Wherever you decide to celebrate the anniversary of our nation’s independence—in a small town watching a patriotic parade or an urban center sampling designer cocktails on a hotel rooftop—we know you are really just passing time until dark, waiting for the fireworks start.
To whet your appetite in anticipation of the pyrotechnic exhibition of your choice, we offer up some dynamite detonation displays from the silver screen.
No 4th of July celebration should go by without a viewing of the spectacular demolition of Paris in Michael Bay’s (BFA 88 Film) Armageddon.
An oldie but goodie, it is always worth watching the final scene of David Lean’s classic, The Bridge on the River Kwai.
“Girls today are inundated daily with imagery that is overtly or covertly sexist,” says Photography alumna Karen Beard. “They have not developed the skills to question the visual language that surrounds them. I wanted to do something about that as a mother, and I realized that I could.”
In 2012 Beard founded Shestock, a stock photography agency that offers compelling and visceral female-centric images created exclusively by professional women photographers. Early on in her career, Beard was drawn to the freedom that stock photography made possible. “Stock allowed me this open free space to create, to make mistakes, to evolve as a photographer—it gave me an outlet for that and a place to put the images. If they sold, that was great. If people passed, that was fine too.”
When 16-year old Jesse Genet began printing tee shirts in her parents’ basement, the enterprising teen could have scarcely fathomed a future in which her bright idea would morph into Lumi, a company with $2.5 million in sales, which appeared on ABC’s Shark Tank, earned a coveted spot in Silicon Valley’s hottest startup incubator Y Combinator (think Airbnb, reddit, Dropbox) and has just closed on a seed venture round of financing.
Jesse and Lumi business partner Stephan Ango met as Product Design students at Art Center. Before starting college, however, Jesse was a natural-born entrepreneur who sought out a better way to print photography on textiles. A ton of research led her to a reference about a dye process that intrigued her and eventually led her to the man who owned the rights to the dye and the last inventory of the substance. She first contacted him while still in high school. “He didn’t take me seriously at first,” Jesse recalls. “After all I was just a high school kid. It wasn’t until Stephan and I joined forces and we made several trips to Northern California to meet with him that he finally began to negotiate with us seriously.” (more…)
In February 1932, during the lowest ebb of the Great Depression, the new Pasadena Civic auditorium was dedicated “to the citizens of Pasadena, whose efforts and sacrifices have made the erection of this beautiful and useful building possible.” In the decades since its dedication, the Civic has seen millions of patrons from several generations of Southern Californians pass through its doors. As a home for ballet, symphony, popular music, musical comedy and television programs, the Civic has hosted a wide variety of special events.
On Saturday, April 18, 2014, the 2,997-seat auditorium will serve as the new venue for Art Center’s graduation ceremonies. The Spring 2015 graduating class will be the first Art Center cohort in a long time who will not face off against the elements—rain, sun, wind or cold—as they prepare to collect their diplomas. The gathering is at long last moving to a climate-controlled indoor home with permanent walls and floors. It is also conveniently centrally located between Art Center’s Hillside and South campuses.
As the day approaches, let’s celebrate these creative and talented individuals who are about to take on the world. Here’s the lowdown for the week:
Marisa Howenstine (BFA 10 Photography) has had a great run the past two years with three images selected by Graphis for its prestigious Photography Annual, this year grabbing a Gold for “Ecce Homo: Behold the Man” and a Silver for “Modern Nature” and last year earning a Silver for “Murder of Crows.” The Dotted Line took this opportunity to catch up with her and find out a little more about this artist and her work.
Dotted Line: What have you been doing personally since you left Art Center?
Antrese Wood: I’ve had a windy path.
I left Art Center and worked for Disney for about 12 years. I got that job by being extraordinarily persistent, possibly stalker-ish. Sometimes, I wondered if they hired me so I’d finally leave them alone.
Working at Disney allowed me to mature and continue to develop skills I learned at Art Center. The real lesson in all the class critiques is not so much about the details of the work itself; it’s about being able to objectively talk about the work. To listen to other people’s opinions about your ‘baby’ without taking it personally or getting defensive. Part of my job at Disney was providing art direction for video games. I can tell you the people who did not pick up that skill were not happy and did not make it very far.
When a casting agent called Product Design alumnus Nolen Niu (BS 99) asking if he would be interested in participating as a judge on a Spike TV show, he said “Hell yeah!” A fan of such shows as Bar Rescue and Catch a Contractor, Niu didn’t even ask what the show was about before agreeing to participate. That enthusiasm, and his well-earned reputation as a furniture designer, landed him a stint as one of three judges on the furniture design reality competition, Framework, Spike TV’s newest reality show, where contestants vie to be named best furniture maker—and win a $100,000 prize. There is still time to binge watch the entire series online before the finale, which will air March 10th.
At first it was a bit surreal for Niu to see himself on TV and to get recognized at some of the most random places. Overall though, “[this] has been one of the best experiences I’ve had during my career as a designer, says Niu. “The opportunity to judge a competition and hold a position of authority related to design was an absolute honor.”
In tune with the current maker movement, Framework offers a glimpse into the process of creating handcrafted goods. “The design and build process is very analog in nature compared to the completely digital lifestyles that we live in today. It’s important that these shows continue to be produced since it shines light on the level of complexity of the work we as designers and makers perform,” notes Niu.