From ‘Whitewash’ by Nicholas Alan Cope, published by powerHouse Books.

Nicholas Alan Cope sees Los Angeles as a city of contrasts, with “dueling public narratives of glamour and cynicism” legible in its stark, modern architecture. In his new book of black and white photographs, Whitewash, he dramatizes that contrast by making elegant use of the extremes of light and shadow produced by the intensity of the Southern California sun.

Published by New York’s powerHouse Books, with a foreword by California-born, Paris-based fashion designer Rick Owens, and distributed by Random House, the book’s April release will be celebrated with a launch party at Mondo Cane in Tribeca on Thurs., March 28, on the opening night of a gallery exhibition of Cope’s large-format photographs from the book. The exhibition continues through April 13.

From ‘Whitewash’ by Nicholas Alan Cope, published by powerHouse Books.

Cope began work on the Whitewash series as a side project in 2006 when he was a student in Art Center College of Design’s undergraduate program in Photography and Imaging, completing his BFA in 2007. “I began by focusing on the essential components of Los Angeles architecture,” he says. “I spent two years working to create a set of parameters for photographing the city. My second project was created as a companion to that project; I photographed the landscape of Los Angeles. These two bodies of work eventually formed a sort of idealized survey of the city. Subsequent projects have taken the visual language established in those series and either expanded upon them or reacted in opposition to them.” Ultimately, he adds, the 2006–2012 project feels cyclical: “The first images, which were the most stark, are very similar to the most recent.”

Cope cites the important influence of several teachers during his time at Art Center. “[Department Chair] Dennis Keeley and [Faculty Director] Everard Williams were big supporters. I also got specific guidance from Leor Levine who pointed me to the work of Grant Mudford, which really changed how I look at architectural photography. Later, David Strick helped me expand the project and begin writing about it as part of an independent study. I had maybe 20 images by the time I graduated, quite a few of which are included in the book.”

Born in Takoma Park, Md., Cope began taking photographs as a teenager and moved to Los Angeles in 2002, where he now splits his time between personal projects and a growing commercial practice. Among Cope’s many awards and distinctions was his inclusion in PDN‘s “30 in 2011.” He shares a MacArthur Park studio near downtown LA with fellow Art Center Photo alum, creative director Dustin Arnold, with whom he also collaborates on projects.

—Sylvia Sukop