Category Archives: Uncategorized

Art Center Dialogues: Catalyzing Creativity, Criticality and Community

Valerie Casey, head of Samsung's Innovation Accelerator, delivers the opening lecture in the Spring 2015 Art Center Dialogues series

Valerie Casey, head of the Samsung Accelerator, delivers the opening lecture in the Spring 2015 Art Center Dialogues series on February 4, 7 p.m.

Spring term brings the next exciting installment in a long-running annual lecture series endowed by the Toyota Motor Company. This year, Art Center Dialogues highlights influential leaders in creative fields and also explores what leading creatively means.

Confirmed speakers include Valerie Casey, head of the Samsung Accelerator; Helen Molesworth, chief curator at the Museum of Contemporary Art in Los Angeles; Harriet Rubin, Woodrow Wilson Visiting Fellow and author, consultant and lecturer on leadership trends; Dede Gardner, President of Plan B Entertainment and producer of the films 12 Years A Slave, The Normal Heart and Selma; and Jessica Yellin, former Chief White House correspondent for CNN.

“Leaders in art, film, business and design practices, our speakers have changed both the questions we ask and the solutions we might find when it comes to thinking about 21st-century culture,” says Humanities and Sciences (H&S) Chair Jane McFadden, who curates the series. “We have invited them to inspire thoughtful discussion and broaden perspectives by engaging with our community across a variety of educational platforms, including lectures, panel discussions, workshops and collaborative endeavors.”

The Art Center Dialogues series kicks off February 4. Schedule and location details are at the bottom of this post. Admission is free and open to the public and to our campus community, and reservations are not required.

Continue reading

On fueling creativity with kindness (not Red Bull): Student Leadership Award winner Fernando Olmedo

Entertainment Design student Fernando Daniel Olmedo won the Fall 2014 Student Leadership Award.

Student Leadership Award winner Fernando Olmedo. Photo: Chuck Spangler

“Something I always made a point to do as I walked through the halls was to smile,” said graduating Entertainment Design student Fernando Olmedo, during his acceptance speech at this past Saturday’s graduation ceremony for Art Center’s annual Student Leadership Award. “No matter how tired I was, I made sure that I looked in people’s eyes and smiled.”

“And something pretty remarkable always happened when I smiled,” continued Olmedo, who was selected among several candidates for the Fall 2014 award by a committee of students, faculty and staff. “For this brief moment, there was this connection, this energy, this spark that came from somewhere deep inside … It worked better than coffee and Red Bull.”

Continue reading

Art Center in Asia: Onward Singapore

Shimano Cycling World, located at the Singapore Sports Hub, was designed by alumnus and Trustee Tim Kobe's (BS 82) Eight Inc., and just won two SPARK awards. Photo: Aarond Pocock

Shimano Cycling World, located at the Singapore Sports Hub, was designed by alumnus and Trustee Tim Kobe’s (BS 82) Eight Inc., and just won two SPARK awards. Photo: Aaron Pocock

In the latest issue of Dot magazine, we explore Art Center’s long history—nearly 60 years—of connections to Asia. Today, we look at the College’s presence in Singapore and its decade-long relationship with INSEAD.

From Beijing, take a six-hour flight south and you’ll find yourself in Singapore, a geographically tiny city-state where tropical rains meet Blade Runner-esque skylines.

Singapore is not only a central hub for Southeast Asian business, but it is also a country banking big on the innovation economy and bending over backwards to lure creative and entrepreneurial talent to its borders.

Just ask Environmental Design alumnus and Art Center Trustee Tim Kobe (BS 82), the founder of Eight Inc., a design firm whose clients include Apple, Citibank and Nokia and which has offices around the world, including Beijing, Hong Kong, Tokyo and Singapore.

Continue reading

Art Center in Asia: Seoul Power

In this photo from the mid-90s, Product Design alumnus Gordon Bruce (BS 72), standing, teaches a creativity course at the Innovative Design lab of Samsung (IDS).

In the latest issue of Dot magazine, we explore Art Center’s long history—nearly 60 years—of connections to Asia. Today, we look at the College’s now 20-year relationship with Samsung.

When it comes to Art Center in Asia, one man whose influence stretches far and wide is Product Design alumnus Gordon Bruce (BS 72), who this past Spring delivered the College’s commencement address and received the Art Center Lifetime Achievement Alumni Award.

At that event, Bruce told an entertaining story—complete with props—about teaching in Seoul, South Korea and the time he used a banana to illustrate to a group of Samsung designers why “mother nature is the best designer.”

Beyond drawing laughter and a big round of applause, his tale offered a unique glimpse into an era when Samsung was far from the technology powerhouse it is today and a time when the company and Art Center were just beginning what is today a 20-year relationship.

Continue reading

Beyonce and beyond: Fine Art department responds to debate over “Pretty Hurts” course description

Beyoncé Inc. (S, M, L, XL) by April Bey Oil on maternity mannequin and board 36''X48'' 2014

Beyoncé Inc. (S, M, L, XL), by April Bey. Oil on maternity mannequin and board, 36”X48”, 2014

This guest blog post comes in response to recent digital conversation sparked by an article on MTV.com taking issue with the description for an undergraduate Fine Art course (co-taught, not incidentally, by a woman of color) entitled “Pretty Hurts.” This piece, composed by Fine Art department chair Vanalyne Green and course instructors Ariel McCleese and April Bey, was intended to contribute to this vital and momentous exchange as well as to elucidate the intentions animating the description’s provocation. We hope the dialogue will continue as we wholeheartedly embrace the values of inclusivity and gender equality that have informed this conversation as well as the work of all the artists discussed below. Please continue to weigh in with your thoughts and ideas on this dynamically shifting terrain in the comments section below. 

Continue reading

And the technical Oscar went to…3-D VFX wizard and Art Center alum Peter W. Anderson

Peter W. Anderson (BFA 67), left, accepting his Oscar at the Academy's Technical Achievement Awards with Douglas Trumbull. (Credit: Michael Yada/©A.M.P.A.S.)

Peter W. Anderson (BFA 67), left, accepting his Oscar at the Academy’s Technical Achievement Awards with Douglas Trumbull. (Credit: Michael Yada/©A.M.P.A.S.)

Earlier this year, Photography alumnus and visual effects master Peter W. Anderson, ASC, accepted the 2013 Gordon E. Sawyer Award, an Academy Award for technological contributions that have brought credit to the film industry. “Without the sciences what would the art be?” Anderson asked as he hefted his Oscar. “Without the art, what would the sciences be?”

Continue reading

Artworld luminaries hail Stockholm debut of Sculpture After Sculpture, curated by Grad Art’s Jack Bankowsky

Screen Shot 2014-10-24 at 1.21.52 PM

By all accounts, Sculpture After Sculpture, an omnibus exhibition curated by Art Center faculty member, Jack Bankowsky,  is a major event, capturing nothing short of a pivotal moment in the evolution of modern sculpture. The show opened last week at Stockholm’s Moderna Museet to great fanfare, including this piece in Artforum. For those who can’t make it to Sweden, the following catalog excerpt offers a glimpse at the compelling story this audacious show tells about sculpture’s relatively recent past and possibly its not-so-distant future.

Continue reading

The house that Jorge Pardo built: The Fine Art alum’s latest functional fantasia

Tecoh roof garden at dusk. Photo: Jaime Navarro Soto

Tecoh roof garden at dusk. Photo: Jaime Navarro Soto

For the past 20 years, Jorge Pardo has been swinging his wrecking ball around the art establishment, tearing down traditional categories of creativity and staking his claim to an underused patch of terrain utterly his own, at the intersection of art, architecture, design, painting and sculpture.

“What I do is shape space and play with the history that forms people’s sense of expectation,” the Cuban-born Fine Art alumnus explained in a 2013 W Magazine profile. “I don’t think art is not functional. A painting is functional. People hang it on the wall. You can trade it. It’s like money. But historical tradition says paintings are not functional.”

A 2010 MacArthur “Genius,” Pardo has been bucking tradition since he rose to prominence in 1998, with 4166 Sea View Lane, a functional sculpture/house he designed and built for a MOCA exhibition. His current project may be his most ambitious yet. Pardo has handcrafted each element of Tecoh, a compound of buildings and gardens in the Yucatan jungle, to create an Edenic multisensory experience. At the heart of all of Pardo’s work lies a DIY commitment to artisanship, honed during his time at Art Center. “I like to know how things work,” Pardo told W. “I think everything interesting comes from figuring it out.”

This story originally appeared in Art Center’s Spring 2014 Dot magazine, where you can read more about alumni and faculty achievements.

Artworld luminaries and Art Center alums pay tribute to Mike Kelley’s legacy as an educator

Of all the ways Mike Kelley has been celebrated for his pivotal contributions to contemporary art, since his death on January 31, 2012, his impact as an educator may be the most significant aspect of his legacy to go relatively unexamined, if not unsung. Kelley was a faculty member of Art Center’s Graduate Art Department from 1992 to 2007. And during his time teaching at Art Center, Kelley mentored such monumental talents as video artist Diana Thater (who now chairs the department from which she graduated), multimedia artist Pae White, installation artist Jennifer Steinkamp and Fine Art faculty member Jean Rasenberger.

In the above video, inspired by Kelley’s MOCA retrospective, these artists examine the ways in which Kelley influenced the kind of artists they’ve become, the work they create and, perhaps most importantly, how they go about crafting and sustaining a life as an exhibiting artist. Kelley has often been credited with helping raise the clout and visibility of LA’s art scene when his career took off and he declined to follow the well-worn path previous west coast supernova artists had followed to New York. As one of the first internationally acclaimed artists to root himself in Los Angeles, Kelley was, in essence, laying the groundwork for his students and their contemporaries to do the same.

If these artists’ upwardly-tilting career paths are any indication, Kelley’s impact on his students, his city and his creative discipline only gets deeper as time goes on.