Category Archives: News

Environmental Design and Product Design Students Showcase at New York Design Week

A short nap in Melissa Lee's "Lulla" provides an experience akin to being rocked in your parents arms.

Art Center was in full force at New York City’s 24th annual New York Design Week.

Students and alumni from the College were featured at both the International Contemporary Furniture Fair (ICFF) and the WantedDesignNYC Design Challenge.

Seven Environmental Design students—Sue Chung, Steve Oh, Melissa Lee, Minh Nguyen, Evan Liao, Brandon Kim and Me Young Kim—had their furniture and lighting projects on exhibition at this year’s ICFF.

Brandon Kim's "Harbor" outdoor poolside chaise is fabricated from polyepoxide powder-coated 5052 aluminum.

The exhibit of student work illustrated the “total spatial experience” philosophy of environmental design at Art Center—a philosophy in which the designer takes into consideration every detail from the first moment of encounter to the last moment of interaction. Each piece was designed based on the power of the story content and context that it defines, the interaction it creates and the emotional interface that it accomplishes.

Sunlight filtering through Me Young Kim's "Aureole" creates shadows of endless patterns and shapes.

Making a seamless transition from the classroom into the marketplace, these pieces immediately translate into the type of professional, marketable furniture that Art Center students are well-known for creating. By studying with working professionals, Art Center designers learn to create dynamic pieces as well as how to showcase their designs.

Art Center was also represented at ICFF by six alumni who were selected for ICFF Studio.

Both pieces of Sue Chung's "Ease" are made of wood. The top piece is spray painted; the bottom is left as raw finish.

Also, as part of New York Design Week, four students representing both Environmental Design—Jonathan Kim and Ji A You and Product Design—Ryan Oenning and Jacques Perrault—participated in the WantedDesignNYC Design Challenge.

Students were asked to use one material, one conceptual tool (e.g. computer software) and one fabrication tool (e.g. a laser cutting machine) to design and construct a lighting design of their own invention.

The Dotted Line tweetted live from ICFF using Art Center’s @art_center Twitter account and the #ICFF hashtag.

Additional information on Art Center students and alumni participating in New York Design Week events can be found here.

And if you know of any other New York Design Week events that the Art Center community should know about, please leave us a note in the comments below.

Art Center Alumni Reminisce About Mike Kelley in the “L.A. Times”

Last month, the Art Center community was stunned at the news that legendary artist Mike Kelley, who had taught in Art Center’s Graduate Art program from 1992—2007, had died.

At the time, Jeremy Gilbert-Rolfe, Chair of the Grad Art program at Art Center, said, “Recognized as an important artist almost from the very beginning of his career, Mike kept teaching as long as he could before the pressures of being very famous indeed made it simply impossible for him to come to school with any regularity at all. He was, both in general and as a colleague, a brilliant combination of passion regarding art and a sense of humor… He has left us devastated.”

While much of the news following Kelley’s death focused on his cultural impact on the international art world, Sunday’s L.A. Times featured Art Center alumni reminiscing about their former teacher, who was “generous, patient, sometimes harsh but above all, eager to engage and share with fellow creators.”

Art Center would like to acknowledge our alumni–all celebrated artists themselves–and thank them for taking the time to share their thoughts with the L.A. Times.

To read the article in its entirety, please click here.

From the Art Center Archives: Faculty critique work by Steve Roden GART '89. Pictured (L to R) circa 1989: Laurence Dreiband, Richard Hertz, Sabina Ott, Stephen Prina, Mike Kelley and Jeremy Gilbert-Rolfe. Image (c) Art Center College of Design/Steven A. Heller

UPDATE (3/15/12): Steve Roden, the student whose work was being critiqued in the above picture, recently blogged about seeing this photograph in the Los Angeles Times.

Trustee Charles F. Johnson Flies High with “Red Tails”

"Red Tails" Executive Producer and Art Center Trustee Charles Floyd Johnson.

One of Art Center’s newer Trustees, Charles Floyd Johnson has a long-standing and successful career as a producer in the entertainment industry. He first started becoming familiar with the College during August of last year, became a Trustee earlier this year, and is looking forward to assisting Art Center in a number of different capacities, from outreach to fundraising.

“I came out for a graduation and was so impressed with Art Center, its students, and its plans for the future, that I said this is the place for me,” said Johnson, who points to being particularly impressed by the College’s Strategic Plan. “It felt to me like a very forward-thinking agenda, in terms of both making the school more user-friendly for the students and also making Art Center more dominant. Art Center already has a wonderful reputation in so many of its areas, but the College is interested in becoming even stronger.”

Johnson is currently serving as executive producer of the CBS television drama NCIS, which celebrates its 200th episode on February 7. He is also one of the producers of Red Tails, the Lucasfilm feature about the Tuskegee Airmen, America’s first all African-American aerial unit who both helped bring down the Nazi war machine during World War II and challenged racial stereotypes back home. Defying the odds, the film starring an all African-American cast — including Terrence Howard, Cuba Gooding Jr., Nate Parker and David Oleyowo — debuted last weekend in second place by bringing in nearly $19 million at the box office.

“It’s a story that has resonance with a lot of people,” said Johnson of the film which he and fellow Red Tails producer George Lucas had been trying to get off the ground for 23 years. “These young men were not encouraged to fly for their country. They were not expected to succeed. But they triumphed over adversity. These were men who fought racism at home and fascism abroad. They did it successfully and they were heroes, not victims.”

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Vote for Art Center finalists in the IxDA People’s Choice Awards

Three Art Center student projects are finalists for Interaction Design Association’s (IxDA) Interaction Awards People’s Choice Award. Support our students, vote now! Every member of IxDA’s online community gets three votes for their favorite project. You must register on the Interaction Awards site specifically to vote. Voting closes February 3rd at 12 pm GMT.

The winner of the People’s Choice Award will be announced at the Interaction Awards Celebration on Friday, February 3rd, at Interaction12 in Dublin.

Sound Noodles, by Jessie Kawata, are mobile electronic music instruments that enable kids to explore the relationship between sound and movement through their own physical activity and the collaborative efforts of music creation.

Sound Noodles by Jessie Kawata

Go here to vote for Sound Noodles.

Hotdog, by Scott Schenone, is a dog harness design that keeps track of a dog’s body temperature and relays the information back to the owner.

Hotdog by Scott Schenone

Go here to vote for Hotdog.

Steps, by Kevin Kwok, Nancy Chui, Rachel Thai, Winnie Yuen and Wayne Tang, are interactive tools and encouragement for 21st century teacher to use 21st century social interaction. The Steps project is also a finalist for the 2012 Interaction Award in the field of Connecting (facilitating communication between people and communities).

Steps by Kevin Kwok, Nancy Chui, Rachel Thai, Winnie Yuen and Wayne Tang

Go here to vote for Steps.

Art Center will be offering a new degree program towards a B.S. in Interaction Design beginning in Fall 2012. Interaction Design students at Art Center will learn to think deeply about the user’s experience, apply technology creatively and invent new approaches to interaction and design, whether designing a mobile app or a gestural interface for an exhibition, a new consumer electronics product or a rich informational website. For more information, see http://www.artcenter.edu/ixd

In Case You Missed It

As we return from break we thought it would be a good time to check in on what is going on with Art Center alumni, students and faculty.

The Williamson Gallery’s current exhibition, Worlds was featured in The Los Angeles Times. Haven’t seen it yet? You’re in luck. The exhibition has been extended through January 29, 2012.

Art Center was well represented in the December issue of THE Pasadena Foothills Magazine. The magazine’s cover story, 50 Creative People 2011, featured President Lorne Buchman and recognized faculty and staff members Mariana Amatullo, Dan Gottlieb, Penny Herscovitch, Karen Hofmann, Stephen Nowlin and Geoff Wardle; student Holly Wren Hofgaarden; and alumni Edgar Arceneaux, Dan Goods and Steve Roden. The issue can be read here.

Student Maria Meehan received a 2011 Bill Bernbach Scholarship, earning herself $5,000 to put towards tuition. The scholarships are made possible through the Bill Bernbach Diversity Scholarship Fund, established in 1998 by DDB Worldwide to provide financial assistance to creatively talented, culturally diverse students seeking an education in copywriting, art direction and design.

Jayne Vidheecharoen demonstrating her Portals project

Media Design student Jayne Vidheecharoen, whom we’ve covered previously,  is still creating an Internet buzz around her Portals alternate reality project, funded by Kickstarter. We found her project covered here, here, here, here, here, here, here and here.

Transportation Design Chair Stewart Reed participated as a jury member for The Michelin Challenge Design. The jury made final selections based on the theme, “City 2046: Art, Life and Ingenuity.” More than 200 projects, submitted by more than 1,700 registrants representing 88 countries, were reviewed. The jury selected the work of 27 participants for display at the 2012 North American International Auto Show (NAIAS) in Detroit.

Alumnus Christopher Chapman, formerly with BMW, was hired as chief designer of the Hyundai Design Center in Irvine, California.

Alumnus Eric Tu, co-founder and creative talent curator at F360, a studio with offices in New York, Los Angeles and San Francisco, was interviewed by Studio Daily.

Alumnus Matt Cunningham’s role as designer of the interior train car shots for the thriller “Source Code” was explored in the Aiken Standard.

Recipients of 2011 Samsung Faculty Enrichment Grant Awards Announced

(L to R) Instructors Adele Bass, David Luce and Everard Williams, Jr. were among the recipients of this year's Samsung Faculty Enrichment Grant Awards. Photo: Steven A. Heller / Art Center College of Design.

Yesterday, Art Center President Lorne Buchman and the Faculty Council announced the recipients of this year’s Samsung Faculty Enrichment Grant awards: Dewey Ambrosino, Adele Bass, Marcie Begleiter, Gabrielle Jennings, David Luce and Everard Williams, Jr.

In his announcment, Buchman said the reviewing panel of jurors were particularly impressed by the scholarly nature of the proposals and the spirit of creative inquiry that inspired them. The proposals ranged from a collaborative art installation in Vietnam exploring light and sound phenomena to a series of on-site interviews with family and colleagues who knew the German-born 20th-century American artist Eva Hesse.

“The research projects submitted by these six individuals are noteworthy and wide-ranging and will surely benefit the entire Art Center community,” said Buchman.

Head past the jump for descriptions of the projects.

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In Case You Missed It

Ana Serrano's "Salon of Beauty" installation at Houston's Rice Gallery. Photo: Nash Baker.

There’s always something happening when it comes to Art Center alumni, students and faculty. Sometimes there’s almost too much happening!

If you have any Art Center-related news items you’d like to share with the community, send us an email at editorial at artcenter dot edu.

R.I.P. Steve Jobs; You Helped Us All Think Different

The unaired version of the very first “Think Different” television ad below is unique in that it’s not the version narrated by actor Richard Dreyfuss that we all saw in 1997.

Rather it’s narrated by Steve Jobs, the co-founder of Apple and the visionary pioneer behind the company’s now ubiquitious products, who passed away yesterday.

Art Center alumna Jessica Schulman Edelstein ADVT 91, then the lead art director on the Apple Computer account at Chiat Day, established the look and feel of the highly successful “Think Different” campaign, which featured historical figures–physicist Albert Einstein, civil rights pioneer Martin Luther King Jr. and “Sesame Street” creator Jim Henson to name a few–who changed the world through their out-of-the-box thinking.

Rest in Peace, Mr. Jobs. Your vision touched as all and you left the world a better place.

Tarsem Singh helped R.E.M. Lose its Religion (video)

Still from R.E.M.'s "Losing My Religion" video

After 31 years together, rock band R.E.M.–composed of founding members singer Michael Stipe, guitarist Peter Buck and bassist Mike Mills–recently surprised their fans by calling it quits.

Though the group crafted a number of songs that entered the zeitgeist, including “It’s the End of the World As We Know It (And I Feel Fine),” “Everybody Hurts” and “What’s the Frequency, Kenneth?” they are perhaps best known for “Losing My Religion” from their 1991 album Out of Time.

The song became a cultural juggernaut despite the fact that it was built around a mandolin riff and featured lyrics that some misinterpreted as being a critique of organized religion (in fact, the phrase “I’m losing my religion” is a Southern expression whose meaning is akin to “I’m at the end of my rope” or “I’m at my wit’s end”). Regardless of the reasons behind the song becoming a hit, it would be impossible to separate the importance that the song’s video, directed by Art Center alumnus Tarsem Singh FILM ’90, had in propelling it into the stratosphere.

See the video after the break.

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Creating Our Future Through Art Center’s Strategic Plan


What does the great art and design school of the 21st century look like? How can it best serve its students?

Last year, the Art Center community came together to find out. Through an all-inclusive visioning process, we addressed the challenges of making our distinctive education cutting-edge and pertinent—the what, where and why—and envisioned Art Center’s future.

The result of this process is Art Center’s 2011-2016 strategic plan, unveiled last week to the College community. The five-year plan both honors Art Center’s distinguished 80-year history and imagines its future.  It shapes our core values into a new model for art and design education for the 21st century—one that ensures continuing excellence, relevance and impact for decades to come.

We sat down with College president Lorne Buchman to find out more about the strategic plan, how it came about, and what it means to the Art Center community.

Dotted Line: Why was it important to involve the entire Art Center community in the visioning process?
Lorne Buchman: Art Center has a reputation for being incredibly rigorous with our students—it’s key to the quality and the kind of education that we offer. One of the wonderful things about the planning process was that it was a chance for us as an institution to be as rigorous with ourselves as we are with our students.

In coming up with this strategic plan, we felt it was really important that everyone—alumni, students, faculty, staff, Trustees—participate in the planning process that culminated in the plan. The College is filled with brilliant, creative, wonderful people who care deeply about this institution, and who have the power to design their future. The spirit of this planning process proceeded as such.

Dotted Line: And a new College mission statement came out of the process as well?
Buchman: Yes. I’ve never loved a mission statement, but I love this one: “Learn to create. Influence change.” It’s such a profound educational philosophy, and what our College is about.

Dotted Line: Why was a strategic plan necessary?
Buchman: There is a new ecology of learning going on. Higher education is changing incredibly rapidly. Our students are changing—they’re different than they were five, even 10 years ago. We must be attuned and responsive to these things.

Dotted Line: In what ways have students changed?
Buchman: Our students are coming to us with a real kind of social consciousness.  I think the success of Designmatters demonstrates this rather well. Students are coming to Art Center with the goal of finding meaningful work after graduation. They understand that what they do as artists and designers has ramifications for all communities and corners of the world. They can lend a way of thinking, creating, solving problems and addressing issues. That’s very deep and profound, and it opens up a new kind of knowledge. It’s our duty to help them in this pursuit.

Dotted Line: One of the plan’s key pillars is the Conservatory Spirit, which isn’t a term one usually applies to an art and design school. Can you elaborate?
Buchman: The idea of Art Center as a conservatory has its roots in the school’s history. This has always been a place that prepares students for creative and career success. Akin to Juilliard, we provide the highest caliber of education, we employ a professional faculty who bring a sense of real-world relevance to the classroom environment and we offer programs that meet the demands of society—all to ensure artists and designers have a place in the world. This is where the conservatory spirit comes from.

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