Archive for the ‘Graduate Art’ Category

Artworld luminaries and Art Center alums pay tribute to Mike Kelley’s legacy as an educator

Wednesday, July 16th, 2014

Of all the ways Mike Kelley has been celebrated for his pivotal contributions to contemporary art, since his death on January 31, 2012, his impact as an educator may be the most significant aspect of his legacy to go relatively unexamined, if not unsung. Kelley was a faculty member of Art Center’s Graduate Art Department from 1992 to 2007. And during his time teaching at Art Center, Kelley mentored such monumental talents as video artist Diana Thater (who now chairs the department from which she graduated), multimedia artist Pae White, installation artist Jennifer Steinkamp and Fine Art faculty member Jean Rasenberger.

In the above video, inspired by Kelley’s MOCA retrospective, these artists examine the ways in which Kelley influenced the kind of artists they’ve become, the work they create and, perhaps most importantly, how they go about crafting and sustaining a life as an exhibiting artist. Kelley has often been credited with helping raise the clout and visibility of LA’s art scene when his career took off and he declined to follow the well-worn path previous west coast supernova artists had followed to New York. As one of the first internationally acclaimed artists to root himself in Los Angeles, Kelley was, in essence, laying the groundwork for his students and their contemporaries to do the same.

If these artists’ upwardly-tilting career paths are any indication, Kelley’s impact on his students, his city and his creative discipline only gets deeper as time goes on.

June 2014 alumni news and notes

Friday, July 11th, 2014
Photograph by Damon Casarez for the New York Times

Photograph by Damon Casarez for the New York Times

From The New York Times to Esquire, from Cannes to the Venice Biennale — Art Center alums have been busy making, making headlines and making their talents known within some of the world’s most prestigious events, platforms and publications. In addition to this primer on their accomplishments, we’re also inviting the Art Center alumni community to nominate candidates for this year’s Art Center Alumni Awards. Read on to learn more.

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A salute to creative independence to light up your July 4th weekend

Thursday, July 3rd, 2014
John Van Hamersveld

John Van Hamersveld

Before we gather with friends and family to celebrate the 4th of July, we want to take a moment to recognize the spirit of independence. At Art Center, we revere art and design warriors who embody this country’s pioneering spirit: the rebels, the change makers, the innovators, the futurists and the unapologetic patriots. On the eve of Independence Day, we’d like to devote some pixels to a few of our unrivaled alumni who blazed their own paths, and who embody the same spirit of sovereignty that founded this country.

The Fourth of July is an opportunity to celebrate independence, which we tend to do over a barbecue grill loaded with savory treats, or sitting at the edge of a pool. Independence Day is the pinnacle of summer. We’re often reminded of John Van Hamersveld’s (BFA 64 Advertising) poster for The Endless Summer, which evokes the dreamy colors of California. His design came to define the iconography of surf culture. According to Vanity Fair, the poster, now over 50 years old, “hasn’t aged a minute.”

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Outgoing Grad Art chair Jeremy Gilbert-Rolfe on teaching, beauty and art’s unlikely logic

Tuesday, July 1st, 2014
Jeremy Gilbert-Rolfe

Jeremy Gilbert-Rolfe

After logging 11 years as Chair of Art Center’s Graduate Art department, Jeremy Gilbert-Rolfe handed over the reigns to incoming co-chairs Diana Thater and Jason Smith. Gilbert-Rolfe has spent a total of 28 years on Art Center’s faculty, and will migrate into a full-time teaching position in 2015 after a sabbatical during which he’ll dedicate himself to one of the many writing projects vying for his attention (see Q & A below for details).

Throughout his tenure with the college, Gilbert-Rolfe has had a hand in educating an impressive array of art world luminaries, including Lynn Aldrich, Lisa Anne Auerbach, David Bailey, Olivia Booth, Mason Cooley, Aaron Curry, Kevin Hanley, Nate Hylden, Melissa Kretschmer, Sharon Lockhart, T. Kelly Mason, Rebecca Norton, Steve Roden, Sterling Ruby, Frances Stark, Jennifer Steinkamp, Alexis Marguerite Teplin, Diana Thater, Pae White, Jennifer West and T.J. Wilcox. At the same time, he has distinguished himself as a formidable writer and critical thinker, best known for probing philosophical and aesthetic ideas around beauty and other issues informing the way we interact with art.

Gilbert-Rolfe makes clear in his candid and enlightening responses to our questions below that he will continue to build upon this legacy as an educator and critic.

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Grad Art alumnus and library staffer George Porcari receives prestigious Tiffany Foundation Award

Wednesday, June 25th, 2014

Art Center alumnus and acquisitions librarian George Porcari (MFA 87 Art) was one among 30 recipients of the 17th biennial Tiffany Foundation Awards, which may or may not have arrived wrapped in a little robin’s-egg blue box with a white bow.

Officially announced last week, a series of monetary grants are issued every two years to unsung American artists and craftspeople by The Louis Comfort Tiffany Foundation. What separates the award from other prestigious grants is that artists aren’t able to apply, and funds are unrestricted. The 2013 winners were selected from a pool of 137 nominees proposed by the Foundation’s trustees, artists, critics, and museum professionals throughout the United States. A seven-member jury then reviewed the submissions. The 2013 jury included art world luminaries Phong Bui, Chrissie Iles, Kathryn Kanjo, Charles LeDray, John Perreault, Cindy Sherman and Robert Storr.

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Change Makers: Alumni Q&A with video artist Filip Kwiatkowski on capturing the undefinable

Tuesday, June 24th, 2014

 

Working Title (I Am Not Your Father), 2013, by Filip Kwiatkowski. HD video projection with sound

Working Title (I Am Not Your Father), 2013, by Filip Kwiatkowski. HD video projection with sound

Warsaw-born video artist Filip Kwiatkowski (Grad Art, MFA 2013), who earned his BFA in film and television at the Tisch School of the Arts, came to Art Center after a successful career as a freelance photographer in New York. Shortly after completing his MFA in Art Center’s Graduate Art program, Kwiatkowski was awarded a fellowship at the Academy of Media Arts in Cologne, Germany, where he had studied as a participant in an Art Center exchange program. In his work today, Kwiatkowski continues to explore issues that fueled his graduate film project: how media interfaces transform personal narratives, shape behavior and create “a circumstance in which the relation between private, public, work and personal time are increasingly hard to separate.”

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Art Center in the news | April 2014

Tuesday, May 13th, 2014
Sterling Ruby, MFA 05 Art, courtesy KCET

Sterling Ruby, MFA 05, Art, courtesy KCET

Art Center’s students, faculty, staff and alumni continue to make news around the world. For those who may have missed a headline or two, we’ve curated this handy highlight reel of our recent media clips.

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Spring fever: Grad Art alum Alexis Marguerite Teplin melds performance, painting and a passion for ballet in Stravinsky-themed Zürich exhibition

Thursday, April 17th, 2014
Alexis Marguerite Teplin

Elas, 2012, oil on linen by Alexis Marguerite Teplin (courtesy Mary Mary Gallery, Glasgow, Scotland)

Graduate Art alumna Alexis Marguerite Teplin’s practice is noted for a theatricality based in seduction, artificiality and cultural signification–themes that harken back to Igor Stravinsky’s scandalous 1913 ballet, Le Sacre du Printemps (The Rite of Spring), culminating in the “sacrificial dance” of a young girl.

Fitting, then, that California-born, London-based Teplin is among the artists invited by the Migros Museum für Gegenwartskunst, housed in a former brewery in Zürich, to create new work that addresses the ballet, its context and its history for Sacre 101—An Exhibition Based on The Rite of Spring.

In Teplin’s live performance piece P and C, taking place at the museum next Thursday, April 24, features the sound and movement of two actors (and of Teplin herself) performing in a burlesque manner in front of one of her large-scale paintings, wearing brightly colored costumes she designed. The artist was inspired by Natalia Goncharova, an avant-garde costume and set designer for Ballets Russes, the company that originally performed The Rite of Spring a century ago. P and C is Teplin’s second performance work; her first, The Party, was commissioned by London’s Serpentine Gallery.

On view through May 11, the Sacre 101 exhibition presents contemporary works alongside a selection of Sacre documentation, much of which is being shown in a museum context for the first time.

Art Center Spring 2014 graduation is around the corner

Monday, April 14th, 2014

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After years of all-nighters fueled by coffee, critiques, cramming for finals and collaboration, 192 Art Center students will graduate on Saturday. This ceremony includes the very first graduating class for the Graduate Environmental Design and Graduate Transportation Design Programs. In fact, we have a record number, 36, students accepting graduate level degrees on Saturday. Also notable, 25% of this graduating class attended one or more of Art Center’s Public Programs (Art Center at Night or Saturday High).

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From muscle machines to dinosaur skulls: Art Center’s March 2014 alumni notes

Wednesday, April 9th, 2014

It’s that time of month again. Time, that is, to catch up on the creative undertakings Art Center’s talented diaspora of alums have been plotting, planning, pitching, prototyping, publishing, publicizing, producing and plying. And that’s just the p’s.

Dive into the following digest of alumni accomplishments and works-in-progress. And for those alums among us, be sure to clue us in on your own news and notes for inclusion in our next dispatch. We don’t want to miss anything. This is Art Center, after all. And we’re nothing if not completists.

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