For Art Center, 2011 will be a pivotal year, culminating in a year’s worth of preparation and resolve. Under the leadership of our president Lorne Buchman, and in conjunction with our 80th anniversary, the Art Center community came together this year to envision what our future will look like. Early next year, we will unveil the College’s new strategic plan, building on a long tradition of preparing art and design students to become leaders in their chosen fields.
We hope you will join us as we embark upon the next 80 years.
Our campus and administrative offices will be closed beginning Dec. 23 and will reopen Jan. 3. Happy Holidays!
The BlackBerry Empathy concept phone has received a great deal of online buzz this week. Not only is the design striking, but the idea behind the device is quite interesting—it’s designed with an interface that can interpret and respond to the user’s emotions.
The concept was created by two Art Center Product Design students, Kiki Tang and Daniel Yoon (they’ve since graduated), for a RIM BlackBerry sponsored project at the College.
The user wears a ring that collects emotional data and graphically displays the user’s emotional state to their personal connections.
According to Yoon: “Each contact has an avatar that is encompassed by two colored rings.
The inner colored ring shows the contact’s previous emotional state, and the outer ring represents the contact’s current emotional state. It is important to show the shift in emotions in order to see how an event has affected that contact.”
The phone also features an “Emotional Health Chart,” monitoring the user’s emotions over time, and finds patterns in behavior and emotions (for instance, a person’s mood may repeatedly plummet after phone calls from a certain individual).
So what do you think? Revolutionary … or just plain creepy?
(Thanks to Yanko Design for breaking the story. More images on their site.)
It was while bicycling from Westwood to the beach in Santa Monica that film producer Peter Samuelson began noticing something disturbing—the number of homeless he passed regularly. He started counting. Sixty-two homeless. Just eight miles.
He began interviewing the homeless to find out more about them, how they lived, and what they needed. He conceptualized a mobile, single-person device that would facilitate recycling (a principal source of income for many homeless) by day, and at night convert into a tent-like enclosure for sleeping, with privacy and storage space. It would be called EDAR, short for Everyone Deserves A Roof.
Samuelson approached Art Center to sponsor a studio to design the EDAR. Students Eric Lindeman and Jason Zasa designed the product, and have been working pro bono on the project since. EDARs are given free of charge to homeless individuals who are best able to benefit from their recycling and shelter capabilities. But EDARs don’t come cheap. Each one costs around $500 to produce.
For the next four days, Tonic.com is sponsoring a campaign to raise funds for 10 EDARs. That’s a roof over 10 homeless Angelenos.
Watch the L.A. Times video below to see the EDAR out in the field.
From Tonic.com’s article: The final EDAR design boasts a 7-foot-long mattress among an interior high enough for residents to sit up. The EDAR units live at shelters, soup kitchens, day centers, churches, mosques or vacant scraps of land throughout the Los Angeles area and are distributed free of charge, as resources allow. “We give the units to shelters and they give them to specific clients,” explains Samuelson. “The benefit is that they have an ongoing social services. You can push it wherever you want and you can sleep in it wherever you want, and you have to come back once a week, have a shower, have lunch, meet with your supervisor, etc. there’s ongoing counseling.”
Last October, our class of 12 students was still busily refining concepts, building mockups, and preparing for midterm presentations for Safe Agua, a sponsored project focused on addressing water issues in the campamentos, or slums, of Santiago, Chile.
Since then, six projects were developed including a shower solution, dishwashing station and community laundromat being field-tested by Un Techo para Chile.
A year later, on October 17, KC Cho made the long drive from Los Angeles to San Francisco to submit Safe Agua for the 2010 Spark Awards, an International Design Competition.
With guidance from Mariana Amatullo, Karen Hofmann, and David Mocarski, Liliana and KC worked diligently to complete the application process. Along with the oversized poster, the Safe Agua documentary by Elizabeth Bayne, Harry Gota by the Ming Tai’s motion team and the Safe Agua book by Lisa Wagner’s graphic team were delivered the next morning to the site of the Spark Awards at the Autodesk office on One Market Street.
As you know, there’s always something going on when it comes to Art Center alumni, students and faculty. Some of the latest:
Did you know that Lynda Weinman and Bruce Heavin of Lynda.com met at Art Center? Socaltech.com
Professor Krystina Castella’s yummy new cookbook focuses on cake. Winnipeg Free PressPasadena Star-News visits ENERGY in the Williamson Gallery. Pasadena Star-News
Student Tomoko Ogino’s concept for Peet’s Coffee. The Dieline
Interview with alum Anders Warming, director of exterior design at BMW. BMW Blog
A review of alum Christopher Russell’s show at Luis de Jesus (runs through November 27). Culture Monster
Yesterday Art Center students, faculty and staff celebrated autumn at the ACSG Hillside Harvest. The event featured a barbecue lunch, pie-eating contest, trunk sale, e-waste recycling drive and more.
First term Illustration student Sherry Wang spent two years pursuing a degree in business before she found her true calling. A trip to Beijing changed everything.
“While idly browsing art galleries in Beijing, I met the manager of Primo Marella, Michela Sena,” explains Wang.
“We spoke of my interest in illustration, and I showed her my portfolio. She was very encouraging and suggested I attend art school. I applied to Art Center just days after returning home to L.A. I will always remember what Michela told me: ‘Anybody can do business, but not just anyone can do art. Art is a true talent, a gift.’”
Read more about Sherry and her first five weeks at Art Center in this greatinterview.
A woman in the campamento tests the Relava kitchen workstation prototype.
From the article: “For the teachers and students in the Environmental and Product Design departments at Art Center College of Design who signed up for the Safe Agua project in Chile, the first engagement with the problem was very close to home. An ‘empathy exercise’ at Art Center’s Pasadena, California, campus, before a two-week field trip to Chile, forced the 15-member team to experience what it’s like to limit their daily water intake to one 5-gallon bucket, and laid the groundwork for understanding the challenges faced by the slum families.”
Three of the projects from this studio—the Ducha Halo portable shower, ReLava kitchen workstation and Mila community laundry facility—have already entered the implementation and testing stages.
As you know, there’s always something going on when it comes to Art Center alumni, students and faculty. Some of the latest:
Alumna and painter Theresa Paden is on a mission to save horses: Ventura County Star
Theresa Paden
Visual effects supervisor and Art Center alum Eric Barba talks about the upcoming sci-fi extravaganza Tron: Legacy: Cnet
Francis Pollara is producer, founder and chief executive of Ladeson Productions—and also still a student at Art Center. La Canada Valley Sun
Broadcast Cinema alum Hilton Carter talks about his new short, Moth, and music video for Baltimore musicians including Blaqstarr: Baltimore Sun
Pasadena Federal Credit Union unveils new 90-square-foot mural, “Building Pasadena,” painted by alumnus Jerry Ortega: Pasadena Star-News
Art Center alumna Denise Assad has done it all: industrial design, transportation design, public relations, advertising and now, baking: Brand X
An electric concept car created by Clemson University students and dubbed “Deep Orange” will be making an appearance at Art Center’s Car Classic (Art Center students collaborated on the design and styling): Fast Company
And speaking of Car Classic, it’s coming up Oct. 17: Car Classic ’10
Do you remember earlier this year when Google ran an ad during the Super Bowl? Here it is below. Take a quick look—we’ll wait:
OK. What is interesting about this ad—despite the fact that it is for a company whose CEO once called advertising “the last bastion of unaccountable spending in corporate America”—is that it was created by a group of advertising and design students dubbed the “Google 5.” Recent Art Center Media Design program graduate Jonathan Jarvis was one of five chosen from a pool of 400 applications.
The Google 5: Tristan Smith, J. Smith, Anthony Cafaro, Michael Chang, Johnathan Jarvis
From AdAge: “The 5 program is an experiment launched last year by the Google Creative Lab and its executive creative director, Robert Wong. The company sent a call out to 12 schools searching for interesting talent who would work inside the Creative Lab for a year and then be sent out unto the industry. So, with the Google 5, the company gets new creative blood and the industry gets young talent that is schooled in Google, and, by extension, the post-digital/new advertising way—tech-forward, open-source, collaborative and smart.”
The 5 worked on a wide range of projects, from the Nexus phone to Hulu ads to the Google Christmas card. Their year-long tenure ended in June. But the new Google 5 have arrived—and it includes Chris Lauritzen, a designer/”wild card” from Art Center ‘s Media Design program.
We can’t wait to see what they produce. They’re already tackling projects including Google search, Google TV and the Chrome browser.