1. Since graduating from ArtCenter nearly 25 years ago, Doug Aitken (BFA 91 Illustration) has blazed a luminous trajectory. From his breakout Electric Earth video installation at the 1999 Whitney Biennial, to the nomadic Station to Station (2013), the Southern California native creates multimedia works at once monumental and ephemeral.
Archive for the ‘Graduate Art’ Category
“’UH-OH’ is among the finest solo museum shows this year.” Christopher Knight, Los Angeles Times, November 12, 2015.
It is not often that an artist has both intrigued and intimidated me as much as Frances Stark (MFA 93). So it was with some trepidation that I set out to the Hammer Museum to see Stark’s mid-career retrospective, UH-OH: Frances Stark, 1991-2015, on view until January 24, 2016. The exhibition brings together more than two decades of Stark’s poetic compositions and autobiographical reflections, featuring 125 works, including the artist’s early carbon drawings, intricate collages, and mixed-media paintings as well as her more recent videos.
LACMA exhibition pays tribute to the fruits of alum and Grad Art chair Diana Thater’s ‘Sympathetic Imagination’Tuesday, November 17th, 2015
On the eve of her highly anticipated midcareer survey Diana Thater: The Sympathetic Imagination, opening November 22 at the Los Angeles County Museum of Art, we pay a studio visit to the ArtCenter alum and graduate department chair known for her groundbreaking film-, video-, and installation-based works.
She’s snorkeled with wild dolphins, regularly watches the Nat Geo channel and lives with four rescue cats. So it seems only natural that Graduate Art Chair Diana Thater (MFA 90) would use her empathy for animals as the foundation for a remarkable series of video and film installations dissecting the knotty dynamic between humankind and wildlife.
With the arrival of the holiday season comes a time for hot beverages and brightly-patterned sweaters; for giving and receiving, at work and at home. We’re excited kick off the next six weeks’ worth of non-stop merriment by presenting you with with an early gift in the form of the latest installment of ArtCenter alumni notes, which is teeming with impressive news and accomplishments, from book releases and public engagements to major exhibitions at the Hammer Museum and LACMA.
Jon Jon Augustavo (MFA 13 Grad Film)
This short is not only something I’m proud of—the tone, the look and the story are all representative of my voice as a filmmaker and it is probably the last time I was able to create something that’s not weighed down by expectation or inundated by other voices. This is something that is truly me. More recently I’m waking up and developing a few independent feature films. Films go much slower than commercials and music videos and the projects start out seeming so far away, like a pipe dream. But in the blink of an eye everything starts to happen and it’s all on top of you.
We have created a virtual sharing space, Untold Stories: Q&As with ArtCenter Alumni, for alumni to talk about their past, present and future projects as well as the ideas and challenges that shape their careers, lives and work.
ArtCenter alumni are some of the most accomplished art and design professionals in the world. We hail their prominent successes in our various digital and print publications, including Dotted Line, Dot magazine, the Viewbook and social media channels.
We are proud to share these triumphant moments. But fame—or even outsize accomplishment—is not the only evidence of success. We believe that inspiration, innovation and authenticity are the true hallmarks of a creative and fulfilling life. So, as we celebrate our 85th anniversary we are embarking on an effort to understand meaningful achievement in all its variations and to share the many untold stories of ArtCenter alumni.
In many ways the site is an anthology of alumni work and will be used as a source for content on all of our communications channels where we will continue to share the ArtCenter story with the world. Alumni have been invited to explore and engage with Untold Stories by answering questions and submitting images to this highly visual and highly personal space. This is the place where designers and artists share their thoughts as well as their work. Here is a small sample of posts already inhabiting the space. We invite you to visit Untold Stories to peruse the rest and keep checking back for new entries.
Q&A with Grad Art faculty member and alum Gabrielle Jennings on her new book, Abstract Video: The Moving Image in Contemporary ArtThursday, August 20th, 2015
Gabrielle Jennings (MFA 94 Grad Art) is a multi-media artist and Associate Professor teaching in ArtCenter’s Graduate Art program. Most recently, Jennings has edited a collection of essays to be published by University of California Press: Abstract Video: The Moving Image in Contemporary Art (forthcoming Fall 2015). This groundbreaking volume includes a diverse set of essays centered around the question of abstraction in the moving image arts.
Jennings has been artist in residence at Kunstlerhaus Bethanien, Berlin and 200 Gertrude Street Artist Spaces, Melbourne and has been honored with support from such organizations as the Art Matters Fellowship, Philip Morris Kunstforderung, and the Samsung Faculty Enrichment Grant. Among others, writers Harold Fricke, Jeremy Gilbert-Rolfe, Cay Sophie Rabinowitz, and Jan Tumlir have written about her work.
Jennings received a BFA from the University of California, San Diego. There she had the opportunity to study with artists such as Eleanor Antin and Allan Kaprow. She then studied with Jeremy Gilbert-Rolfe, Patti Podesta, Mike Kelley, Stephen Prina, Lita Albuquerque and Sabina Ott in the Graduate Art program at ArtCenter.
With her book due to be released next month, Jennings answered a few questions about the broad spectrum of personal, professional and creative experiences informing her writing and video creative practice as well as her journey from student to faculty member in ArtCenter’s Graduate Art program.
Here’s your early summer bounty of Art Center alumni notes, news and happenings, best enjoyed with a cool beverage, under a shady tree on a breezy afternoon.
A spectre is haunting fashion — the spectre of JUMPSUIT. Fine Art Adjunct Instructor Maura Brewer and Rational Dress Society co-founder Abigail Glaum-Lathbury are bringing the people a new voice for non-choice. Curious? The Dotted Line caught up with Brewer in between lectures in Sweden, guerrilla actions at fashion week in NYC and her successful Kickstarter campaign to find out more about the project.
Leap Before You Look: Inside the revealing new exhibition on Black Mountain College, with MOCA curator Helen MolesworthWednesday, May 13th, 2015
“Most people in the room probably know a little something about Black Mountain College, and it’s probably part wrong and part true,” said Helen Molesworth. Relaxed in black sneakers and a loose sweater, the new chief curator at the Museum of Contemporary Art in Los Angeles, less than five months into her new job, offered a candid and engaging behind-the-scenes look at her work on a revealing new exhibition about Black Mountain College—the first comprehensive exhibition on the subject to take place in the United States.
The curator’s talk in February, a full year ahead of the exhibition’s opening in L.A., was part of both the Wind Tunnel Lecture Series and Art Center Dialogues. And as she disclosed to her unsuspecting audience at the outset, “You’re the first! I haven’t actually given a Black Mountain talk yet.”
For Molesworth, Black Mountain College’s mythic status—as the birthplace of the neo-avant-garde and the site of legendary collaborations by Robert Rauschenberg, John Cage and Merce Cunningham—has in fact been a problem to overcome, an impediment to a more complete understanding of its history. “It was a place charged in ways that engendered mythmaking from its inception,” she said, “and a lot of that mythmaking was self-generated.” (more…)