Inside ‘In Particular:’ Sarah Magladry’s installation in the Fine Art Gallery

by April 1st, 2014

This creative manifesto is part of a series of first-person pieces by Fine Art students reflecting on the ideas informing their work. Each post will feature the artist whose work is currently rotating through the Undergraduate Fine Art Student Gallery, at the Hillside Campus. This week Sarah Magladry explores the inspiration behind her exhibit, “In Particular.”

“Each piece, or part, of the whole of nature is always merely an approximation to the complete truth, or the complete truth so far as we know it. In fact, everything we know is only some kind of approximation, because we know that we do not know all the laws as yet. Therefore, things must be learned only to be unlearned again, or, more likely, to be corrected.” – Richard Feynman

Dissection is a crucial element in my practice. The minute details ignite the story. It’s a process of deduction, examination and reappropriation. I am never finished searching for what I am attracted to in an image and am typically drawn to the unexpected, the failed or the perverse. It is these details I relish that make the final viewing. There is an embracing of aberrations: a celebration of them. A self-reflective nature that allows the inadvertent to take on more than perhaps what the piece originally intended to do. The fragmentation of each piece allows them to converse with one another. Each element feeds upon the next, creating a carousel of information more thorough and more complex with the progression of each concept.

Products become just as much a narrative of the image-maker as the image itself.

And the narrative is as the quote suggests… we are in constant entropy. And yet it is this degree of disorder and uncertainty that allows for metamorphosis.

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