Tag Archives: installation

Creative Footnotes: Kristy Lovich traces the inspiration for her new gallery show to her childhood bedroom

This creative manifesto is part of a series of first-person pieces by Fine Art students reflecting on the ideas informing their work. Each post will feature the artist whose work is currently rotating through the Undergraduate Fine Art Student Gallery, at the Hillside Campus. This week, student Kristy Lovich explores the sources of inspiration behind her intimate and evocative installation entitled, “Don’t go runnin off, there’s lots of shit to carry!”

We are building a house that remembers.
Don’t go runnin’ off, there’s lots of shit to carry!

This Place: and we have so much to do; so many things to look at.

When I was a kid, my mom would ask me to clean my room, the room I shared with my sisters. And because we were always making things, because I was always building something and taking something apart, the room was always a mess. Always in each corner was the evidence of the simultaneous destruction and construction of the small worlds I occupied: the theater, the miniature, the fantastic, the hidden, the movie, the book, the magic. Collections piled onto collections. And alongside these precious worlds were also the objects of this world: the dirty laundry, the trash, the long abandoned can of soda, lollipop stuck to its own paper, a forgotten homework assignment. On that dreaded Saturday morning, when she had finally tired of negotiating the path carved into the sea of things in our room, my mother would tell us that we were not to emerge until it was clean. Until everything was in its place.

Continue reading

Watch Lynn Aldrich install (and illuminate) Un/Common Objects


As a Graduate Art student at Art Center, Lynn Aldrich experienced a creative paradigm shift after realizing “that fine art was something philosophical and critical of the status quo and yet something that could be beautiful and pleasurable and generous to the viewer.” That philosophy has consistently to informed her body of work, constructed from the ephemera of domestic life (from Brillo pads to garden hoses), over the course of her twenty-plus year career as a celebrated sculptor whose work has shown in museums around the world and is featured in the permanent collections of both LACMA and MOCA.

Continue reading