Tag Archives: ArtCenter

OUTSIDEIN exhibition assembles a pantheon of street artists to create mural-sized works illustrating public art’s expanding sphere of influence

RISK's OutsideIn installation on the north face of ArtCenter's Wind Tunnel building at 950 South Raymond Avenue. Photo by Chuck Spangler

RISK’s OUTSIDEIN installation on the north face of ArtCenter’s Wind Tunnel building at 950 South Raymond Avenue. Photo by Chuck Spangler

“Street art has exploded as an anti-authoritarian form of art making and an important global movement happening in the visual arts today,” said OUTSIDEIN curator and author G. James Daichendt in a recent TEDx speech, “The Streets As Canvas.” “Even if you’ve never stepped foot into a museum or gallery, you’ve been impacted by street art since it lives in the corners of our communities.”

In recognition of this phenomenon, ArtCenter College of Design has organized OUTSIDEIN, an expansive indoor and outdoor exhibition opening, with a public reception on October 8, 2015, and continuing through January 10, 2016, at multiple venues in Pasadena. Initiated by ArtCenter’s Illustration Department Chair Ann Field, the exhibition’s curatorial team also includes Daichendt and Alyce de Roulet Williamson Gallery Director Stephen Nowlin.

“Like many artistic insurgencies, street art has had to navigate around the pitfalls of its own commercial success to remain possessed of raw and vital meanings,” said Nowlin. “That tension, along with the breadth of street art’s current influence in contemporary design and visual culture, is what we set out to explore in OUTSIDEIN.”

Featured in the show are artists Olivia Bevilacqua, David Flores, CHASE, Robbie Conal, Cryptik, Jeanne Detallante, Shepard Fairey, James Jean, Geoff McFetridge, RISK, Kenny Scharf and Jeff Soto, who is an ArtCenter alumnus.

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Going bold and going home: ArtCenter’s graphic identity, past and present

ArtCenter’s original 7th Street campus, 1947

ArtCenter’s original 7th Street campus, 1947

At the beginning of 2013 the Design Office began evaluating the ArtCenter identity and considering possible adjustments that could enable a stronger, more flexible presence, particularly with online communications in mind. Our intent wasn’t to rebrand ArtCenter, but rather to make stronger use of the existing graphic identity elements that have always been associated with the College. This process led to a fascinating deep dive into the history of ArtCenter’s identity. We looked into the origins of the orange dot and studied 85 years of ArtCenter promotional materials to identify the things that represent the essence of who we are. Here’s what we found:

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