Donghia scholarship winners draw inspiration from nature, food, and love

Austin Yang's Grace chair won the Editor's Award for seating at ICFF 2014

Austin Yang’s Grace chair won the Editor’s Award for seating at ICFF 2014

Good design has its rewards. In the case of Environmental Design students Haidy Gong and Austin Yang, reward comes in the form of $30,000 in scholarship support from the Angelo Donghia Foundation. Gong and Yang are among only 12 winners of the 2014 Student Scholarship Program in Interior Design, which gives awards to rising college seniors pursuing bachelor degrees. We checked in with the winners to get their reaction to the scholarship and to find out what makes for an award-winning design.

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Of fellowships and new (adjunct) faculty: Checking in with Grad Art chair Diana Thater

Thater applied for the CCF fellowship with this work entitled Chernobyl, 2011

Thater applied for the CCF fellowship with this work entitled Chernobyl, 2011

For over two decades, Grad Art chair Diana Thater’s groundbreaking film, video and installation work exploring the tension between humans and the natural world has been widely discussed and admired. But the spotlight on Thater’s role as a leader in the global art world seems to have gotten even brighter over the past few months. In April, she named chair of the Art Center department from which she graduated in 1990 and where she’s taught for many years. In June, Thater was honored in a major gala by the Orange County Museum of Art. And earlier this month, she was awarded a 2014 California Community Foundation Fellowship.

Additionally, Thater has already begun placing her creative stamp on Grad Art by making some exciting additions to its adjunct faculty roster. She announced an impressive lineup of new fall adjunct faculty, including Philippe Vergne, director of MOCA, and Bennett Simpson, senior curator at MOCA and artist Harry Dodge. Her adjunct faculty additions for the spring are equally exciting: Getty Scholar and curator for the National Gallery in Washington Lynne Cooke, artist and Getty Scholar Tacita Dean and curator Charlotte Cotton.

To honor Thater’s accomplishments and better understand the ideas informing her creative practice, we’ve included the artist’s statement that compelled the foundation to grant her the award. Consider this a behind-the-scenes snapshot of what it takes to be a successful working artist.

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Change to spare: Art Center students develop social innovation campaign to ease homelessness

The Welcome Home Project – “Real Change Movement PSA” from designmatters at art center on Vimeo.

Art Center College of Design student work will gain valuable widespread exposure as the citywide Real Change Movement initiative rolls out with a comprehensive social innovation advertising and public relations campaign. Real Change is a strategic initiative aimed to activate support for tangible, self-sustaining low-cost housing solutions to end homelessness and mitigate panhandling in Pasadena.

The Real Change Movement is the first initiative of its kind within Los Angeles County, to help provide homes for the homeless with funds generated by the coin and credit card donations made through uniquely designed meters. The goal is to install 11 bright orange meters throughout the city at heavily trafficked locations such as the convention center, shopping malls and parking structures. Campaign elements include a website, brochures, power bill stuffers, bus shelters, bumper stickers, elevator door signage, print ads, video and radio public service announcements. For more information, visit realchangemovement.org.

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Money magazine ranks Art Center grads among the most employable in the nation

 

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Alumnus Dan Goods, Visual Strategist at NASA’s Jet Propulsion Laboratory, stands with “Refraction,” an artwork he created with fellow alum David Delgado.

An Art Center education doesn’t come cheaply. It requires a high-deposit, high-return investment of resources, tapping reserves of creativity and cash. But Art Center students know these initial sacrifices will pay off down the road when they emerge with an education custom designed to equip them for creatively and financially fulfilling careers. Money magazine reinforced the College’s reputation for boosting its grads’ professional prospects this week when it ranked Art Center third on its list of 25 of the best college values.

In response to millions of parents seeking colleges that strike a balance between affordability and professional prestige  and training, Money devised a new tool to measure a college’s ROI.  The new ranking places Art Center at number three on its “Value All-Star” list since, according to the editors’ careful calculations, Art Center alumni exceed expectations when it comes to earning. Money found that our grads take home an extra $12,000 per year early in their careers, using criteria based on three equally weighted categories: quality, affordability and career outcomes. The magazine defines outcomes almost entirely in terms of how much students earn after graduation.

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Illustration alumnus creates scholarship to give students foundational skills

Watercolor by Illustration alumnus, Frank Lanza

Watercolor by Illustration alumnus, Frank Lanza

Frank L. Lanza (BFA ’57 Illustration) has had his finger on the pulse of advertising illustration for nearly 60 years. Working almost exclusively as a freelancer, he survived the new dominance of photography in print in the 1960s, experienced the pungent impact of the Magic Marker on storyboarding, and witnessed the revolutionary impact of computers on layout and design. His wide-ranging career has included packaging design for Crown Zellerbach and book illustration for Sunset Magazine and the first Del Monte Kitchens Cook Book. He also storyboarded for commercials and TV shows.

Frank Lanza

Frank Lanza

Lanza credits the solid fundamental toolkit he acquired at Art Center with laying the groundwork for his creative versatility and professional durability. “I was able to last as a freelancer thanks to the strong foundation of drawing skills I received at Art Center,” he says. He now hopes to return the favor to future artists with a gift of $1 million to the College to establish the Frank L. Lanza Scholarship Endowment, providing them the same lifelong artistic foundation. The endowment supports students of exceptional talent in the Illustration and Fine Art departments.

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Brad Bartlett scattered inspiring pebbles of wisdom throughout his Great Teacher Award address

Instructor Brad Bartlett stands inside student Ka Kit Cheong's "Plaception" installation. Photo: Chris Hatcher

Instructor Brad Bartlett stands inside student Ka Kit Cheong’s “Plaception” installation. Photo: Chris Hatcher

“I went for a long hike on Sunday morning to think about what I would say to you today,” said instructor Brad Bartlett this past Saturday at the top of his commencement address to Art Center College of Design’s graduating class of Summer 2014. “During that hike I remembered something one of my college professors, Dr. Michael Pause, once said: ‘May I always remain a pebble in your shoe.’”

Immediately prior to delivering his speech, Bartlett became a twice recipient of College’s Great Teacher Award for full-time faculty; he previously won the award in 2003. Also at Saturday’s ceremony, Humanities & Sciences instructor Rocio Carlos won this year’s part-time faculty Great Teacher Award.

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Student Leadership Award winner Hugo Pilate extols the art of listening and being heard

Student Leadership Award winner Hugo Pilate. Photo: Chuck Spangler

Student Leadership Award winner Hugo Pilate. Photo: Chuck Spangler

Who ya’ gonna call? Hugo Pilate, apparently.

This past Saturday, as Product Design graduate Hugo Pilate made his way to the stage to accept Art Center’s Student Leadership Award for the Summer 2014 term, Ray Quirolgico, the College’s Associate Provost for Student Affairs, offered the following caveat: “Hugo has asked me to affirm that he is known for run-on declamations so you may need to brace yourself,” said Quirolgico. “I was also informed to give you his number in case you get lost in what he has to say at any point.”

He then read off Pilate’s phone number not once, but twice.

Lest you think the French-born graduate was just having a laugh, Pilate gave out his number again as he capped off a speech that focused on the importance of being heard and, even more importantly, listening to others. Continue reading

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Grad Show Preview: Diving into the Summer 2014 talent pool

Perhaps more than graduation itself, Graduation Show Preview marks the culmination of a student’s years of hard work at Art Center. Each term, on the Thursday before Saturday’s commencement ceremony, the College’s classroom studios, hallways and exhibition spaces come alive with 2D, 3D, digital and other work renowned for both its conceptual rigor and its professional finish. It’s like one giant gallery opening — the Summer 2014 edition brimming with more than 450 invited guests — showcasing some of today’s most innovative and most driven emerging artists and designers.

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Talk to the brand: A scholarship recipient says goodbye to Brandcamp

Sidney Li presents at Brandcamp

Sidney Li presents at Brandcamp

Art Center interviewed a young designer transitioning from high school to college before, during, and after attending a Summer Intensive at Art Center’s Saturday High. This interview is the third and final posting in this series.

For four weeks in July, soon-to-be Art Center undergrad Sydney Li has been swimming in the creative waters of Brandcamp, Saturday High’s Summer Intensive focusing on Advertising and Graphic Design. She was able to attend without financial concern thanks to scholarship support from the Richard and Jean Coyne Family Foundation.

We caught up with her one last time at the end of Brandcamp, just as she was coming up for air.

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The house that Jorge Pardo built: The Fine Art alum’s latest functional fantasia

Tecoh roof garden at dusk. Photo: Jaime Navarro Soto

Tecoh roof garden at dusk. Photo: Jaime Navarro Soto

For the past 20 years, Jorge Pardo has been swinging his wrecking ball around the art establishment, tearing down traditional categories of creativity and staking his claim to an underused patch of terrain utterly his own, at the intersection of art, architecture, design, painting and sculpture.

“What I do is shape space and play with the history that forms people’s sense of expectation,” the Cuban-born Fine Art alumnus explained in a 2013 W Magazine profile. “I don’t think art is not functional. A painting is functional. People hang it on the wall. You can trade it. It’s like money. But historical tradition says paintings are not functional.”

A 2010 MacArthur “Genius,” Pardo has been bucking tradition since he rose to prominence in 1998, with 4166 Sea View Lane, a functional sculpture/house he designed and built for a MOCA exhibition. His current project may be his most ambitious yet. Pardo has handcrafted each element of Tecoh, a compound of buildings and gardens in the Yucatan jungle, to create an Edenic multisensory experience. At the heart of all of Pardo’s work lies a DIY commitment to artisanship, honed during his time at Art Center. “I like to know how things work,” Pardo told W. “I think everything interesting comes from figuring it out.”

This story originally appeared in Art Center’s Spring 2014 Dot magazine, where you can read more about alumni and faculty achievements.

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