Posts Tagged ‘Industrial Design’

Art Center Receives NEH Grant to Preserve Industrial Design History

Wednesday, April 24th, 2013

From computers to sports cars to space capsules, America’s infatuation with invention has fueled industrial design. Now a prestigious grant from the National Endowment for the Humanities (NEH) is invigorating Art Center’s efforts to preserve the College’s rich history of industrial design images and materials.

Art Center students in 1937

Students working on an architectural model of a future Art Center campus in a project taught by Kem Weber. Gift of Irene Vermeers (PHOT 1937). Photography by Irene Vermeers.

According to College Archivist Robert Dirig, the grant will support a pilot project to digitize, preserve and make accessible a portion of Art Center’s collection of photographs, film and print materials documenting American industrial design education over an 80-year period.

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In Conversation: Richard Law, raising the profile of a great college

Saturday, October 6th, 2012

Art Center President Lorne Buchman, left, and alum Richard Law (Industrial Design ’58)

Art Center alumni are playing a growing role in helping to implement the College’s community-generated strategic plan, Create Change, with philanthropic support across a broad range of areas. Among the most talked about during the past year were gifts totaling $5 million to enable Art Center to acquire a former U.S. Postal Service property in Pasadena. The new property will effectively double the size of South Campus, transforming it from a “satellite” location to a fully-realized campus, with extensive benefits for students and faculty and for local residents.

Richard Law (Industrial Design ’58) is one of the visionary alumni donors who made the purchase possible. He generously offered his thoughts about investing in Art Center at what many are calling a pivotal moment in the College’s history.

Art Center: Can you lead us through your process of making your gift to Art Center? Was it a difficult decision?

Richard Law: It was always important to me to do something with my resources that made a difference in other people’s lives. When I saw the building for purchase, adjacent to the existing South Campus, I thought: This is fabulous. This is what Art Center should be doing. The property, in an urban environment on the edge of Old Pasadena where all the action is, as well as public transit, is a great example of renewing older areas, creating a vital, energetic place.

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Wheels in Motion: A Look at Art Center’s Transportation Design Department

Thursday, October 14th, 2010

Guest post by College Archivist Robert Dirig and Transportation Design Director Jay Sanders

Strother MacMinn teaches class on lawn, 1960 (Photo courtesy Art Center Archives)


Art Center’s Car Classic has become one of the most highly anticipated transportation events in Southern California, if not the entire country. Over the past nine years, the event has showcased amazing automobiles and brought together industry leaders–many of whom are Art Center alumni. As we approach Sunday’s Car Classic 2010: Freedom of Motion, join us in looking back at how Art Center became a leader in the world of transportation design.


Jergenson is shown in this circa 1950 photograph with student A.K. Ragheb PROD '51. (Photo courtesy Art Center Archives)

It is estimated that more than half of the world’s car designers are Art Center graduates. Transportation Design alumni currently hold top positions at the studios of Pininfarina, Ferrari-Maserati, Ford, General Motors, DaimlerChrysler, BMW, Porsche, Audi, Volvo, Nissan, Aston Martin, Mazda, Toyota/Lexus and Volkswagen North America.

The field has a long and storied history at the College. Years before Transportation Design became a major at Art Center, our graduates were taking positions with General Motors’ Buick Division in Detroit in the 1930s.

In 1948, Transportation Design became an official course of study at the College, with such influential faculty members as George Jergenson, Strother MacMinn and John Coleman establishing the school’s connection with transportation design—a field that would lift Art Center into international prominence.

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