Tag Archives: Karen Hofmann

Celebrating the ADA’s 25th birthday with a primer of inclusive design at Art Center

Kira Song's floatation vest for brain-injured athletes with limited motion.

Kira Song’s floatation vest for brain-injured athletes with limited motion.

As the nation prepares to celebrate the 25th anniversary of the Americans with Disabilities Act (ADA) on July 26, the community of makers at Art Center College of Design continues to innovate products and experiences that help improve the world for people who have essential life function limitations.

Since its founding 85 years ago, students, faculty and alumni have been making a difference through inclusive design by applying a human-centered theory to assistive products and experiences for populations challenged by issues of aging, race, gender, ability, chronic disease, psychological or developmental disorders, and more.

“We have a community of students who want to leverage their creativity to impact people’s lives,” said Product Design Chair Karen Hofmann (BS 97 Product) who has guided designers making significant contributions through rethinking how products can improve people’s lives for more than a decade. “That’s the most meaningful work designers can do.”

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Giving design the business: The ROI on Art Center’s longstanding partnership with INSEAD

What at first felt like a total culture clash just a decade ago is now standard practice in most top-earning companies. The idea of blending design innovation with business strategy has quickly evolved from a seedling, to a trend and now to a “must have.”

Art Center alumni and friends reunited in San Francisco on February 28 to celebrate the 10-year partnership of the College and INSEAD, one of the world’s leading and largest graduate business schools. Close to 150 industry leaders gathered at the posh play-inducing headquarters of Airbnb on Brannan Street to toast the success of a concept early adopters admitted seemed wacky.

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Art Center in Asia: Onward Singapore

Shimano Cycling World, located at the Singapore Sports Hub, was designed by alumnus and Trustee Tim Kobe's (BS 82) Eight Inc., and just won two SPARK awards. Photo: Aarond Pocock

Shimano Cycling World, located at the Singapore Sports Hub, was designed by alumnus and Trustee Tim Kobe’s (BS 82) Eight Inc., and just won two SPARK awards. Photo: Aaron Pocock

In the latest issue of Dot magazine, we explore Art Center’s long history—nearly 60 years—of connections to Asia. Today, we look at the College’s presence in Singapore and its decade-long relationship with INSEAD.

From Beijing, take a six-hour flight south and you’ll find yourself in Singapore, a geographically tiny city-state where tropical rains meet Blade Runner-esque skylines.

Singapore is not only a central hub for Southeast Asian business, but it is also a country banking big on the innovation economy and bending over backwards to lure creative and entrepreneurial talent to its borders.

Just ask Environmental Design alumnus and Art Center Trustee Tim Kobe (BS 82), the founder of Eight Inc., a design firm whose clients include Apple, Citibank and Nokia and which has offices around the world, including Beijing, Hong Kong, Tokyo and Singapore.

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Take two and check your tricorder in the morning: XPRIZE students design the future of medical diagnosis

XPrize_Rytm

The Rytm student project tackles the “silent killer” of hypertension.

If you’ve ever watched Star Trek, even casually, chances are you’ve seen Captain Kirk, Mr. Spock or Dr. McCoy use a tricorder, a hand-held device capable of detecting everything from an object’s chemical composition to an individual’s vital signs (“He’s dead, Jim.”).

Thanks to the tricorder, the concept of a hand-held non-invasive device that can diagnose whether somebody is pregnant, experiencing abnormal neural activity, or countless other medical scenarios, has persisted as a dream gadget for decades.

But the powerful processing capabilities and the myriad of sensors found in today’s smartphones make a tricorder seem less the stuff of science fiction and more a very tangible, and inevitable, outcome of our current technology.

Or, at least that’s what the XPRIZE Foundation thinks.

Last year the foundation launched the $10 million Qualcomm Tricorder XPRIZE competition to challenge teams from across the globe to design a device (or suite of devices) that can both accurately diagnose a set of 15 diseases independent of a healthcare professional or facility and also provide an appealing and engaging consumer user experience.

Thousands of individuals are participating in this challenge, including 14 students in an XPRIZE sponsored project at Art Center–an activity not part of the Tricorder XPRIZE but that paralleled the main competition–co-taught this past Summer term by Brian Boyl and Jeff Higashi.

In the class, students were encouraged to design a device concept that conforms to the guidelines of the XPRIZE competition. But they were also allowed to take their creations in a different direction altogether, with the understanding that their projects could serve as design inspiration for the final teams–which XPRIZE plans to name later this month–who will be in the running to create the actual medical device. Another possible outcome is that students from this class could join a like-minded team in the competition.

Continue past the break to see some of the projects the students created.

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Art Center Takes Manhattan During 25th Annual International Contemporary Furniture Fair

As design industry professionals converge in New York this week, Art Center College of Design is prominently featured as part of the 25th annual International Contemporary Furniture Fair (ICFF), taking place May 18–21. Attracting more than 26,000 professionals from the worlds of interior design, architecture, retail, manufacturing, distribution and development, ICFF is considered North America’s premier showcase for contemporary design.

Leading the College’s presence at this influential summit is David Mocarski, chair of graduate and undergraduate Environmental Design.

Art Center’s Booth 3016 at the show’s main venue, the Jacob K. Javits Convention Center, features an exhibition of work by eight students in the College’s Environmental Design program, and presents visitors an opportunity to mingle with the design community and learn more about the undergraduate and graduate programs.

Alumnus Brandon Kim and his work, Solace, will be featured in Booth 1073 at ICFF this year.

Alumnus Brandon Kim and his work, Solace, will be featured in Booth 1073 at ICFF this year.

Additionally, several alumni are represented in the prestigious ICFF Studio, which serves as a platform to match selected designers and their products with potential manufacturers.

It all takes place during NYCxDesign, a city-wide design celebration continuing through May 21 and packed with events and showcases.

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Product Design Graduate Vladimir Almonnord Wins Student Leadership Award

Vladimir Almonnord

Product Design graduate and Student Leadership Award recipient Vladimir Almonnord.

“There’s nothing more pleasant than helping someone in need and watching them achieve success,” said Product Design graduate Vladimir Almonnord, recipient of Art Center’s Student Leadership Award for the Spring 2013 term. “It’s the fuel that keeps me going and that motivates me at times I feel defeated.”

Each term, Art Center presents the Student Leadership Award to a deserving student from the College. The award is a distinguished honor granted to a graduating student who exemplifies leadership qualities and accomplishments that stand out above their peers.

“He has a passion for the process of designing meaningful products, is a superb visual storyteller and produces exceptional results on a grand scale,” said one faculty nominator of Almonnord, a student who forged a unique path that fused product design, illustration, entertainment design and transportation design.

“What surprised me the most about him was how he shares his time and thoughts with almost anyone and everyone that approached him,” said a student nominator.

“He reminds me of what kind of growth is possible, not just in skills, but in character, professionalism and attitude,” added another faculty nominator of Almonnord who, as a team leader for the Designmatters Change on the Streets transdisciplinary studio, helped address two critical issues facing the city of Pasadena: homelessness and panhandling.

“Perhaps his most important leadership achievement while at Art Center is how he willingly nurtured the talents of his peers,” said Dean of Students Jeffrey Hoffman when introducing Almonnord to the stage at last week’s graduation ceremony.

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Dieter Rams Urges Graduates Toward a Responsible Design Ethos

Dieter Rams at Art Center

Dieter Rams receives an honorary doctorate of arts from Art Center President Lorne M. Buchman. He concluded his speech by invoking Gandhi’s admonition, “We must be the change we want to see in the world.”

“Tomorrow’s world will be designed by the design students of today — by you — and while this is a great opportunity, this is also a great challenge and a great responsibility,” Dieter Rams told graduating Art Center students during the 2013 Spring Graduation Ceremony on Sat., April 20.

Accepting an honorary doctorate of arts from Art Center, the legendary designer was introduced by Product Design Chair Karen Hofmann and delivered his speech in German, translated live by an English-language interpreter. Rams thoughtfully reflected on his past, sharing lessons gleaned over a long and influential career as a product designer and university professor, while voicing concerns about the future and stressing designers’ changing responsibility in a changing world.

“Today’s main challenges are the protection of the natural environment and overcoming mindless consumption,” he said, urging students toward “a design ethos that goes way beyond complacency and arbitrariness.”

He presented five essential dimensions of design, along with his “formula for sustainable production”: Less but better! Much, much less, and much, much better. He asserted that “Design is primarily an intellectual process. It’s a procedure and an approach to create innovation and new meaning.”

Following are highlights of Rams’ speech:

 

 

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Production Designer, alum Patrick Hanenberger behind ‘Rise of the Guardians’ look and feel

Even if you’ve missed all the great stories in the Los Angeles Times, The New York Times and Entertainment Weekly, you’ve no doubt heard that DreamWorks Animation’s latest film Rise of the Guardians—which takes childhood fantasy figures like Santa Claus, the Tooth Fairy and the Easter Bunny and reimagines them as mythological heroes in an epic fantasy adventure—comes out in theaters Wednesday, Nov. 21.

And right in the middle of all that legendary action is the film’s production designer, Art Center’s own Patrick Hanenberger, who graduated from the College in 2003 with a degree in Transportation Design and is currently teaching a Visual Communication course.

We recently caught up with Hanenberger to ask him about his role in Guardians, how he ended up working in animation and which lessons from Art Center have stuck with him.

Dotted Line: First of all, how did you go from being a Transportation Design student to a production designer for animated films?

Patrick Hanenberger: I studied Transportation Design at Art Center and it taught me problem solving, 3D modeling, sculpting, sketching, designing around the human figure, rendering, research and most importantly presentation. These are all skills I use on a daily basis and are universal in any kind of design field. I always knew I wanted to work in movies and animated movies are great for designers since every single little detail needs to be designed and modeled. During Art Center I developed my portfolio to be very content based, which meant I always designed my vehicles for a specific story. After graduation I got a job as a visual development artist and from there on over the last eight years worked my way up to become production designer.

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Meet the Woman Behind the “Girls of ID” Student Organization

Laura Jonason started the Girls of ID student organization about three terms into her studies in the Transportation Design program at Art Center to connect all the women in the department. She wasn’t surprised to be part of a very small minority but she thought, after growing up a tomboy and working for 8 years in a myriad of jobs before coming to Art Center, she wouldn’t find it to be a problem. After a few terms being the only woman in her class, however, she began to feel a little isolated and wanted to reach out to other women in her major. “It is hard for men and women to be friends with each other in the same way they are with their own gender and it can be lonely being the only girl in a class full of guys.” Laura founded the student organization so that women in industrial design majors who are similarly grappling with that kind of isolation have somewhere to go. The Girls of ID offers these women a place to find camaraderie.

The Girls of ID. Courtesy Laura Jonason

It’s not the first time Laura has looked for ways to connect women. Prior to Art Center, while working at Circuit City, Laura founded a similar group for women who wanted to pursue leadership positions. One of the things they would talk about is that as a woman you can’t act the same way a man does and get the same reaction. They used an analogy about how to react in boiling water – you don’t want to be a carrot that gets limp and soft and you don’t want to be an egg that hardens – you want to be coffee because it mixes with the boiling water and becomes something good.

On women in Transportation Design:

“We need female car designers. Everybody has a unique design perspective and adding gender into that mix can only help. Today’s woman really wants something La Femme Nikita – we want to be powerful and sexy.”

About the Girls of ID mentor, Product Design Department Chair Karen Hofmann:

“Karen  is awesome. It is really great to have a teacher and mentor who is a woman. You can go to her with questions about what it is like as a woman to work in a male-dominated industry. Currently there are no female Trans teachers so it is really wonderful to be able to go to her.”

About being a mentor:

“People come to me and tell me about someone who could use the support of our group. Trans faculty will let me know if they see a female student who is struggling and some of the men will also let me know if there is a girl in their class who looks like she could use a friend.”

About automotive interior design:

“Before coming to Art Center I was interested in designing interiors – how long have cars been around and we still don’t have a place to put a purse? After starting at Art Center, however, I fell in love with form and now I’m focusing on exteriors.”

The Girls of ID meet three times each term. At the beginning of the term, they have a picnic or potluck that includes students and alumni from Art Center as well as Cal State Long Beach and Cal Poly. Sometime around midterms they get together in a classroom with snacks and drinks to work on projects and socialize. At the end of each term they go out to dinner.

For more information about the Girls of ID and any other student group, see the Center for the Student Experience.

In Case You Missed It

As we return from break we thought it would be a good time to check in on what is going on with Art Center alumni, students and faculty.

The Williamson Gallery’s current exhibition, Worlds was featured in The Los Angeles Times. Haven’t seen it yet? You’re in luck. The exhibition has been extended through January 29, 2012.

Art Center was well represented in the December issue of THE Pasadena Foothills Magazine. The magazine’s cover story, 50 Creative People 2011, featured President Lorne Buchman and recognized faculty and staff members Mariana Amatullo, Dan Gottlieb, Penny Herscovitch, Karen Hofmann, Stephen Nowlin and Geoff Wardle; student Holly Wren Hofgaarden; and alumni Edgar Arceneaux, Dan Goods and Steve Roden. The issue can be read here.

Student Maria Meehan received a 2011 Bill Bernbach Scholarship, earning herself $5,000 to put towards tuition. The scholarships are made possible through the Bill Bernbach Diversity Scholarship Fund, established in 1998 by DDB Worldwide to provide financial assistance to creatively talented, culturally diverse students seeking an education in copywriting, art direction and design.

Jayne Vidheecharoen demonstrating her Portals project

Media Design student Jayne Vidheecharoen, whom we’ve covered previously,  is still creating an Internet buzz around her Portals alternate reality project, funded by Kickstarter. We found her project covered here, here, here, here, here, here, here and here.

Transportation Design Chair Stewart Reed participated as a jury member for The Michelin Challenge Design. The jury made final selections based on the theme, “City 2046: Art, Life and Ingenuity.” More than 200 projects, submitted by more than 1,700 registrants representing 88 countries, were reviewed. The jury selected the work of 27 participants for display at the 2012 North American International Auto Show (NAIAS) in Detroit.

Alumnus Christopher Chapman, formerly with BMW, was hired as chief designer of the Hyundai Design Center in Irvine, California.

Alumnus Eric Tu, co-founder and creative talent curator at F360, a studio with offices in New York, Los Angeles and San Francisco, was interviewed by Studio Daily.

Alumnus Matt Cunningham’s role as designer of the interior train car shots for the thriller “Source Code” was explored in the Aiken Standard.