Beyoncé Inc. (S, M, L, XL), by April Bey. Oil on maternity mannequin and board, 36”X48”, 2014
This guest blog post comes in response to recent digital conversation sparked by an article on MTV.com taking issue with the description for an undergraduate Fine Art course (co-taught, not incidentally, by a woman of color) entitled “Pretty Hurts.” This piece, composed by Fine Art department chair Vanalyne Green and course instructors Ariel McCleese and April Bey, was intended to contribute to this vital and momentous exchange as well as to elucidate the intentions animating the description’s provocation. We hope the dialogue will continue as we wholeheartedly embrace the values of inclusivity and gender equality that have informed this conversation as well as the work of all the artists discussed below. Please continue to weigh in with your thoughts and ideas on this dynamically shifting terrain in the comments section below.
We’ll be attending the Art Center Summit, 
Amatullo says: “For us, it’s a great chance to educate artists and designers to think about becoming involved in local, national and global issues right at the strategic and leadership levels, the beginning of the life-cycle so to speak of an issue, instead of coming at it at the end to simply style or package a cause.
Spring Term has kicked off and despite heavy rains, both campuses are buzzing with students, faculty and staff. Two of the many classes holding their first meetings today: Graduate Media Design studios