Tag Archives: VFX

And the technical Oscar went to…3-D VFX wizard and Art Center alum Peter W. Anderson

Peter W. Anderson (BFA 67), left, accepting his Oscar at the Academy's Technical Achievement Awards with Douglas Trumbull. (Credit: Michael Yada/©A.M.P.A.S.)

Peter W. Anderson (BFA 67), left, accepting his Oscar at the Academy’s Technical Achievement Awards with Douglas Trumbull. (Credit: Michael Yada/©A.M.P.A.S.)

Earlier this year, Photography alumnus and visual effects master Peter W. Anderson, ASC, accepted the 2013 Gordon E. Sawyer Award, an Academy Award for technological contributions that have brought credit to the film industry. “Without the sciences what would the art be?” Anderson asked as he hefted his Oscar. “Without the art, what would the sciences be?”

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Art Center alumni notes: April + May 2014

Images from Matthew Rolston: Talking Heads, on view June 7 - July 12

Images from Matthew Rolston: Talking Heads, on view June 7 – July 12

True to this blooming season, creatively fertility has flourished over the past few months among Art Center’s alumni. Below you’ll find a sampling of some of their recent undertakings and achievements. And in an effort to more comprehensively represent our creative community, we’d like to encourage the alums among us to send us a line about any noteworthy events, achievements or projects you’d like us to include in future editions of this digest.

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Oscar-nominated VFX whiz explains what makes an award-worthy special effect

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Film instructor and alumnus Dan Bartolucci is in demand as an Autodesk Flame® artist and VFX editor.

With the Oscars just days away, we decided to chat with Film instructor and alumnus Dan Bartolucci who, as a member of the Lola Visual Effects team, is Academy Award nominated for best visual effects for Lone Ranger. Visual effects tends to be one of the more mysterious and mystifying categories, capable of stealing the spoils of a perfectly predicted Oscar pool from the savviest of movie buffs. With that in mind, we sought answers from the ultimate insider. Bartolucci is an esteemed Autodesk Flame® artist and VFX editor who remains very dedicated to his alma mater, where he currently teaches two classes. He can’t reveal the title of his current project but we’ll be sure to find out and let you know when it’s available for public consumption.

Immediately after completing Art Center’s undergraduate film program in 2010, Bartolucci ignited a VFX career that’s been soaring ever since. He has conjured many memorable feats of special effects magic, including shrinking Chris Evans in Captain America, aging the lead actors at the end of Harry Potter and the Deathly Hallows Part 2, and emaciating Bella in Twilight Saga: Breaking Dawn Part 1.

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