We first glimpsed the images above by chance, as Photography instructor Tony Di Zinno and student Kit Sinclair were reviewing the project in the cafeteria at South Campus. We were immediately struck by the bold and viscerally affecting quality of the shots Sinclair captured while attending a protest the night the Trayvon Martin verdict was rendered. Sinclair had been working closely with Di Zinno, a renowned sports photographer, in a class entitled, Project Photo: Sport, which focuses on navigating the intersection of sports, politics and art. “The culture of sport relates to conflict in many ways,” explains Di Zinno. “The Olympics are a thing of beauty – but also form of surrogate warfare. In this class we reflect on how examples of how sport acts as a mirror in reflecting ourselves as societies. We examine seminal figures like Mohammed Ali whose iconic LIFE magazine image by civil rights photographer Flip Schulke is featured on the profile of our Art Center-Sports class facebook page. Kit’s protest coverage was squarely in the tradition of the concerned photographer. We see in his images moments reminiscent of Sixties symbols of protest – which led in turn to class discussions of visual literacy and image as art reference in terms of a so-called ‘black power’ salute by Tommy Smith and John Carlos on the 200m medal stand in the ’68 Olympic games.”
In the above gallery and blog post below, Sinclair incorporates each of these strands into a series of arresting photographs, that simultaneously call out for our attention and compassion.