Category Archives: News

Fall 2013 Grad Show: A master class in next-level design thinking and doing

Top companies leading the innovation economy swarmed the Hillside campus scouting new talent during Fall 2013 Grad Show. Facebook, BMW, Snapchat and Square, creator of the revolutionary cube device that instantly transforms cell phones in to credit card machines, were all seeking the next wave of their creative workforce.

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View from the Bridge: Saluting graduating students and Art Center’s social impact on healthy drinking water and food

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A Balde Movil prototype is put to the test in Altos del Pino, Bogota, Colombia.

The Fall 2013 term culminated last weekend with our Grad Show—an unqualified success attracting hundreds of industry representatives—and the arrival of our students’ families on campus for graduation. It was my great pleasure to meet many of them and share in their excitement and pride.

I began this weekend’s ceremonies by reading Everything is Waiting for You by David Whyte. An ode to the creative power of community, this poem was born surprisingly out of a moment of deep grief for the author, which makes its vibrant call to action all the more remarkable. The work begins with a warning of isolation—“Your great mistake is to act the drama as if you were alone”—moves to an acknowledged tension of individual identity in the crowd—“Surely, even you, at times, have felt … the swelling presence, and the chorus, crowding out your solo voice”—and concludes with an exultant celebration of discovery and the power of entering the “conversation”—“The kettle is singing even as it pours you a drink” and, ultimately, “Everything is waiting for you.”

I shared this poem because I want our graduating students to find the strength to face what is calling them and recognize that they are surrounded by an astonishing depth and plethora of life. I want them to celebrate where the new edges meet and, as the poem suggests, believe they can change the world by their attentive presence.

Our students’ work offers ample evidence that this is all very much underway.

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Chinese immersion: Alum’s award-winning agency behind high-adrenaline campaign

An immersive experience that’s part of a campaign in China created for Under Armour by David Schwarz and Hush Studios. (Photo courtesy of Hush Studios)

An immersive experience that’s part of a campaign in China created for Under Armour by David Schwarz and Hush Studios. (Photo courtesy of Hush Studios)

In the United States, if you want to push yourself physically there’s a competitive infrastructure in place, from t-ball to the pros, to help you achieve your goals. That’s not so much the case in China, says David Schwarz (Graduate Media Design ’04), creative partner at Hush, the New York-based design agency: “The minute percentage of the population that are seen as having athletic ability are whisked away at a young age and put on an Olympic track.”

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Mirka Meyer: Designmatters alum addresses visual communication needs in humanitarian aid context

Mirka Meyer

Kenya-based Designmatters alumna Mirka Meyer

Mirka Meyer started her career in 1995 as a graphic designer in New York. She has since built up a successful career as a communication and branding specialist for various corporations and agencies in New York, Los Angeles and Frankfurt. In 2002 she came to Berlin with Pentagram and shortly thereafter co-founded the branding agency ‘metorical’ as well as the gaming magazine [ple:]. In 2008 she redirected her professional career from the creative industries to the humanitarian sector, managing acute and chronic emergencies with Médecins Sans Frontières (MSF / Doctors without Borders) in the Central African Republic, Ethiopia, Haiti, Chad, DR Congo and South Sudan. Her current project brings her knowledge of visual communication together with the pressing practical communication needs of humanitarian emergencies in developing countries. Mirka received her BFA from Art Center College of Design in the year 2000, and currently lives in Nairobi, Kenya.

When people see my CV nowadays I usually get a few puzzled looks and definitely a few questions. It is neither the most common, nor the most obvious path that I have taken. But I have always strongly believed in “thinking outside the box.” I know that this belief has given me a very unique view of the world and very valuable insights into the importance of visual communication within the context of humanitarian emergencies.

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Realism and abstraction, domestic bliss and ambivalence coexist in student’s award-winning paintings

Art Center faculty recently selected Vanya Horwath to be the first recipient of the Franklyn Liegel Award. Named for a beloved Art Center faculty member, this honor includes $1,000 cash and the use of one of two private studios in the new 870 building to which the Fine Art department will be moving in January. Horwath’s exuberant paintings of women in domestic interiors use abstraction, patterning and gradient brushstrokes to break down the surface and the image in a language that glances back to painters such as Vuillard and Leger, while using the brushstroke as a discrete element in a way similar to that used by programs such as Photoshop. Read on as Horwath shares her response to the award and the ideas informing the work that earned her the honor.

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Art Center in the News: October – November

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Jay Leno (right) interviews Tom Peters (left) and Peter Brock (center) at Car Classic

Art Center students, faculty, trustees, alumni and staff have been busy racking up awards, giving interviews and making news. Here is a selection of some recent coverage, including highlights from Car Classic and the recent announcement of a $15 million gift from Peter and Merle Mullin, the largest donation in the 83-year history of Art Center.

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Art for artists’ sake: Sharon Lockhart collaborates across time with dance composer Noa Eshkol

Artforum called Sharon Lockhart’s meditation on the visionary work of Israeli dance composer and textile artist Noa Eshkol (1924–2007) an “intimate conversation of ideas simulated across the gulf of history.” The New York Times hailed the five-channel film installation as a “subtle but virtuosic move.” And the Los Angeles Times described it as “a sensitive portrait of a formidable artist.”

If you didn’t get a chance to experience the Art Center alumna’s acclaimed exhibition in person at the Los Angeles County Museum of Art (LACMA) in 2012 or at The Jewish Museum in New York earlier this year, the catalog presents an opportunity to delve deeply into the two artists’ unusual “collaboration.” Edited by LACMA’s Stephanie Barron and Britt Salvesen, Sharon Lockhart | Noa Eshkol (Prestel Publishing) features an in-depth interview with Lockhart; photographs of the installation and of Eshkol-Wachman Movement Notation spherical models; a selection of Eshkol’s wall carpets, scores and drawings; as well as several essays.

It’s not the first time Lockhart, who completed her MFA in Fine Art/Painting in 1993, has trained her lens on the work — and sometimes literally the labors — of others. In this case, Lockhart says, she was drawn to Eshkol’s “radical” practice and the “labor of love” that Eshkol’s devoted students, many of them aging, enact in preserving and performing her rigorous compositions.

This story originally appeared in Art Center’s Fall 2013 Dot magazine, where you’ll find more images from Lockhart’s installation as well as profiles of other notable alumni at work.

Environmental design frames Toyota’s story at L.A. Auto Show

Stuart Fingerhut at Toyota Live

Alumnus Stuart Fingerhut on the Toyota Live stage at the L.A. Auto Show.

Stuart Fingerhut, associate creative director at George P. Johnson experience marketing firm, is gushing over the thrill of seeing people engage with his first big car show exhibition for Toyota and Scion. We caught up with him during the L.A. Auto Show media preview days leading up to today’s public opening. “This is like completely bonkers for me,” he says. “As a designer, it feels like the pinnacle.”

“We’re telling the story of the brand in a physical space,” the Art Center Environmental Design alumnus explained about the design that will travel to other car confabs including Detroit, Frankfurt and Tokyo in 2014.

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Art Center students and alumni ignite Spark!

Student Mathias Hintermann's Aiguille short track speed skater headgear won a Spark! Award.

Student Mathias Hintermann’s Aiguille short track speed skater headgear won a Spark! Award.

With designs ranging from a portable desk for low-income children in India to lighting inspired by the beauty found in Japanese metal craft, Art Center students and alumni brought home several awards last week from the 2013 Spark International Design Awards.

Students and professionals from more than 27 countries across the globe competed in the categories of Experience Design, Product Design, Spaces Design, Transport Design, Communication Design, App Design and Concept Design, with awards ranging from Bronze Awards to the highest award, the Spark! Award.

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ACCD reciprocity: Corporate partnerships seed design innovation and design careers

Meet the Clump-o-Lumps, designed by Max Knecht

Meet the Clump-O-Lumps, designed by Max Knecht

The day Max Knecht pulled a squid, a walrus, a deer and a bunny out of a bright green vintage suitcase is the day he landed his first big deal as a designer.

“It was a formal meeting in [Knock Knock company founder and CEO] Jen Bilik’s office,” recalls Knecht PROD 11, who was still a student at the time. “But bringing all those animal body parts in a suitcase broke the seriousness.”

These were no ordinary plush toys. An imaginative take on swapping identities, Knecht’s bright-colored animals had a clever postmodern flair. Each one separated into three segments, and he demonstrated for Bilik how these “lumps” could be zipped together in any combination. She loved the crisscross-creature concept and offered Knecht a buyout on the spot. Today six different Clump-O-Lumps are available on Knock Knock’s website.

It’s tempting to call moments like this magic, the proverbial rabbit pulled out of a hat. Or a lucky break, all about who you know.

But it was none of these.

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