Tag Archives: Designmatters

And the Gold Award goes to…Safe Agua Colombia Team Calientamigos at IDSA International Conference

Team Calientamigos™ had a very busy summer. The Designmatters team members Mariana Somma, Della Tosin and Safe Agua Assistant Instructor Stella Hernandez returned to Bogotá, Colombia, for another informative field research trip. Around the same time, Tianyi Sun and Kevin Chang visited Austin, Texas, to attend The Exchange, IDSA International Conference, and to accept a Gold Award for Calientamigos™. Commenting on the students’ winning project, IDSA jury member Oscar Peña, global creative director for Philips Design Lighting, described it thus: “Authentic, inventive and playful solution to an everyday need. Good understanding of the value of doing daily rituals together.”

The following three-part post was written by Mariana Somma (Grad ID student), Stella Hernandez (Environmental Design BS 11) and Kevin Chang (Product Design student), on behalf of the entire Safe Agua Colombia Calientamigos™ team.

MARIANA SOMMA

mariana_headshot-300x300I recently had the privilege of joining the Calientamigos™ Team, which began through the Designmatters Safe Agua Colombia project. Through very tenacious last-minute efforts, I flew to Bogotá, Colombia, with teammate Della Tosin, with efforts to take with us five new Calientamigos BOMBA™ heater prototypes to the families living in the settlement of Altos del Pino (ADP), as well as check in on the first two rounds of prototypes left with the families over six months ago.  The experience was incredible, and meeting the families of ADP is one I will never forget. It was amazing to see the families using the Calientamigos™ system to heat water for bathing, cooking, cleaning, and even washing their family pets! For example, a family of 10 uses the BOMBA™ heater on a daily basis to heat bath water, saving them hours of time heating on a conventional stove, and with significant reduction in their gas bills.

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Illustrators inspire and lead the way at global gathering

A sell out crowd squeezed into the Portland Art Museum earlier this summer to experience ICON8, the world’s premier illustration conference, where Art Center leaders dominated the spotlight. More than a year in the planning, ICON8 is a must-go event for anyone serious about illustration and eager to mingle with all the key trade influencers.

Just being invited to speak is an honor in the illustration world, on par with headlining at SXSW, screening your film at Cannes or showing your classic wheels at Pebble. Organizers, who aim to amaze, inform and inspire, select only the top illustrators, designers, art directors, educators, reps, publishers and makers to occupy the main stage or lead workshops.

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Change to spare: Art Center students develop social innovation campaign to ease homelessness

The Welcome Home Project – “Real Change Movement PSA” from designmatters at art center on Vimeo.

Art Center College of Design student work will gain valuable widespread exposure as the citywide Real Change Movement initiative rolls out with a comprehensive social innovation advertising and public relations campaign. Real Change is a strategic initiative aimed to activate support for tangible, self-sustaining low-cost housing solutions to end homelessness and mitigate panhandling in Pasadena.

The Real Change Movement is the first initiative of its kind within Los Angeles County, to help provide homes for the homeless with funds generated by the coin and credit card donations made through uniquely designed meters. The goal is to install 11 bright orange meters throughout the city at heavily trafficked locations such as the convention center, shopping malls and parking structures. Campaign elements include a website, brochures, power bill stuffers, bus shelters, bumper stickers, elevator door signage, print ads, video and radio public service announcements. For more information, visit realchangemovement.org.

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Alum Ariel Lee’s penetrating illustrations offer creative takes on social issues

Ariel Lee

Award-winning Illustration alum Ariel Lee.

Ariel Lee earned her BFA in Illustration at Art Center in 2012. That same year, she beat out a field of established professionals as a winner in Design Observer’s 50 Books/50 Covers for her children’s book, Mark & the Jellybean Monster, created as a student in Designmatters’ Uncool: The Anti-Gun Violence Project. The following year, one of Lee’s illustrations was awarded the Society of Illustrators 55 Gold Medal.

Lee, whose graphite and painted works are an evocative mix of delicacy and edge, specializes in publishing and surface design. One of the first freelance jobs she landed after Art Center–her client list includes the Wall Street Journal and the New Republic–was The New York Times. “I had gone to New York right after graduation and I met with the art director just to show her my portfolio,” Lee said.

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The success of Safe Agua: Students design solutions to water scarcity in Colombia

Alumnus Isaac Oaks offers a student’s perspective on the Safe Agua Colombia project, just published in the new Designmatters book, Safe Agua Colombia (June 2014). Continuing to build on the investigations and experiences of the award-winning Safe Agua Chile and Safe Agua Peru projects, Oaks traveled as part of a student team to Altos del Pino, in Bogotá, Colombia, to co-create innovative technical design solutions with local families, seeking to overcome some of the social issues created by water poverty and to make an impact through resulting products and systems. 

The Designmatters Safe Agua project fostered my personal exploration into the area of community design co-creation. The experience began with an immersive 12-day research trip to outskirts of Bogotá, Colombia, in fall 2013, where I was among a small team embedded with families in the asentamiento of Altos del Pino. Our focus was designing for the all too common problem of extremely limited water supply. Because they are only provisionally connected to the official water grid, each household has access to a small hose of running water for just one hour every eight days. This highly restrictive schedule became the catalyst for our designs.

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Designmatters and Aspen Institute examine the social, creative and economic impact of the new culture of ‘intrapreneurs’

Mariana Amatullo speaking at Desigmnatters' Leap Symposium on the New Professional Frontier in Design For Social Innovation." Photo by Alex Aristei

Designmatters’ Mariana Amatullo opening the Leap Symposium: The New Professional Frontier in Design for Social Innovation. Photo ©2013 Alex Aristei for LEAP

This week the Aspen Institute launched a new series of essays on the growing importance of social intrapreneurs — change-agents within organizations large and small who are fusing business success with positive social and environmental impacts — and the value they are adding to their organizations and society. To kick off the series, the Institute, in collaboration with The Huffington Post, published the following piece by Mariana Amatullo, co-founder and vice president of Designmatters at Art Center College of Design.

Safir BellaliThe Institute also named 2001 Art Center alumnus Safir Bellali, Design Innovation director for Vans, to its incoming class of 2014 First Movers Fellows. Each fellow will tackle a project that will have a positive financial, social and environmental impact on both their company and society. Bellali, who maintains close ties with the College through his participation in critiques and hiring student interns, will explore how new manufacturing technologies will allow Vans to work toward bringing production back to the United States. In Fall 2014, Vans will sponsor a Designmatters/Product Design studio at Art Center.

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‘Stand With Us’: Students find kinship with Homeboy’s gang intervention program

This spring term I had the privilege of directing a short film as part of a Designmatters studio hosted by the Graphic Design Department, which was structured in partnership with Homeboy Industries, the country’s most successful gang intervention program.

Addressing Homeboy’s real and ongoing need for fundraising, we put together a video called Stand With Us. It brings together the insights of longtime donors to the organization with the stories of two former gang members, whose lives were transformed for the better at Homeboy.

Homeboy decided to screen Stand With Us on May 3 as an opener for the Lo Maximo Awards, the organization’s annual fundraiser. It was a fabulous night with food and drink, glamorous people (some of whom were tattooed) and lots of hugs, laughs and even some tears. It was a special moment for me as I got to see an eclectic and undoubtedly grateful crowd cherish my work—and the fruits of a successful collaboration between my school and one of LA’s finest institutions.

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Spring 2014 Grad Show: Making the world a better place, by design

Like a field of tulips bursting with color, spring has sprung at Art Center in the form of last weekend’s Grad Show. With an eye-popping array of stunning creations and innovation, works from this term’s wildly talented cohort of graduating students exploded through the hallways and galleries of Hillside and South Campus. Potential employers, curious visitors, beaming family members and excited (yet relieved) friends fawned over the fruits of many years of work and sacrifice grads invested in joining the coveted club of Art Center alumni.

Dazzled as I was by the work, I was able to meet up with a few students. And the following survey offers but a small sample of the artists and designers who stood out for various reasons.

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Alumni Spotlight: Erik Molano, social impact graphic designer

3 catalysts

Erik’s story originally appeared as part of Desigmatters’ Alumni Spotlight series. Find out more about Art Center’s social impact design department, Designmatters.

Throughout my education, I had always been fascinated by the power of graphic design. It’s everywhere. In books, freeway signs, software applications, automobile dashboards, cereal box packaging, architectural wayfinding, maps, and so much more. The thoughtfulness and intention that goes into the communication we consume daily is so ubiquitous we sometimes forget that it’s carefully crafted by a worldwide community of graphic designers. Since I had become a part of this community, I challenged myself to find a place within it; to discover my full potential.

I began to ask myself, ‘What’s the most impact I can have as a designer? Is there more to design than just laying out images and text in a beautiful way? How does our work impact culture?’ After a few years of soul-searching, I found my answer lying within the world of social innovation, with many thanks to the following three catalysts.

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View from the Bridge: Saluting graduating students and Art Center’s social impact on healthy drinking water and food

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A Balde Movil prototype is put to the test in Altos del Pino, Bogota, Colombia.

The Fall 2013 term culminated last weekend with our Grad Show—an unqualified success attracting hundreds of industry representatives—and the arrival of our students’ families on campus for graduation. It was my great pleasure to meet many of them and share in their excitement and pride.

I began this weekend’s ceremonies by reading Everything is Waiting for You by David Whyte. An ode to the creative power of community, this poem was born surprisingly out of a moment of deep grief for the author, which makes its vibrant call to action all the more remarkable. The work begins with a warning of isolation—“Your great mistake is to act the drama as if you were alone”—moves to an acknowledged tension of individual identity in the crowd—“Surely, even you, at times, have felt … the swelling presence, and the chorus, crowding out your solo voice”—and concludes with an exultant celebration of discovery and the power of entering the “conversation”—“The kettle is singing even as it pours you a drink” and, ultimately, “Everything is waiting for you.”

I shared this poem because I want our graduating students to find the strength to face what is calling them and recognize that they are surrounded by an astonishing depth and plethora of life. I want them to celebrate where the new edges meet and, as the poem suggests, believe they can change the world by their attentive presence.

Our students’ work offers ample evidence that this is all very much underway.

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