This past spring, three students working in different disciplines (Photography, Graduate Transportation Design and Interaction Design) bravely chose to accept the challenge/opportunity (those last two words may as well be permanently fused—no slash necessary— when it comes to artistic endeavors) to reveal the agony and the ecstasy, the challenges and the epic fails that go into conceiving and creating a project over the course of a term. They had enlisted in Art Center’s ongoing collaboration with Myspace to highlight Art Center’s unique approach to creativity and diligently, digitally tracked his/her progress with a trio of videos shot at the beginning, middle and end of the creative journey.
Tag Archives: photography
Art Center at Night Director Dana L. Walker to show in juried exhibition
Dana L. Walker: measured spaces: diptych 1
Dana L. Walker is an Art Center all-star: a multi-talented player who excels in every position she plays. Walker is the director of Art Center at Night and managing director of Art Center’s suite of public programs (including Art Center for Kids, Saturday High and Summer Institute for Teachers). She is also an Art Center alumna, holding a BFA from the Photography and Imaging program. She also happens to be an occasional Art Center at Night student and an artist in her own right.
“Hiroshi Sugimoto: Past Tense,” four decades of alum’s work at the Getty Museum through June 8
Polar Bear, 1976, Hiroshi Sugimoto, gelatin silver print. The J. Paul Getty Museum, purchased with funds provided by the Photographs Council.
© Hiroshi Sugimoto
Long interested in the “re” part of representation, Hiroshi Sugimoto has, since the 1970s, used photography to investigate how history pervades the present. His first photographs, made while still in high school, captured film footage of Audrey Hepburn as it played in a movie theater.
Now the J. Paul Getty Museum in Los Angeles brings together three separate bodies of work by the 1972 Art Center Photography alumnus — four decades’ worth of meticulously crafted prints that inventively reframe objects from the collections of a variety of museums. The exhibition Hiroshi Sugimoto: Past Tense, continuing through June 8, features “Dioramas” (1975–1994), “Portraits” (1999) and his newest series, “Photogenic Drawings” (2008–present).
Creative disruption: Image strategists on photography’s new frontier
Photographs by Annenberg Apprentice Dave Koga are part of Our Story, a digital visual narrative he curated in collaboration with CicLAvia.
“The advent of new technologies and a global population consumed by social media have turned photography on its head,” says Dennis Keeley, chair of Art Center’s Photography and Imaging Department. “The profession now demands a daunting versatility for survival—including skills in entrepreneurship, computational competency and critical thinking. Image-making now extends well beyond the traditionally constructed photograph to more immediate and interconnected processes. These contemporary practices and ideas utilize art, science and communications, and demand an intellectual flexibility, collaborative spirit, and a willingness to engage the world with strategy.”
To prepare photography students to meet the demands of this rapidly changing profession, Keeley and his colleagues developed a pilot class this Spring, Creative Disruption: Beyond the Classroom. Co-led by Everard Williams, Ann Cutting and Elisa Callow, the class embeds students in local nonprofits where they’re given a creative challenge and work in collaboration with the partner organization to tackle that challenge.
The class is part of an Art Center study, funded by a grant from the Annenberg Foundation, investigating and testing models for the future of photographic education.
Read on to learn about our first two Annenberg Apprentices, and their innovative work with two community-based organizations, CicLAvia and the Japanese American Cultural and Community Center.
Check out these new student videos from our stellar Myspace occupiers
Roman Vargas, Photography and Imaging – second round from Art Center College of Design on Myspace.
Shortly after the Spring 2014 term passed its halfway point, our participating students (Myspacers?) produced a new set of videos tracking their progress on the path toward creative completion.
Starting a project is never easy. And finishing it is, arguably, even harder. But let’s not underestimate the challenges involved in persisting through the obstacle course of roadblocks artists often face once they’re deep enough into a project that starting over isn’t an option, and the finish line isn’t yet in sight.
Of one minute wonders and sustainable paper planes: February’s Art Center alumni notes
Hiroshi Sugimoto’s design for for his museum complex in Odawara, Japan
From art installations inspired by NASA’S space oddities to a self-styled museum in Japan: Art Center alums have been busy in February. Read on for more details about last month’s alumni accomplishments, including Designmatters’ new alumni engagement efforts.
News
Dan Goods GRPK 02 was featured in a story on Yahoo News about his work at NASA’s Jet Propulsion Laboratory (JPL). Yahoo
Satyendra Pakhalé PROD 94 discussed his design process and curiosity in a One Minute Wonder video. One Minute Wonder
Hiroshi Sugimoto PHOT 74 has announced plans to design and build a new museum for his work, the Odawara Art Foundation, which will be located in Odawara Japan. Wall Street Journal Blog
Jennie Warren PHOT 05 collaborated with Welsh singer Cate Le Bon and illustrator Erin Althea and on a series of promotional images for Cate’s upcoming tour. Erin Althea’s Blog
Check out the latest videos from Art Center’s Myspace occupants
Update: Shortly after the Spring 2014 term passed its half-way point, our participating students (Myspacers?) produced a new set of videos tracking their progress on the path toward creative completion.
Starting a project is never easy. And finishing it is, arguably, even harder. But let’s not underestimate the challenges involved in persisting through the obstacle course of road-blocks artists often face once they’re deep enough into a project that starting over isn’t an option and the finish line isn’t yet in sight.
This extraordinary set of videos (featured on our Myspace page) offers a snapshot of the breathtaking range of creative activity happening at Art Center on any given day.
Photography student Roman Alexander Vargas takes us deeper into his sources of inspiration (Nan Goldin, primarily) for the very personal photo essay he’s creating as he chronicles his initiation into drag queen culture.
Interaction Design student, Inae Song, delivers a dynamic illustration of the iterative process involved in redesigning an interactive digital destination for AIGA, the American professional association for design professionals. For a young designer proving her mettle, it’s hard to think of tougher crowd to please than the members of AIGA. But Song remained undaunted and produced some incredibly compelling work that plays like a tutorial in website design.
Graduate Transportation Design Student, Nish Kamath, bowed out of this step in the process and will rejoin us with a final video revealing the finished product he creates based on his research into traffic patterns in the developing world.
Each of these students defies and exceeds any and all expectations they set forth in their initial videos, leaving us rapt in anticipation of their final installations. Stay tuned.
Last October, Art Center formed an alliance with the newly relaunched Myspace platform, which had reinvented itself as a social network for creative types. Myspace’s elegant interface seemed custom designed for the Art Center community, with each user profile centered around a portfolio of images and videos that comprise the user’s identity by showcasing the evolution of imagination and innovation. In other words, if Mark Zuckerberg had been a student at Art Center, not Harvard, Facebook might have looked a lot like the current iteration of Myspace.
Because Art Center is known for its students’ enterprise and productivity, that creative rigor became the focal point for this partnership. To illustrate this dedication, we recruited four students from four different disciplines (Product Design, Graphic Design, Illustration and Film) and asked them to document their creative process over the course of the term as they complete a project. The results were as inspiring as they were fascinating, providing a panoramic view of the geyser of creativity that is Art Center.
MLK Day: For Photo alum Van Evers—son of civil rights leader Medgar Evers—giving a photograph is as rewarding as taking one
Dr. Betty Shabazz (educator and widow of Malcolm X), Coretta Scott King (activist and widow of Dr. Martin Luther King Jr.) and Van Evers’ mother, Myrlie Evers-Williams.
Though he rarely grants interviews, this week Van Evers agreed to talk with Dotted Line about his education and career, and also about his family legacy—an important part of our nation’s history as well as his own.
Los Angeles is not merely the backdrop for an Art Center education. It’s a living laboratory for artistic experimentation and, as the capital of an Industry so pervasive it needs no other name, a source of gainful employment.
Photography alumnus James Van Dyke Evers (who goes by “Van”) has an especially coveted gig in entertainment as the official photographer for the L.A.-based Tavis Smiley show on PBS. Over the past six years he has photographed hundreds of A-list guests on the nightly talk show, a who’s who of contemporary culture and politics, from Prince to Anthony Hopkins, from James Taylor to President Barack Obama.
“My job is to capture that special energy between two people,” says Van, who may be unique in the fast-paced world of TV talk shows for making sure every guest leaves with a framed print commemorating their appearance on the show. It entails working with lightning speed and decisiveness, and often literally running to catch guests as they step into their waiting limos.
“Most shows deliver digital images to the publicist later, and we do that too,” he says. “But handing the guest a physical print, to hold in their hands—it means so much to that guest, and it puts a smile on their face.”
That grateful smile is what made Van choose a career in photography.
Van picked up his first camera as a nine-year-old at summer camp and made his first prints in an old shed. “Light leaked everywhere, it was a real mess, but when I saw that print come up in the developing tray, that was it.”
Art Center’s top-tier facilities and dedicated faculty helped Van hone his craft, teaching him professional skills and life lessons that continue to serve him. Looking back he singles out instructors like Charlie Potts and Peter Suszynski and fellow students like Everard Williams and Jeff Sedlick (who both now serve on the faculty), and Neal Brown and Sean Thonson. And he gladly shares his own “must do”s for aspiring photographers: “Be on time. Listen to the client’s needs. And prep, prep, prep! Have a backup plan. Because things can and will go wrong. If you don’t get the shot right away, it’s over. You don’t get a second chance.”
True confessions from Art Center at Night students, captured on video
Each term, Art Center at Night holds an open house, offering current and prospective students a brief glimpse at what goes on within the walls of its open-air classrooms. It’s a fleeting, but essential, experience for career-changers and seasoned and aspiring artists preparing to make the leap into what’s arguably the city’s most high-intensity after-hours creative education. It’s also an opportunity likely missed by anyone with extended working hours or family obligations (i.e., those who need it most).
Don’t fret. We’ve got your back. At a recent open house, we asked students to get in front of the camera and share with us what Art Center’s continuing studies program has meant to them. The answers were as diverse as the individuals themselves. See for yourself in the video above.
Perhaps it’s time to contemplate what Art Center will mean to you.
‘Insights’ highlights: 108 high-intensity doses of creative inspiration in 130 characters or less
Alum Lynne Aldrich leads a tour of her sculpture exhibit in the Williamson Gallery
While Car Classic dominated last weekend’s headlines, with its lineup of head-turning, high-revving art-imitates-life works of automotive aesthetics and ingenuity. Sunday’s auto design showcase wasn’t even the only audacious display of Art Center’s creative assets on view last weekend. On Saturday, the College hosted a curated selection of seminars and workshops known as Art Center Insights. The invitation-only event offers donors and trustees an opportunity to experience what it’s like to be Art Center student for an afternoon (minus the mountain of pressure to complete competing creative projects).
After a lunch in the student dining room with President Lorne M. Buchman, participants chose from the following Session 1 presentations: 3D Printing: A Revolution in 3D, Environmental Design: The Safe Aqua Project and Interaction Design: Evolving User Experience. Then came the second and final round of workshops: Transportation Design/Sustainability: Nature, The Mobility Innovator, Photography: Portraiture Unplugged and Fine Art: Lynn Aldrich: Un/Common Objects.
Because Insights reaches only a small slice of the population who might benefit from it; we embedded reporters in each of the workshops and live-tweeted the entire event. Taken together, these concise dispatches offer a cohesive (if not comprehensive) narrative of what it was like to experience Insights and the inspiring ideas and tools exchanged over the course of all six workshops.
Some people dream of being king for a day. But Insights makes a good case for the rewards that go along with being a student, for a day or a lifetime. Hopefully the chronicle below will conjure some of that mind-expanding thrill vicariously.