This past spring, three students working in different disciplines (Photography, Graduate Transportation Design and Interaction Design) bravely chose to accept the challenge/opportunity (those last two words may as well be permanently fused—no slash necessary— when it comes to artistic endeavors) to reveal the agony and the ecstasy, the challenges and the epic fails that go into conceiving and creating a project over the course of a term. They had enlisted in Art Center’s ongoing collaboration with Myspace to highlight Art Center’s unique approach to creativity and diligently, digitally tracked his/her progress with a trio of videos shot at the beginning, middle and end of the creative journey.
Author Archives: Christine Spines
If I knew then what I know now: Alumni advice for incoming students
A new crop of students sprouted at Art Center on Monday. The group of newbies was humming with excitement and anxiety about the eight terms of full-immersion art and design education that lay ahead. Many of their concerns will be addressed and allayed during their week-long initiation into Art Center’s community of high-intensity creatives.
But the official orientation doesn’t quite cover everything a new student needs to know about life at Art Center. The most useful, actionable advice for incoming students—we’re talking about security-cleared insider intel—can only be gleaned from people who’ve been there and done that.
Industrial Design grad Lindsay Nevard on her research into designing a better patient experience
Grad ID student, Lindsay Nevard interviews patients in the service of developing her products for improving patient experience
Lindsay Nevard is a recent graduate of Art Center’s Graduate Industrial Design program whose thesis focused on improving patient outcomes in physical therapy. For the Dotted Line, Alex Moore interviewed Lindsay about the process of design research, juggling the roles of both designer and researcher, and the potential uses of technology to enhance patient experience.
Alex Moore: I think a lot of people are unfamiliar with the idea of design research. Could you elaborate?
Lindsay Nevard: Design research is doing the research so the product is smart. That means making sure that people are going to like it, that people are going to be able to use it easily, and that it fills a need. It can be as big as: “We are going to create something totally new, what are consumers’ latent desires?” Or it can be as detailed as: “How much should our new product cost and what color should it be?” In both cases it is really important to understand the user you are targeting. You also need to determine the appropriate questions or methods to get the answers you need. When doing interviews, you have to get people comfortable talking and into the right state of mind. You try to coax people into a more playful space. If you give someone a literal map of their workplace, they are going to give you a literal answer. But if you give someone LEGO bricks, they can’t build a literal interpretation and you will often gather more interesting information.
Art Center’s David Doody moonlights running mission control for NASA’S Cassini Saturn exploration
Cassini’s ringed target: Saturn.
“Right across the Arroyo, we’re making plans for a real close encounter,” says Dave Doody, whose Art Center At Night seminar, “Basics of Interplanetary Flight,” is currently recruiting participants for a class that’s literally out of this world. “My team has been piloting the gangly robot Cassini in wide orbits around Saturn since 2010. But in coming years we’re going to drop in for some up-close-and-personal visits. We’ll plunge the spacecraft between the rings and the planet 22 times before letting go of the spent machine so it can burn up in the gas giant’s atmosphere like a meteor.”
This 2016-2017 segment of Cassini’s 20 year mission has been temporarily dubbed the “Proximal Orbits” by mission planners at NASA’s Jet Propulsion Laboratory, where Doody works as a senior engineer, currently leading the Saturn-bound spacecraft’s flight operations controllers. But after acknowledging that some creative person somewhere could almost certainly conjure a more mission-worthy name, NASA launched the Cassini Name Game, hoping for some better ideas.
“One thing about these orbits will be their huge roller coaster speed,” says Doody. “The camera-laden craft will reach more than 120,000 kilometers an hour as it screams past the innermost ring particles just above the hazy atmosphere. Next, it’ll slow down for three and a quarter days, coasting ‘up’ to the top of its 1.2 million kilometer-high peak, before starting to drop back in again for its next pass. Wild.”
Watch our new video: Ray Eames, the Original Design Influencer
Last month Art Center’s Williamson Gallery grew to resemble a young girl’s dreamscape, as a set of hearts in the bold fanciful hues of love itself burst to life on its walls. In fact, we challenge anyone to not emerge full of child-like wonderment (and more than a little Eames chair-envy) after an amble through “Ray Eames: In the Spotlight,” a comprehensive tribute to the female half of the legendary Eames Office. The show, curated by the Eames’ granddaughter, Carla Hartman, explores Ray’s unique creative gifts and specific contributions to the vast body of iconic design work she created in conjunction with her husband and chief collaborator, Charles.
We were so moved by what we learned of Ray’s spirited, intuitive and deeply empathic approach to design and collaboration, we were inspired to produce the above video about the ways in which the Eames Office in general (and Ray specifically) inspired members of the Art Center community to push boundaries and imbue work and life with a sense of play.
Oscar Ahoy-a! Grad Film student, Rahat Mahajan’s ‘Istifa’ selected as Student Academy Award finalist
Still from Rahat Mahajan’s Student Academy Award finalist, Istifa
Each year, the Academy of Motion Picture Arts and Sciences (aka the organization that hands out the Oscars) receives over 500 submissions from student filmmakers around the world. This past week, Art Center Graduate Film student, Rahat Mahajan’s narrative short, Istifa (Resignation), was selected as a national finalist for the most prestigious prize awarded to student filmmakers.
Please join us in congratulating Rahat, a 5th term student from India. Shortly after hearing the good news, we caught up with Rahat and asked him to share his thoughts on the process of making the film and where he hopes to go from here.
From muscle machines to dinosaur skulls: Art Center’s March 2014 alumni notes
It’s that time of month again. Time, that is, to catch up on the creative undertakings Art Center’s talented diaspora of alums have been plotting, planning, pitching, prototyping, publishing, publicizing, producing and plying. And that’s just the p’s.
Dive into the following digest of alumni accomplishments and works-in-progress. And for those alums among us, be sure to clue us in on your own news and notes for inclusion in our next dispatch. We don’t want to miss anything. This is Art Center, after all. And we’re nothing if not completists.
Of animals, art and otherness: Q&A with incoming Grad Art chair, Diana Thater
Diana Thater. Photo by Sigrid Rothe, 2012
Just over two months ago, Art Center provost, Fred Fehlau announced that full-time faculty members, Diana Thater and Jason Smith, would assume the roles of Chair and Associate Chair of Art Center’s Graduate Art program after longtime Chair, Jeremy Gilbert-Rolfe vacates the position in summer, 2014.
Thater, a pioneering film, video and installation artist, has been a dynamic and esteemed member of the international art community, ever since she earned her MFA from Art Center’s Grad Art program in 1990. She is a prolific artist who has exhibited around the world at first-rate institutions, including MOMA, the Walker Art Center and Dia Center for the Arts. Much of Thater’s work is informed by the social conscience she brings to her installation and video work exploring the relationship between humans and the natural world.
The Dotted Line recently visited Thater in her studio to discuss her plans for the Graduate Art Department as well as her current and future projects.
Inside ‘In Particular:’ Sarah Magladry’s installation in the Fine Art Gallery
This creative manifesto is part of a series of first-person pieces by Fine Art students reflecting on the ideas informing their work. Each post will feature the artist whose work is currently rotating through the Undergraduate Fine Art Student Gallery, at the Hillside Campus. This week Sarah Magladry explores the inspiration behind her exhibit, “In Particular.”
“Each piece, or part, of the whole of nature is always merely an approximation to the complete truth, or the complete truth so far as we know it. In fact, everything we know is only some kind of approximation, because we know that we do not know all the laws as yet. Therefore, things must be learned only to be unlearned again, or, more likely, to be corrected.” – Richard Feynman
Dissection is a crucial element in my practice. The minute details ignite the story. It’s a process of deduction, examination and reappropriation. I am never finished searching for what I am attracted to in an image and am typically drawn to the unexpected, the failed or the perverse. It is these details I relish that make the final viewing. There is an embracing of aberrations: a celebration of them. A self-reflective nature that allows the inadvertent to take on more than perhaps what the piece originally intended to do. The fragmentation of each piece allows them to converse with one another. Each element feeds upon the next, creating a carousel of information more thorough and more complex with the progression of each concept.
Products become just as much a narrative of the image-maker as the image itself.
And the narrative is as the quote suggests… we are in constant entropy. And yet it is this degree of disorder and uncertainty that allows for metamorphosis.
Check out these new student videos from our stellar Myspace occupiers
Roman Vargas, Photography and Imaging – second round from Art Center College of Design on Myspace.
Shortly after the Spring 2014 term passed its halfway point, our participating students (Myspacers?) produced a new set of videos tracking their progress on the path toward creative completion.
Starting a project is never easy. And finishing it is, arguably, even harder. But let’s not underestimate the challenges involved in persisting through the obstacle course of roadblocks artists often face once they’re deep enough into a project that starting over isn’t an option, and the finish line isn’t yet in sight.