
The (Dis)Embodied Filipina: Fashioning Domesticity, Weaving Desire explores the images of the early- to mid-20th century Filipina as civilized and wild. Through the juxtaposition of mannequins wearing the terno with ethnographic portraits appropriated from memoirs, travelogues, anthropological surveys and postcards, the exhibition addresses the material and spectral appearance and absence of women in the Philippines.