Meet Art Center at Night Student Roberto Galicia

ACN student Roberto Galicia. Photo: Mike Winder

Nobody walks in L.A.?

Don’t tell that to Roberto Galicia.

After taking Introduction to Product and Transportation Design at Art Center at Night (ACN), Galicia decided to pursue design as a career.

The only problem? He lived in Ontario, the courses he needed were in Pasadena and he had no car.

We sat down recently with Galicia to get his full story; here’s what he told us:

“Where I went to high school in Rancho Cucamonga, everybody seemed to get a brand new car as soon as they turned 16. But not me. Ever since I was a little boy I loved cars and dreamed of one day designing cars. But I never had the means to own a car, so I took the bus everywhere.

“After high school and some community college classes, I signed up for Art Center at Night’s Introduction to Product and Transportation Design with Rimon Ghobrial. Rimon was a great instructor, and when he learned what I wanted to do with my life, he suggested I also enroll at Pasadena City College (PCC) to take classes with Stan Kong and Albert Yu, both Art Center alumni. I knew I had to take those classes, but I was worried about transportation. I didn’t have a car, so how was I going to get there? I enrolled at PCC and eventually figured it out, but the solution was ridiculous.

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Don’t Miss Design Runway This Friday

Environmental Design student Belle Shang will present her BeWild winter accessories at Design Runway.

This Friday, Art Center College of Design will hold its annual Design Runway show at the College’s Hillside Campus. The show, which is free and open to the public, focuses on how industrial design and visual art students are expressing themselves through apparel design.

“This is a runway show unlike any other,” said Design Runway instructor Justine Parish of the event which marks the culmination of the course of the same name. “Apparel design at Art Center is less about fashion than it is an outlet for students from all departments to explore a new medium for their creativity. As a result, we have Product Design students creating performance sportswear for space travel, Illustration students creating jewelry, Transportation Design students creating high fashion shoes and everything in between.”

Continued after the jump.

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Jodie Foster Visits Art Center as Part of Film Department’s Distinguished Filmmakers Series

Dan Perri talks with Jodie Foster in the Ahmanson Auditorium. Photo: Chuck Spangler.

Actor-director-producer Jodie Foster visited a packed Ahmanson Auditorium earlier this afternoon for a discussion and Q&A with Film instructor Dan Perri as part of the Film Department’s Distinquished Filmmakers Series. Foster, who’s next starring in director Roman Polanski’s Carnage (trailer embedded below), shared with Art Center students her experiences as a director on the sets of Little Man Tate, Home for the Holidays and The Beaver, as well as her thoughts on filmmaking in general and a few of the great directors that she’s worked with.

Here are a few highlights from the event:

Foster on when she first became interested in directing: “When I was six years old I did a television show called The Courtship of Eddie’s Father. One day, the director showed up and it was the other actor, Bill Bixby, and my mouth just hung open. That’s when I realized actors could be directors and I remember thinking that someday that’s what I wanted to do.”

On the importance of words: “I don’t write, but I love writing. I was a literature major and I’m all about words. That’s my connection. And that’s even my connection as an actor, strangely. I’m one of the few actors I know that connects with words first and images later. I don’t make action films, I make personal films, so I have to download my psyche onto the script before I even start shooting so that the film reflects my personal psychological evolution. If it doesn’t, then I’m not engaged.”

On working with producers: “I love the creative partnership between the producer and the director. In the world of studio movies, everybody has this idea that a producer is an antagonist. In the best of all possible worlds, the producer is your brother or sister. They’re your right hand person that goes through the entire process with you and that loves your child as much as you do. You’re there to create this thing together.”

On juggling producing and acting: “I prefer to direct and produce at the same time. Producing and acting is a bad idea. It makes for a very difficult relationship with the director. The director should never have to have a budget schedule conversation with another actor. The director should never have to have conversations about the costars with another actor. There are many conversations that shouldn’t happen between a director and an actor, and unfortunately when you’re producing a movie, you have to have those conversations.”

Continued after the jump.

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Students Preparing for “Idea to Pitch” this Sunday [UPDATE]

A group of Art Center students have spent the past 13 weeks preparing and rehearsing for this Sunday’s Idea to Pitch, a red carpet Hollywood-style event that marks the culmination of the Entertainment Design Department’s first course to integrate written story development with concept art.

Hosted by Idea to Pitch instructor Nick Pugh, the event will feature 11 upper-term students–eight from Entertainment Design, two from Illustration and one from Film–pitching original intellectual property created during the course to an invited audience of Hollywood studio heads, producers, talent agents and development executives, including individuals from Dreamworks, Warner Brothers, Sony Pictures and Creative Artists Agency.

The concept behind the experimental Idea to Pitch course is to empower Entertainment Design students by showing them they can shift from being a work-for-hire concept artist to a content owner. How is this accomplished? By teaching them how to wed their original film treatments with dramatic concept art to effectively sell their ideas.

And what better way to teach this concept than to have the students actually pitch to real decision-makers in Hollywood?

“These students have been practicing their pitches every week since week one of this term,” said Pugh, who says the course eschewed traditional critiques and instead had each student revise and refine their pitch each week. “As an instructor, I’ve tried my very best to cultivate ideas that are original, unique and very sellable. I want the students to understand what it means to make something that has real value.”

“The goal of the course is to teach students how to own their intellectual property, how to pitch it and how to become an overall conceptualist,” added Tim Flattery, Chair of the Entertainment Design Department, while emphasizing that the real-world element at play at the event will make the proceeding all the more dramatic. “If somebody at this event is interested in optioning their story? Well, that’s all the better.”

Idea to Pitch takes place this Sunday, December 11 at noon. Creative individuals in the entertainment industry interested in attending can RSVP to maritza.herrera@artcenter.edu or 626.396.2464.

UPDATE 12/16/11:

Hollywood producers, writers, development executives and other invited individuals filled the LA Times Auditorium this past weekend for the inaugural Idea to Pitch, where they were treated to 11 full-length motion picture pitches that ranged from a sci-fi thriller to a children’s fantasy to to an absurdist action comedy. Feedback from the audience–which included individuals from RGH Entertainment, Bad Robot, Ziskin Productions, Digital Ranch, Paramount Pictures and Blacklight–was both positive and constructive, with one producer commenting that the pitches were substantially better than what more than 90% of professional writers come into his office to pitch. That comment drew both a laugh from the audience and a feigned outrage of one nearby writer who cried, “Hey, I’m sitting right here!”

Students received tips on everything from how to adjust their pitches to match specific budgets to how to keep their cool during a high-pressure presentation. One producer in the audience asked the students, “Out of curiosity, how many of you are so passionate and excited about your project that you want to turn it into a script?” To which every student in the class raised their hands.

“I’ve always pitched this class as a pipeline to real projects,” said instructor Nick Pugh, responding to the question. “This not a theoretical class. This class, with its focus on property creation and property ownership, is not just about getting a good job. It’s about heading out into the industry with a property that’s worth something.”

Turns out the student’s properties may already be worth something. According to Pugh, individuals invited to the event expressed interest in three of the projects, with one receiving multiple inquiries.

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Celebrate the Holidays with the Media Design Program

Art Center’s Media Design Program is ringing in the season with Cheers, a student work-in-progress show featuring thesis projects, concept year individual projects and development year installations.

The show takes place next Friday, December 16, 4:30-6:30 p.m. in South Campus‘ Wind Tunnel Gallery. No RSVP is necessary; just be prepared to “see, eat, drink and be merry.”

Interested in learning more? Read previous stories on Art Center’s Media Design Program.

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Hillside Campus Closed Due to Strong Winds (UPDATE: Reopening Friday at 6:00 a.m.)

Attention Art Center students, faculty and staff:

The City of Pasadena has issued a Wind Advisory and Red Flag Alert, cautioning individuals to stay home. The roads leading to Hillside Campus are inaccessible due to fallen trees and debris and the Hillside Campus is closed until further notice.

For additional information, visit the City of Pasadena’s website.

UPDATE: South Campus is not officially closed, but some roads are impassable and the City advises staying home until the wind situation improves.

UPDATE 2: Hillside Campus will reopen tomorrow morning at 6:00 a.m., and South Campus will resume operations at 8:00 a.m. We will continue to monitor weather and safety conditions throughout the night and alert the Art Center community if the situation changes. We appreciate your understanding.

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Keith Haring’s Mural a Constant Reminder of the Fight Against HIV/AIDS

Haring's mural at Art Center. Photo: Steven A. Heller / Art Center College of Design

Today is World AIDS Day, an opportunity for people across the globe to unite in the fight against HIV/AIDS and to remember those who have died from the epidemic.

In 1989, artist and social activist Keith Haring visited Art Center to paint an interior mural which still hangs at Hillside Campus.

Painted over the course of two days and created in conjunction with the second annual World AIDS Day (then called AIDS Awareness Day) and as part of the first ever Day Without Art, the mural stands as a permanent memorial to members of the art community who have died of AIDS and serves as a symbol of hope and compassion.

“When AIDS became a reality in terms of my life, it started becoming a subject in my paintings,” Haring was quoted in a Los Angeles Times article about the painting of the mural. “The more it affected my life the more it affected my work.”

Haring passed away two months later from AIDS-related complications.

This year also marks the 30th anniversary of the first reported case of AIDS in the United States. Since 1981 more than 25 million people globally have died from AIDS and more than 33 million individuals today are living with HIV/AIDS.

Want to get involved? Learn the basics of HIV/AIDS and take action!

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Media Design Student Reaches Into Another Dimension

Media Design Program student Jayne Vidheecharoan working on her thesis project "Portals."

You’ve heard of Art Center students reaching across disciplines with their work. But how about reaching across space and time?

That’s what Media Design Program student Jayne Vidheecharoen has set out to do with Portals, her thesis project that combines chroma key compositing technology (aka “greenscreen”), Google Street Maps and a pair of “black magic boxes” to create a space where multiple users can interact with real and virtual objects across the Internet.

Vidheecharoen recently launched a Kickstarter campaign to “level up” her project, where she describes her inspiration for her project:

Lately, people have been getting pretty excited about the idea of interacting with computers by touching screens or gesturing in front of them. But I’ve been wondering, what if you could interact with them by getting under, inside, or behind the screen instead?

According to her project’s blog, Vidheecharoen is deep in the midst of writing the first draft of her thesis paper. We’ll give her some time to finish her paper, but you can be sure we’ll be reaching across space and time to follow up with her on this fascinating project.

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“Get Physical” Lecture Now Available on AlwaysOn

Still from Rebeca Méndez' "Recurrence Relation 2" (2011)

Are you still kicking yourself for missing the Graphic Design Department’s 3×3 lecture Get Physical: New Media in Space this past September?

Then stop whatever you’re doing and visit Art Center’s AlwaysOn website, where the entire lecture–comprised of three presentations by media artist and designer Joachim Sauter, Art Center alumna and interdisciplinary artist Rebeca Méndez and contemporary media artist Christian Moeller–has just been been uploaded.

At Get Physical, Sauter, Moeller and Méndez (whose latest work, Quagmire, can currently be seen in Art Center’s WORLDS exhibition) explored ”post-virtual experiences,” those new interactions arising from the fusion of digital media within our built environment.

As might be expected, “post-virtual experiences” mean very different things to each of these three artists. For example, Méndez’ current work-in-progress Circumpolar has her following the Arctic Tern, a small seabird, as it migrates from the Arctic to the Antarctic. Mendez said that with this work she’s aiming not only to capture the bird’s behavior and habitat but to also document the invisible forces–the Sun, the Earth’s magnetism, the oceanic currents–that guide the Tern in its migration.

And the process of capturing nature is also an opportunity for her to reflect on the sublime fragility of life. ”I like spending time in the middle of the tundra, where I’m confronted with the realization that nothing out there wants me to live,” said Méndez of some of her recent works, including Recurrence Relation 2. “They told us going from the sailboat to the zodiac that if we fall in the ice, it’d be better to leave us in the water because we’d last longer than if they pulled us out. We’d last six minutes in the water, three minutes out.”

See all three presentations at Art Center’s AlwaysOn website.

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