Author Archives: Jered Gold

Environmental Design students to envision “One Arroyo”

Image courtesy of the Arroyo Advisory Group

Image courtesy of the Arroyo Advisory Group

From fly-fishing and professional football to archery and bird watching, Pasadena’s historic Arroyo Seco serves as a 900-acre playground as diverse as the millions of urban sophisticates, suburbanites and nature dwellers who use it each year.

If Pasadena were to succeed in revitalizing the Arroyo’s 22-miles of trails and creating a singular vision for the canyon’s three distinct areas—the Hahamongna watershed, the Central Arroyo’s entertainment hub, and the rivers of the Lower Arroyo—the Arroyo Seco could rival New York’s Central Park, Chicago’s Lincoln Park, San Francisco’s Golden Gate Park and L.A.’s own Griffith Park in esteem and recognition.

This Fall term, a team of Environmental Design students will try to do just that as they help reimagine Pasadena’s greatest outdoor space. Embedded in Environmental Design’s Sustainable Design Studio, faculty member Professor James Meraz will encourage students to design unique spatial experiences that are sustainable, eco-friendly and environmentally responsible, with the potential to encourage a critical dialogue and a new stewardship and symbiosis in our relationship to our Southern California eco-system.

The class will explore a wide-range of topics, including public furnishings, interactive installations, play equipment, hospitality spaces, way-finding and experiences that may reinvigorate surrounding trails and landscapes. As Environmental Design Department Chair David Mocarski recently explained to Pasadena Now, “Everything happens in the environment. And so the class is really looking at possibilities of reimagining and looking at how we can elevate people’s interaction with the Arroyo Seco.”

The class project stems from a collaboration between ArtCenter and the Arroyo Advisory Group, a citizen-led effort to develop a cohesive vision and implementatio

Renowned film critic Rex Reed reveals what happens behind the curtain in support of ArtCenter and The Huntington

Guest speaker, Rex Reed

Guest speaker, Rex Reed

The San Marino League—a local, philanthropic organization that has supported Fine Art scholarships at ArtCenter for almost 40 years—will host its biennial gala benefit on Saturday, February 6 at 5:30 p.m. at The Huntington Library, Art Collections and Botanical Gardens.

“A Constellation of Stars: The Legends I Have Known” puts renowned film critic, author and celebrity profiler Rex Reed center stage as he shares revealing portraits and anecdotal encounters he’s experienced with legendary personalities of stage, screen and literature.

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Art Center Product Design students land among top 2014 IDEA winners

ELLE by Della Tosin

ELLE by Della Tosin

Earlier this week, the Industrial Designers Society of America (IDSA) announced the winners of the 2014 International Design Excellence Awards (IDEA) competition, which is regarded as one of the most preeminent design competitions in the nation.

IDSA revealed Art Center as one of the leading academic winners this year, continuing Art Center’s 20-plus-year winning streak. A panel of international design experts evaluated entries on aspects of industrial design excellence including innovation, benefits to the user and client, sustainability and the design’s visual appeal. Art Center students received four awards:

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Oh, modernist pioneers! Recent grad Ellen Surrey illustrates California’s trailblazing women

Ellen Surrey is a fervent flea market flâneur. “My greatest inspiration comes from American nostalgia, and a single thrift store find can hold so much history,” says the Spring 2014 Illustration graduate whose work is featured above and on the cover of the current issue of Dot magazine.

Her love of Americana is evident throughout her work, including her illustrations of folklore hero Paul Bunyan, a series that marked an artistic turning point for Surrey. “I really pushed myself stylistically and medium-wise and from that point on I started to gain a lot more confidence as an illustrator.”

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Spring fever: Grad Art alum Alexis Marguerite Teplin melds performance, painting and a passion for ballet in Stravinsky-themed Zürich exhibition

Alexis Marguerite Teplin

Elas, 2012, oil on linen by Alexis Marguerite Teplin (courtesy Mary Mary Gallery, Glasgow, Scotland)

Graduate Art alumna Alexis Marguerite Teplin’s practice is noted for a theatricality based in seduction, artificiality and cultural signification–themes that harken back to Igor Stravinsky’s scandalous 1913 ballet, Le Sacre du Printemps (The Rite of Spring), culminating in the “sacrificial dance” of a young girl.

Fitting, then, that California-born, London-based Teplin is among the artists invited by the Migros Museum für Gegenwartskunst, housed in a former brewery in Zürich, to create new work that addresses the ballet, its context and its history for Sacre 101—An Exhibition Based on The Rite of Spring.

In Teplin’s live performance piece P and C, taking place at the museum next Thursday, April 24, features the sound and movement of two actors (and of Teplin herself) performing in a burlesque manner in front of one of her large-scale paintings, wearing brightly colored costumes she designed. The artist was inspired by Natalia Goncharova, an avant-garde costume and set designer for Ballets Russes, the company that originally performed The Rite of Spring a century ago. P and C is Teplin’s second performance work; her first, The Party, was commissioned by London’s Serpentine Gallery.

On view through May 11, the Sacre 101 exhibition presents contemporary works alongside a selection of Sacre documentation, much of which is being shown in a museum context for the first time.

‘New Eye’ brings a collection of visionary Illustration alumni to L.A. Art Show

As the longest running venue for contemporary, modern, historic and traditional art in the U.S., the L.A. Art Show has connected collectors with established and emerging artists for nearly 20 years. Looking to build on that reputation, the organizers asked Red Truck Gallery owner Noah Antieau to curate a collection of work within the show to break down barriers, buck convention and create a new vocabulary. In turn, Antieau asked Aaron Smith, Art Center alumnus and Associate Chair of Illustration, to assemble a collection of work by Art Center’s Illustration alumni. The result is an Art Center installation entitled New Eye, which will join a selection of innovative galleries to form “Littletopia,” on display January 15-19 at LA Convention Center.

“Littletopia and the L.A. Art Show are a perfect fit for the Illustration Department,” Smith says. “We’re always looking to connect students and recent alumni with galleries and savvy collectors who understand the importance of investing in emerging artists. And the show offers us as a unique platform to offer those collectors a curated view of some of Art Center’s most brilliant Illustration/Fine Art alumni.”

So how is “Littletopia” creating a new vocabulary?  Smith notes that,  “the innovative, skillful and imaginative work of our alums is rooted in traditional and modern art forms; but our illustration perspective isn’t afraid to break down barriers or buck convention every now and then.”

Illustration alums whose work will be on display, include Erin Burrell, Ryan Cho, David Cook, Ben Sanders, Fleurette West and Julie Yeo, joined by current upper-term Illustration student Jane Lee (see their work in the above slideshow).

The term ‘New Eye,’ is borrowed from the diverse tracks of study available within Art Center’s Illustration program, which encompasses Illustration Design, Entertainment Arts, Motion Illustration and Fine Art Painting — with later forming the basis for the work at L.A. Art Show. “It’s a term that our students and alumni respond well to,” explains Smith, “and it really summarizes the fresh perspective coming out of the Illustration Department.”

In addition to the New Eye exhibit, many other Art Center alums will also have their work on view, including Mark Todd, Esther Pearl Watson, Aron Wisenfeld, Ray Turner and Aaron Smith himself.

Let us know some of your favorite works from the show and who else you bump into from Art Center.

Taking the fast lane to the future of transportation

Sin Palace: Horizontal Section Cut by Michael Webb, published in The Car in 2035.

Sin Palace: Horizontal Section Cut by Michael Webb, published in The Car in 2035.

Spearheaded by Graduate Art alumna and former faculty member Kati Rubinyi, The Car in 2035: Mobility Planning for the Near Future seeks to engage a broad readership in the aesthetically and intellectually complex relationship between cars and the physical environment. More than a handful of Art Center folks have contributed to the book, which features essays by Graduate Transportation Design Executive Director Geoff Wardle and Graduate Art Chair Jeremy Gilbert-Rolfe, among others, and illustrations by alumna Jiha Hwang GMDP 11. Published in March, the book and the issues it addresses became the driving force behind the creation of the nonprofit Civic Projects Foundation, founded and led by Rubinyi. Its mission—initiating projects for the public benefit that break down silos among professional disciplines—was inspired, in part, by Art Center. “My education and later experience at the College did nothing less than pry open my mind to new values and to other communities of practice, which was a much-needed antidote to my professional experience at that time,” says Rubinyi, whose background is in urban planning, architecture and art. Civic Projects welcomes collaboration and support from anyone who recognizes the need for more creativity in positively shaping the future of urban and suburban Southern California.

This story originally appeared in Art Center’s Dot magazine. Check out Dot online for more news of alumni and faculty exhibitions, products, books, films and social impact. For a closer look at Art Center’s role in shaping the future of car design, check out this recent Westways magazine profile of Geoff Wardle.

Red Hen Press Event Features Art Center Faculty Member Lita Albuquerque

Stars will align on Art Center’s South Campus rooftop on Tuesday, April 23, when poets and artists come together for a special event focused on separate projects exploring Antarctica created by Katharine Coles and Lita Albuquerque. Coles, Utah Poet Laureate Emeritus, and Albuquerque, Art Center Graduate Art faculty member, will be joined by Poetry Foundation President and Red Hen poet John Barr. Hosted by Red Hen Press, an organization committed to publishing works of literary excellence, supporting diversity and promoting literacy in our local schools, the event will also feature a poetry reading by Barr.

Lita Albuquerque in Antarctica

Lita Alburquerque installing STELLAR AXIS in 2006.

The Earth Is Not Flat (Red Hen Press, 2013) by Coles was inspired by her trip to Antarctica funded by the National Science Foundation. Filled with poetry that enters the infinite space/time continuum that is the southern bowl of the planet, The Earth Is Not Flat both observes and engages the idea of what the environment of the South Pole means as humans encounter it.

Albuquerque created the artwork, Stellar Axis, on the Ross Ice Shelf at the South Pole from Dec. 14-27, 2006, and she provided Red Hen Press with one of the photos of the installation for the cover of Coles’ poetry collection. Stellar Axis is an ephemeral installation of a star map on ice. Albuquerque and her team placed ninety-nine blue spheres on the ice to correspond with the stars above them, stars not visible at that time of year when it was light all the time.

As Albuquerque said, “I am interested in change of scale: how the observer affects the object of observation; space as a void; non-space existing in time… Some brittle stars exist in the Antarctic and Arctic, and some are found even in the deepest parts of the ocean where there is no sunlight. Others have exquisitely developed crystalline lenses, formed from the bone in their skeletons, which focus light inside their bodies and enable them to see. But this is not blackness, it is full of something from long ago with the potential of something yet to be.” [ed. note: Stellar Axis was also featured on the cover of Art Center’s Dot magazine (Spring 2012), which included a feature story on another of Albuquerque’s seminal projects, Spine of the Earth.]

Archetype Press, Art Center’s experimental letterpress workshop overseen by Professor Gloria Kondrup, will be creating limited edition broadsides to commemorate the occasion.

For more information and to purchase tickets, visit the Red Hen Press website.

Faculty Member Sean Adams Donates Proceeds of MOO.COM Collaboration to Art Center Scholarship Fund

Art Center faculty member Sean Adams.

Sean Adams

Art Center faculty member Sean Adams, partner and co-founder of the branding and strategic design firm AdamsMorioka, recently collaborated with MOO.COM to create their newest collection of high-end business cards for The Luxe Project.

When deciding which charity would receive 100% of the net proceeds from the sale of the business cards, Sean selected the Art Center Scholarship Fund and the purchase of any cards in Adams’ three collections—totaling 42 different designs—between now and the end of August will benefit Art Center students.

You can purchase any of Adams’ designs — Pattern and Colour, Sad Places or Ships Ahoy! — from MOO.COM.

Commenting on his choice to support the Art Center Scholarship Fund, Adams said, “As a teacher I’ve seen too many remarkable people leave school because they couldn’t afford to continue. When I see a student who is brilliant, passionate and who works like a dog, lose the resources to finish school, it is a loss not just to his or her own experience. It’s a loss of an incredible resource and voice to the world.

“None of us would have become successful without the help of the generation ahead of us. I myself wouldn’t have finished school without scholarship help,” he continued. “It feels great to know that I can give back and be a small part in making Art Center students the most incredible and successful designers graduating in the world today.”

As part of MOO’s efforts to make quality products and top-level design available for anyone to create their own unique identity, Luxe Business Cards are high-quality, super-thick, customizable cards that feature limited edition designs.

Adams said, “I was thrilled to have the opportunity to design cards for anyone to use and that MOO has given me the ability to support our future designers in this way. So thrilled that I couldn’t stop with just one collection, so I designed three.”

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