of space “is given to the artist to change if he can.” And of the real, Robert Rauschenberg opined that a painting “is more like the real world if it’s made out of the real world.” Space in painting is measured on a scale that begins with deep illusion depicting what appears beyond the window of the canvas, and moves successively forward to tangible real tactility in front of the canvas.

Where an artist chooses to work on that illusion-to-reality scale can have meaning in and of itself. And the modern history of those choices can be viewed as a kind of archeology of existential change. The exhibition REALSPACE, opening October 4 at Art Center College of Design’s Williamson Gallery, is meant to reflect on how science intersects with that history. Poeticized by artists and studied by scientists throughout human history, the intractable reality of the natural world is examined by contemporary art and artifacts included in REALSPACE.

REALSPACE will be installed in the Williamson Gallery October 4, 2014 through January 18, 2015. The public is invited to an opening reception on Friday, October 3, from 7 to 10pm. Artists in the exhibition include Adam W. Brown and Robert Root-Bernstein, James Griffith, Dan Goods, David Delgado, Santiago Lombeyda, Rebeca Méndez and Jennifer Steinkamp. Artifacts and writings by James Ferguson (1710-1776), William Herschel (1738-1822), and Sir Isaac Newton (1642-1727), on loan from The Huntington Library, are also featured in the exhibition that combines works from contemporary art and science.  At its opening, the exhibition will be accompanied by a 20-page free booklet and, eventually, a 40-page catalog.

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Bringing outside artists in: Fine Art’s diverse programming aims to challenge assumptions

Thursday, September 18th, 2014
Still from Anuj Vaidya's short film Miss Piggy, Live with Diane Sawyer (2013)

Still from Anuj Vaidya’s short film Miss Piggy, Live with Diane Sawyer (2013)

A visiting artist and exhibition series sponsored by the undergraduate Fine Art department, open to the campus community and to the public, is bringing diverse voices and points of view to Art Center. (See full schedule of upcoming programs below.)

“Art students need to see a mix of people and perspectives, otherwise their assumptions about life, society and art are not questioned,” says Fine Art Chair Vanalyne Green. “And what is an art education for, if not to pose questions?”

The programming includes lectures, screenings, performances and exhibitions designed to expose students to artists whose work is thought-provoking and, in many cases, boundary-defying.

Last month, artist, educator and film curator Anuj Vaidya presented “Colour Me Queer: LGBTQ Voices From India,” an array of queer experimental shorts created by himself and others over the past decade.

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Art Center Students First: Faculty and staff come together to support scholarships

Thursday, September 11th, 2014
Fine Art faculty member, Tom Knechtel

Fine Art faculty member, Tom Knechtel

When Fine Art faculty member Tom Knechtel and director of real estate and campus planning Rollin Homer were asked to sign a faculty and staff appeal for Art Center’s Annual Fund this past spring, they came up with a better idea: create a scholarship fund for Art Center students that would last forever.

Their idea become the Art Center Students First Scholarship, the College’s first-ever scholarship endowment supported entirely by College faculty and staff. The goal is to bring the fund up to the endowment level of $50,000 so that it can continue provide support for students every year—for as long as Art Center is around.

Our brief chat with Tom sheds some light on the impact that scholarships like Art Center Students First can have on young artists and designers and on the College.

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Ike Morgan’s portraits of cultural icons inaugurate Art Center’s newest exhibition space

Friday, September 5th, 2014
Ike Morgan's paintings are the first to grace the walls of South Campus' Hutto-Patterson Exhibition Hall

Ike Morgan’s paintings are the first to grace the walls of South Campus’ Hutto-Patterson Exhibition Hall

In 2014 Art Center College of Design opened a new home for two of its dynamic visual arts programs—Fine Art and Illustration—at the College’s South Campus in Pasadena. Renovation of the former post office was made possible in part due to the generosity of the Hutto-Patterson Charitable Foundation, providing a dramatic atrium space in the center of the building to showcase the work of Art Center students and visiting artists through a rotating series of exhibitions.

On Thursday, September 11, the Hutto-Patterson will unveil its inaugural show: California’s first solo exhibition of self-taught, Texas-based artist Ike Morgan, which will remain on view through December 5, 2014. “U.S. Presidents and the Mona Lisa” features 16 unframed paintings on paper and two larger works on canvas, reflecting Morgan’s enduring interest in making pictures of George Washington and Mona Lisa.

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Illustration alumnus creates scholarship to give students foundational skills

Thursday, August 21st, 2014
Watercolor by Illustration alumnus, Frank Lanza

Watercolor by Illustration alumnus, Frank Lanza

Frank L. Lanza (BFA ’57 Illustration) has had his finger on the pulse of advertising illustration for nearly 60 years. Working almost exclusively as a freelancer, he survived the new dominance of photography in print in the 1960s, experienced the pungent impact of the Magic Marker on storyboarding, and witnessed the revolutionary impact of computers on layout and design. His wide-ranging career has included packaging design for Crown Zellerbach and book illustration for Sunset Magazine and the first Del Monte Kitchens Cook Book. He also storyboarded for commercials and TV shows.

Frank Lanza

Frank Lanza

Lanza credits the solid fundamental toolkit he acquired at Art Center with laying the groundwork for his creative versatility and professional durability. “I was able to last as a freelancer thanks to the strong foundation of drawing skills I received at Art Center,” he says. He now hopes to return the favor to future artists with a gift of $1 million to the College to establish the Frank L. Lanza Scholarship Endowment, providing them the same lifelong artistic foundation. The endowment supports students of exceptional talent in the Illustration and Fine Art departments.

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Grad Show Preview: Diving into the Summer 2014 talent pool

Monday, August 18th, 2014

Perhaps more than graduation itself, Graduation Show Preview marks the culmination of a student’s years of hard work at Art Center. Each term, on the Thursday before Saturday’s commencement ceremony, the College’s classroom studios, hallways and exhibition spaces come alive with 2D, 3D, digital and other work renowned for both its conceptual rigor and its professional finish. It’s like one giant gallery opening — the Summer 2014 edition brimming with more than 450 invited guests — showcasing some of today’s most innovative and most driven emerging artists and designers.

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Summer 2014: Countdown to commencement!

Tuesday, August 12th, 2014
0811GSP1

Getting ready for Grad Show. Photo: Lucia Loiso

The computer labs are packed. The shops are humming at all hours. Visitors from sponsoring companies and organizations are streaming through campus to attend final presentations. And the Student Gallery is full of projects in and out of the coveted space. These telltale sights and sounds can only mean one thing at Art Center: Week 14 has arrived.

The state of the campus is a visual reminder of the frenetic energy generated by Art Center students sprinting toward finals. The end of the term is here; and for 111 students, this week marks their last. Saturday evening, after countless all-nighters, critiques, finals, internships and hopefully some fun, 100 undergraduate and 11 graduate students will be awarded their degrees. As we count down to commencement, we celebrate these creative and talented individuals who are about to take on the world and honor the great teachers who have guided the way. Here’s the lowdown for the week.

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August 2014 Alumni Notes

Friday, August 8th, 2014
Jennifer Steinkamp's Murmurfication

Jennifer Steinkamp’s Murmuration

Summer 2014 has yielded a bounty of freshly produced works, events and ideas by Art Center alumni. And look for future editions of this dispatch to be equally flush, given July’s bumper crop of kickstarter campaigns. Read on to learn more…and get in on the fun(ding).

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Fine Art alumni Evelena Ruether and William Kaminski on curating, creating and releasing Control Room

Monday, July 28th, 2014
Fine Art alumni William Kaminski and Evelena Ruether, founders of Control Room gallery in downtown L.A

Fine Art alumni William Kaminski and Evelena Ruether, founders of Control Room gallery in downtown L.A. (Photo by Jennie Warren for Art Center)

A mutual interest in installation art brought photographer Evelena Ruether and painter William Kaminski together as friends and sometime collaborators in Art Center’s Fine Art program. After graduating in 2009, and sharing a desire to maintain the strong community of fellow artists they had bonded with at Art Center, the pair co-founded Control Room, an independent artist-run space that facilitated artist projects and group exhibitions in industrial downtown Los Angeles. Ruether and Kaminski went on to graduate school while pursuing their own work and curating Control Room shows. The space was active for four years, attracting mid-career artists and ushering in a nascent arts district in the area.

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Artworld luminaries and Art Center alums pay tribute to Mike Kelley’s legacy as an educator

Wednesday, July 16th, 2014

Of all the ways Mike Kelley has been celebrated for his pivotal contributions to contemporary art, since his death on January 31, 2012, his impact as an educator may be the most significant aspect of his legacy to go relatively unexamined, if not unsung. Kelley was a faculty member of Art Center’s Graduate Art Department from 1992 to 2007. And during his time teaching at Art Center, Kelley mentored such monumental talents as video artist Diana Thater (who now chairs the department from which she graduated), multimedia artist Pae White, installation artist Jennifer Steinkamp and Fine Art faculty member Jean Rasenberger.

In the above video, inspired by Kelley’s MOCA retrospective, these artists examine the ways in which Kelley influenced the kind of artists they’ve become, the work they create and, perhaps most importantly, how they go about crafting and sustaining a life as an exhibiting artist. Kelley has often been credited with helping raise the clout and visibility of LA’s art scene when his career took off and he declined to follow the well-worn path previous west coast supernova artists had followed to New York. As one of the first internationally acclaimed artists to root himself in Los Angeles, Kelley was, in essence, laying the groundwork for his students and their contemporaries to do the same.

If these artists’ upwardly-tilting career paths are any indication, Kelley’s impact on his students, his city and his creative discipline only gets deeper as time goes on.