Posts Tagged ‘Art Center College of Design’

Student/Space: Kristina Ortega—Media Design Practices, Episode 2

Thursday, March 19th, 2015

In our first episode with Media Design Practices student Kristina Ortega she was just beginning her investigation into the human micro biome. In this episode we learn about her recent deployment of bacteria covered cheerleaders in a Los Angeles cul-de-sac and her strategies for reimagining civic health.

What is Student/Space?

We identify three students from different disciplines who are in the process of completing an ambitious project. Over the course of the term we work with them to create three videos capturing the launch, obstacles and completion of their finished work of art and/or design. At the end of the term, each student’s trio of episodes constitutes an intimate take on the agony and ecstasy of bringing an idea to life.

Video by Grad Film student Tatyana Kim

Grad Film alum Elran Ofir conjures a slot in Cannes Short Film Corner

Wednesday, March 18th, 2015

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Spring brings the arrival of many things. Swans pursue the thawing lakes in the north. Leaves return to barren trees. And film moguls descend on the white beaches of Cannes for premiers and deal making. This year, alum Elran Ofir (Grad Film 14), will be one of the fortunate few whose film will be included in the Cannes Short Film Corner, a special section for filmmakers to gain access to industry meetings, workshops and conferences on strategic issues.

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February 2015 Art Center alumni notes

Thursday, March 12th, 2015
Illustration by Kim Ryu for the February 2, 2015 edition of the New York Times Sunday Book Review

Illustration by Kim Ryu for the February 2, 2015 edition of the New York Times Sunday Book Review

It’s been a fruitful awards season—and not just for the creative team behind Birdman. Art Center alums have amassed an impressive array of accolades, from the Caldecott Medal (the Oscars of children’s literature) to the Oscars themselves. So in lieu of glitzy after party, we’ve done the next (or perhaps next, next) best thing and compiled highlights from our alumni community’s recent accomplishments below. Enjoy!

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Giving design the business: The ROI on Art Center’s longstanding partnership with INSEAD

Wednesday, March 11th, 2015

What at first felt like a total culture clash just a decade ago is now standard practice in most top-earning companies. The idea of blending design innovation with business strategy has quickly evolved from a seedling, to a trend and now to a “must have.”

Art Center alumni and friends reunited in San Francisco on February 28 to celebrate the 10-year partnership of the College and INSEAD, one of the world’s leading and largest graduate business schools. Close to 150 industry leaders gathered at the posh play-inducing headquarters of Airbnb on Brannan Street to toast the success of a concept early adopters admitted seemed wacky.

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Scholarship recipient strikes “Gold” with Imagine Dragons music video

Tuesday, March 10th, 2015
Bryan Fugal on set

Bryan Fugal on set

Graduate Film student Bryan Fugal has already done more in the world of professional music video production than, well, many professionals his age. The Utah native and recipient of an Art Center MFA departmental scholarship recently wrapped up a video shoot for the Imagine Dragons‘ song, “Gold,” where he filled two roles: producer and first assistant director. It’s his second time working on a video for the band—and, he hopes, not his last. We asked him to tell us a little about the experience, the role of scholarships, and how Art Center did or didn’t prepare him for the gig.

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Jeff Wall on artifice, actuality and accident — and why he doesn’t make films

Monday, March 9th, 2015
Jeff Wall spoke about his work and its influences. (Art Center photo by Juan Posada)

In the Grad Art Seminar series, Jeff Wall spoke candidly about his work and its influences. (Art Center photo by Juan Posada)

Vancouver-born and -based artist Jeff Wall is now living and working part-time in Los Angeles, which is good news for students at Art Center. A capacity crowd filled the L.A. Times Media Center at Hillside Campus last Tuesday night, eager to hear what he had to say.

Jack Bankowsky, who co-curates the popular Grad Art Seminar series with fellow faculty member Walead Beshty, introduced Wall, and reminded the audience of three of his works—opaque black and white prints—that are set in Los Angeles: Citizen (1996), a man lying on the lawn in a public park; 8056 Beverly Blvd., Los Angeles (1996), a cinema-turned-synagogue, framed in a circular black vignette; and Office Hallway, Spring Street, Los Angeles (1997), a man in a dimly lit, nondescript hallway.

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Prominent theorist Ezio Manzini to discuss new book connecting design culture to social change

Tuesday, March 3rd, 2015

 

Ezio Manzini

Ezio Manzini

Ezio Manzini, a leading force in social impact design and founder of the DESIS (Design for Social Innovation towards Sustainability) network of university-based design labs (including Art Center’s Designmatters department), will present a lecture based on ideas addressed within his new book, Design, When Everybody Designs, published by MIT Press. The event, which begins at 7pm in Art Center’s LA Times Media Center, will include an hour-long talk about design culture’s role in driving the future of social change and a book signing at 8pm.

The following excerpt from Manzini’s book, which was originally published as part of Mapping Social Design‘s Expert Workshop, offers an enticing preview of the innovative and deeply-considered ideas Manzini will address in his presentation at Art Center next week:

In the 21st century social innovation will be interwoven with design as both stimulus and objective, indeed it will stimulate design as much as technical innovation did in the 20th century. At the same time, it will be what a growing proportion of design activities will be seeking to achieve. In principle, design has all the potentialities to play a major role in triggering and supporting social change and therefore becoming design for social innovation. Today we are at the beginning of this journey and we still need a better understanding of the possibilities, the limits and the implications of this emerging design mode, but what is already clear is that design for social innovation is not a new discipline: it is simply one of the ways in which contemporary design is appearing. Therefore, what it requires is not so much a specific set of skills and methods, but a new culture, a new way of looking at the world and at what design can do with and for people living in it.

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The Williamson Gallery’s latest show, With Hidden Noise, features the work of eight sound artists

Thursday, February 26th, 2015
Installation view, With Hidden Noise Alyce de Roulet Williamson Gallery, Art Center College of Design Photo: Chuck Spangler

Installation view, With Hidden Noise
Alyce de Roulet Williamson Gallery, Art Center College of Design
Photo: Chuck Spangler

Sound is a fugitive object. We live in a muted cosmic universe – the big silence – where aural comprehension is confined to only certain molecule-rich atmospheres of planets supporting species of living things with an evolved ability to hear. We’re just damned lucky to be one of them—and even luckier to know of our own good fortune.

Without volume or mass (at least not the kind that succumbs to gravity) sound on Earth is weightless, fleeting and ephemeral—certainly not the solid we think of when contemplating the form of a physical thing. And yet sound is described in just those tangible terms, as having color, weight, body or texture. It isn’t that the material world just happens to offer us a robust set of analogies; it’s also because sound is, to our comprehension, very much like an object—a transient form of object, one that moves through time. Its shape, it might be said, is something we sense fourth-dimensionally.

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The pursuit of perfect sound: Eleven key takeaways from Daniel Sennheiser’s BOLD lecture

Wednesday, February 25th, 2015
Sennheiser CEO's Daniel Sennheiser (left) and Dr. Andreas Sennheiser.

Sennheiser CEO’s Daniel Sennheiser (left) and Dr. Andreas Sennheiser.

Last month, Art Center welcomed Sennheiser co-CEO and Product Design alumnus Daniel Sennheiser (BS 96) to Hillside Campus to inaugurate its BOLD Lecture Series.

Speaking to a group of students and alumni packed into the Los Angeles Times Auditorium, Sennheiser shared lessons he’s learned as a creative entrepreneur and gave a behind-the-scenes look at how he’s implementing a culture of design thinking into his family’s venerable audio company—a company whose many achievements include revolutionizing personal audio by creating the world’s first on-ear headphones in 1968—which this year celebrates its 70th anniversary.

Below are highlights from his presentation:

On failure: It’s very important in your life to have moments where you fail. Failure is part of the journey. You learn it everyday in school when you go through moments where you feel like you’re failing. I still fail at a lot of things, but I get back up. And ultimately, success is standing up once more than you fall.

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Designing for net-positive water: SoCal students take on turf, not surf

Monday, February 23rd, 2015
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Environmental Design student Katie Healey’s design proposal for removing turf and expanding outdoor spaces for dining and recreation on the east side of the Ellwood Building.

 

Turf removal.

Not exactly a siren call to emerging designers regularly invited to put their brilliant minds to work developing sports cars, wearable tech and high-end furniture.

Or so one might assume.

A handful of Art Center students defied that assumption, and many others, as they enthusiastically explored possibilities for transforming Hillside Campus into an Eden of eco-innovation during last Fall’s Sustainability Studio.

Linda Estrada, an administrator who manages Art Center’s programs fostering alternative transportation options for campus commuters and other sustainability initiatives, got the ball rolling when she saw an opportunity to participate in a City of Pasadena program offering cash incentives—two dollars per square foot—to replace thirsty green lawns with drought-resistant plants and hardscape.

“And up here,” says Estrada, at Art Center over 17 years, “we have nothing but grass.”

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