Posts Tagged ‘Jeremy Mende’

Designer Jeremy Mende on ‘anxious futurism,’ petroleum, biorhythmic data

Tuesday, October 30th, 2012

Jeremy Mende's "100 Years from Now" installation in Rome.

Students packed an overflowing Los Angeles Times auditorium last Thursday night for 3×3*: Type Guys, an event that featured three presentations and a lively Q&A with designers Jeremy Mende, Kyle Cooper and Art Center’s own Simon Johnston—three men that have crafted the way we see, understand and interact with typography.

Last week we gave you highlights from Kyle Cooper’s presentation. Today we focus on San Francisco-based Jeremy Mende, an associate professor of design at the California College of the Arts, where he teaches experiemental typography and critical theory.

In 2000, he founded MendeDesign, a firm that describes itself as creating “unique, poetic and unexpected messages” and that believes that beauty and authenticity have a “critical role in producing things of value and durability.”

Mende has been recognized internationally for his work and has pieces in several collections including at SFMOMA. In 2010-11, he was the Rome Prize Fellow in Design at the American Academy in Rome.

At Art Center, he spoke with students about work he’s created that meet at the “interesection of [his] interest in psychology and [his] interest in design and [his] interest in typography.”

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Title sequence designer Kyle Cooper on fear, bleeding type, and going lo-fi for “Argo”

Friday, October 26th, 2012

(L to R) Simon Johnston, Jeremy Mende and Kyle Cooper field questions from students.

Students packed an overflowing Los Angeles Times auditorium last night for 3×3*: Type Guys, an event that featured three presentations and a lively Q&A with designers Jeremy Mende, Kyle Cooper and Art Center’s own Simon Johnston—three men that have crafted the way we see, understand and interact with typography.

You can read highlights from Johnston’s and Mende’s presentations; today, we’ll focus on Cooper.

The founder of Prologue Films, Cooper has been credited by Details magazine as “almost single-handedly revitalizing the main title sequence as an art form.”

The designer behind the title sequences for films like Se7en, Mission: Impossible – Ghost Protocol and the critically acclaimed current release Argo shared with the crowd his process, his philosophy and some behind-the-scenes tidbits.

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