ArtCenter announces partnership with The Main Museum in Downtown L.A.

Photo of The Main Museum's First Floor Gallery by Chris Wormald.

Photo of The Main Museum’s First Floor Gallery by Chris Wormald.

The Main Museum of Los Angeles Art and ArtCenter College of Design announced an innovative agreement to develop a long-term operational and programmatic partnership that would further the missions of the two organizations by expanding their reach and scope of art and design education for students, faculty, museum-goers, and the L.A. community. The exploratory partnership provides financial stability for The Main so that it may remain a crucial resource for the public for years to come, while strengthening outreach and programming opportunities for both institutions.

Within the partnership, programming at The Main would continue in its current spirit and the mission of The Main would stay the same—to engage the public with the most important ideas of our time through the art of Los Angeles—with the addition of design, which is a core area of ArtCenter’s curriculum. The collaboration will offer ArtCenter a deeper engagement with the city while creating new opportunities for student and faculty engagement. It is also anticipated that the staff of The Main would engage with ArtCenter’s established and developing programming in a variety of ways.

Read more about this announcement in our Newsroom.

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Student concepts for reimagining the Arroyo Seco exhibiting at Pasadena Library

Family members enjoy ArtCenter student concepts for reimagining The Arroyo Seco on exhibit at Pasadena’s Central Library through May 25, 2018. Photo credit: ©ArtCenter College of Design/James Meraz

Family members enjoy ArtCenter student concepts for reimagining The Arroyo Seco on exhibit at Pasadena’s Central Library through May 25, 2018. Photo credit: ©ArtCenter College of Design/James Meraz

Students in Environmental Design’s Sustainable Design Studio class tackled a local challenge when they were asked to reimagine how the neigborhing Arroyo Seco’s natural habitats, resources and historic sites could be preserved, enhanced and connected by a potentially extraordinary end-to-end trail system. Working with The Arroyo Advisory Group, their final concepts are on display at Padadena’s Central Library through May 25, 2018.

“The projects developed by ArtCenter’s Environmental Design Studio are somewhat provocative suggestions of how the Arroyo Seco can be reimagined and enhanced for the next generation of users,” Pasadena Mayor Terry Tornek said. “I encourage the public to visit the Central Library exhibit and see for themselves the many ways in which the Arroyo evokes inspiration in others.”

Read more about the project and this exhibition in our Newsroom.


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Open during construction

Photo: Juan Posada

Photo: Juan Posada

“The only way to make sense out of change is to plunge into it, move with it, and join the dance.” Alan Watts

As you return to campus from break, you may notice things look a little different around here and some people may not be located where you last saw them. As usual, Facilities was busy painting, cleaning, repairing and tending to maintenance matters in preparation for the new term. Also while you were away, Campus Planning commenced work on some much-anticipated major projects at South Campus. Though smaller in scope, there are also projects underway at Hillside.

Most noticeably, the first floor of the 1111 building is being completely transformed, with the creation of the Mullin Gallery and expansion of popular Foodies café underway. Renovations have also begun on the fourth floor, which will house the Alumni Lounge and Gallery as well as administrative offices. Across the tracks, construction of the Heavin Studio, a state-of-the-art video production space, continues on the basement levels of the 950 building. The Mullin Gallery, Heavin Studio and Alumni Lounge and Gallery are being funded through generous donations to the College.

Here’s a quick rundown of what has happened, who has moved, what is open, what is closed and what is planned.

First Floor and Parking Levels

  • Portions of the first-floor lobby, including the hallway and restrooms, are offline during construction.
    • Restrooms are available on all other floors.
  • Foodies will remain open during construction and is accessible from the exterior entrance.
  • Some areas on P1 and P2 parking levels will be intermittently coned off.
  • The surface lot has been fenced off and will be unavailable for ArtCenter use for the duration of construction.
    • Visitors can park on P1 or P2.

Fourth Floor

  • Application Services has moved to suite 440.
    • The conference room in suite 470 has been converted to office use and is no longer available.
  • Development has moved to suites 445 and 470.
  • Auxiliary Services has moved to the second floor, suite 220 (through August 2018).
  • Environmental Health and Safety has moved to the second floor, suite 220 (through June 2018).
  • Director of Security Jim Finch has moved to the second floor, suite 220 (through June 2018).
  • Facilities has moved to the second floor, suite 220 (through August 2018).
  • Campus Planning has moved to the second floor, suite 220 (through August 2018).
  • Digital Teaching and Learning (DTL) has relocated to the second floor of the 950 building and they now occupy rooms 200, 201, 202 and 204.
  • Human Resources will be moving to suite 400 on May 22, 2018.
  • Marketing and Communications remains in suite 480.

Conference Rooms
Please note: contact Jennifer Greendale to reserve conference room space in the 1111 building.

  • The Application Services conference room has been converted to office space and is offline permanently.
  • The conference room in the old Development suite is available.
  • The conference room in the old Campus Planning suite is available and equipped with a Highfive video conferencing system. This room can be reserved on Inside through Roombook.
  • There are conference rooms available on the second floor.


  • Construction of the Heavin Studio is ongoing on the basement levels.
  • CSE’s counseling office has been relocated to room 251 from room 202.
  • Digital Teaching and Learning (DTL) moved from the 1111 building to rooms 200, 201, 202 and 204.
  • Room 204 is no longer available as a classroom or conference room.
  • Soil testing and investigation work is ongoing and will occasionally impact parking. Please avoid all coned off areas.


  • At long last, the Annex building is offline.
  • A visitor information booth has been installed at the entrance of campus.

This is an exciting time for the College but we also understand that construction can be disruptive and we appreciate everyone’s patience and understanding. Every effort is being made to minimize interference with our day-to-day activities, including scheduling work for nighttime hours as much as possible. Stay tuned for updates as these projects progress.

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Get your Metro Bike Share Student Pass for a buck during bike month!


Celebrate Bike Month in May by signing up for a Metro Bike Share Student Pass for only $1.00! After May it’s only $5.00 per month.

What’s included?

  • 24/7 access to a fleet of over 300 bicycles at 30 stations throughout Pasadena as well as all stations in Downtown LA, Port of LA and Venice
  • All trips 30 minutes or less are FREE and $1.75 per 30 minutes thereafter

Signing up is simple:

  1. Visit 
  2. Access the portal using your ArtCenter student email address AND the discount passcode StudentsWhoLikeBikes
  3. Enter the promo code BIKEMONTH2018 to redeem your first month for $1.00

You can also sign up in person—the Metro Bike Share Team will be on campus for the Welcome Back Students Event.

When: Wednesday, May 16, 2018, from 12–1:30 p.m.
Where: Hillside Campus

This is a limited time offer so don’t miss out!

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Service to the community beyond the classroom: The Spring 2018 Student Leadership Award

Photo: Juan Posada

Photo: Juan Posada

Sarah Tirzah Ellis was introduced to ArtCenter at a very early age. Her mother, an alum, frequently brought her to see work in the Student Gallery. She particularly recalls noticing a car designed by a student and thinking to herself, “I want to go here.” Worry over the price of attending college, however, led her to enlist in the Marine Corps out of high school. Eight years later, with two deployments to Iraq and two to Afghanistan under her belt, she left the service, found her way back to ArtCenter and started the next chapter of her life as a student in our Photography and Imaging program. On Saturday, she will graduate with honors, with a minor in Social Innovation, an ArtCenter Honors term and she will be awarded the Spring 2018 Student Leadership Award.

Graduating from ArtCenter is itself a remarkable accomplishment; the College provides a rigorous education and everyone who satisfies our degree requirements has good reason to feel proud. Each graduation ceremony we also take the time to recognize a number of exceptional student achievements—students who graduate with honors or distinction, those who have been awarded an ArtCenter Honors term and the top academic achieving student, who is recognized as valedictorian of the class.

But perhaps the most coveted of all is the Student Leadership Award. This award fulfills ArtCenter’s vision of educating artists and designers who are not only leaders within their professional fields but also leaders in their communities. Each term, the College reaches out to the campus population for nominations from peers, faculty and staff. All nominations are considered by a committee of faculty, staff and students and they select the student who most demonstrates leadership through their participation in ArtCenter’s campus life, community outreach, student organizations and department initiatives. The selection committee is often faced with a difficult task of choosing between exceptional students who are both high academic achievers and valuable contributors to the College community. This term was no exception.

Sarah Tizrah Ellis was selected to receive this valuable award on the basis of her devotion to fellow veteran students at ArtCenter. She connected with fellow veteran David Gamez during orientation and together they founded a student club for veterans. “We wanted a group for people like us to come together to share our experiences,” she recalled.

Ellis found the transition from military to civilian life difficult, describing it as like trying to write with your left hand. “It’s messy and full of zigzags and smears. It’s also a very lonely road, especially if you have no one who can relate to your experiences,” she described in a statement supporting her nomination.

The Veterans Association turned out to be much more than a social club. Members helped each other navigate the Veterans Administration system, sharing tips and tricks for getting benefits. The group later expanded to include staff, faculty and alumni.
In addition to supporting fellow veteran students, Ellis was a teaching assistant for eight different classes, served as a photography lab assistant and participated in student government; she was instrumental in the College’s adoption of an early registration policy for veterans; and she brought her unique veteran experience to two Designmatters’ studios, including one that developed campaigns to improve the lives of veterans struggling with PTSD.

All of the nominations in support of award noted Ellis’ devotion to working with veteran students, helping them find their way through the seemingly endless paperwork that is required of vets to receive their educational funding.

Photography and Imaging Department Chair Dennis Keeley raved, “ Over the last eight terms Sarah has demonstrated what service really means to country, what character and honesty means to life and she has put a real face on creativity and practice.”

Ellis found a family in the Marine Corps and she entered ArtCenter wary of others, wondering if she would fit in. She faced her fears by helping others, serving the ArtCenter community as she served her country, and, in doing so, she found a new family, explaining “no one knows the battles of ArtCenter better than an ArtCenter student. No one but an ArtCenter student can relate to what ArtCenter truly is. Through the support I received here, I was able to find myself again.”

The other Leadership Award nominees also boasted impressive community service resumes. Fellow Photography and Imaging student Brandon Rizzuto, also graduating with Honors, was lauded for mentoring his peers, serving as an orientation leader and working in the equipment room and Career and Professional Development department. Graduate Media Design Practices MFA candidate Godiva Veliganilao Reisenbichler co-founded the student group Antiracist Classroom, an initiative that has already made a significant impact in the ArtCenter community, and will graduate with Distinction. Kristen Torralba, graduating with a BFA in Illustration and a minor in Social Innovation, was active in student government and shared governance, worked as a teaching assistant, participated in EcoCouncil and co-founded the Freestyle Dance Club. Graphic Design major Yuma Naito, graduating with Distinction, was celebrated for his mentorship efforts, both as a teaching assistant and also informally by hosting mentoring sessions. Miguel Harry, graduating with Honors from the Product Design program, worked in and out of the classroom to help create a collaborative environment at the College, assisting his peers, volunteering at events and working as a tour guide for those interested in attending ArtCenter. Film major Ana Lydia Monaco, graduating with Honors and a minor in Social Innovation, came to ArtCenter after a successful career in public relations and generously shared her industry knowledge and contacts with her peers, participated in campus life through clubs and worked with her department to host culturally significant events. Fine Art majors Bryan Ortega and Joanne Lee, nominated as a team, were celebrated for being a dynamic duo who galvanized their fellow students and worked to better the student experience in many ways, from making the case for physical spaces for students to work, socialize and relax, to advocating on behalf of inclusion, representation and cultural sensitivity.

We thank and congratulate all the nominees for their commitment and dedication to making ArtCenter a more compassionate, transformative and life-changing environment everyone.

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Alum and Designer Jeff Salazar joins Board


In a move that strengthens our multitalented leadership core, ArtCenter has named alumnus Jeff Salazar (BS 94 Product Design), one of McKinsey & Company’s first design partners, to the Board of Trustees.

“In order to provide the best education for our students, we’re growing ArtCenter’s Board of Trustees to bring more breadth and depth of experience to the institution,” said Board Chairman Robert C. Davidson Jr. “Jeff’s expertise at blending the design practice into the business consulting realm is extremely valuable to our community.”

“Joining ArtCenter’s Board is an opportunity to give back to my alma mater,” said Salazar. “I have a deep respect for the alumni, faculty and students who make up this extraordinarily creative culture and I’m grateful to join the leadership as we work to make the College the best it can possibly be for the next generation of artists and designers.”

“Given his passion and impressive record of innovation as well as his leadership role in the business and design impact space, Jeff brings a much-needed perspective to the Board,” said President Lorne Buchman.

Following his graduation from ArtCenter in 1994, Salazar joined industrial design firm LUNAR, where he received numerous awards for his work including a Gold from the Industrial Designer’s Society of America (IDSA) for the Nova Cruz eX3 Electric Scooter, the Chicago Athenaeum’s Good Design Award and an iF Hannover award for projects like the Phillips Velo Handheld PC and Intuitive Surgical’s DaVinci Robot. He is currently a partner with McKinsey, which acquired LUNAR in 2015.

In 2011, he was honored as an IDSA Design CATALYST award winner for the Oral-B Cross Action toothbrush considered the most ergonomically designed mass market toothbrush ever created, which has remained in production and virtually unchanged since 1999. The CATALYST award recognizes products that exemplify how design can be leveraged to better serve realizable impact for business.

“Jeff was brought into the fold by current Trustee and ArtCenter alumnus Kit Hinrichs,” Davidson added. “Kit has proven to be an engaged and dedicated Trustee. We’re extremely grateful for his leadership and his advocacy on behalf of the College.”

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Environmental Design student Melissa Nguyen snags 2018 IIDA Student Portfolio Award

Image Courtesy IIDA SoCal

Image Courtesy IIDA SoCal

Environmental Design student Melissa Nguyen’s hard work was recognized and rewarded at the 2018 IIDA (International Interior Design Association) SoCal Student Portfolio Competition. Of the 20 students that were chosen to participate in the second round, only three received awards.

Melissa won the $7,000 Innovation in Interior Design Award for her boutique hotel project from Emil Mertzel’s Environmental Design 3 class. The Innovation in Interior Design Award is awarded to a student with a project that achieves a high level of innovation through design solutions that show creativity and a fresh approach. The focus of this category is in the process of achieving the end result through techniques that can include research, inspiration, ideation, experimentation and graphic thinking.

She will be formally presented with her award at the 30th Annual IIDA Calibre Design Awards on May 18, 2018 at the Beverly Hilton in Los Angeles.

Congratulations to the five other Environmental Design students who also made it to the second round: Moona Kim, Andres Zavala, Doris M. Huang, Zack Eisenberg and Chikako Sakamoto.

Emil Mertzel is a practicing architect and partner at Lookinglass Architecture and Design, as well as a full time faculty member in the Environmental Design Department at ArtCenter.

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Students score sustainability scholarships

Judges Heidrun Mumper-Drumm, Patagonia's Carrie Childs and Christian Denhart enjoy a light moment. Photo courtesy Heidrun Mumper-Drumm

Judges Heidrun Mumper-Drumm, Patagonia’s Carrie Childs and Christian Denhart enjoy a light moment. Photo courtesy Heidrun Mumper-Drumm

Bringing nature back into the urban environment in a cooperative modular living complex, a thrift store that supports a children’s burn clinic in Chile and a graphic novel that brings attention to the perils of over-fishing. These student projects constitute the winning lineup of the sixth annual Denhart Family Sustainability Prize competition.

The awards recognize outstanding projects that integrate sustainability with superior design outcomes, and have the potential to influence art and design education and advance professional practice. In addition to recognition, the student designers are rewarded with significant scholarship funds.

Created through a generous gift from Gun Denhart and her son Product Design alumnus Christian, the annual prizes support students who are making environmental and social criteria a priority of their work. This year’s applications were judged by a team comprised of faculty member and Director of Sustainability Initiatives Heidrun Mumper-Drumm, Christian Denhart and this year’s guest judge, Patagonia Kids Lead Designer Carrie Childs.

The first place prize, a $15,000 scholarship, was awarded to Environmental Design student Adriana Avendano and Product Design student Alejandro Jimenez for Casa Ikiru, a sustainable, modular and cooperative living complex designed to rekindle the symbiotic relationship between humans and nature by reintroducing our natural environment into the urban setting.

The project was developed as a result of the students’ participation in a Designmatters class, Pacific Rim: Eco Research Lab Costa Rica, hosted by Environmental Design, where students from ArtCenter teamed with students from Tama Art University and traveled to Costa Rica for two weeks under the guidance and direction of Environmental Design faculty member James Meraz and his counterpart at Tama. This immersive experience challenged students to draw upon the influences of biomimicry and nature’s biological forms for concepts that reflected symbiotic relationships with natural resources.

On receiving news of the award, Meraz stated, “I am so thrilled and honored that Adriana and Alejandro’s project has been recognized for the Denhart top award. We need to keep pushing towards a sustainable future, and not only by creating opportunities for our students to be learning from nature’s time tested intelligence and performance, but also by guiding them to become stewards and educators for our precious resources.”

Second place and a $10,000 scholarship went to Product Design students Miranda Lapour and Mathew Simon for COANIQUEM red, a thrift store model that can be scaled up to provide financial support for a children’s burn clinic in Chile. The comprehensive design addresses clothing recycling and resale, and the experience of the volunteers that staff the stores.

The third place prize, including a $5,000 scholarship was awarded to Illustration student Cullen Townsend for Overfishing: Salmon fishing in the Pacific Northwest, a compelling graphic novel calling attention to over fishing; in particular, how over-fishing, aquaculture and loss of habitat is affecting the declining salmon population.

The Environmental Design department served as host for the Designmatters classes that produced the first and second prize winners. On hearing the news, Department Chair David Mocarski, gushed, “This is such wonderful news. I know James will be so proud of Adriana and Alejandro for their Casa Ikuru project and Penny [Herscovitch] and Dan [Gottlieb] for Miranda and Mathew and their Designmatters’ Coaniquem project. These are both such wonderful projects. I am very happy to see such great recognition come to our students and faculty.”

The jury also awarded special recognition to two projects:

  • Product Design student Charlie Hodges for The Urbanette, a children’s toy that significantly reduces material impacts. The modular, tiny home, provides spaces and activities for make-believe, while encouraging children to imagine what a sustainable future looks like.
  • Environmental Design student Anna Meddaugh for Night Loo, a personal toilet for women and girls in refugee camps, that considers their safety and dignity, while using innovative materials and design.
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Legendary teacher Tony Zepeda’s influence celebrated in exhibition opening Jan. 23 at 870 building

Tony Zepeda at work. Photo: Juan Posada

Tony Zepeda at work. Photo: Juan Posada

A Living Treasure: Thirty Years of Anthony Zepeda and the ArtCenter Printmaking Studio is an exhibition that pays tribute to legendary teacher and printmaker Anthony “Tony” Zepeda. In 1975 Zepeda began his career at Gemini G.E.L printing studio where, for the next 11 years, he created works for artists such as David Hockney, Jasper Johns and Roy Lichtenstein. In 1986, Zepeda left Gemini to establish the ArtCenter Print Shop where he inspired and influenced the work of students who went on to become artists recognized as leaders in their fields.

The exhibition opens Tuesday, January 23, 2018 at the Hutto-Patterson Exhibition Hall, 870 South Raymond and continues through August 20, 2018. The opening reception on Tuesday, January 23, from 7:30 to 9 p.m. is free and open to the public.

A Living Treasure is co-curated by Tom Knechtel, chair, undergraduate Fine Art, and David Tillinghast, associate professor and director of Special Projects, Illustration. The exhibition features works by alumni artists and illustrators including Gregory Chapuisat, Josh Cochran, David Jien, Alex Kroll, Lisa Madonna, Mehregen Meysami, Paige Jiyoung Moon and Ryan Perez.

“We are very proud of the work Tony has done with our students, and we invite you to savor this wonderful banquet of imaginative, gorgeous work that has emerged from the ArtCenter Print Shop under the guidance of Tony Zepeda, master printer and teacher,” said Knechtel and Ann Field, chair, Illustration.

Known as wildly entertaining, Zepeda has a storied past, working at Gemini G.E.L. with acclaimed artists such as Johns and Robert Rauschenberg. Then Fine Art Department Chair Laurence Dreiband invited Zepeda to create a print shop at ArtCenter in 1986. Zepeda’s stewardship of the print shop and his teaching have become the stuff of legend among students. Alumni speak fondly about how he influenced the way they saw themselves and their work. Current students tell stories about Zepeda as a stern taskmaster, who then pulls a student aside who is looking a little famished, gives them $20 and tells them to go get lunch. He is famous for staying late and on weekends to help students with their projects, for encouraging them to take risks and to try something new.

This show speaks volumes about that encouragement and inspiration of Zepeda during his more than 30 years on campus. In this show, visitors will see etching (hard and soft ground), drypoint, lithography, silk screen, cyanotype, salt prints and platinum prints, woodblock and wood engravings. The aesthetic range is even wider, from the most delicate figuration to raw expressive work, from abstract images to conceptually-based approaches.

The work in the show comes from people now recognized as leaders in their fields who once were students in the print shop, encouraged by Zepeda to produce work that is true to their vision, and, at the same time, embedded in the multiple possibilities of printmaking technologies. This goes to the heart of the work at ArtCenter: to engage deeply with craft while learning to take creative risks and speak with your own voice.

A print fair and sale will take place on Saturday, March 24, 2018.

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Week 14—It’s the busiest time of the year

Grad Show Preview. Photo: Juan Posada

Grad Show Preview. Photo: Juan Posada

“The best thing about the future is that it comes only one day at a time.”—Abraham Lincoln

Week 14 at ArtCenter is always a dizzying feast of activity—walls are being transformed into exhibition spaces; projects are being completed in classrooms, shops, hallways, parking lots and any conceivable available space; final presentations are underway and every single person on campus appears to be going somewhere in a hurry. After years of dedication, hard work, little sleep and countless crits, 188 graduating students will say sayonara to Week 14 forever.

Saturday’s commencement exercises will be the culmination of a week of graduation-related activities and events celebrating these creative and talented individuals who are about to take on the world. As is custom at our Fall Graduation, we also honor alumni who have already paved the way. Here’s what’s in store for the rest of the week.

Thursday, December 14, Hillside: Recruitment Open House, Graduation Show Preview and FullCircle Panel Discussion

Thursday activities start in the morning, when students get to meet select potential employers during Recruitment Open House. In the evening, industry leaders, employers, corporate partners, donors and alumni get the first look at the Fall term’s graduating artists and designers at the invitation-only Graduation Show Preview, held from 6–9 p.m.

Undergraduate candidates from Advertising, Environmental Design, Entertainment Design, Film, Graphic Design, Illustration, Interaction Design, Photography and Imaging, Product Design and Transportation Design will be showing at Hillside Campus. Graduate Film, Graduate Industrial Design and Graduate Transportation Systems and Design master’s candidates will also have work on display at the Hillside Campus.

This year’s Alumni Award recipients will be in conversation with President Lorne Buchman at a FullCircle panel discussion being held at 6:30 p.m. in the Hyundai & Kia Innovation lab on Hillside Campus. FullCircle membership is required to attend this event but anyone can view the livestream.

Thursday, December 14, South Campus: Fine Art Graduation Show Preview, Brown & Proud Dance Party, MDP Work-In-Progress Show and Grad Art Open Studios

Fine Art graduates will be exhibiting their work from 7–10 p.m at the 870 building at South Campus, which is also the location for the second annual Brown & Proud dance party that starts runs from 8:30 p.m. to midnight.

Also at South Campus, at the 950 building, Graduate Media Design Practice students at all levels will be displaying their work in progress from 6–9 p.m. and Graduate Art students will open their studios from 7–10 p.m. The festivities here also include the Kogi food truck and live music.

Saturday, December 16, Hillside: Graduation Ceremony

Our Fall commencement ceremony begins at 10 a.m., in the tent in the Sculpture Garden on the Hillside Campus. It will also be viewed by livestream on our homepageFacebook or YouTube.

Following welcoming remarks by President Lorne Buchman, the baccalaureate and master’s candidates—along with faculty, staff, family and friends—will hear from this term’s Student Leadership Award recipient, Illustration graduate Kayla Salisbury and valedictorian Carly A. Chubak, who is graduating with a degree in Fine Art.

As is our custom during the Fall graduation ceremony, we will be presenting our annual Alumni Awards, publicly recognizing the talent, service and influence of our alumni.

Global design icon Kit Hinrichs, class of 1963 in Advertising, will receive the Lifetime Achievement award in recognition of his extraordinary career; executive education leader Julian Ryder, class of 1972 in Advertising, will be honored with the Outstanding Service award recognizing his significant service to the College; and pioneering industrial designer Jacques Perrault, class of 2014, will receive the Young Innovator award, which honors an alumnus or alumna of the past 10 years for notable professional achievement or creative innovation.

A distinguished designer, author and educator, Hinrichs is considered one of the most influential, respected and revered designers in the field of graphic design. Currently, principal and creative director of Studio Hinrichs in San Francisco, he served as principal in several design offices in New York and San Francisco before spending 23 years as a partner with international design consultancy Pentagram. Throughout his five-decades long career, he has won hundreds of awards and has been the creative force behind several of the most recognized graphic and brand identities known today. His list of distinguished clients includes United Airlines, Sappi Fine Paper, Design Within Reach, Muzak, Gymboree, University of Southern California, Safeco, Museum of Glass, Symantec, KQED, the San Francisco Zoo, Restoration Hardware and many more. His work is included in the permanent collections of the Museum of Modern Art in New York, the San Francisco Museum of Modern Art and the Library of Congress. He is co-author of five books, including TypewiseLong May She Wave and The Pentagram Papers.

A practicing artist since high school, Ryder started his career at Lockheed Aircraft in the engineering department but quickly realized his calling was to be a creative. After going to night classes to develop his skills, he applied and was accepted to ArtCenter. A committed lifelong learner, he spreads the design thinking gospel to legions of business leaders each year as chief creative officer of The Right Brain Project, a creativity education and training firm. His goal is to help build creative cultures and bring design thinking to bear on challenges and opportunities in the business world. Prior to starting his own businesses, he was a creative director for major advertising agencies in New York and Los Angeles. He produced advertising for world-class brands such as Nike, Proctor & Gamble and Honda Motors. In terms of his outstanding service to the College, Ryder was a member of the faculty and co-chaired the advertising program from 1983 until 1986. Today, he serves as co-chairman of FullCircle, ArtCenter’s membership community open to anyone interested in supporting art and design education.

“We have the opportunity, if we reflect on a challenge, to question fundamentally what’s been done and respond to it with things that haven’t been thought of yet, that haven’t been imagined,” said Jacques Perrault who, through the use of new computational design tools, is pioneering a revolutionary new process to create high-performance running shoes. He integrates sports science data with writing scripts and algorithms to reduce creation time and more efficiently pave the way to making a midsole custom fit to each athlete’s movements. As a computational designer with Adidas Futures, he is leading the way to a new level of additive manufacturing in mass production on a global scale.

Following the presentation of the awards, Lifetime Achievement award winner Kit Hinrichs will present the commencement address.

Saturday, December 16: Graduation Show

After the ceremony, Graduation Show opens to the public at both Hillside and South Campuses from 1–6 p.m., where work by the newest ArtCenter graduates will be on display. The College’s dual-campus Graduation Show offers friends, families and the general public an opportunity to see the stellar work of this term’s graduating students.

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