After years of all-nighters fueled by coffee, critiques, cramming for finals and collaboration, 192 Art Center students will graduate on Saturday. This ceremony includes the very first graduating class for the Graduate Environmental Design and Graduate Transportation Design Programs. In fact, we have a record number, 36, students accepting graduate level degrees on Saturday. Also notable, 25% of this graduating class attended one or more of Art Center’s Public Programs (Art Center at Night or Saturday High).
Archive for the ‘Graduate Art’ Category
It’s that time of month again. Time, that is, to catch up on the creative undertakings Art Center’s talented diaspora of alums have been plotting, planning, pitching, prototyping, publishing, publicizing, producing and plying. And that’s just the p’s.
Dive into the following digest of alumni accomplishments and works-in-progress. And for those alums among us, be sure to clue us in on your own news and notes for inclusion in our next dispatch. We don’t want to miss anything. This is Art Center, after all. And we’re nothing if not completists.
Just over two months ago, Art Center provost, Fred Fehlau announced that full-time faculty members, Diana Thater and Jason Smith, would assume the roles of Chair and Associate Chair of Art Center’s Graduate Art program after longtime Chair, Jeremy Gilbert-Rolfe vacates the position in summer, 2014.
Thater, a pioneering film, video and installation artist, has been a dynamic and esteemed member of the international art community, ever since she earned her MFA from Art Center’s Grad Art program in 1990. She is a prolific artist who has exhibited around the world at first-rate institutions, including MOMA, the Walker Art Center and Dia Center for the Arts. Much of Thater’s work is informed by the social conscience she brings to her installation and video work exploring the relationship between humans and the natural world.
The Dotted Line recently visited Thater in her studio to discuss her plans for the Graduate Art Department as well as her current and future projects.
Art Center students, faculty, staff and alumni have been making news while making their mark at on the art and design worlds. For those who may have missed a headline or two, we curated this handy highlight reel of our recent media clips:
Don’t miss two lengthy, live interview segments we arranged for Interaction Design Chair, Maggie Hendrie and ACCD student Alex Cabunoc on the new cable program TakePart Live—a show tailored to Millennials (age 18-34) that reaches 40 million-plus households through Participant Media’s Pivot TV network. (Participant Media is the award-winning, socially and politically progressive production company responsible for An Inconvenient Truth, The Cove, Lincoln, among other enlightening and edifying films and TV shows).
Explore the art of border crossing with Morgan Fisher: scholar, sculptor, filmmaker and conceptual artistMonday, March 24th, 2014
Conceptual artist and filmmaker, Morgan Fisher, will discuss his vast and eclectic body of work at Art Center College of Design on Tuesday, March 25 at 7:30 p.m. at the Los Angeles Times Media Center.
At first glance, it’s hard to connect the dots comprising the details of Morgan Fisher’s early biography. He was born in Washington, D.C. in 1942. He studied the history of 19th and 20th century art at Harvard University. Then he studied film production in Los Angeles, first at USC and then at UCLA.
His creative path started to coalesce, however, once he landed in L.A. and committed himself to filmmaking. He began making independent films in 1968 while complementing his own avant-garde filmmaking, working as a teacher at Art Center and in various capacities on Hollywood productions, including as Roger Corman’s editor. Fisher’s films have been shown at festivals such as Pesaro, Oberhausen, Rotterdam, Berlin, and New York; and at museums such as the Museum of Contemporary Art, Los Angeles, the Museum of Modern Art, the Whitney Museum of American Art, Tate Modern, and Centre Pompidou.
What does Charles Ray’s faintly lumpish, touched-all-over Tractor (2004) have in common with Jeff Koons’ glistening, meticulously machined Balloon Dog (1994–2000)? And what does either of these celebrated icons have to do with Katharina Fritsch’s fluorescent yellow, human-scaled apparition Madonnenfigur (Madonna Figure) (1987)?
Anticipating the Moderna Museet survey (October 2014–January 2015) that will bring together the sculptural work of Katharina Fritsch, Jeff Koons, and Charles Ray, the exhibition’s curator and Art Center adjunct faculty member Jack Bankowsky will present a distinguished panel at Art Center’s Pasadena campus to discuss the show-in-progress and the critical issues it raises.
This Saturday, following years of all-nighters, critiques, finals, internships and hopefully some fun, 153 Art Center students will graduate. As that day approaches, we take time to celebrate these creative and talented individuals who are about to take on the world and, as is custom at our Fall Graduation, we also honor alumni who have already paved the way. Here’s the lowdown for the week.
Thursday, December 12: Graduation Show Preview
Industry leaders, employers, corporate partners, donors and alumni get the first look at the Fall term’s graduating artists and designers at the invitation-only Graduation Show Preview. This event, hosted by Alumni Relations to welcome new graduates into the community, gives our graduating students an opportunity to network with potential employers and fellow alumni. The show features student projects from major fields of study at Art Center, including Advertising, Entertainment Design, Environmental Design, Film, Graphic Design, Illustration, Photography and Imaging, Product Design, Transportation Design, Graduate Film and Graduate Industrial Design.
Graduation Show Preview will be held at Hillside Campus from 6 to 9:30 p.m., with a private reception immediately following.
Friday, December 13: MDP Work-In-Progress Show
Media Design Practices is holding a work-in-progress show from 6 to 10 p.m. in the Wind Tunnel Gallery at South Campus (950 South Raymond). The MDP/Lab track will be presenting thesis work in progress from their Ciphertexts & Cryptoblob inquiry and the MDP/Field track with be featuring projects from Kampala, Uganda.
Saturday December 14: Graduation
Join us in the Sculpture Garden at Hillside Campus from 4 to 6 p.m. for our graduation ceremony. At the ceremony, we will honor three of our alumni who will be presented with Alumni Awards. This year, all the awardees received degrees in Product Design. Gordon Bruce will receive the Lifetime Achievement Award, Stan Kong will receive the award for Outstanding Achievement and Spencer Nikosey will receive the Young Alumni Innovator Award.
Artforum called Sharon Lockhart’s meditation on the visionary work of Israeli dance composer and textile artist Noa Eshkol (1924–2007) an “intimate conversation of ideas simulated across the gulf of history.” The New York Times hailed the five-channel film installation as a “subtle but virtuosic move.” And the Los Angeles Times described it as “a sensitive portrait of a formidable artist.”
If you didn’t get a chance to experience the Art Center alumna’s acclaimed exhibition in person at the Los Angeles County Museum of Art (LACMA) in 2012 or at The Jewish Museum in New York earlier this year, the catalog presents an opportunity to delve deeply into the two artists’ unusual “collaboration.” Edited by LACMA’s Stephanie Barron and Britt Salvesen, Sharon Lockhart | Noa Eshkol (Prestel Publishing) features an in-depth interview with Lockhart; photographs of the installation and of Eshkol-Wachman Movement Notation spherical models; a selection of Eshkol’s wall carpets, scores and drawings; as well as several essays.
It’s not the first time Lockhart, who completed her MFA in Fine Art/Painting in 1993, has trained her lens on the work — and sometimes literally the labors — of others. In this case, Lockhart says, she was drawn to Eshkol’s “radical” practice and the “labor of love” that Eshkol’s devoted students, many of them aging, enact in preserving and performing her rigorous compositions.
This story originally appeared in Art Center’s Fall 2013 Dot magazine, where you’ll find more images from Lockhart’s installation as well as profiles of other notable alumni at work.