Posts Tagged ‘Graphic Design’

Gunwolf: The student-created transmedia comic about a shoe-gazing Yakuza hitman

Tuesday, March 25th, 2014

LAMAG.com recently published the following piece about a transmedia comic book collaboration between Art Center alums, Nick Ebeling BFA FILM 01 and A.P. Menzies BFA FILM 00. Please join us in thanking LAMAG  for graciously allowing us to deliver this inspiring story of creative ingenuity to your digital doorstep. 

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Of one minute wonders and sustainable paper planes: February’s Art Center alumni notes

Monday, March 17th, 2014
Hiroshi Sugimoto's design for for his museum complex in Odawara, Japan

Hiroshi Sugimoto’s design for for his museum complex in Odawara, Japan

From art installations inspired by NASA’S space oddities to a self-styled museum in Japan: Art Center alums have been busy in February. Read on for more details about last month’s alumni accomplishments, including Designmatters’ new alumni engagement efforts.

News

Dan Goods GRPK 02 was featured in a story on Yahoo News about his work at NASA’s Jet Propulsion Laboratory (JPL).  Yahoo

Satyendra Pakhalé PROD 94 discussed his design process and curiosity in a One Minute Wonder video. One Minute Wonder

Hiroshi Sugimoto PHOT 74 has announced plans to design and build a new museum for his work, the Odawara Art Foundation, which will be located in Odawara Japan. Wall Street Journal Blog

Jennie Warren PHOT 05 collaborated with Welsh singer Cate Le Bon and illustrator Erin Althea and on a series of promotional images for Cate’s upcoming tour. Erin Althea’s Blog

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Spacing out with NASA resident artist (and Art Center alum) Dan Goods

Friday, March 7th, 2014
Dan Goods drilled a hole in a grain of sand to illustrate the Milky Way's small size in relation to the universe

Dan Goods drilled a hole in a grain of sand to illustrate the Milky Way’s small size in relation to the universe

Rebecca Gross is a writer-editor for the National Endowment for the Arts.This article was provided to Live Science in partnership with the National Endowment for the Arts for Live Science’s Expert Voices: Op-Ed & Insights.

When Dan Goods was studying graphic design, he figured he’d probably end up at an ad agency or some sort of commercial corporation. But these days, he tackles bigger artistic concerns than choosing an appropriate typeface, layout and color. Much bigger. Like Jupiter-sized big.

For the past 10 years, Goods has worked as a visual strategist at NASA’s Jet Propulsion Laboratory (JPL) in Pasadena, Calif. He works to translate the technical, data-driven language of JPL’s missions into engaging, public-friendly works of art. When negotiating his position, the original idea was that Goods would create visualizations communicating JPL’s work. But the artist pushed back: He didn’t want people simply to see the universe; he wanted them to feel it.

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Alumni Spotlight: Erik Molano, social impact graphic designer

Tuesday, March 4th, 2014

3 catalysts

Erik’s story originally appeared as part of Desigmatters’ Alumni Spotlight series. Find out more about Art Center’s social impact design department, Designmatters.

Throughout my education, I had always been fascinated by the power of graphic design. It’s everywhere. In books, freeway signs, software applications, automobile dashboards, cereal box packaging, architectural wayfinding, maps, and so much more. The thoughtfulness and intention that goes into the communication we consume daily is so ubiquitous we sometimes forget that it’s carefully crafted by a worldwide community of graphic designers. Since I had become a part of this community, I challenged myself to find a place within it; to discover my full potential.

I began to ask myself, ‘What’s the most impact I can have as a designer? Is there more to design than just laying out images and text in a beautiful way? How does our work impact culture?’ After a few years of soul-searching, I found my answer lying within the world of social innovation, with many thanks to the following three catalysts.

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Chatting with the creator and recipient of the Hoffmitz|Kondrup Excellence in Typography Award

Thursday, February 13th, 2014

Alex AristeiLike most dedicated Art Center instructors, Professor Gloria Kondrup (MFA ’93 Graphics/Packaging) is always looking for creative ways to encourage, inspire and support her students. In 2013, she and legendary Graphic Design instructor Professor Leah Hoffmitz Milken established the Hoffmitz|Kondrup Excellence in Typography Award. Created as part of their Legacy Circle membership with a gift from the Lowell Milken Family Foundation, the Award is given once each year to an upper-term Graphic Design student who demonstrates excellence in typography across all media.

We brought Kondrup and first-ever Award recipient Quinton Larson together to chat about the award and their love of typography.

Art Center:  Gloria, what was the motivation behind creating the Hoffmitz|Kondrup Excellence in Typography Award?

Gloria Kondrup: Leah and I share a love of type and language. As instructors we regularly saw students struggle financially to stay in school. The Award is a way to celebrate typography while providing meaningful financial support to a top Graphic Design student.

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Alumni Q&A with Microsoft design pioneer, Bill Flora

Thursday, January 23rd, 2014
Bill Flora photo by Alex Aristei.

Bill Flora on his recent visit to Art Center. Photo by Alex Aristei.

When Bill Flora arrived to his first day of work at Microsoft just over 20 years ago, as the ink was still drying on his Art Center degree, there were only seven designers working on staff at the company. At the time, Bill Gates’ thriving empire was the Goliath of the software industry. Products like Microsoft Word had become a brand synonymous with the service it provided, like Kleenex or Q-Tips. In essence, Microsoft sold itself — so design took a backseat to innovations in engineering.

Things have changed considerably since then. It’s no coincidence that design has become a prime mover at Microsoft, driving the development of its most high-profile software and hardware releases.  This shift occurred thanks in no small part to the contributions Flora made during his two-decade tenure at the company, which included work on a wide variety of products, from the Encarta Encyclopedia to the Windows Phone. His most lasting legacy at Microsoft, however, may lie within the set of design principles (now known as Microsoft Design Language), which he devised prior to leaving his post as design director in 2011 to launch his own interactive design firm, Tectonic.

During a recent trip to reconnect with his Art Center roots, Flora (BFA, 1991) took time out to chat with the Dotted Line about his career trajectory as a high-flying design evangelist in the tech world.

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Art Center’s first Myspace occupation concludes. Prepare for phase 2!

Wednesday, January 8th, 2014

We came. We saw. We influenced change as we learned to create.

Beginning last October, we enlisted four Art Center students to lead the charge in a week-long homepage takeover of the recently relaunched Myspace. The first-wave social network had reinvented itself as a community and breeding ground for artists and creative types of all stripes to exchange work, feedback and inspiration in the digital sphere. In other words, Myspace had become a sandbox custom-built for Art Center students and alums. And, as is our way, we came ready to play.

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Mirka Meyer: Designmatters alum addresses visual communication needs in humanitarian aid context

Tuesday, December 10th, 2013
Mirka Meyer

Kenya-based Designmatters alumna Mirka Meyer

Mirka Meyer started her career in 1995 as a graphic designer in New York. She has since built up a successful career as a communication and branding specialist for various corporations and agencies in New York, Los Angeles and Frankfurt. In 2002 she came to Berlin with Pentagram and shortly thereafter co-founded the branding agency ‘metorical’ as well as the gaming magazine [ple:]. In 2008 she redirected her professional career from the creative industries to the humanitarian sector, managing acute and chronic emergencies with Médecins Sans Frontières (MSF / Doctors without Borders) in the Central African Republic, Ethiopia, Haiti, Chad, DR Congo and South Sudan. Her current project brings her knowledge of visual communication together with the pressing practical communication needs of humanitarian emergencies in developing countries. Mirka received her BFA from Art Center College of Design in the year 2000, and currently lives in Nairobi, Kenya.

When people see my CV nowadays I usually get a few puzzled looks and definitely a few questions. It is neither the most common, nor the most obvious path that I have taken. But I have always strongly believed in “thinking outside the box.” I know that this belief has given me a very unique view of the world and very valuable insights into the importance of visual communication within the context of humanitarian emergencies.

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True confessions from Art Center at Night students, captured on video

Tuesday, November 19th, 2013

Each term, Art Center at Night holds an open house, offering current and prospective students a brief glimpse at what goes on within the walls of its open-air classrooms. It’s a fleeting, but essential, experience for career-changers and seasoned and aspiring artists preparing to make the leap into what’s arguably the city’s most high-intensity after-hours creative education. It’s also an opportunity likely missed by anyone with extended working hours or family obligations (i.e., those who need it most).

Don’t fret. We’ve got your back. At a recent open house, we asked students to get in front of the camera and share with us what Art Center’s continuing studies program has meant to them. The answers were as diverse as the individuals themselves. See for yourself in the video above.

Perhaps it’s time to contemplate what Art Center will mean to you.

Glow shines a light on cutting edge artist and designer Rebeca Mendez

Friday, September 27th, 2013
Rebeca Mendez brings her film, CircumSolar, Migration 1 to Glow

Rebeca Mendez brings her film, CircumSolar, Migration 1 to Glow

Tomorrow night, keep an eye out for a westward migration, as culture vultures flock to Glow, the dusk-till-dawn exhibit of immersive public art installations where the sea meets the sand in Santa Monica.

Those who do make it to the Burning Man-on-the-beach all-nighter will be poised to witness an extraordinary feat of long-distance migration on the 25-foot circular screen displaying CircumSolar, Migration 1, Rebeca Mendez‘ (GRAPHIC DESIGN’84; GRAD ART ’96 ) film which captures a small sea bird’s annual journey from the Arctic to Antarctic and back again.

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