It’s been quite a year for Illustration alumnus Dan Santat (BFA 01).
Back in February, he was awoken at 4:30 a.m. by a call from the American Library Association (ALA) with the news that his childrens’ book The Adventures of Beekle: The Unimaginary Friend had won the Caldecott, the nation’s most prestigious award for childrens’ literature.
And this Wednesday it was announced that Jason Reitman, the Oscar-nominated director of Thank You for Smoking, Juno and Up in the Air, would be writing and directing an animated film based on Beekle for Dreamworks Animation.
“I was book shopping with my daughter, when a little tooth-shaped character wearing a paper crown stole our hearts,” said Reitman in a press release announcing the deal. “His name was Beekle, and I’m now honored to be adapting Santat’s charming story into a feature film.”
Beekle tells the story of an imaginary friend who, tired of waiting to be chosen by a real child, sets off on a magical journey to find his perfect match. When he finally finds his human, he’s given his special name: Beekle.
The name has special meaning for Santat—it was his older son Alek’s first word, for ‘bicycle.’
“The book was my way of saying to my son, ‘Welcome to the world. I’ve loved you before we even met,’” Santat told The Associated Press.
“My older son knows that the whole book is essentially a love letter to him,” Santat elaborated on KPCC’S Take Two. “My intention for the book was that long after I’m gone, and my son grows up, maybe gets married and has his own kids, that he could show this to his kids and say, ‘This is how much your grandfather loved me.’”
In its awarding of the Caldecott to Beekle, the ALA praised Santat’s “fine details, kaleidoscopic saturated colors, and exquisite curved and angular lines” to “masterfully convey the emotional essence of this special childhood relationship.”
Caldecott medal committee chair Junko Yokota added, “Santat makes the unimaginable, imaginable.”
‘Unimaginable’ is an apt way to describe Santat’s meteoric success this year.
What makes Beekle’s recognition particularly gratifying for Santat is that it’s a book he both wrote and illustrated—a creative goal he took very seriously.
Santat has worked with a number of high profile authors over the years, but has long desired to get more of his own stories out into the world.
“It’s been a pretty definitive part of my life,” Santat told the Dotted Line.
As an example, he recalled working on The Replacements, an animated Disney Channel show based on his one of his first books.
“There were moments working on that show where I thought Even though the show says ‘Created by Dan Santat,’ it doesn’t feel like it,’” he said. “Every story note I submitted would get shot down by an executive.”
“I was in this weird spot where I felt like I wasn’t very good at writing stories anymore,” he added.
But just like Beekle, who “does the unimaginable” by deciding to find his own child rather than wait to be discovered, Santat, with encouragement from his agent, overcame his creative insecurity and decided to dive headfirst into his freelance work.
He even turned down a lucrative job offer at Google working for the tech giant’s Doodle team, because it wouldn’t afford him the time to work on his personal projects.
“I wanted to know how far I could go as a children’s author and illustrator,” he said. “I knew I had ideas. I knew they were valid. I knew they could probably be something special if I really just focused my attention on it.”
“When I said ‘no’ to Google I gave myself this condition, something that my instructor Rob Clayton had advised us to do at Art Center,” Santat said. “I told myself I needed to work on my brand harder than I’ve ever worked for any company.”
Up next for Santat is another children’s book, Are We There Yet?, based on a constant lament from his other son Kyle during road trips.
When it comes to Santat’s career, the answer to that question seems fairly obvious.