Tag Archives: artist

Spring 2016 Graduate Seminar: A TED Talk-worthy lineup of lectures by the art world’s creative vanguard

Left to right: Brice Marden, Stanley Whitney, Charles Ray, Anne Wagner

Left to right: Brice Marden, Stanley Whitney, Charles Ray, Anne Wagner

ArtCenter’s Graduate Seminar lecture series is a forum for graduate students, members of the ArtCenter community and the general public to enter into dialogue with internationally recognized artists, critics and art historians. The seminar—a core component of the College’s Graduate Art program, and organized this spring by faculty member Jack Bankowsky—takes place Tuesday evenings throughout the fall and spring terms. Admission is free for the general public.

Unless otherwise indicated, lectures take place in the L.A. Times Auditorium on ArtCenter’s Hillside Campus, 1700 Lida Street, Pasadena 91103. Check our website to confirm dates, times and locations for the lecture series and for more information about the Graduate Art program.

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Change/Makers video: Matt Sheridan’s paintings-in-motion redefine spirituality in the age of the algorithm


When asked to recall the most enduring take-away from his Art Center education, Matt Sheridan (MFA, Grad Art) had this to say: “Fight for what you believe in and prove your haters wrong every moment of every day — quietly — so the work can speak for itself.”

And while the arresting images in Sheridan’s large-scale paintings-in-motion, often displayed in public locations around the globe, are anything but quiet, they speak volumes about the artist who created them. Sheridan’s ideas about connection and communication at the crossroads of traditional and digital culture informing his work are complex and compelling. With that in mind, we set out to illuminate Sheridan’s life and work as a Los Angeles-based artist working on a global canvas, with the above Change/Makers video profile and his riveting answers to the questions below.

Most recently, Sheridan has been awarded a fully-funded residency at Matsudo PARADISE AIR (funded by the Japanese Ministry of Culture), that will take him to Japan from December 15, 2014 to February 13, 2015. He is also currently under consideration for a Fulbright grant to return to Brazil in fall 2015. And his exhibition of prints and video opened at TW Fine Art in Brisbane, Australia on December 1.

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The creativity of environmental and social accountability: Q&A with artist Amy Balkin

Amy Balkin

Amy Balkin

Complex questions about our relationship and responsibility to the physical world we inhabit lie at the heart of Amy Balkin’s creative process and the work itself. Balkin, who studied with Fine Art Chair, Vanalyne Green while attending Art Institute of Chicago, recently visited Art Center to speak about the ideas that inform her creative practice, which explores issues of environmental justice, legal borders and the geopolitics surrounding the land we inhabit and the air we breathe.

Her major projects include This is the Public Domain, an ongoing bid to create a public commons from a piece of land she purchased in Central California; Public Smog, a clean air park she opens periodically by purchasing carbon emissions; and A People’s Archive of Sinking and Melting, a collection of items from places under threat of disappearance due to political, physical and economic shifts.

Just prior to her talk at Art Center, Balkin sat down with Dotted Line to discuss her approach to these ambitious works.

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Creative entrepreneurs go BOLD-ly forth, getting to the heart of the matter

Lynda Weinman of Lynda.com and Yo Santosa of Ferroconcrete at Art Center's BOLD Symposium.

Lynda Weinman of Lynda.com and Yo Santosa of Ferroconcrete at Art Center’s BOLD Symposium.

This past weekend, Art Center College of Design presented BOLD: The Art Center Symposium for Creative Entrepreneurs, a daylong symposium of presentations, lectures and workshops at the College’s Hillside Campus in Pasadena, focused on the future of creative entrepreneurship, design-driven startups and artist-run businesses and nonprofits.

The main takeaway? You gotta have heart.

More than 350 alumni and other guests heard inspiring stories of both triumph and failure—because for entrepreneurs, the two are never mutually exclusive. Fostering community and maintaining faith in one’s ideas are essential to survival. California’s improving economy is helping too, according to Kimberly Ritter-Martinez of the L.A. County Economic Development Corporation whose optimistic data reports kicked off the proceedings.

Among the 35 artists, designers, movers and shakers who presented: Lynda Weinman, co-founder of pioneering online education company Lynda.com; Colette Brooks, founder of Big Imagination Group; and Yo Santosa, founder of Ferroconcrete.

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Artworld luminaries and Art Center alums pay tribute to Mike Kelley’s legacy as an educator

Of all the ways Mike Kelley has been celebrated for his pivotal contributions to contemporary art, since his death on January 31, 2012, his impact as an educator may be the most significant aspect of his legacy to go relatively unexamined, if not unsung. Kelley was a faculty member of Art Center’s Graduate Art Department from 1992 to 2007. And during his time teaching at Art Center, Kelley mentored such monumental talents as video artist Diana Thater (who now chairs the department from which she graduated), multimedia artist Pae White, installation artist Jennifer Steinkamp and Fine Art faculty member Jean Rasenberger.

In the above video, inspired by Kelley’s MOCA retrospective, these artists examine the ways in which Kelley influenced the kind of artists they’ve become, the work they create and, perhaps most importantly, how they go about crafting and sustaining a life as an exhibiting artist. Kelley has often been credited with helping raise the clout and visibility of LA’s art scene when his career took off and he declined to follow the well-worn path previous west coast supernova artists had followed to New York. As one of the first internationally acclaimed artists to root himself in Los Angeles, Kelley was, in essence, laying the groundwork for his students and their contemporaries to do the same.

If these artists’ upwardly-tilting career paths are any indication, Kelley’s impact on his students, his city and his creative discipline only gets deeper as time goes on.

Explore the art of border crossing with Morgan Fisher: scholar, sculptor, filmmaker and conceptual artist

Morgan Fisher's New Alien Pendant Pair Paintings

Morgan Fisher’s New Alien Pendant Pair Paintings

Conceptual artist and filmmaker, Morgan Fisher, will discuss his vast and eclectic body of work at Art Center College of Design on Tuesday, March 25 at 7:30 p.m. at the Los Angeles Times Media Center.

At first glance, it’s hard to connect the dots comprising the details of Morgan Fisher’s early biography. He was born in Washington, D.C. in 1942. He studied the history of 19th and 20th century art at Harvard University. Then he studied film production in Los Angeles, first at USC and then at UCLA.

His creative path started to coalesce, however, once he landed in L.A. and committed himself to filmmaking. He began making independent films in 1968 while complementing his own avant-garde filmmaking, working as a teacher at Art Center and in various capacities on Hollywood productions, including as Roger Corman’s editor. Fisher’s films have been shown at festivals such as Pesaro, Oberhausen, Rotterdam, Berlin, and New York; and at museums such as the Museum of Contemporary Art, Los Angeles, the Museum of Modern Art, the Whitney Museum of American Art, Tate Modern, and Centre Pompidou.

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Watch Lynn Aldrich install (and illuminate) Un/Common Objects


As a Graduate Art student at Art Center, Lynn Aldrich experienced a creative paradigm shift after realizing “that fine art was something philosophical and critical of the status quo and yet something that could be beautiful and pleasurable and generous to the viewer.” That philosophy has consistently to informed her body of work, constructed from the ephemera of domestic life (from Brillo pads to garden hoses), over the course of her twenty-plus year career as a celebrated sculptor whose work has shown in museums around the world and is featured in the permanent collections of both LACMA and MOCA.

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