Author Archives: Jered Gold

Remembering the Summer of Punk

© Steven A. Heller/Art Center College of Design

Guest post by Art Center Archivist Robert Dirig

During the summer of 1986, Art Center students relived the era of punk through an Illustration Department workshop, Punk Is Not a Fashion Statement, organized by former Illustration Chair Phil Hays. The workshop focused on journalistic illustration, with various punk scenes acted out as students recorded them via drawings and paintings.

In addition to the workshop, students heard lectures on the history and significance of punk from a wide variety of speakers including Malcolm McLaren, the manager of the Sex Pistols.

Do you remember this Summer of Punk at Art Center? We want to hear your memories!

To visit Art Center’s Archives or to donate materials, contact Art Center Archivist Robert Dirig at 626.396.2208 or robert.dirig@artcenter.edu.

© Steven A. Heller/Art Center College of Design

Exploring Vinyl Cover Art with Graham Moore

Don’t miss Friday’s opening of Remix, featuring work by Saturday High and Art Center at Night faculty member Graham Moore.

A remix is an alternative version of a recorded song made from an original version—but the term also is used for any alterations of media. A remix in literature, for example, is an alternative version of a text. William Burroughs used the cut-up technique to remix language in the ’60s.

Using glue, scissors and collage-style techniques, Moore’s body of work embodies the love for the technique of collage and vinyl cover art. The rhythm, movement, and the vibrant use of color, shape, texture, imagery and typography serves as a tribute to graphic designers and artists from a bygone era.

A portion of all sales will support scholarships for Art Center’s Public Programs.

The exhibit, which is on display through Sept. 27, is sponsored by Archetype Press and Archetype Press Director and professor Gloria Kondrup.

For more information, email gloria.kondrup@artcenter.edu.

Remix: Work by Graham Moore
Opening Reception:
Friday, Sept. 16, 7-10 p.m.
Art Center South Campus

Mariana Amatullo on Cerro Verde

The following post is from the Designmatters blog.

Art Center students talk with community members as water truck arrives

Designmatters Vice President Mariana Amatullo reflects on her time spent in Cerro Verde,  a community on the outskirts of Lima, Peru where Art Center students have been conducting field research in collaboration with the Innovation Center of Un Techo Para Mi Pais, as part of the Safe Agua Peru project.

I am just back from Lima and time in the field with the extraordinary team of students and faculty who are leading the Safe Agua Peru project.

Safe Agua Peru marks our second collaboration with the Innovation Center of Un Techo Para Mi Pais and builds upon the lessons we have learned working together in Chile in 2009. At the helm of this transdisicplinary studio are once again Dan Gottlieb and Penny Herscovitch (Environmental Design) and Liliana Becerra (Product Design). Julka Almquist from our Humanities and Design Sciences Department rounds up the faculty team.

With the support of an NCIIA Sustainable Vision Grant, the team is charged to delve deep into the very systemic issues around water poverty that affect this community of about 85 families who are served by Un Techo Para Mi Pais Peru in Cerro Verde, Pamplona Alto, in the district of San Juan de Miraflores.

We are anticipating that the rigorous and participatory research framework of the studio, coupled with privileged access to the community thanks to Techo will yield outcomes that can make a lasting impact.

Continue reading

Save the Date: Car Classic ’11

Photo by Lara Warren

Join top vehicle designers, automotive companies, collectors and enthusiasts as Art Center explores the continuing global influence Southern California has on transportation design at Car Classic ’11.

With more than 20 advanced automotive design studios located here, as well as companies leading the charge in new mobility and alternative energy, SoCal continues to shape the how, what and where of mobility on a tremendous scale.

This year, as Art Center begins expanding its curriculum to further impact the evolution of the automotive industry and the broader field of transportation, we look at the innovative cars, bikes, planes, boats, materials and design tools influenced by our boundless culture.

Tickets are now on sale. Don’t miss it!

Car Classic ’11: California Design: Influencing Change
Sunday, October 23, 2011
Art Center College of Design Hillside Campus

Alum Faculty on the Future of Painting

Transportation Design alumnus and Illustration Department faculty member Nick Pugh recently gave a wonderful talk at TEDx in Long Beach on the future of painting. Pugh’s work in the entertainment industry focuses on the development and realization of new projects, created in collaboration with producers, directors and studios. Since graduating from Art Center College in 1990, Pugh has also worked closely with visual effects studio Rhythm and Hues on numerous feature films, commercials and video games. He teaches Originality in Design and Digital Landscape Painting at Art Center, and will launch a new class in the fall on developing and pitching movie ideas.

Check out Pugh’s talk below.

Yves Béhar Receives INDEX Award


Great news: Art Center Product Design alumnus and Creative Spirit award winner Yves Béhar has received a 2011 INDEX: Awards for See Better to Learn Better, a program that distributed free eyeglasses to children in Mexico. In 2007 he won one for his design of the XO laptop for the One Laptop Per Child organization.

Mediabistro’s UnBeige reports:

Béhar plans to use the 2011 award purse of €100,000 (approximately $144,000) to fund the next phase of See Well to Learn Well. The project will expand into the U.S. this fall, beginning with the San Francisco Bay Area. Since its launch in 2010, See Better to Learn Better has given free eye exams to 500,000 children in Mexico and has supplied 358,000 of them with glasses. An additional 240,000 kids and 20,000 adults are expected to receive glasses during the 2011-2012 school year.

Congrats, Yves!

Verbien: See Better to Learn Better from INDEX: Design to Improve Life on Vimeo.

In Case You Missed It

As you know, there’s always something going on when it comes to Art Center alumni, students and faculty.

  • Cardwell Jimmerson show of work by Art Center alum and former faculty member Vincent Robbins—on display through Sept. 3— is another of the gallery’s great exercises in expansionist art history. L.A. Times Culture Monster

    Work by Vincent Robbins

  • Late Art Center alum and faculty member John Altoon will have works on display at Garboushian Gallery exhibit celebrating Armenian contemporary artists. Asbarez Post
  • Transportation Design alumnus Gabriel Wartofsky begins Kickstarter campaign for folding e-bike. Sustainable Business Oregon
  • Art Center partner, Bernhardt Design president Jerry Helling, talks about working with Art Center students to design furniture. New York Times
  • Alumna and faculty member Diana Thater’s Peonies, a nine-monitor videowall, now on view at the Wexner Center. Artdaily.org
  • Art Center’s “Visionary in Residence” Bruce Sterling creates his own augmented reality. Wired

Alumni Nominated for Emmy Awards

Two Art Center alums have been nominated for Emmy Awards for their animation work. Both nominations are in the same category: “Outstanding Individual Achievement in Animation.”

Illustration alumna Jill Daniel, an art director at Disney, was nominated for her background painting on the cartoon series Phineas & Ferb.

Fine Art alumna Vanessa Marzaroli, director at Bl:nd, is nominated for production design of a music video. Lilac Wine (shown above) was directed by Marzaroli to celebrate Dr. Marten’s 50th anniversary. The video previously won the gold in motion graphics for the 2010 London International Award for the video.

The 63rd Primetime Emmy Awards will be Sunday, Sept. 18. Good luck, Jill and Vanessa!

Emerging Ambitions: Scholarships Support Tomorrow’s Artists and Designers


A bulletproof lemonade stand, a tender childhood moment captured in the Southern California sun, a futuristic car that stores energy in chemical bonds, and a sneak peek at the future of the written word—all of these were made possible due to the generosity of Art Center scholarship donors.

This past February, Art Center President Lorne Buchman and Student Government President Erik Molano addressed the student body at an event titled “Meet the Presidents.” There, Buchman offered a preview of the College’s new strategic plan and discussed one of its most important elements: easing the financial burden to students.

While pointing out that Art Center delivers an expensive form of education—equipment, labor and team teaching all add to a per-student cost that actually exceeds tuition—Buchman said easing students’ financial commitment is critical to maintaining a diverse student body and a robust learning environment.

“A huge part of my job is to find the philanthropy and scholarships that are going to help,” said Buchman. “I think about this every day.”

He’s done more than think about it. In the last year, thanks to targeted budgetary reallocations and fundraising projects like the “80 for 80” initiative, Art Center made an additional $3 million available for student scholarships. And with a full 80 percent of current Art Center students receiving financial aid, you can be sure that every additional dollar counts.

Annually, Art Center allocates $9.6 million for scholarships; of that amount, 18 percent comes from donors. And for many students who come to Art Center seeking a bachelor’s degree, but who already have a prior degree—as is true for three of the students profiled here—those scholarships are fundamental, as they’re ineligible for either federal or California state grants.

Increasing scholarship support is a key priority for Art Center, as laid out in Create Change, the College’s new strategic plan. Here are three current students and one recent alumnus whose visions we can all delight in thanks to Art Center scholarships.

Read more in Dot magazine.