
This month his “sound pavilion” will debut at Brazil’s Instituto Inhotim. For this piece, Aitken drilled a hole deep into the ground to broadcast the earth’s “primal, geologic sounds.”
“As if putting a stethoscope to the planet’s heart, he has used a system of ultrasensitive amplifiers and geomicrophones (like the ones geologists use to record the breaking up of glaciers in Antarctica) to transform these guttural registers into audible sounds that fill a ground-level glass pavilion above. He expects the visitors in the pavilion both to have intensely private experiences and to become part of a larger community—the audience created by sound.”
Read the article here. For more on Aitken, read Art Center’s interview with him here.