Tag Archives: book

Q&A with Grad Art faculty member and alum Gabrielle Jennings on her new book, Abstract Video: The Moving Image in Contemporary Art

Cover image courtesy of University of California Press

Cover image courtesy of University of California Press

Gabrielle Jennings (MFA 94 Grad Art) is a multi-media artist and Associate Professor teaching in ArtCenter’s Graduate Art program. Most recently, Jennings has edited a collection of essays to be published by University of California Press: Abstract Video: The Moving Image in Contemporary Art (forthcoming Fall 2015). This groundbreaking volume includes a diverse set of essays centered around the question of abstraction in the moving image arts.

Jennings has been artist in residence at Kunstlerhaus Bethanien, Berlin and 200 Gertrude Street Artist Spaces, Melbourne and has been honored with support from such organizations as the Art Matters Fellowship, Philip Morris Kunstforderung, and the Samsung Faculty Enrichment Grant. Among others, writers Harold Fricke, Jeremy Gilbert-Rolfe, Cay Sophie Rabinowitz, and Jan Tumlir have written about her work.

Jennings received a BFA from the University of California, San Diego.  There she had the opportunity to study with artists such as Eleanor Antin and Allan Kaprow.  She then studied with Jeremy Gilbert-Rolfe, Patti Podesta, Mike Kelley, Stephen Prina, Lita Albuquerque and Sabina Ott in the Graduate Art program at ArtCenter.

With her book due to be released next month, Jennings answered a few questions about the broad spectrum of personal, professional and creative experiences informing her writing and video creative practice as well as her journey from student to faculty member in ArtCenter’s Graduate Art program.

Continue reading →

From punk rock cabaret to Cindy Sherman: Dahlia Schweitzer’s compelling narrative extends well beyond the page

Alumna Dahlia Schweitzer, with her new book, Cindy Sherman’s Office Killer: Another Kind of Monster (Intellect, 2014). Photo by Ana J.

Alumna Dahlia Schweitzer, with her new book, Cindy Sherman’s Office Killer: Another Kind of Monster (Intellect, 2014). Photo by Ana J.

Peripatetic is one sure way to describe Dahlia Schweitzer. The Baton Rouge-born novelist, chanteuse and performance artist studied at Wesleyan University, lived and worked in New York and Berlin, and landed in Los Angeles some eight years ago to begin her studies at Art Center. “I was traveling around Europe doing a Dietrich-inspired punk rock cabaret show, but decided I wanted to focus more on my writing,” she recalls. “I was having a very tough time finding a graduate program that felt like a good fit. But Art Center faculty definitely understood and appreciated my interdisciplinary approach.”

Continue reading →

Art Center’s Bob Kato traces the evolution of The Drawing Club, LA’s bastion of communal creativity

Alum and faculty member Bob Kato's new book explores The Drawing Club's role as a hotbed of communal creative expression

Alum and faculty member Bob Kato’s new book explores The Drawing Club’s role as a hotbed of communal creative expression

You may not have heard of The Drawing Club, but for anyone who is serious about the art and craft of character drawing, this enduring Los Angeles institution is both a hands-on weekly workshop and a creative community hub.

Continue reading →

Prominent theorist Ezio Manzini to discuss new book connecting design culture to social change

 

Ezio Manzini

Ezio Manzini

Ezio Manzini, a leading force in social impact design and founder of the DESIS (Design for Social Innovation towards Sustainability) network of university-based design labs (including Art Center’s Designmatters department), will present a lecture based on ideas addressed within his new book, Design, When Everybody Designs, published by MIT Press. The event, which begins at 7pm in Art Center’s LA Times Media Center, will include an hour-long talk about design culture’s role in driving the future of social change and a book signing at 8pm.

The following excerpt from Manzini’s book, which was originally published as part of Mapping Social Design‘s Expert Workshop, offers an enticing preview of the innovative and deeply-considered ideas Manzini will address in his presentation at Art Center next week:

In the 21st century social innovation will be interwoven with design as both stimulus and objective, indeed it will stimulate design as much as technical innovation did in the 20th century. At the same time, it will be what a growing proportion of design activities will be seeking to achieve. In principle, design has all the potentialities to play a major role in triggering and supporting social change and therefore becoming design for social innovation. Today we are at the beginning of this journey and we still need a better understanding of the possibilities, the limits and the implications of this emerging design mode, but what is already clear is that design for social innovation is not a new discipline: it is simply one of the ways in which contemporary design is appearing. Therefore, what it requires is not so much a specific set of skills and methods, but a new culture, a new way of looking at the world and at what design can do with and for people living in it.

Continue reading →

Alumnus and star photographer Matthew Rolston’s captivatingly creepy portraits of ventriloquist dummies

Noisy Crachini (2010) from the exhibition Matthew Rolston: Talking Heads. (Credit: © Matthew Rolston Photographer, Inc./courtesy Diane Rosenstein Fine Art)

Noisy Crachini (2010) from the exhibition Matthew Rolston: Talking Heads. (Credit: © Matthew Rolston Photographer, Inc./courtesy Diane Rosenstein Fine Art)

The following story originally appeared in Art Center’s Fall 2014 Dot magazine, where you can read more about alumni and faculty achievements.

If you’ve seen photographs of Oprah Winfrey or covers of Rolling Stone, it’s safe to say you’ve seen Matthew Rolston’s work. His 2007 shoot with Michael Jackson is known as the singer’s “last sitting.” In fact, you almost can’t name a pop star Rolston hasn’t photographed or directed in a music video.

Continue reading →

Why is it so hard to finish a passion project?

Unknown

“Our time at Art Center is all about pushing limits and taking chances, but a lot of us lose that creative fire when our personal visions butt up against professional realities. In many ways our book RE:INVENT was a reclamation of the risk-taking spirit we had when we were back in school. Art Center alum,” says Derick Tsai (Transportation and Entertainment Design, ’05), who found his own unique creative voice (and heaps of critical and professional success) by thrusting himself out of the security of his thriving design studio and into the wilds of his own imagination. Here he tells the story of how he forged his path to personal and professional fulfillment.

Between the time demands of paying the bills and spending time with our friends and family, it seems like our passion projects never get off the ground. And this is a shame because it’s those passion projects that are often the truest expression of our personal vision and have the potential to elevate us to the next level. It’s pretty easy to get started but at a certain point, questions and doubts inevitably creep into our minds.

”What’s going to become of this?”

“Will anyone care?”

“Will this be worth anything?”

That last one’s the killer.

That thought has stopped me in my tracks more times than I’d like to admit. And I’m guessing it has stopped many of you as well. So I want to share with you how a personal project of mine eventually developed into a critically and financially successful book, lucrative client work and a TEDx Talk for Livestream audience of over 30,000 people.

Continue reading →

Required reading: Digital_Humanities, by Media Design Practices Chair Anne Burdick

burdickWhat are the digital humanities? That’s the question posed in a new scholarly book co-authored by Anne Burdick, chair of the Graduate Media Design Department. And judging by the critical response—from movers and shakers in the field like Lev Manovich, Dan Cohen and Alan Liu—it’s a question many want answered.

In Digital_Humanities (MIT Press), Burdick—along with metaLAB (at) Harvard’s Jeffrey Schnapp and UCLA’s Johanna Drucker, Peter Lunenfeld and Todd Presner—explores geospatial analysis, data mining, corpus linguistics and other non-traditional modes of humanistic inquiry. Writing for Leonardo Reviews, media artist and scholar Dene Grigar urges everyone to read Digital_Humanities, no matter their academic discipline, as it describes an area of research that has “the potential of transforming higher education.” And in the Italian edition of WIRED, Matteo “Mister Bit” Bittanti names the book one of his best of 2012 and recommends that every Italian university student add it to their reading list. A free Open Access edition of the book is available at the MIT Press website.

This story originally appeared in Art Center’s Dot magazine. Check out Dot online for more news of alumni and faculty exhibitions, products, books, films and social impact.