A spectre is haunting fashion — the spectre of JUMPSUIT. Fine Art Adjunct Instructor Maura Brewer and Rational Dress Society co-founder Abigail Glaum-Lathbury are bringing the people a new voice for non-choice. Curious? The Dotted Line caught up with Brewer in between lectures in Sweden, guerrilla actions at fashion week in NYC and her successful Kickstarter campaign to find out more about the project.
Archive for the ‘Graduate Art’ Category
Leap Before You Look: Inside the revealing new exhibition on Black Mountain College, with MOCA curator Helen MolesworthWednesday, May 13th, 2015
“Most people in the room probably know a little something about Black Mountain College, and it’s probably part wrong and part true,” said Helen Molesworth. Relaxed in black sneakers and a loose sweater, the new chief curator at the Museum of Contemporary Art in Los Angeles, less than five months into her new job, offered a candid and engaging behind-the-scenes look at her work on a revealing new exhibition about Black Mountain College—the first comprehensive exhibition on the subject to take place in the United States.
The curator’s talk in February, a full year ahead of the exhibition’s opening in L.A., was part of both the Wind Tunnel Lecture Series and Art Center Dialogues. And as she disclosed to her unsuspecting audience at the outset, “You’re the first! I haven’t actually given a Black Mountain talk yet.”
For Molesworth, Black Mountain College’s mythic status—as the birthplace of the neo-avant-garde and the site of legendary collaborations by Robert Rauschenberg, John Cage and Merce Cunningham—has in fact been a problem to overcome, an impediment to a more complete understanding of its history. “It was a place charged in ways that engendered mythmaking from its inception,” she said, “and a lot of that mythmaking was self-generated.” (more…)
Spring has sprung for Art Center’s alumni community, which collectively bloomed with media attention and creative activity. Here we’ve gathered a bouquet sampling this group’s impressive undertakings.
It’s been a fruitful awards season—and not just for the creative team behind Birdman. Art Center alums have amassed an impressive array of accolades, from the Caldecott Medal (the Oscars of children’s literature) to the Oscars themselves. So in lieu of glitzy after party, we’ve done the next (or perhaps next, next) best thing and compiled highlights from our alumni community’s recent accomplishments below. Enjoy!
Vancouver-born and -based artist Jeff Wall is now living and working part-time in Los Angeles, which is good news for students at Art Center. A capacity crowd filled the L.A. Times Media Center at Hillside Campus last Tuesday night, eager to hear what he had to say.
Jack Bankowsky, who co-curates the popular Grad Art Seminar series with fellow faculty member Walead Beshty, introduced Wall, and reminded the audience of three of his works—opaque black and white prints—that are set in Los Angeles: Citizen (1996), a man lying on the lawn in a public park; 8056 Beverly Blvd., Los Angeles (1996), a cinema-turned-synagogue, framed in a circular black vignette; and Office Hallway, Spring Street, Los Angeles (1997), a man in a dimly lit, nondescript hallway.
For those unable to attend painter Josh Smith’s Graduate Art Seminar last month, we’ve got your back. Adam Stamp, who is currently pursuing an MFA through Art Center’s Graduate Art program, has provided an insightful and informed essay about Smith’s irreverent body of work and his wide-ranging talk full of valuable takeaways for emerging young artists.
In January, artist Josh Smith visited Art Center to speak at the Graduate Art Seminar lecture series. Smith is one of the 13 artists featured in The Forever Now, a controversial painting show at MoMA, described by many critics with the rhetoric du jour as the first survey of zombieism, with many considering Smith to be the prime example. The artist who made a name for himself with his “name paintings”, a series of works that continue to this day where he uses his name (literally the letter J-O-S-H S-M-I-T-H) as the subject of his paintings, was described in 2013 by New York Times critic Roberta Smith as “sacrosanct and trashy.” His newest works to make waves depict black palm tree silhouettes in front of Technicolor sky-scapes, á la Edvard Munch.
From Oxygen’s Street Art Throwdown to Spike TV’s Framework to the 2015 Academy Awards to Toyota’s MIRAI—Art Center alumni were featured across the media landscape, doling out expertise on art and design-based reality shows and creating inventive animation and futuristic vehicles. See the full scope of this month’s alumni accomplishments below.
Change/Makers video: Matt Sheridan’s paintings-in-motion redefine spirituality in the age of the algorithmMonday, December 8th, 2014
When asked to recall the most enduring take-away from his Art Center education, Matt Sheridan (MFA, Grad Art) had this to say: “Fight for what you believe in and prove your haters wrong every moment of every day — quietly — so the work can speak for itself.”
And while the arresting images in Sheridan’s large-scale paintings-in-motion, often displayed in public locations around the globe, are anything but quiet, they speak volumes about the artist who created them. Sheridan’s ideas about connection and communication at the crossroads of traditional and digital culture informing his work are complex and compelling. With that in mind, we set out to illuminate Sheridan’s life and work as a Los Angeles-based artist working on a global canvas, with the above Change/Makers video profile and his riveting answers to the questions below.
Most recently, Sheridan has been awarded a fully-funded residency at Matsudo PARADISE AIR (funded by the Japanese Ministry of Culture), that will take him to Japan from December 15, 2014 to February 13, 2015. He is also currently under consideration for a Fulbright grant to return to Brazil in fall 2015. And his exhibition of prints and video opened at TW Fine Art in Brisbane, Australia on December 1.
Artworld luminaries hail Stockholm debut of Sculpture After Sculpture, curated by Grad Art’s Jack BankowskyFriday, October 24th, 2014
By all accounts, Sculpture After Sculpture, an omnibus exhibition curated by Art Center faculty member, Jack Bankowsky, is a major event, capturing nothing short of a pivotal moment in the evolution of modern sculpture. The show opened last week at Stockholm’s Moderna Museet to great fanfare, including this piece in Artforum. For those who can’t make it to Sweden, the following catalog excerpt offers a glimpse at the compelling story this audacious show tells about sculpture’s relatively recent past and possibly its not-so-distant future.