With the holidays behind us and election season upon us for the foreseeable future, this is the perfect time to divert our attention to the edifying pursuit of creative fulfillment. And what better way to do that than with this extra bulky edition of ArtCenter Alumni Notes.
Guy Bove (BS 96 Product Design) was recently featured in a Tatler Magazine Hong Kong article about watch design. Hong Kong Tatler
Edward Eyth (BS 85 Product Design) was on a panel discussion for his concept designer work on Back to the Future Part II as part of the Toyota Mirai premier event. Toyota Newsroom
Left to right: Brice Marden, Stanley Whitney, Charles Ray, Anne Wagner
ArtCenter’s Graduate Seminar lecture series is a forum for graduate students, members of the ArtCenter community and the general public to enter into dialogue with internationally recognized artists, critics and art historians. The seminar—a core component of the College’s Graduate Art program, and organized this spring by faculty member Jack Bankowsky—takes place Tuesday evenings throughout the fall and spring terms. Admission is free for the general public.
Unless otherwise indicated, lectures take place in the L.A. Times Auditorium on ArtCenter’s Hillside Campus, 1700 Lida Street, Pasadena 91103. Check our website to confirm dates, times and locations for the lecture series and for more information about the Graduate Art program.
The San Marino League—a local, philanthropic organization that has supported Fine Art scholarships at ArtCenter for almost 40 years—will host its biennial gala benefit on Saturday, February 6 at 5:30 p.m. at The Huntington Library, Art Collections and Botanical Gardens.
“A Constellation of Stars: The Legends I Have Known” puts renowned film critic, author and celebrity profiler Rex Reed center stage as he shares revealing portraits and anecdotal encounters he’s experienced with legendary personalities of stage, screen and literature.
Earlier this month, in association with ArtCenter’s 85th anniversary, Designmatters Co-Founder and Vice President, Mariana Amatullo, PhD, kicked off the 15 Years of Designmatters (#DM15Yrs) storytelling campaign. Designed to celebrate and commemorate the groundbreaking program’s achievements in social impact design, this multi-platform series will feature posts of various shapes and sizes by Designmatters faculty, alumni, students and partners. The following reflection on Safe Ninos field work in Chile by faculty members Penny Herskovitch and Dan Gottlieb offers empirical proof of the value of co-creation.
Current Photography student Shannon Rose’s Billboard Creative contest-winning image
As screen-dwelling denizens of the Digital Age, our visual landscape has become increasingly cluttered with advertisements. Big and small, overt and implicit, our world online and off is increasingly filled with various forms of marketing—obvious and imperceptible, implicit and explicit, loud and quiet, artful and otherwise. And living in LA, home to Sunset Boulevard and some of the most iconic billboards in the world, raises the ad-saturation level significantly. But relief is in sight, both literally and figuratively, thanks to current Photography student Shannon Rose, whose image was chosen for one of thirty-three coveted slots in Billboard Creative’s contest calling for artists to submit work to occupy LA’s abandoned billboards.
The Dotted Line recently caught up with Rose, who took time out from the fourteen-hour days she’s been putting in on another freelance assignment to answer a few questions about her creative process and thoughts on the role of public art can play as an antidote to advertising overload.
Constance Mallinson’s “Short History” is featured in the upcoming Urbanature at the Williamson Gallery on ArtCenter’s Hillside Campus.
Artists are exploring how we perceive the eroding boundaries between nature and the city in an age of environmental change, crisis and impact. Two winter exhibitions—Farewell, Eden and Urbanature—present works by urban artists who are seeking to define their relationship to nature.
Farewell, Eden, curated by L.A.-based artist/writer John David O’Brien at the Descanso Gardens’ Sturt Haaga Gallery in La Cañada Flintridge, is now open and continues through April 3. Urbanature, curated by L.A.-based artist and writer Constance Mallinson at ArtCenter College of Design’s Alyce de Roulet Williamson Gallery in Pasadena, opens on February 23 and continues through May 8.
Freedom is as hard to quantify as it is easy to take for granted. But without freedom of expression, there is no creativity. And ArtCenter, as a community of artists and designers, owes its enduring culture of innovation, influence and impact to the strides made by the struggle for civil liberties, both in the distant and recent past.
MLK Day offers an opportunity to recognize our debt to the original civil rights pioneers as well as to the new generation of #blacklivesmatter student activists who have laid the groundwork for generations of iconoclasts, innovators and change makers of all persuasions to continue to create a more just, equal and artful world.
Look no further than Illustration alum, Emerson Terry, for the living embodiment of that first-wave pioneering spirit and integral relationship between freedom of expression and creative fulfillment. Terry, at age 90, is one of the College’s first African American graduates whose, um, illustrious career included award-winning work for the entertainment and aeronautics industries. The above video pays tribute to Terry’s creative and cultural legacy, fittingly produced by current ArtCenter Film student, Amadu Haruna, with assistance by fellow Film student Matthew Plaxco and Photography alum Edward Cushenberry.
In a more contemporary iteration of the spirit of protest that inspired this holiday, Illustration student, Kayla Salisbury, voiced her own questions about our collective responsibilities in this courageous essay exploring the ways in which ArtCenter community might better support its students of color and begin to foster an honest and meaningful dialogue around human rights.
Indeed, the conversation around social justice takes many shapes at ArtCenter. Humanities and Sciences faculty member and accomplished entertainment attorney, Michelle Katz teaches a course entitled The Evolution of Civil Rights, which examines the greatest civil rights threats and champions and the ways in which artists have been instrumental to the march toward a more egalitarian society.
Alvin Lustig, The Man Who Died, 1947. Book cover published by New Directions. (Image courtesy of LACMA)
Eye on Design recently and rightly hailed LACMA’s vow to incorporate more graphic design exhibitions into its programming. The museum kicked off this new series of shows with Vitality of New Forms: Designs by Alvin Lustig and Elaine Lustig Cohen, an expansive exhibition, on view through July 4, 2016, featuring 56 works by a pair of influential and innovative designers who also happen to be ArtCenter alums.
The move to celebrate and elevate the work of talented designers is just the latest sign that LA’s signature cultural institution has also become its most dynamic and nimble, further fortifying its growing reputation as a world-class museum and one of LA’s most vital cultural resources.
This decision to feature the work of ArtCenter alums in the inaugural show in this series is a huge endorsement for College’s contribution to the field of design. And as Diana Thater: The Sympathetic Imagination continues to draw crowds and critical raves, LACMA is making a strong statement about ArtCenter’s contribution to our creative landscape, both locally and globally.
Ah, the first day of school. It’s an initiation fraught with the anxiety of the unknown and flashbacks to the horrors of middle school cafeteria mishaps. Fortunately, ArtCenter has built in a full schedule of activities to provide a soft landing to incoming students and their families.
Orientation Week’s busy agenda features social mixers and in-depth information sessions on everything from campus sustainability to the infamous ArtCenter critique. Students are also matched with Orientation Leaders, who act as guides, companions and resources for the latest insider information on navigating the academic, social and geographic peculiarities of life at ArtCenter
In the spirit of optimizing the orientation week experience for the incoming class of 2016, we’ve compiled the following authoritative collection of pro tips from our Facebook community of current and former students to help ArtCenter newbies avoid rookie mistakes.
Jules Itzkoff, a 7th term Illustration student, designed our holiday card mural, made from thousands of Post-its — the ubiquitous building blocks of making at ArtCenter. He wanted to celebrate the passing of another year, saying, “let’s all just forget about this whole 2015 business and focus on the future.” Jules came to ArtCenter from Cincinnati, Ohio and has been drawing and writing on things as long as he can remember. His work varies widely, from exacting and realistic drawings, to the bizarre and surreal. He has also tackled a variety of commercial advertising projects, including his most recent commission from Proctor & Gamble where he hand painted six Metro Gold Line trains.