Archive for the ‘Williamson Gallery’ Category

OUTSIDEIN exhibition assembles a pantheon of street artists to create mural-sized works illustrating public art’s expanding sphere of influence

Wednesday, September 16th, 2015
RISK's OutsideIn installation on the north face of ArtCenter's Wind Tunnel building at 950 South Raymond Avenue. Photo by Chuck Spangler

RISK’s OUTSIDEIN installation on the north face of ArtCenter’s Wind Tunnel building at 950 South Raymond Avenue. Photo by Chuck Spangler

“Street art has exploded as an anti-authoritarian form of art making and an important global movement happening in the visual arts today,” said OUTSIDEIN curator and author G. James Daichendt in a recent TEDx speech, “The Streets As Canvas.” “Even if you’ve never stepped foot into a museum or gallery, you’ve been impacted by street art since it lives in the corners of our communities.”

In recognition of this phenomenon, ArtCenter College of Design has organized OUTSIDEIN, an expansive indoor and outdoor exhibition opening, with a public reception on October 8, 2015, and continuing through January 10, 2016, at multiple venues in Pasadena. Initiated by ArtCenter’s Illustration Department Chair Ann Field, the exhibition’s curatorial team also includes Daichendt and Alyce de Roulet Williamson Gallery Director Stephen Nowlin.

“Like many artistic insurgencies, street art has had to navigate around the pitfalls of its own commercial success to remain possessed of raw and vital meanings,” said Nowlin. “That tension, along with the breadth of street art’s current influence in contemporary design and visual culture, is what we set out to explore in OUTSIDEIN.”

Featured in the show are artists Olivia Bevilacqua, David Flores, CHASE, Robbie Conal, Cryptik, Jeanne Detallante, Shepard Fairey, James Jean, Geoff McFetridge, RISK, Kenny Scharf and Jeff Soto, who is an ArtCenter alumnus.


The Williamson Gallery’s latest show, With Hidden Noise, features the work of eight sound artists

Thursday, February 26th, 2015
Installation view, With Hidden Noise Alyce de Roulet Williamson Gallery, Art Center College of Design Photo: Chuck Spangler

Installation view, With Hidden Noise
Alyce de Roulet Williamson Gallery, Art Center College of Design
Photo: Chuck Spangler

Sound is a fugitive object. We live in a muted cosmic universe – the big silence – where aural comprehension is confined to only certain molecule-rich atmospheres of planets supporting species of living things with an evolved ability to hear. We’re just damned lucky to be one of them—and even luckier to know of our own good fortune.

Without volume or mass (at least not the kind that succumbs to gravity) sound on Earth is weightless, fleeting and ephemeral—certainly not the solid we think of when contemplating the form of a physical thing. And yet sound is described in just those tangible terms, as having color, weight, body or texture. It isn’t that the material world just happens to offer us a robust set of analogies; it’s also because sound is, to our comprehension, very much like an object—a transient form of object, one that moves through time. Its shape, it might be said, is something we sense fourth-dimensionally.


Seeing stars with Dan Goods: NASA’s resident wizard of wonderment and REALSPACE exhibitioning artist

Thursday, October 16th, 2014
Dan Goods and David Delgado Refraction, 2014 on view in REALSPACE. Courtesy of the artists.

Dan Goods and David Delgado, Refraction, 2014; on view in the Williamson Gallery’s REALSPACE show. Courtesy of the artists.

What are you doing with your special moment in time today? This pointed challenge culminates an inspiring TEDx Talk by Graphic Design alumnus Dan Goods, who works as a visual strategist (aka resident artist) at NASA’S Jet Propulsion Laboratory (JPL) in Pasadena. Here’s how Goods answers his own question: “I’m creating experiences for people that give them a moment of awe and wonder about the universe we live in.”


Science and Art collide in the REALSPACE exhibition at Art Center’s Williamson Gallery

Thursday, September 25th, 2014
Dan Goods andDavid Delgado Refraction, 2014 Theater light, water, custom electronics 19 x 25 ft., dimensions variable. Courtesy of the artists.

Dan Goods and David Delgado; Refraction, 2014; Theater light, water, custom electronics; Courtesy of the artists.

The painter Willem de Kooning once said that the idea of space “is given to the artist to change if he can.” And of the real, Robert Rauschenberg opined that a painting “is more like the real world if it’s made out of the real world.” Space in painting is measured on a scale that begins with deep illusion depicting what appears beyond the window of the canvas, and moves successively forward to tangible real tactility in front of the canvas.

Where an artist chooses to work on that illusion-to-reality scale can have meaning in and of itself. And the modern history of those choices can be viewed as a kind of archeology of existential change. The exhibition REALSPACE, opening October 4 at Art Center College of Design’s Williamson Gallery, is meant to reflect on how science intersects with that history. Poeticized by artists and studied by scientists throughout human history, the intractable reality of the natural world is examined by contemporary art and artifacts included in REALSPACE.

REALSPACE will be installed in the Williamson Gallery October 4, 2014 through January 18, 2015. The public is invited to an opening reception on Friday, October 3, from 7 to 10pm. Artists in the exhibition include Adam W. Brown and Robert Root-Bernstein, James Griffith, Dan Goods, David Delgado, Santiago Lombeyda, Rebeca Méndez and Jennifer Steinkamp. Artifacts and writings by James Ferguson (1710-1776), William Herschel (1738-1822), and Sir Isaac Newton (1642-1727), on loan from The Huntington Library, are also featured in the exhibition that combines works from contemporary art and science.  At its opening, the exhibition will be accompanied by a 20-page free booklet and, eventually, a 40-page catalog.


Art Center in the News | July 2014

Friday, August 1st, 2014


National Geographic featured Art Center alumna xxx  and her award-winning device to detect hearing loss being tested on a baby at Vaani Vilas Hospital, Bangalore. Photo: ©Rolex Awards/ Ambroise Tézenasphoto

National Geographic featured Art Center alumna Neeti Kailas’s award-winning device to detect hearing loss being tested on a baby at Vaani Vilas Hospital, Bangalore. Photo: ©Rolex Awards/ Ambroise Tézenas

From National Geographic to The Huffington Post; from stylish sensors for your fingernails to a design to detect deafness in newborns, Art Center’s students, faculty, staff and alumni are media headliners. Click a few of the links below to get a taste of recent coverage about diverse subjects including a mobile home tour through Detroit, origami art on speed, smart growth for future generations of artists and designers, the benefits of naps and much more.

Robert Lang’s new FOLDED show exposes origami’s roots in design, contradiction and conflict

Wednesday, June 18th, 2014

Origami seems an odd and roundabout way to arrive at the realistic likeness of a scorpion. Clay would be faster, more direct, less convoluted. And yet there’s an edgy charm to it—the calculated, maybe obsessive, brain teasingly affectionate practice of folding paper. It is, in essence, design. Good design.

It’s an old process. After paper was invented in about the 2nd century CE, it took another 400 years to migrate from China to Japan, and a few centuries more to infiltrate Europe. Folding followed along, creased and sharp, and largely ignored as a serious art until the middle of the last century when poverty-stricken factory-worker dropout Akira Yoshizawa changed everything. His experimentation risked tradition, and his introduction of a wet-folding technique expanded origami’s visual vocabulary, inviting greater artistic expression.


Watch our new video: Ray Eames, the Original Design Influencer

Wednesday, April 16th, 2014

Last month Art Center’s Williamson Gallery grew to resemble a young girl’s dreamscape, as a set of hearts in the bold fanciful hues of love itself burst to life on its walls. In fact, we challenge anyone to not emerge full of child-like wonderment (and more than a little Eames chair-envy) after an amble through “Ray Eames: In the Spotlight,” a comprehensive tribute to the female half of the legendary Eames Office. The show, curated by the Eames’ granddaughter, Carla Hartman, explores Ray’s unique creative gifts and specific contributions to the vast body of iconic design work she created in conjunction with her husband and chief collaborator, Charles.

We were so moved by what we learned of Ray’s spirited, intuitive and deeply empathic approach to design and collaboration, we were inspired to produce the above video about the ways in which the Eames Office in general (and Ray specifically) inspired members of the Art Center community to push boundaries and imbue work and life with a sense of play.

Art Center in the News: February-March 2014

Thursday, March 27th, 2014
Maggie Hendrie on the set of TakePart Live

Maggie Hendrie on the set of TakePart Live

Art Center students, faculty, staff and alumni have been making news while making their mark at on the art and design worlds. For those who may have missed a headline or two, we curated this handy highlight reel of our recent media clips:

Don’t miss two lengthy, live interview segments we arranged for Interaction Design Chair, Maggie Hendrie and ACCD student Alex Cabunoc on the new cable program TakePart Live—a show tailored to Millennials (age 18-34) that reaches 40 million-plus households through Participant Media’s Pivot TV network. (Participant Media is the award-winning, socially and politically progressive production company responsible for An Inconvenient TruthThe CoveLincoln, among other enlightening and edifying films and TV shows).


Ray Eames at Art Center: An alum remembers the Modernist pioneer’s commitment to inspiring the next generation of designers

Thursday, February 27th, 2014

Ray Eames and I first met in Chicago while judging the 1980 Society of Typographic Arts 100 Show. I was the Communication Department Chairman at the time and President of the Art Center Alumni Association. We would often meet for lunch near her studio offices on Washington Boulevard in Venice during the 80s, and she attended several alumni functions at Art Center during those years.

Visiting her studio was always special. Everything was still in place, as it had been when Charles was still alive. Ray had been assembling and archiving, with assistance, the Eames design history, and delegating the items being sorted and donated to the library of congress. There were work tables full of documents and models. And at one time she considered  donating the facility to Art Center for student research facilities to be shared with UCLA, as I recall. Art Center’s leadership at the time declined the offer.


‘Insights’ highlights: 108 high-intensity doses of creative inspiration in 130 characters or less

Friday, November 1st, 2013
Alum Lynne Aldrich leads a tour of her sculpture exhibit in the Williamson Gallery

Alum Lynne Aldrich leads a tour of her sculpture exhibit in the Williamson Gallery

While Car Classic dominated last weekend’s headlines, with its lineup of head-turning, high-revving art-imitates-life works of automotive aesthetics and ingenuity. Sunday’s auto design showcase wasn’t even the only audacious display of Art Center’s creative assets on view last weekend. On Saturday, the College hosted a curated selection of seminars and workshops known as Art Center Insights. The invitation-only event offers donors and trustees an opportunity to experience what it’s like to be Art Center student for an afternoon (minus the mountain of pressure to complete competing creative projects). 

After a lunch in the student dining room with President Lorne M. Buchman, participants chose from the following Session 1 presentations: 3D Printing: A Revolution in 3D, Environmental Design: The Safe Aqua Project and Interaction Design: Evolving User Experience. Then came the second and final round of workshops: Transportation Design/Sustainability: Nature, The Mobility Innovator, Photography: Portraiture Unplugged and Fine Art: Lynn Aldrich: Un/Common Objects.

Because Insights reaches only a small slice of the population who might benefit from it; we embedded reporters in each of the workshops and live-tweeted the entire event. Taken together, these concise dispatches offer a cohesive (if not comprehensive) narrative of what it was like to experience Insights and the inspiring ideas and tools exchanged over the course of all six workshops.

Some people dream of being king for a day. But Insights makes a good case for the rewards that go along with being a student, for a day or a lifetime. Hopefully the chronicle below will conjure some of that mind-expanding thrill vicariously.