Tag Archives: social innovation

No developing world emergency is too great for UNICEF Innovation Lab lead and MDP alum Jeff Hall

Media Design Practices alumnus Jeffrey Hall, in black T-shirt, conducted fieldwork in Uganda before being named UNICEF’s Innovation Lab Lead for Indonesia.

Media Design Practices alumnus Jeffrey Hall, in black T-shirt, conducted fieldwork in Uganda before being named UNICEF’s Innovation Lab Lead for Indonesia.

As UNICEF’s Innovation Lab Lead for Indonesia, alumnus Jeffrey Hall has developed a simple standard for his projects: to use design to improve the quality of people’s daily lives. “I collaborate with some amazing people, both in the U.N. and the creative community, to see how innovative approaches can be applied to improving their programs, technology, process or partnerships,” says Hall.

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From Insulin tape to reusable sanitary pads: Meet the 2015 Denhart Family Sustainability Prizewinners

Denhart Sustainability Prize jurors (from L): Kristin Brown [Principal in charge of sustainability, Walt Disney Imagineering Research & Development], Christian Denhart [representing the Denhart family and Art Center Alumnus] and Heidrun Mumper-Drumm [Professor and Director Sustainability Initiatives, Art Center]

Denhart Sustainability Prize jurors (from L): Kristin Brown [Principal in charge of sustainability, Walt Disney Imagineering Research & Development], Christian Denhart [representing the Denhart family and Art Center Alumnus] and Heidrun Mumper-Drumm [Professor and Director Sustainability Initiatives, Art Center]

Art Center’s recent announcement of the Denhart Family Sustainability Prizewinners highlights the ways in which a design-thinking approach to social innovation has the potential to create measurable improvements to our health and well-being. The judges selected each of the following four projects based on the concept’s efficacy in addressing pressing environmental, social and/or economic sustainability issues, the potential benefits of the project and its impact as well as its ability to advance the teaching and practice of art and design. Please join us in congratulating the winners. We look forward to seeing these out-of-the-box ideas come to life.

1st Place / $15,000/ OATH: INSULIN TAPE SYSTEM / Martin Francisco

Product Design student Martin Francisco received the grand prize for ‘Oath,’ an innovative insulin delivery system that provides individuals with an accurate and painless method of dispensing insulin, while dramatically reducing material waste and environmental impact.

Oath is designed for aging adults, who have issues with dexterity, needle safety, storing and measuring proper dosages when administering liquid insulin. The tape and dispenser system makes using Oath as easy as applying and removing a Band-Aid. Moreover, Oath has 72% fewer environmental impacts over its life cycle when compared to the current insulin pen. The ergonomic Oath design accomplishes this by reducing the number of materials and components, minimizing waste at all stages, and using non-toxic, recyclable and renewable resources.

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The Girl Effect Studio: Nike + Designmatters team up to equip teen girls for social change leadership

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In the fall of 2014, Designmatters and Art Center’s Product Design Department collaborated with the Nike FoundationYale School of Management and fuseproject with the challenge of empowering and getting resources into the hands of adolescent girls living in poverty around the world. Student teams on both coasts built on existing everyday practices and developed social impact design ideas for income-generating and time-saving tools and techniques that are widely accessible, radically affordable and can be used intuitively by girls in diverse cultures all over the world.

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Prominent theorist Ezio Manzini to discuss new book connecting design culture to social change

 

Ezio Manzini

Ezio Manzini

Ezio Manzini, a leading force in social impact design and founder of the DESIS (Design for Social Innovation towards Sustainability) network of university-based design labs (including Art Center’s Designmatters department), will present a lecture based on ideas addressed within his new book, Design, When Everybody Designs, published by MIT Press. The event, which begins at 7pm in Art Center’s LA Times Media Center, will include an hour-long talk about design culture’s role in driving the future of social change and a book signing at 8pm.

The following excerpt from Manzini’s book, which was originally published as part of Mapping Social Design‘s Expert Workshop, offers an enticing preview of the innovative and deeply-considered ideas Manzini will address in his presentation at Art Center next week:

In the 21st century social innovation will be interwoven with design as both stimulus and objective, indeed it will stimulate design as much as technical innovation did in the 20th century. At the same time, it will be what a growing proportion of design activities will be seeking to achieve. In principle, design has all the potentialities to play a major role in triggering and supporting social change and therefore becoming design for social innovation. Today we are at the beginning of this journey and we still need a better understanding of the possibilities, the limits and the implications of this emerging design mode, but what is already clear is that design for social innovation is not a new discipline: it is simply one of the ways in which contemporary design is appearing. Therefore, what it requires is not so much a specific set of skills and methods, but a new culture, a new way of looking at the world and at what design can do with and for people living in it.

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Graduate studies at Art Center: Art and design for a changing world

Media Design Practices students Kristina Ortega and Jenny Rodenhouse's Wearable Services, created in the Intel-funded Connected Bodies course.

Media Design Practices students Kristina Ortega and Jenny Rodenhouse’s Wearable Services, created by the Intel-funded Connected Bodies course. Photo by Stella Kalinina

From business ventures to social justice, cultural research to experimental mediums, transportation systems to spatial experiences, Art Center’s renowned graduate programs offer designers and artists exceptional opportunities to create unique and personal career and life paths.

For the recently released 2015–16 Viewbook, Art Center Provost Fred Fehlau invited leaders from the College’s six graduate programs—Art, Environmental Design, Film, Industrial Design, Media Design Practices, and Transportation Systems and Design—to offer their perspectives on the current state of their fields, and what it means for prospective graduate students.

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Alum Ariel Lee’s penetrating illustrations offer creative takes on social issues

Ariel Lee

Award-winning Illustration alum Ariel Lee.

Ariel Lee earned her BFA in Illustration at Art Center in 2012. That same year, she beat out a field of established professionals as a winner in Design Observer’s 50 Books/50 Covers for her children’s book, Mark & the Jellybean Monster, created as a student in Designmatters’ Uncool: The Anti-Gun Violence Project. The following year, one of Lee’s illustrations was awarded the Society of Illustrators 55 Gold Medal.

Lee, whose graphite and painted works are an evocative mix of delicacy and edge, specializes in publishing and surface design. One of the first freelance jobs she landed after Art Center–her client list includes the Wall Street Journal and the New Republic–was The New York Times. “I had gone to New York right after graduation and I met with the art director just to show her my portfolio,” Lee said.

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LEAP Symposium kicks off with a line-up of pioneers in design and social innovation

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One hundred thought leaders and educators in design and innovation will converge at Art Center College of Design September 19–21 for the LEAP Symposium, a convening comprised of a series of focused conversations exploring new career pathways for designers in the emerging field of social innovation. For more information about LEAP, including participant photos and bios, please visit the newly launched website.

The weekend-long symposium was conceived and hosted by Mariana Amatullo, Vice President, Designmatters Department with a national braintrust that includes: Allan Chochinov, Chair Products of Design, School of Visual Arts and Partner, Core 77; Lee Davis, Scholar-in-Residence, Center for Social Design, Maryland Institute College of Art (MICA); William Drenttel, Director, Winterhouse Institute and Edirorial Director, Design Observer and LEAP Symposium Editorial Director; Robert Fabricant, Vice President of Creative, frog; Jocelyn Wyatt, Co-Lead and Executive Director, IDEO.org.

Portions of the event are open to students, faculty, staff and members of the public. Check out the schedule below. And if you can’t attend in person, you can also tune into the livestream of LEAP’s opening session and LunchTime Talks here.

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