Category Archives: Graphic Design

Graphic Design student wins Adobe Design Achievement Award

Recent graduate Jeff Han GRPH 11 (top) and current Graphic Design student Jerod Rivera represented Art Center at last week's Adobe Design Achievement Awards.

Recent Graphic Design graduate Jeff Han GRPH 11 walked away a winner at last week’s 12th annual Adobe Design Achievement Awards.

The event, which was held at the DesignThinkers 2012 conference in Toronto, honored students and educators whose winning projects were selected from 41 finalists out of nearly 5,000 total entries from 70 countries.

Han’s museum re-branding project for the fictional Contemporary Museum of Architecture (COMA), which he created as a seventh term student in instructor Brad Bartlett’s Transmedia course, won the award in the the Print Communications category.

“I’ve always had a very strong interest in architecture,” said Han of his winning design, which utilized a typographic solution inspired by the generative creation of forms in contemporary architecture. Part of the rebranding project included creating a series of posters promoting an (also fictional) exhibition by Greg Lynn, an architect whom Han lists as a creative inspiration.

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Designer Simon Johnston on Factory Records, Q-Tips, lawyers, self-destructing magazines

Simon Johnston with his work "Investigation" at the "PAGES" exhibition opening. Photo: Chuck Spangler

Students recently packed an overflowing Los Angeles Times auditorium for 3×3*: Type Guys, an event that featured three presentations and a lively Q&A with three individuals that have crafted the way we see, understand and interact with typography.

Previously we shared highlights Kyle Cooper‘s and Jeremy Mende‘s presentations. Today we focus on Art Center’s own Simon Johnston.

Johnston was educated at Bath Academy of Art in England and the Kunstgewerbeschule, Basel, Switzerland. In England he founded the design practice 8vo, as well as the influential typographic journal Octavo. Since relocating to Los Angeles in 1989, he has run his own design office, Simon Johnston Design, with a particular emphasis on typography, especially book and catalog work for museums and galleries.

Johnston has taught typography and design at Art Center for 20 years. He is currently faculty director of the print area of emphasis in the Graphic Design department. In addition to his teaching and design practice, he works on his own art and photography projects.

At the event, Johnston touched on a variety of topics, including the importance of typography, working with some of his idols and the minefield of registered trademarks.

Here are just a few of the highlights:

On typography:
There’s an old joke: It’s the scene of an accident, a crowd is gathered around an injured person, and from the back of the crowd a voice is heard, “Let me through! I’m a typographer!” Typography may not be a matter of life and death, but as visible language, it is the key means through which we communicate as a society, and as such it’s the spine that runs through the body of graphic design practice.

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Designer Jeremy Mende on ‘anxious futurism,’ petroleum, biorhythmic data

Jeremy Mende's "100 Years from Now" installation in Rome.

Students packed an overflowing Los Angeles Times auditorium last Thursday night for 3×3*: Type Guys, an event that featured three presentations and a lively Q&A with designers Jeremy Mende, Kyle Cooper and Art Center’s own Simon Johnston—three men that have crafted the way we see, understand and interact with typography.

Last week we gave you highlights from Kyle Cooper’s presentation. Today we focus on San Francisco-based Jeremy Mende, an associate professor of design at the California College of the Arts, where he teaches experiemental typography and critical theory.

In 2000, he founded MendeDesign, a firm that describes itself as creating “unique, poetic and unexpected messages” and that believes that beauty and authenticity have a “critical role in producing things of value and durability.”

Mende has been recognized internationally for his work and has pieces in several collections including at SFMOMA. In 2010-11, he was the Rome Prize Fellow in Design at the American Academy in Rome.

At Art Center, he spoke with students about work he’s created that meet at the “interesection of [his] interest in psychology and [his] interest in design and [his] interest in typography.”

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Title sequence designer Kyle Cooper on fear, bleeding type, and going lo-fi for “Argo”

(L to R) Simon Johnston, Jeremy Mende and Kyle Cooper field questions from students.

Students packed an overflowing Los Angeles Times auditorium last night for 3×3*: Type Guys, an event that featured three presentations and a lively Q&A with designers Jeremy Mende, Kyle Cooper and Art Center’s own Simon Johnston—three men that have crafted the way we see, understand and interact with typography.

You can read highlights from Johnston’s and Mende’s presentations; today, we’ll focus on Cooper.

The founder of Prologue Films, Cooper has been credited by Details magazine as “almost single-handedly revitalizing the main title sequence as an art form.”

The designer behind the title sequences for films like Se7en, Mission: Impossible – Ghost Protocol and the critically acclaimed current release Argo shared with the crowd his process, his philosophy and some behind-the-scenes tidbits.

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Graphic Design Students Ready for Their Closeups

Still from student Sang Chung's video profile of student Bo Yeoung Han.

Graphic Design students in last summer’s Advanced Graphics Studio course were given an unusual assignment. Each of the students, none of whom had prior experience shooting live action video, were asked by instructor Petrula Vrontikis to collaborate with one of their classmates to create two- to four-minute promotional videos of one another.

The students were given approximately six weeks to research, storyboard, interview and to learn the basics of contemporary digital shooting and editing. Motion Graphics instructor Rob Garrot provided the students with support and insight from a video editors perspective, and a number of professionals came to class to provide critical feedback, including product designer Spencer Nikosey PROD ’08 of KILLSPENCER, whose video profile for Behind the Hustle was a partial inspiration for the course.

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Bringing It All Back Home: Designmatters Students Create Furniture for India’s Low-Income Housing Residents

"Living Home: India" Designmatters students, faculty and staff in Bangalore, India last summer.

"Living Home: India" Designmatters students, faculty and staff in Bangalore, India last summer.

Last term, students in Living Home: India—a transdisciplinary Designmatters studio led by the Environmental Design department—spent their summer investigating the living needs of low-income housing dwellers in India, and then building furniture prototypes for use in the type of high quality, low-cost housing championed by Ashoka, a social entrepreneurship nonprofit and partner for the studio.

Due to the reduced scale and high occupancy rate of the housing units, the students were tasked with creating reduced scale and transformable prototypes. They also needed to make sure the furniture they designed was environmentally responsible and could be developed in collaboration with community stakeholders and local craftspeople in India.

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New Tsunami Awareness Designmatters Studio “The Next Wave” Kickoff on Tuesday, September 11

Attention Art Center students:

Don’t miss the launch of Designmatters’ new studio The Next Wave, in which students, in partnership with the US Geological Survey (USGS), will create a campaign to raise awareness among Southern Californians of the profound hazards and affects of a plausible West Coast tsunami.

Join faculty Guillaume Wolf and La Mer Walker next Tuesday, September 11 at 1:45 p.m. in the Faculty Dining Room for a one hour presentation on social transformation, social media and the future of design.

The presentation will be followed by a Q&A with USGS scientists on the topic of tsunami scenarios.

For more information, click here.

Related:

MDP Showcased in Little Tokyo Design Week
Art Center Earthquake Project Showcased at Cooper-Hewitt, National Design Museum
Get Ready to Shake, Rattle and Roll

Valedictorian Roy Tatum Shares with Graduation Crowd Lessons He Learned at Art Center

Valedictorian Roy Tatum addresses the Summer 2012 graduation crowd.

At last Saturday’s Summer 2012 graduation, Graphic Design graduate and Art Center valedictorian Roy Tatum shared with the assembled crowd some lessons about life, learning and the design process that he picked up while at the College.

Here are a few highlights.

On his high school aspirations:

While everyone I went to high school was making plans for college, I wasn’t even sure I wanted to attend [college]. I hadn’t found something I was passionate enough about to devote a significant amount of time.

On something a fellow musician told him:

I had just finished playing a show and I was talking to the drummer of the band that had played after us. He had gone to an art and design school in Los Angeles and he told me about his experience and I thought, That doesn’t even sound like school. That just sounds awesome.

On Art Center’s Public Programs:

Like many of you, I started by attending Art Center at Night. I remember being so excited and eager to learn from the teacher during the first night of class. I came home and thought to myself, This is what I love, this is what I’m passionate about. I was so excited I couldn’t wait to apply to the day program.

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Faculty Member Sean Adams Donates Proceeds of MOO.COM Collaboration to Art Center Scholarship Fund

Art Center faculty member Sean Adams.

Sean Adams

Art Center faculty member Sean Adams, partner and co-founder of the branding and strategic design firm AdamsMorioka, recently collaborated with MOO.COM to create their newest collection of high-end business cards for The Luxe Project.

When deciding which charity would receive 100% of the net proceeds from the sale of the business cards, Sean selected the Art Center Scholarship Fund and the purchase of any cards in Adams’ three collections—totaling 42 different designs—between now and the end of August will benefit Art Center students.

You can purchase any of Adams’ designs — Pattern and Colour, Sad Places or Ships Ahoy! — from MOO.COM.

Commenting on his choice to support the Art Center Scholarship Fund, Adams said, “As a teacher I’ve seen too many remarkable people leave school because they couldn’t afford to continue. When I see a student who is brilliant, passionate and who works like a dog, lose the resources to finish school, it is a loss not just to his or her own experience. It’s a loss of an incredible resource and voice to the world.

“None of us would have become successful without the help of the generation ahead of us. I myself wouldn’t have finished school without scholarship help,” he continued. “It feels great to know that I can give back and be a small part in making Art Center students the most incredible and successful designers graduating in the world today.”

As part of MOO’s efforts to make quality products and top-level design available for anyone to create their own unique identity, Luxe Business Cards are high-quality, super-thick, customizable cards that feature limited edition designs.

Adams said, “I was thrilled to have the opportunity to design cards for anyone to use and that MOO has given me the ability to support our future designers in this way. So thrilled that I couldn’t stop with just one collection, so I designed three.”

Images and more information about the designs follow. Continue reading →

Calling All Eccentric Types: Andrew Byrom, Gloria Kondrup and Heather van Haaften to Speak at 3×3

"Letter-Box-Kite" by Andrew Byrom.

Each term, Art Center’s Graphic Design department hosts a 3×3, an event in which three local professionals speak on a particular topic.

Tomorrow night’s 3×3, “Eccentric Types,” brings graphic designer Andrew Byrom, Archetype Press director Gloria Kondrup, and creative director Heather van Haaften to the LA Times Auditorium for a stimulating discussion on the wild possibilites of typefaces.

Here’s everything you need to know:

3×3: Eccentric Types

Thursday, June 28th, 7:30pm
Los Angeles Times Media Center (LAT)
Art Center College of Design, Hillside Campus
1700 Lida Street, Pasadena, CA 91103

Andrew Byrom, Graphic Designer, Typeface Designer and Professor
Andrew Byrom is a UK born graphic designer and typeface designer, based in LA. His clients include The New York Times, Penguin Books, The Architecture and Design Museum and Sagmeister Inc. His experimental typography has been featured in numerous design publications including Print Magazine +81, and Creative Review, and has been honored by the AIGA and the TDC.

Byrom is also a Professor at CSULB and has taught at UCLA Extension, Northern Illinois University, as well as Luton University and Central Saint Matrins in the UK. He has given presentations about his approach to design throughout Europe, Asia and the US – including the AIGA Y-Conference, ATypI, TypeCon, The Type Directors Club, Kuala Lumpur Design Week, and TEDx UCLA.

Gloria Kondrup, Archetype Press Director and Professor
Gloria Kondrup has a BA in Fine Art and Art History, and an MFA in Design. Her design interests straddle both 15th and 21st-century technologies and includes an expertise in branding, packaging, and letterpress printing. She currently has the best job in the world. Since 2003, Professor Kondrup has been the Director of Archetype Press at Art Center College of Design, where students enhance their ability to understand the relationship of language and typography, and to explore the creative benefits of an analog technology in the digital landscape. She maintains a consultancy in branding and pursues an interest in language and limited edition fine art books. Her work is in private and institutional collections including AIGA, The Sackner Archives of Concrete and Visual Poetry, The Getty and The Smithsonian.

Heather van Haaften, Creative Director
Heather van Haaften traveled continents in search of unusual typefaces, discontinued letterforms, and illegible ligatures. Her Midwest family printing business served reason to escape the realm of computerized typesetting and discovered the world’s first printed book, the Gutenberg Bible, set in Blackletter metal type. She has worked for Capitol Records and Paramount Television, and resided six years in Germany redesigning three European TV networks before returning to America to redesign HSN, an American cable network. Most recently as Interactive Creative Director, she lead award winning creative teams who delivered 1,500 custom online retail strategies to Fortune 100 companies and connected the brands with the world’s biggest online retailers, Walmart.com, Dell.com, CVS.com to name a few. Her areas of expertise include creative and interactive development, digital content, broadcast design, video production and entertainment graphics.

Heather holds a Bachelor of Arts degree in Communication Design from Otis Parsons School of Design. Not a widow, nor an orphan, she eloped in 1995 to Sedona Arizona with Nikolaus Kraemer, a German movie producer. A mother of two bilingual cats, she loves licorice, yoga and Breaking Bad.