Author Archives: Mike Winder

Graphic Design grad wins Student Leadership Award

“Art Center’s legacy rests in its community,” said Graphic Design graduate Adam Lopez, recipient of Art Center’s Student Leadership Award for the Fall 2012 term. “We learn and grow together. And when the time comes for us to move on, our ties to each other grow more important.”

Each term, Art Center presents the Student Leadership Award to a deserving student from the College. The award is a distinguished honor granted to a graduating student who exemplifies leadership qualities and accomplishments that stand out above their peers.

For Lopez, leadership boiled down to helping his peers and working together towards a higher goal. As a member of EcoCouncil, he grew the College’s community by helping bring the Art Center Food Garden to fruition. As founder of the Food Group, he organized fundraisers and cultivated friendships among strangers over shared meals.

Continue reading →

How ’90s dreams gave way to interaction design

Today is the last day of the Interaction Design Conference (IxD13) in Toronto, the sixth annual conference organized by the Interaction Design Association (IxDA), an international network dedicated to the professional practice of interaction design.

Earlier today, Jason Brush, executive vice president of creative at the Emmy and IDEA award-winning interactive marketing agency POSSIBLE, and the newest faculty member of Art Center’s recently created Interaction Design Department, gave a presentation at the conference titled The Dream of the 90s is Alive.

In the presentation, Brush reminded the audience that the early ’90s — “a time when Mark Zuckerberg was still in grade school, Steve Jobs had yet to return to Apple, and computers still had floppy drives” — was a time in which artists, filmmakers, authors and philosophers made the first technological forays into applications that drive global culture and communication today.

Continue reading →

Adding value to the world: Art Center at Night student Julienne Johnson

Artist Julienne Johnson in her North Hollywood studio. Photo courtesy of the artist.

“Her work impressed me with its own combination of raw confidence and formal strategy,” said art critic Peter Frank of artist Julienne Johnson. “She knows how to put together a painting, even as she puts herself right in the middle of its fabrication.”

Frank edited Johnson’s first art book Ashes for Beauty, which documents the artist’s collection of the same name, which was the subject of two solo exhibitions at Santa Monica’s TAG Gallery in 2010 and 2011.

Johnson has taken several courses at Art Center at Night over the past few years and she credits the College’s continuing studies program with dramatically changing her work as well as her approach.

“I learned that the making of art is of great value to the world,” said Johnson. “I already knew how immensely important it was to me, but it was through Art Center that I felt empowered to proclaim it boldly.”

Continue reading →

Forty years of making fine art matter: Ramone Muñoz chats with outgoing Fine Art Chair Laurence Dreiband

Fine Art Chair Laurence Dreiband (L) and instructor Ramone Muñoz. Photo: Chuck Spangler

After more than four decades of service to Art Center, Laurence Dreiband, chair of the College’s undergraduate Fine Art Department will be retiring at the end of this month.

Dreiband leaves the College with an impressive roster of accomplishments: a robust program with increasing enrollment and plans for future growth; an impressive list of distinguished faculty and alumni; plans for Artmatters, a new area of emphases in public art and social engagement; and, most significantly, a dedication to the importance of the fine arts in the life of the College and of the culture at large.

To mark the occasion, Art Center alumnus, instructor and former chair of Foundation Studies Ramone Muñoz recently sat down with Dreiband to discuss the outgoing chair’s legacy, their beginnings at the College’s Third Street campus, and what the future holds.

Continue reading →

UPDATED: Alum’s prosthetic named Dyson Award runner-up

A prosthetic socket designed to be adjustable, robust and affordable designed by Benevolent Technologies for Health (BETH) was named one of two international runner-ups for the prestigious James Dyson Award.

Product Design alumnus Jason Hill is part of the BETH Project team, which also includes Elizabeth Tsai, an MIT student pursuing her master of science degree, Ramin Abrishamian, an MIT alumnus and businessman, and Asa Hammond, who is earning a degree in physiological science at UCLA.

The BETH Project’s website says its launch product “will bring significant cost savings to the multi-million dollar prosthetic care industry that struggles to meet the needs of low income patients especially in developing countries.”

The team also says that by being made from an infinitely re-moldable material, its mass-producible socket device will cut prosthetic care costs by reducing or eliminating labor intensive procedures like fitting, fabrication, adjustment and re-fabrication.

Continue reading →

Designmatters UNFPA campaign wins top Spark Award


This past spring, students in a Graphic Design Department-hosted Designmatters studio were challenged to create an integrated campaign for the United Nations Population Fund (UNFPA) to advocate for young people’s rights to health, education, protection, respect and participation in decision-making for their future.

Not only did the students meet that challenge with aplomb with “We Are Youth,” their campaign which premiered this past summer at Rio+20, the United Nations Conference on Sustainable Development in Rio de Janeiro, but now their work has also won a top honor at the annual Spark Design Awards.

The “We Are Youth” campaign—designed by students Pamela Abolian, Brett Beynon, Kenneth Chan, Andrew Chen, Lisa Chen, Ka Kit Cheong, Daniel Choi, Il Chan Chun, Heather Grates, Crystal Kim, Kevin Lam, Esther Park, Jerod Rivera, Lamson To and Hyunsun Yoo—won the Spark Awards’ highest honor, the Spark!, in the competition’s Communications student category.

Continue reading →

Production Designer, alum Patrick Hanenberger behind ‘Rise of the Guardians’ look and feel

Even if you’ve missed all the great stories in the Los Angeles Times, The New York Times and Entertainment Weekly, you’ve no doubt heard that DreamWorks Animation’s latest film Rise of the Guardians—which takes childhood fantasy figures like Santa Claus, the Tooth Fairy and the Easter Bunny and reimagines them as mythological heroes in an epic fantasy adventure—comes out in theaters Wednesday, Nov. 21.

And right in the middle of all that legendary action is the film’s production designer, Art Center’s own Patrick Hanenberger, who graduated from the College in 2003 with a degree in Transportation Design and is currently teaching a Visual Communication course.

We recently caught up with Hanenberger to ask him about his role in Guardians, how he ended up working in animation and which lessons from Art Center have stuck with him.

Dotted Line: First of all, how did you go from being a Transportation Design student to a production designer for animated films?

Patrick Hanenberger: I studied Transportation Design at Art Center and it taught me problem solving, 3D modeling, sculpting, sketching, designing around the human figure, rendering, research and most importantly presentation. These are all skills I use on a daily basis and are universal in any kind of design field. I always knew I wanted to work in movies and animated movies are great for designers since every single little detail needs to be designed and modeled. During Art Center I developed my portfolio to be very content based, which meant I always designed my vehicles for a specific story. After graduation I got a job as a visual development artist and from there on over the last eight years worked my way up to become production designer.

Continue reading →

Graphic Design student wins Adobe Design Achievement Award

Recent graduate Jeff Han GRPH 11 (top) and current Graphic Design student Jerod Rivera represented Art Center at last week's Adobe Design Achievement Awards.

Recent Graphic Design graduate Jeff Han GRPH 11 walked away a winner at last week’s 12th annual Adobe Design Achievement Awards.

The event, which was held at the DesignThinkers 2012 conference in Toronto, honored students and educators whose winning projects were selected from 41 finalists out of nearly 5,000 total entries from 70 countries.

Han’s museum re-branding project for the fictional Contemporary Museum of Architecture (COMA), which he created as a seventh term student in instructor Brad Bartlett’s Transmedia course, won the award in the the Print Communications category.

“I’ve always had a very strong interest in architecture,” said Han of his winning design, which utilized a typographic solution inspired by the generative creation of forms in contemporary architecture. Part of the rebranding project included creating a series of posters promoting an (also fictional) exhibition by Greg Lynn, an architect whom Han lists as a creative inspiration.

Continue reading →

Goodwill and Art Center embrace the upcycle lifestyle

Art Center students, faculty and representatives from Goodwill of Orange County. Photo: Chuck Spangler

Last term, more than a dozen Art Center students in Goodwill: Upcycle Lifestyle—a transdisciplinary Designmatters studio led by the Environmental Design department—spent their summer redesigning the spatial experience for Goodwill of Orange County’s retail stores, with an eye towards social responsibility, environmental awareness and making a positive impact on the community.

The students’ challenge was two-fold:

First, they were assigned to use recycled materials—wood, computer parts, textiles and more, all of which were found in Goodwill’s stores, recycling, salvage and processing areas—to create a visual and tactile experience for shoppers that reflects Goodwill’s reuse and repurpose model. Hence, the name of the course: Upcycle Lifestyle.

Second, the students were tasked with leveraging Goodwill’s community-strengthening programs. Beyond offering guilt-free shopping opportunities (and bargains!) to consumers, the non-profit organization’s stores and donation sites also serve as training grounds to provide supportive work experience and on-the-job training.

Throughout the three-month project, the students gained experience in re-branding, upcycling, budgeting, repurposing, practical design applications and a deeper appreciation of Goodwill’s mission services.

Following multiple visits to Orange County Goodwill stores, the students split into five separate teams, developed concept drawings and materials studies, which culminated in a final in which they presented design boards, models, mock-ups and full-scale constructs to representatives from Goodwill.

How did they do? Visit the project’s page on the Designmatters website to find out.

Related:
Designmatters’ Safe Agua Peru wins Tech Award
WATCH: Art Center President Lorne Buchman talks conscious design
Designmatters Students Create Furniture for India’s Low Income Housing Residents

Designer Simon Johnston on Factory Records, Q-Tips, lawyers, self-destructing magazines

Simon Johnston with his work "Investigation" at the "PAGES" exhibition opening. Photo: Chuck Spangler

Students recently packed an overflowing Los Angeles Times auditorium for 3×3*: Type Guys, an event that featured three presentations and a lively Q&A with three individuals that have crafted the way we see, understand and interact with typography.

Previously we shared highlights Kyle Cooper‘s and Jeremy Mende‘s presentations. Today we focus on Art Center’s own Simon Johnston.

Johnston was educated at Bath Academy of Art in England and the Kunstgewerbeschule, Basel, Switzerland. In England he founded the design practice 8vo, as well as the influential typographic journal Octavo. Since relocating to Los Angeles in 1989, he has run his own design office, Simon Johnston Design, with a particular emphasis on typography, especially book and catalog work for museums and galleries.

Johnston has taught typography and design at Art Center for 20 years. He is currently faculty director of the print area of emphasis in the Graphic Design department. In addition to his teaching and design practice, he works on his own art and photography projects.

At the event, Johnston touched on a variety of topics, including the importance of typography, working with some of his idols and the minefield of registered trademarks.

Here are just a few of the highlights:

On typography:
There’s an old joke: It’s the scene of an accident, a crowd is gathered around an injured person, and from the back of the crowd a voice is heard, “Let me through! I’m a typographer!” Typography may not be a matter of life and death, but as visible language, it is the key means through which we communicate as a society, and as such it’s the spine that runs through the body of graphic design practice.

Continue reading →