Posts Tagged ‘Art Center College of Design’

Watch our new video: Ray Eames, the Original Design Influencer

Wednesday, April 16th, 2014

Last month Art Center’s Williamson Gallery grew to resemble a young girl’s dreamscape, as a set of hearts in the bold fanciful hues of love itself burst to life on its walls. In fact, we challenge anyone to not emerge full of child-like wonderment (and more than a little Eames chair-envy) after an amble through “Ray Eames: In the Spotlight,” a comprehensive tribute to the female half of the legendary Eames Office. The show, curated by the Eames’ granddaughter, Carla Hartman, explores Ray’s unique creative gifts and specific contributions to the vast body of iconic design work she created in conjunction with her husband and chief collaborator, Charles.

We were so moved by what we learned of Ray’s spirited, intuitive and deeply empathic approach to design and collaboration, we were inspired to produce the above video about the ways in which the Eames Office in general (and Ray specifically) inspired members of the Art Center community to push boundaries and imbue work and life with a sense of play.

Oscar Ahoy-a! Grad Film student, Rahat Mahajan’s ‘Istifa’ selected as Student Academy Award finalist

Tuesday, April 15th, 2014
Still from Rahat Mahajan's Student Academy Award finalist, Istifa

Still from Rahat Mahajan’s Student Academy Award finalist, Istifa

Each year, the Academy of Motion Picture Arts and Sciences (aka the organization that hands out the Oscars) receives over 500 submissions from student filmmakers around the world. This past week, Art Center Graduate Film student, Rahat Mahajan’s narrative short, Istifa (Resignation), was selected as one of six finalists, from which three nominees will be selected to progress to the national finals, judged in May.

Please join us in congratulating Rahat, a 5th term student from India. Shortly after hearing the good news, we caught up with Rahat and asked him to share his thoughts on the process of making the film and where he hopes to go from here.

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Close encounters of the Mac Pro kind

Thursday, April 10th, 2014

Mac Pros at 870

Like a fleet of alien spacecraft, over 50 new Mac Pros have landed at 870, melded with the network and firmly attached to new Wacom Cintiq touchscreen monitors. To the delight of Illustration and Fine Art students, these strange new digital organisms have taken root and are ready to start turning out some serious teraflops (1 Trillion floating-point operations per second)!

The new Mac Pro has been eagerly anticipated since its announcement last year at The Apple Worldwide Developers Conference (WWDC); and it represents the next wave in desktop computing, boasting dual GPUs, PCIe flash storage, high-performance Thunderbolt 2 peripheral connectivity, new-generation Xeon processors, ultrafast memory, and support for up to three (count ‘em, 3) 4K monitors (That’s… ehem… over 24 million pixels at up to 60 frames per second = over 1 Billion pixels per second).

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From muscle machines to dinosaur skulls: Art Center’s March 2014 alumni notes

Wednesday, April 9th, 2014

It’s that time of month again. Time, that is, to catch up on the creative undertakings Art Center’s talented diaspora of alums have been plotting, planning, pitching, prototyping, publishing, publicizing, producing and plying. And that’s just the p’s.

Dive into the following digest of alumni accomplishments and works-in-progress. And for those alums among us, be sure to clue us in on your own news and notes for inclusion in our next dispatch. We don’t want to miss anything. This is Art Center, after all. And we’re nothing if not completists.

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Of animals, art and otherness: Q&A with incoming Grad Art chair, Diana Thater

Tuesday, April 8th, 2014
Diana Thater. Photo by Sigrid Rothe, 2012

Diana Thater. Photo by Sigrid Rothe, 2012

Just over two months ago, Art Center provost, Fred Fehlau announced that full-time faculty members, Diana Thater and Jason Smith, would assume the roles of Chair and Associate Chair of Art Center’s Graduate Art program after longtime Chair, Jeremy Gilbert-Rolfe vacates the position in summer, 2014.

Thater, a pioneering film, video and installation artist, has been a dynamic and esteemed member of the international art community, ever since she earned her MFA from Art Center’s Grad Art program in 1990.  She is a prolific artist who has exhibited around the world at first-rate institutions, including MOMA, the Walker Art Center and Dia Center for the Arts. Much of Thater’s work is informed by the social conscience she brings to her installation and video work exploring the relationship between humans and the natural world.

The Dotted Line recently visited Thater in her studio to discuss her plans for the Graduate Art Department as well as her current and future projects.

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Creative disruption: Image strategists on photography’s new frontier

Friday, April 4th, 2014
CicLAvia

Photographs by Annenberg Apprentice Dave Koga are part of Our Story, a digital visual narrative he curated in collaboration with CicLAvia.

“The advent of new technologies and a global population consumed by social media have turned photography on its head,” says Dennis Keeley, chair of Art Center’s Photography and Imaging Department. “The profession now demands a daunting versatility for survival—including skills in entrepreneurship, computational competency and critical thinking. Image-making now extends well beyond the traditionally constructed photograph to more immediate and interconnected processes. These contemporary practices and ideas utilize art, science and communications, and demand an intellectual flexibility, collaborative spirit, and a willingness to engage the world with strategy.”

To prepare photography students to meet the demands of this rapidly changing profession, Keeley and his colleagues developed a pilot class this Spring, Creative Disruption: Beyond the Classroom. Co-led by Everard Williams, Ann Cutting and Elisa Callow, the class embeds students in local nonprofits where they’re given a creative challenge and work in collaboration with the partner organization to tackle that challenge.

The class is part of an Art Center study, funded by a grant from the Annenberg Foundation, investigating and testing models for the future of photographic education.

Read on to learn about our first two Annenberg Apprentices, and their innovative work with two community-based organizations, CicLAvia and the Japanese American Cultural and Community Center.

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Inside ‘In Particular:’ Sarah Magladry’s installation in the Fine Art Gallery

Tuesday, April 1st, 2014

This creative manifesto is part of a series of first-person pieces by Fine Art students reflecting on the ideas informing their work. Each post will feature the artist whose work is currently rotating through the Undergraduate Fine Art Student Gallery, at the Hillside Campus. This week Sarah Magladry explores the inspiration behind her exhibit, “In Particular.”

“Each piece, or part, of the whole of nature is always merely an approximation to the complete truth, or the complete truth so far as we know it. In fact, everything we know is only some kind of approximation, because we know that we do not know all the laws as yet. Therefore, things must be learned only to be unlearned again, or, more likely, to be corrected.” – Richard Feynman

Dissection is a crucial element in my practice. The minute details ignite the story. It’s a process of deduction, examination and reappropriation. I am never finished searching for what I am attracted to in an image and am typically drawn to the unexpected, the failed or the perverse. It is these details I relish that make the final viewing. There is an embracing of aberrations: a celebration of them. A self-reflective nature that allows the inadvertent to take on more than perhaps what the piece originally intended to do. The fragmentation of each piece allows them to converse with one another. Each element feeds upon the next, creating a carousel of information more thorough and more complex with the progression of each concept.

Products become just as much a narrative of the image-maker as the image itself.

And the narrative is as the quote suggests… we are in constant entropy. And yet it is this degree of disorder and uncertainty that allows for metamorphosis.

Check out these new student videos from our stellar Myspace occupiers

Wednesday, March 26th, 2014

Roman Vargas, Photography and Imaging – second round from Art Center College of Design on Myspace.

Shortly after the Spring 2014 term passed its halfway point, our participating students (Myspacers?) produced a new set of videos tracking their progress on the path toward creative completion.

Starting a project is never easy. And finishing it is, arguably, even harder. But let’s not underestimate the challenges involved in persisting through the obstacle course of roadblocks artists often face once they’re deep enough into a project that starting over isn’t an option, and the finish line isn’t yet in sight.

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Explore the art of border crossing with Morgan Fisher: scholar, sculptor, filmmaker and conceptual artist

Monday, March 24th, 2014
Morgan Fisher's New Alien Pendant Pair Paintings

Morgan Fisher’s New Alien Pendant Pair Paintings

Conceptual artist and filmmaker, Morgan Fisher, will discuss his vast and eclectic body of work at Art Center College of Design on Tuesday, March 25 at 7:30 p.m. at the Los Angeles Times Media Center.

At first glance, it’s hard to connect the dots comprising the details of Morgan Fisher’s early biography. He was born in Washington, D.C. in 1942. He studied the history of 19th and 20th century art at Harvard University. Then he studied film production in Los Angeles, first at USC and then at UCLA.

His creative path started to coalesce, however, once he landed in L.A. and committed himself to filmmaking. He began making independent films in 1968 while complementing his own avant-garde filmmaking, working as a teacher at Art Center and in various capacities on Hollywood productions, including as Roger Corman’s editor. Fisher’s films have been shown at festivals such as Pesaro, Oberhausen, Rotterdam, Berlin, and New York; and at museums such as the Museum of Contemporary Art, Los Angeles, the Museum of Modern Art, the Whitney Museum of American Art, Tate Modern, and Centre Pompidou.

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Go ahead and touch the INFINITE, a student sculpture in cold steel and concrete.

Wednesday, March 19th, 2014

Infinite by Nicole Shara

This creative manifesto is part of a series of first-person pieces by Fine Art students reflecting on the ideas informing their work. Each post will feature the artist whose work is currently rotating through the Undergraduate Fine Art Student Gallery, at the Hillside Campus. This week, Nicole Shara explores the intersection of identity and language in her new sculptural work, INFINITE (2014).

We are skewed by ego and commodity, consumed by that which is cryptic: media and language, science and truth. The idea that our role on this planet is perpetual or somehow divine is completely absurd. By taking advantage of the preexisting structure of language, I mock subjects like mortality. I repurpose words by breaking them down into two parts; they become self-cancelling creating a new awareness of the paradoxical whole. Combined with materials that physically relate to the word’s contradictory nature, a new enigma is born.

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