Posts Tagged ‘Graphic Design’

I’m with the brand: A scholarship recipient reaches Brandcamp’s high intensity half-way point

Thursday, July 24th, 2014
Brandcamp branding copy

Brandcamp branding copy

Going from high school to Art Center’s highly intense undergraduate degree program can be a challenge for even the most ambitious student. Recent high school graduate Sydney Li is bridging that transition by participating in Brandcamp, Saturday High’s four-week Summer Intensive focusing on Advertising and Graphic Design.

Thanks to scholarship support from the Richard and Jean Coyne Family Foundation, Sydney is able to pursue her classes without financial concern. She agreed to check in with us before, during and after Brandcamp to share her experience. This is our second conversation with her.

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Google designer Daniel C. Young cracks the code to less annoying, more delightful tech

Tuesday, July 22nd, 2014
harvest Harvest is Daniel C. Young's augmented reality mobile app for selective eaters

Harvest is Daniel C. Young’s augmented reality mobile app for selective eaters

As a visual interaction designer with Google Creative Lab, 2012 Graphic Design alum Daniel C. Young can’t talk about the specifics of his confidential work. Rather he describes it in general terms, as “product vision, a kind of subfield within both visual design and interaction design. We design interfaces for a vision of what, for example, Google might do five years from now. It’s somewhere between a real product, real digital product design and science fiction.”

Soon after graduating and completing an additional Art Center Honors Term, Young landed his new job with remarkable speed. This self-described simplicity evangelist found his calling. “Let’s just say it this way: I feel like I’m impacting the actual direction of where everyday computing might happen and how to make technology less annoying and more kind of delightful and fun and playful.”

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Graphics alum Rafael Esquer sees New York City as both canvas and muse

Monday, July 14th, 2014

When the New York City Department of Design and Construction approached Rafael Esquer’s Alfalfa Studio about creating a mural to improve the cafeteria of the LIFE Family Shelter in Lower Manhattan, Esquer embraced the opportunity to direct a project with social impact. Alfalfa invited the shelter’s clients to workshop their ideas and shape the conceptual and graphic direction of the piece. “The rewards of doing something that actually touches people’s lives is what makes the hundreds of hours of volunteer work worth it,” says Esquer, who has taught at Art Center, New York University and the School of Visual Arts.

Incorporating vibrant drawings of seasonal foods and children’s statements about their favorite activities and fantasy characters, the project has triggered new commissions for murals in the U.S. and abroad. But what is Esquer most excited about as his firm celebrates its 10th anniversary this year? “Having my own studio has allowed me to launch my own brand, Alfalfa New York,” he says. “It’s a project where I’m both client and designer.” Deeply in love with Manhattan, the Mexico native has created ICONYC, a graphic representation of the city researched and rendered over the course of more than two years, featuring 173 landmarks as diverse as the Chrysler Building and the Chelsea Hotel.

This story originally appeared in Art Center’s Spring 2014 Dot magazine, where you can read more about alumni and faculty achievements.

Art Center Business Club launches design networking tour through San Francisco’s most innovative design studios

Monday, June 16th, 2014

Screen Shot 2014-06-13 at 2.25.08 PMHailing Uber cabs, grabbing a cup of the Bay Area’s finest coffee, snapping photos of Fisherman’s Wharf and meeting with some of the biggest design consultancies on the West Coast—it’s all in a day’s work for the the members of Art Center Business Club.

This past May, 14 members of the Art Center Business Club (ACBC) packed up for a week of exciting studio tours in San Francisco– ten in all. The agenda included meetings with such consultancies as IDEO, frog design, inc., and NewDealDesign, as well as print and media companies like Chronicle Books and WIRED.

In a time of unprecedented competition for art and design jobs, students actively seek out studios and companies they can join to jumpstart their careers. Students participate in internships offering a deeper understanding of a particular company’s creative ethos and workflow without the commitment of a full-time job. However, internships are seasonal and require a significant time commitment in order to determine whether that particular organization is a good fit. This is where studio visits come in. They deliver valuable insights into working culture, company culture, company structures—all the things you don’t learn as a student searching a firm’s website. With this knowledge, applicants emerge more informed and prepared to face the professional world.

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Art Center pop-up studio opens doors at BIKINI BERLIN in the heart of City West

Monday, May 19th, 2014

Art Center's pop-up studio in BIKINI BERLIN

Over the past 12 years Art Center has built a rich track record of studio abroad projects in the German capital. What started out as an anarchistic design intervention squatting an abandoned drugstore back in 2003, has evolved into a robust educational program in the thriving urban environment of Berlin, sought after by students, faculty and alumni. The ensuing suite of semester-long transdisciplinary projects was co-created by Nik Hafermaas and David Mocarski, the department chairs of Graphic Design and Environmental Design respectively. Under the labels “Fresh Eyes Berlin” and later “Testlab Berlin,” the two majors plus the Illustration department have hosted more than ten projects combined.

Testlab Berlin projects use art and design strategies to envision how we will live in the future and are often sponsored by brands that are seeking genuinely fresh creative insights derived from first-hand cultural immersion in the multi-cultural laboratory that is Berlin.

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Graham Moore delivers a dose of DIY ingenuity in Saturday High classes and album cover art mosaics

Wednesday, April 30th, 2014
Saturday High and Art Center at Night instructor Graham Moore in his studio. Photo: Gregory Firlotte

Saturday High and Art Center at Night instructor Graham Moore. Photo: Gregory Firlotte

If you’ve been to the vinyl section of Amoeba Music in Hollywood lately, you’ve no doubt noticed a window display featuring cut up and reconfigured album covers by artists like The B-52s, Martin Denny and David Bowie.

That display was created by Saturday High and Art Center at Night instructor Graham Moore, a U.K.-born artist and graphic designer who studied at Wimbledon School of Art and East Ham College of Technology and came to the City of Angels via London. 

In addition to Amoeba Music, his other clients have included The Coffee Bean & Tea Leaf, Mazda and JCPenney. His work has been shown at several venues, including Modern Way in Palm Springs, Barnsdall Art Center in Hollywood, and La Luz de Jesus Gallery in Los Feliz, which included three of his latest works in its annual group show, Laluzapalooza.

Moore’s Inner Circle, featured on the cover of the latest Saturday High catalog, is a prime example of his ongoing “Redux” series, 12”x12” works in which he cuts up vintage album covers (mostly from the ‘60s) and reconfigures them into vibrant, often abstract arrangements.

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Gunwolf: The student-created transmedia comic about a shoe-gazing Yakuza hitman

Tuesday, March 25th, 2014

LAMAG.com recently published the following piece about a transmedia comic book collaboration between Art Center alums, Nick Ebeling BFA FILM 01 and A.P. Menzies BFA FILM 00. Please join us in thanking LAMAG  for graciously allowing us to deliver this inspiring story of creative ingenuity to your digital doorstep. 

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Of one minute wonders and sustainable paper planes: February’s Art Center alumni notes

Monday, March 17th, 2014
Hiroshi Sugimoto's design for for his museum complex in Odawara, Japan

Hiroshi Sugimoto’s design for for his museum complex in Odawara, Japan

From art installations inspired by NASA’S space oddities to a self-styled museum in Japan: Art Center alums have been busy in February. Read on for more details about last month’s alumni accomplishments, including Designmatters’ new alumni engagement efforts.

News

Dan Goods GRPK 02 was featured in a story on Yahoo News about his work at NASA’s Jet Propulsion Laboratory (JPL).  Yahoo

Satyendra Pakhalé PROD 94 discussed his design process and curiosity in a One Minute Wonder video. One Minute Wonder

Hiroshi Sugimoto PHOT 74 has announced plans to design and build a new museum for his work, the Odawara Art Foundation, which will be located in Odawara Japan. Wall Street Journal Blog

Jennie Warren PHOT 05 collaborated with Welsh singer Cate Le Bon and illustrator Erin Althea and on a series of promotional images for Cate’s upcoming tour. Erin Althea’s Blog

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Spacing out with NASA resident artist (and Art Center alum) Dan Goods

Friday, March 7th, 2014
Dan Goods drilled a hole in a grain of sand to illustrate the Milky Way's small size in relation to the universe

Dan Goods drilled a hole in a grain of sand to illustrate the Milky Way’s small size in relation to the universe

Rebecca Gross is a writer-editor for the National Endowment for the Arts.This article was provided to Live Science in partnership with the National Endowment for the Arts for Live Science’s Expert Voices: Op-Ed & Insights.

When Dan Goods was studying graphic design, he figured he’d probably end up at an ad agency or some sort of commercial corporation. But these days, he tackles bigger artistic concerns than choosing an appropriate typeface, layout and color. Much bigger. Like Jupiter-sized big.

For the past 10 years, Goods has worked as a visual strategist at NASA’s Jet Propulsion Laboratory (JPL) in Pasadena, Calif. He works to translate the technical, data-driven language of JPL’s missions into engaging, public-friendly works of art. When negotiating his position, the original idea was that Goods would create visualizations communicating JPL’s work. But the artist pushed back: He didn’t want people simply to see the universe; he wanted them to feel it.

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Alumni Spotlight: Erik Molano, social impact graphic designer

Tuesday, March 4th, 2014

3 catalysts

Erik’s story originally appeared as part of Desigmatters’ Alumni Spotlight series. Find out more about Art Center’s social impact design department, Designmatters.

Throughout my education, I had always been fascinated by the power of graphic design. It’s everywhere. In books, freeway signs, software applications, automobile dashboards, cereal box packaging, architectural wayfinding, maps, and so much more. The thoughtfulness and intention that goes into the communication we consume daily is so ubiquitous we sometimes forget that it’s carefully crafted by a worldwide community of graphic designers. Since I had become a part of this community, I challenged myself to find a place within it; to discover my full potential.

I began to ask myself, ‘What’s the most impact I can have as a designer? Is there more to design than just laying out images and text in a beautiful way? How does our work impact culture?’ After a few years of soul-searching, I found my answer lying within the world of social innovation, with many thanks to the following three catalysts.

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