Archive for the ‘Graduate Art’ Category

Art Center hosts distinguished speakers from the art world

Monday, February 18th, 2013

Andrea Fraser

The Graduate Art Seminar at Art Center College of Design welcomes internationally recognized artists, critics, art historians, architects, filmmakers and writers to Pasadena to share their insights into the world of contemporary art. The seminar — a core component of Art Center’s Graduate Art program — takes place at the Hillside campus Tuesday at 7:30 p.m. throughout every Spring term.

All events are free and open to the public.

Next up Tuesday evening is New York-based performance artist Andrea Fraser, whoseinstallations have been featured at the Berkeley Art Museum, the Kunstverein Munich, the Venice Biennale and the Whitney Biennial.

(more…)

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Forty years of making fine art matter: Ramone Muñoz chats with outgoing Fine Art Chair Laurence Dreiband

Thursday, December 13th, 2012

Fine Art Chair Laurence Dreiband (L) and instructor Ramone Muñoz. Photo: Chuck Spangler

After more than four decades of service to Art Center, Laurence Dreiband, chair of the College’s undergraduate Fine Art Department will be retiring at the end of this month.

Dreiband leaves the College with an impressive roster of accomplishments: a robust program with increasing enrollment and plans for future growth; an impressive list of distinguished faculty and alumni; plans for Artmatters, a new area of emphases in public art and social engagement; and, most significantly, a dedication to the importance of the fine arts in the life of the College and of the culture at large.

To mark the occasion, Art Center alumnus, instructor and former chair of Foundation Studies Ramone Muñoz recently sat down with Dreiband to discuss the outgoing chair’s legacy, their beginnings at the College’s Third Street campus, and what the future holds.

(more…)

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Art Center’s Graduate Programs Top U.S. News & World Report’s Latest Graduate School Rankings

Thursday, March 29th, 2012

Graduate student work will be on display at 4 Hours Solid on April 18. Photo: Four Eyes Photography.

U.S. News & World Report has released its annual Best Grad Schools rankings, and we’re proud to report that Art Center made quite a splash in its Fine Arts Schools list.

The College’s Graduate Industrial Design program ranked number two in the “Industrial Design” category; Graduate Media Design ranked number seven in “Graphic Design;” and Graduate Art ranked number 18 in “Fine Arts.”

According to U.S. News, these rankings were based on the result of a peer assesment survey—art school deans and other top art school academics were asked to nominate up to 10 programs noted for their excellence in each specialty, with the schools receiving the most nominations being listed.

Curious to learn more about Art Center’s graduate programs?

On April 18, the College will host 4 Hours Solid, its annual event at South Campus that showcases the work produced by its Broadcast Cinema, Graduate Art and Graduate Media Design departments. This year’s event will also include a preview of Art Center’s new graduate programs in Environmental Design and Transportation Design.

4 Hours Solid
Wednesday, April 18, 2012, 6–10 p.m.
Art Center College of Design, South Campus
950 South Raymond Ave., Pasadena, CA 91105

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Art Center Alumni Reminisce About Mike Kelley in the “L.A. Times”

Tuesday, March 13th, 2012

Last month, the Art Center community was stunned at the news that legendary artist Mike Kelley, who had taught in Art Center’s Graduate Art program from 1992—2007, had died.

At the time, Jeremy Gilbert-Rolfe, Chair of the Grad Art program at Art Center, said, “Recognized as an important artist almost from the very beginning of his career, Mike kept teaching as long as he could before the pressures of being very famous indeed made it simply impossible for him to come to school with any regularity at all. He was, both in general and as a colleague, a brilliant combination of passion regarding art and a sense of humor… He has left us devastated.”

While much of the news following Kelley’s death focused on his cultural impact on the international art world, Sunday’s L.A. Times featured Art Center alumni reminiscing about their former teacher, who was “generous, patient, sometimes harsh but above all, eager to engage and share with fellow creators.”

Art Center would like to acknowledge our alumni–all celebrated artists themselves–and thank them for taking the time to share their thoughts with the L.A. Times.

To read the article in its entirety, please click here.

From the Art Center Archives: Faculty critique work by Steve Roden GART '89. Pictured (L to R) circa 1989: Laurence Dreiband, Richard Hertz, Sabina Ott, Stephen Prina, Mike Kelley and Jeremy Gilbert-Rolfe. Image (c) Art Center College of Design/Steven A. Heller

UPDATE (3/15/12): Steve Roden, the student whose work was being critiqued in the above picture, recently blogged about seeing this photograph in the Los Angeles Times.

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“Teaching Artists: the Hollywood Way” – Thierry de Duve to speak at Art Center’s Graduate Art Seminar

Thursday, March 1st, 2012

By addressing everyone as if each person were a lover of art, indeed, an artist, we liberate desire and enthusiasm. – Thierry de Duve

Thierry de Duve, internationally renowned theorist, critic and educator on modern and contemporary art will be speaking on campus Tuesday, March 6 at 7:30 pm as part of Art Center’s Graduate Art Seminar. De Duve’s research and writing focus on a reinterpretation of modernism. Marcel Duchamp’s readymade and its implications for aesthetics have long been a central subject of his work.

De Duve is the author of a number of books including Look, 100 Years of Contemporary Art (2001), Kant after Duchamp (1998), Clement Greenberg Between the Lines (1996), Pictorial Nominalism; On Marcel Duchamp’s Passage from Painting to the Readymade (1991) and was a contributing writer for Held Together with Water: Artwork from the Verbund Collection (2007). His publications include numerous catalogues and articles.

He curated the exhibition Look, 100 Years of Contemporary Art at the Palais de Beaux Arts in Brussels (2000) and was responsible for the Belgian Pavilion at the Venice Biennale in 2003. De Duve is professor of aesthetics and art history in the Fine Arts Department at Université Lille III in Villeneuve d’Ascq, France. He has held visiting professorships at the Sorbonne in Paris, France and the Massachusetts Institute of Technology (MIT) and Johns Hopkins University, and was the Elliot and Roslyn Jaffe Distinguished Visiting Professor in Contemporary Art at the University of Pennsylvania, USA. He has been a Fellow at the Center for the Advanced Study of the Visual Arts at the National Gallery of Art in Washington, DC and The Clark art institute in Williamstown, Massachusetts.

The Graduate Art Seminar at Art Center  welcomes internationally recognized artists, critics, art historians, architects, filmmakers and writers to Pasadena to share their insights into the world of contemporary art. The seminar—a core component of Art Center’s Graduate Art program—takes place Tuesday evenings throughout the term and is free and open to the general public.

For a full list of speakers, please visit the Grad Art website.

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Graduate Art Seminar Brings Distinguished Speakers from the International Art World to Art Center

Wednesday, February 22nd, 2012

Tuesdays. 7:30 pm. Los Angeles Times Media Center.

Currently underway, the Graduate Art Seminar at Art Center  welcomes internationally recognized artists, critics, art historians, architects, filmmakers and writers to Pasadena to share their insights into the world of contemporary art. The seminar—a core component of Art Center’s Graduate Art program—takes place Tuesday evenings throughout the term and is free and open to the general public.

Carroll Dunham, Tree with Red Flowers 2009. Mixed media on canvas, 75 x 90 inches. Courtesy of Gladstone Gallery

Acclaimed Vancouver photographer Jeff Wall launched the series this term, with a roster of distinguished artists to follow, including noted philosopher, theorist and University of Lille professor Thierry de Duve (March 6); City University of New York’s Distinguished Professor Wayne Kostenbaum, the poet and celebrated author of such provocative titles as The Queen’s Throat: Opera, Homosexuality, and the Mystery of Desire; Jackie Under My Skin, and the newly released The Anatomy of Harpo Marks; (April 9*), and painter Carroll Dunham, who will speak on the occasion of a survey of his drawings at L.A.s Blum & Poe Gallery(April 17).

The series culminates with a special symposium titled “Changing the World” spearheaded by one of today’s most influential thinkers Alain Badiou (May 19). Badiou will be joined in conversation by noted professors Kenneth Reinhard (UCLA), Nathan Brown (UC Davis) and Jason E. Smith (Art Center).

For a full list of speakers, please visit the Grad Art website.

*Wayne Kostenbaum’s seminar will take place on a Monday

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Emilie Halpern’s Latest Explores Works “Never Seen”

Tuesday, February 7th, 2012

Emilie Halpern's "Mother (Happy), Mother (Sad)," 2012.

New mother and Art Center alumna Emilie Halpern–who graduated from the Graduate Art department in 2002–has an exhibition of new work on view at Pepin Moore in Chinatown.

The exhibition titled Jamais Vu, which translates as “never seen,” includes new photographs and sculptures that explored her feelings about her status as a soon-to-be mother.

“By the time I make the next show, so much will have happened; I’ll have such a different point of view on the purpose of art,” Halpern recently told Flaunt Magazine. “There’s this real fear as an artist that when you have a baby, do you continue to be an artist?”

Halpern’s Jamais Vu is on view until February 18.

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Artist Ming Wong at Art Center

Monday, January 30th, 2012

“In Italy a location in not just a backdrop, it’s a character, a famous co-star even.” Ming Wong

Ming Wong will speak at Art Center College of Design on the occasion of the debut of his Making Chinatown at REDCAT gallery Tuesday, January 31st at 7:30 pm in the L.A. Times Media Center.

Dominic Eichler, Frieze, September 2010

From the REDCAT press release:

Wong has been recognized internationally for his ambitious performance and video works that engage with the history of world cinema and popular forms of entertainment. Working through the visual styles and tropes of such iconic film directors as Rainer Werner Fassbinder, Wong Kar-wai and Ingmar Bergman, Wong’s practice considers the means through which subjectivity and geographic location are constructed by motion pictures. Making Chinatown … draws upon Polanski’s iconic film for its use of Los Angeles as a versatile and malleable character.

Shot on location in the Gallery at REDCAT, Wong’s reinterpretation, Making Chinatown, transforms the exhibition space into a studio backlot and examines the original film’s constructions of language, performance and identity. With the artist cast in the roles originally played by Jack Nicholson, Faye Dunaway, John Huston and Belinda Palmer, key scenes are reenacted in front of printed backdrops that are digitally rendered from film stills and kept intact within the video installation. The wall flats adhere to the conventions of theatrical and filmic staging while taking on qualities of large-scale painting and sculpture.

Ming Wong’s (b. 1971, Singapore) recent solo exhibitions have taken place at the Museum of Moving Image, Queens, New York, as part of Performa 11; Vitamin Creative Space, Guangzhou, China; the Frye Art Museum, Seattle; the Hara Museum of Contemporary Art, Tokyo; and the Singapore Art Museum. He has been included in such notable exhibitions as based in Berlin at Atelierhaus Monbijoupark in Berlin; the 2010 Gwangju and Sydney Biennial; and in 2009 at the Singapore Pavilion for the 53rd Venice Biennale, for which he was awarded a Special Mention. Wong currently lives and works between Berlin and Singapore. For more information, see www.mingwong.org.

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Be Part of Pacific Standard Time

Thursday, January 19th, 2012

Grad Art Faculty Member Seeks Bodies to be Part of Performance Art Event This Sunday

Grad Art core faculty Lita Albuquerque is creating a large scale performance for the Pacific Standard Time Public Art and Performance Festival and is looking for students, faculty and alumni from the Art Center community to sign up to participate this coming Sunday, January 22nd at noon at the Baldwin Hills Scenic Outlook in Culver City.

Spine of the Earth, Lita Albuquerque, 1980. Ephemeral installation at El Mirage Dry Lake Bed, CA. Lita Albuquerque © Lita Albuquerque Studio, 1980.

As described on the Pacific Standard Time website, Spine of the Earth 2012 is taking place this Sunday and is a recreation of Albuquerque’s 1980 Spine of the Earth, where the artist created a land based work at the bed of the El Mirage Dry Lake. The piece created a giant “geometric pattern over six-hundred feet in diameter” and turned the Earth into a artist’s canvas. In Albuquerque’s recreation twenty two years later, she won’t be painting the earth but will be making a “performative sculpture” that requires at least five hundred people.

As part of the open call to artists, designers and the general public, Albuquerque is looking for students, faculty and alumni from the Art Center community to participate in the performance. Sign up is easy at spineoftheearth2012.com. According to the site, participants will be involved in a very simple walking based movement (choreographed by LA-based choreographers WIFE) and will receive a signed, limited-edition artifact of the performance.

Kyle Fitzpatrick, who blogged about the upcoming event, wrote that he received the following details after signing up to participate:

  • The event is this Sunday between 12PM and 2PM. If you are participating, you need to be on site no later than 8AM.
  • This actually will not be in the desert (phew), but in Baldwin Hills Scene Overlook in Culver City, between Jefferson and La Cienega.
  • All participants will be involved in a very simple walking-based movement that will take place outdoors
  • What will you be wearing? A red jump suit! You should wear dark clothing and “comfortable walking shoes” in neutral colors to go underneath, though. You’ll also be keeping your red jumpsuit, which Lita will be signing as a thank you for participating.
  • Don’t bring your kids: all participants must be 16 and over.
  • Bring food money, as they will have food trucks there for eating. You’ll also be getting free coconut water!

The piece is a part of Pacific Standard Time’s Performance and Public Art Festival, which begins Thursday, January 19, continuing through Saturday, January 29. Pacific Standard Time: Art in L.A. 1945-80 is a collaboration of cultural institutions across Southern California coming together to celebrate the birth of the L.A. art scene.

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Come Hear Artist Jeff Wall Speak

Friday, January 13th, 2012

Tuesday, January 17, 7:30 pm, L.A. Times Media Center

Vancouver-based artist, Jeff Wall (b. 1946), widely recognized for both his pioneering photography and his trenchant writing on the medium and its place in contemporary art, will be speaking at Art Center Tuesday, January 17 at 7:30 pm in the L. A. Times Media Center. The event, sponsored by the Graduate Art program, is open to the entire Art Center community.

Wall has exhibited regularly at the Marian Goodman Gallery in New York since 1989, and he has been the subject of numerous museum shows, including a comprehensive 2005 European survey, “Jeff Wall, Photographs 1978-2004,” which opened at the Schaulager Museum, Basel, Switzerland, before traveling in a reduced version to London’s Tate Modern as “Photographs 1978-2004.” “Jeff Wall,” a retrospective organized by New York’s Museum of Modern Art and the San Francisco Museum of Art, opened two years later, in 2007, and subsequently traveled to The Art Institute of Chicago. To mark the occasion, MoMA published “Jeff Wall: Selected Essays and Interviews,” a collection bringing together 25 years of the artist’s words. This past summer, the Palais des Beaux-Arts, Brussels, mounted an exhibition entitled “Jeff Wall: The Crooked Path,” a selection of his own work together with that of a broad range of artists with whom he has felt affinities.

Wall earned his Masters of Arts at the University of British Columbia, where he graduated in 1970 with a thesis entitled: “Berlin Dada and the Notion of Context”. He subsequently traveled to London in pursuit of his doctorate at The Courtland Institute (1970-73), where he studied with noted art historian T.J. Clark. Returning to Canada, Wall served as assistant professor at the Nova Scotia College of Art and Design (1974-5), and at Simon Frasier University (1976-87), and went on to lecture at the University of British Columbia.

A galvanizing figure in the Canadian art world since the early 1970s, Wall has been the recipient of numerous awards, including the Audain Prize for Lifetime Achievement (2008). In 2006 Wall was made a fellow of the Royal Society of Canada, and named an Officer of the Order of Canada the following year.

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