Category Archives: Administrative

Longtime library leader enters retirement with a loving send-off — and a stack of 19th century novels

Galloway_retirement_teaparty_6-11-13_-2281

Betsy Galloway embraces a well-wisher during her retirement party in the Art Center Library. Photo by Chuck Spangler.

Friends and colleagues old and new gathered together for an Alice in Wonderland-inspired tea party to celebrate Betsy Galloway’s 35 years of devoted service and commitment to Art Center and its students. Betsy’s retirement from her position as Vice President, Library, was announced in mid-May, and her farewell party took place in the Library June 11.

“Through Betsy’s leadership and management of the Library and her collaboration with her remarkable staff, she has ensured that the Library is a professional and social community resource that enhances the rich and full educational content that the College offers,” said Provost Fred Fehlau. “She has made significant contributions throughout her tenure in her management of the Library and its other resources, including our institutional Archives, which have served thousands of students and researchers.”

Outreach activities spearheaded by Betsy have included information events and guest speakers that benefit the entire college community. She also played a key role in Art Center’s co-hosting the Art Libraries Society of North America’s international conference in Pasadena in April. During her long tenure, she oversaw the introduction of the Library’s mobile application, international student research tutorials, use of social media, video tutorials for remote learning, and library orientation programs. She credits her colleagues with innovations such as a unique and growing collection of zines, which are typically self-published and usually impossible to find in bookstores and libraries.

Continue reading

Art Center Trustee Charles Floyd Johnson Honored for Creative Vision by Liberty Hill Foundation

Producer, filmmaker and Art Center Trustee Charles Floyd Johnson, who has produced television shows such as NCIS; JAG and Magnum, P.I., was honored with Liberty Hill’s 2013 Creative Vision Award at the Upton Sinclair Dinner and Awards Celebration on April 23, 2013 at the Beverly Hilton in Beverly Hills.

Charles F. Johnson with Liberty Hill Executive Director Shane Goldsmith and board member Professor Ange-Marie Hancock, a Liberty Hill Board member.

Trustee Charles Floyd Johnson with Liberty Hill Executive Director Shane Goldsmith (left) and Professor Ange-Marie Hancock, a Liberty Hill Board member.

Throughout his career, Johnson has strived to create equal and balanced opportunities for minorities in the entertainment industry. While studying law at Howard University in the late 1960s, he was active in marches and protests during the Civil Rights Movement. In 1971, he attended the Professional Theater Workshop in Hollywood, then found work in the mail room at Universal Studios before being promoted to the Business Affairs Department.

While growing up he was fascinated by stories his father told him about the Tuskegee Airmen. Johnson worked for more than 20 years to bring the story of African-American fighter pilots to the big screen. Alongside executive producer George Lucas, he produced the 2012 movie Red Tails, which won the NAACP Image Award for Best Picture.

“These young men were not encouraged to fly for their country,” said Johnson. “But they triumphed over adversity. These were men who fought racism…they did it successfully and they were heroes, not victims.”

Liberty Hill is dedicated to advancing social change through grants, campaigns and leadership training by investing in community organizers who help bring equality and opportunity to Los Angeles.

Related:

Summer 2013 Orientation Week Welcomes New Students

This week, Art Center officially welcomes the Summer 2013 incoming class with a week of orientation activities organized by the College’s Center for the Student Experience.

Art Center students in the classroom

Art Center students sketch in Justine Parish’s Costume Design course.

“An effective orientation program for new college students is a critical component of student success,” says Dean of Students Jeffrey Hoffman. “When students feel connected, understand college culture and expectations, and get off to a good start in their classes, they are more likely to get the most out of their learning experience, to graduate, and thus realize their professional goals.”

Here’s the lineup of what’s to come to help new students maximize their education—both in and out of the classroom.

Tuesday, May 7

8:30–9 a.m.: New student orientation check in.

9–9:30 a.m.: Dean of Students Jeffrey Hoffman and Kit Baron, Senior Vice President, Admissions welcome new students.

9:45 a.m.–noon: Tour the campus and have lunch with peer mentors (12–1:30 p.m.).

1:30–3 p.m. or 3:30–5 p.m.: Undergraduate students have the option of taking digital waiver tests.

2–5:30 p.m.: Graduate student orientation and course selections.

Wednesday, May 8

8:30 a.m.–12:30 p.m.: International student orientation. Assistant Director for International Student Advising and Programming Jeonghan Ryu and Coordinator for Intercultural and Diversity Programming Milyn Villareal welcome new international students.

10:15–11:45 a.m.: Financial literacy seminar for domestic students receiving state and federal aid with Financial Aid Associate Director Allison Lee.

12:45–4:35 p.m.: A round of sessions for all students to learn about campus sustainability, health insurance, the library, alumni relations and more.

Thursday, May 9

9:30–10:15 a.m.: Information on campus technology and equipment insurance, followed by tips on managing class schedules and academic progress.

10:15–11 a.m.: A lesson on the infamous Art Center critique, the culture of critique, researching as a resource for inspiration, and interpreting objects and images.

11 a.m.–4:15 p.m.: Students tour the James Lemont Fogg Memorial Library, take care of administrative business (ID cards, parking information, course logins) and partake in special peer mentor activity. Bring new student information form and vehicle registration.

Friday, May 10

8 a.m.–noon: Parents, spouses, partners and other family members are invited to an informal breakfast followed by campus tours and orientation.

11:30 a.m.–2:30 p.m.: Students lunch with their department chairs, followed by a departmental orientation.

Reminder: Classes officially begin Saturday, May 11.

Welcome to Art Center College of Design, and we wish everyone a happy start to the term!


$1 Million Parsons Foundation Grant Supports Art Center’s South Campus Expansion

“Helping to create the best possible Los Angeles”

People gather at South Campus for an evening exhibition.

The planned expansion of Art Center College of Design’s South Campus recently received a significant endorsement when the College was awarded a grant of $1 million from The Ralph M. Parsons Foundation.

The grant, which will be used to defray the cost of the 2012 purchase of a former U.S. Postal Service property at 950 South Raymond in Pasadena, will enable the College to extend its educational reach and resources while invigorating art and design education. The expanded South Campus is expected to be ready for use by students and faculty by September, in time for the beginning of the 2013–2014 academic year.

Continue reading

Trustee’s ‘Red Tails’ nominated for NAACP Image awards

The action-adventure World War II film “Red Tails” was nominated for two NAACP Image Awards for outstanding motion picture and outstanding writing in a motion picture.

The high-flying feature, produced by George Lucas and Art Center Trustee Charles Floyd Johnson, was inspired by the heroics of Tuskeegee Airmen, America’s first all African-American aerial unit.

The film spent 23 years in development before premiering on the silver screen, and went on to earn $58 million at the box office.

“It’s a story that has resonance with a lot of people,” Johnson recently told Dotted Line. “These young men were not encouraged to fly for their country … but they triumphed over adversity” at home and abroad.

Continue reading

Forty years of making fine art matter: Ramone Muñoz chats with outgoing Fine Art Chair Laurence Dreiband

Fine Art Chair Laurence Dreiband (L) and instructor Ramone Muñoz. Photo: Chuck Spangler

After more than four decades of service to Art Center, Laurence Dreiband, chair of the College’s undergraduate Fine Art Department will be retiring at the end of this month.

Dreiband leaves the College with an impressive roster of accomplishments: a robust program with increasing enrollment and plans for future growth; an impressive list of distinguished faculty and alumni; plans for Artmatters, a new area of emphases in public art and social engagement; and, most significantly, a dedication to the importance of the fine arts in the life of the College and of the culture at large.

To mark the occasion, Art Center alumnus, instructor and former chair of Foundation Studies Ramone Muñoz recently sat down with Dreiband to discuss the outgoing chair’s legacy, their beginnings at the College’s Third Street campus, and what the future holds.

Continue reading

Art Center Announces Acquisition of New Property and Partnership With Michael Maltzan Architecture

Art Center College of Design will expand its educational reach and resources with the acquisition of a former U.S. Postal Service property in Pasadena, Art Center President Dr. Lorne M. Buchman announced today. The purchase of the vacant property was made possible through gifts from alumni. President Buchman further announced that the College has selected award-winning firm Michael Maltzan Architecture as its partner in fulfilling and expanding its academic plan through the re-imagining of existing spaces, and the forward-looking design of new ones, at both of the College’s campuses.

Dr. Buchman said, “This is a pivotal moment not only in Art Center’s history, but in art and design education, given the growing impact of the creative professions on the economy and on our world. This new property enables expansion and development of our programs and infrastructure and enhances our capacity for teaching, learning, creating and collaborating to ensure that we are able to fulfill our mission to educate students, now and into the future.

“The overwhelming support of alumni for this acquisition signals their commitment to future generations of Art Center students. They want these students to have access to the same opportunities they had—opportunities afforded by rigorous, professional instruction in a supportive, creative, cutting-edge environment,” Dr. Buchman continued.

Art Center Board of Trustees Chair Robert C. Davidson, Jr., added, “The availability of the property adjacent to the College’s South Campus was serendipitous, and it came on the market just as we finalized our strategic plan. The Board and I are exceedingly proud to be part of setting the vision for Art Center and its leadership at this time of transformation. Thanks to thoughtful planning and the generosity of our alumni, the College now renews its commitment to providing the finest education for our students. Further, we are poised to expand to meet future challenges and even higher standards of excellence.”

South Campus Aerial View

Existing South Campus property at 950 S. Raymond, outlined in blue, and new property at 870-888 S. Raymond, outlined in red.

George Falardeau, Sr. Vice President of Real Estate and Operations for Art Center, stated that the new property is at 870-888 S. Raymond Avenue in Pasadena, immediately adjacent to the College’s existing South Campus at 950 S. Raymond. The acquisition will allow the College to create three centers of learning—an expanded South Campus, a renovated Hillside Campus (1700 Lida Street, Pasadena) and a virtual campus—each optimized for the particular needs of promising artists and designers, while at the same time fostering new collaborations among disciplines. This expansion also includes opportunities to strengthen engagement with and connection to diverse communities because of the proximity of South Campus to public transportation and the continued presence of Art Center’s Public Programs at that location.

Commenting on the selection of Michael Maltzan Architecture for the project, Dr. Buchman said, “Following an intensive, year-long process, Michael emerged as the best partner for Art Center as voiced by our students, faculty and alumni, especially given his deep understanding of the way artists and designers learn, think and make. We couldn’t be more enthusiastic to have him on board to fulfill our vision for tomorrow’s classrooms and studio spaces.”

Michael Maltzan added, “Art Center’s continued leadership in art and design education comes from the culture of innovation and inspiration that thrives there. An important part of that legacy is the innovative and useful architecture that the school has built over the years to help foster and sustain that culture. It is enormously exciting to be able to participate with Art Center in developing buildings and spaces that will continue to capture the spirit of the school, provide for changing and emerging programs and help imagine its future.”

Art Center alumni responded to the possible expansion in an unprecedented manner, donating $5 million for the acquisition of the new property. Significant gifts include three, seven-figure irrevocable bequests, one made by Art Center alumnus and award-winning environmental designer Richard Law (Graduate Industrial Design ’58). Another gift was from Art Center alumnus and kinetic sculptor Steven Rieman (Product Design ‘74) and his wife, Ruth, and a third was from Art Center alumnus Bruce Heavin (Illustration ’93) and his wife, former Art Center faculty member Lynda Weinman, owners of the innovative online learning company, lynda.com.

“This is exactly what Art Center should be doing,” Mr. Law said. “The property, in an urban environment on the edge of Old Pasadena where all the action is, as well as public transit, is a great example of renewing older areas, creating a vital, energetic place.  In today’s culture, this is exactly how a campus should be.”

“We aren’t as interested in a new building as we are in the education inside that building, and in recognizing the excellence of Art Center students and the critical importance and impact of what they do,” the Riemans said of their bequest. “The type of work that could happen there, such as full-scale prototyping, is just one way students would benefit. It’s clear to us that Art Center is serious about broadening students’ opportunities and experience by embracing new technologies and new ways of collaborating and creating in new spaces.”

Mr. Heavin said, “When I first visited the property, I immediately saw a great natural extension of the South Campus that would accommodate students’ educational needs.”

Ms. Weinman added, “As a former faculty member, it has been great to reconnect with Art Center’s high standard of excellence and quality and to commit to upholding it through thoughtful expansion.”

The College’s expansion plans are in direct response to Create Change, a five-year strategic plan that reflects the collective vision of the entire Art Center community in shaping the College’s core values into a new model for art and design education in the 21st century. The plan identifies Art Center’s “conservatory” approach to education, wherein students undergo intense and practical career preparation guided by expert faculty, and the role that rich intercultural and transdisciplinary collaborations play in providing students a contextual understanding of the world around them. The plan identifies the need to enhance and improve its physical spaces and educational technologies in order to foster and extend such collaboration.

Happy Holidays from Art Center!


Happy Holidays from Art Center! We hope you have a happy and safe holiday season. Check out our beautiful holiday greeting, designed by Graphic Design students Jason Yeh and Nadia Tzuo.

For Art Center, 2011 will be a pivotal year, culminating in a year’s worth of preparation and resolve. Under the leadership of our president Lorne Buchman, and in conjunction with our 80th anniversary, the Art Center community came together this year to envision what our future will look like. Early next year, we will unveil the College’s new strategic plan, building on a long tradition of preparing art and design students to become leaders in their chosen fields.

We hope you will join us as we embark upon the next 80 years.

Our campus and administrative offices will be closed beginning Dec. 23 and will reopen Jan. 3. Happy Holidays!

All Roads Lead Back to Art Center

Photo © 2010 Art Center College of Design/Chris Hatcher

Alumnus and Trustee Doug Boyd has spent time across the map: he was born in Canada, went to high school in Phoenix, moved to Los Angeles to study Transportation Design at Art Center, then to Detroit for work. But he found himself returning to Southern California—the warm climate and creative energy drew him back. More than a decade after graduating from the College, he found it calling as well, and became reconnected with his alma mater and fellow alumni.

The founder and president of integrated marketing firm Boyd Communications, he was recently appointed to the Art Center Board of Trustees. We sat down with him to find out a little more about our new Board member.

Dotted Line: Any fond memories that you’d like to share about your time at Art Center?
Doug Boyd:
How much time do you have? There are so many. The classes I had with Strother MacMinn are memorable to this day. Fine art instructor Lorser Feitelson had some of the most remarkable people stop by his Saturday morning classes. One morning, we came in and Edward G. Robinson was standing there smoking a cigarette in the auditorium with Lorser. They were talking about having lunch with Picasso in Paris, and all the affairs he was having with women. It was fantastic! I have countless memories like this.

Dotted Line: Have you remained active with the College over the years?
Boyd:
I have, since returning to Southern California. I’ve been actively involved with alumni groups over the years. Occasionally I’ve helped instructors, coming in to a class and giving special assignments, or sometimes just sitting in on a class and observing. I love being involved and I love being around the students. Their creative energy is contagious.

Click here for a video interview with Doug Boyd

Dotted Line: You’ve witnessed the evolution of the College over the decades first-hand. How is it different from when you were a student?
Boyd:
The differences from when I was a student at the campus on Third Street are extraordinary and quite significant. The world has also changed a great deal–students that were in the school then had a much smaller world to deal with. As the Board, College administration, faculty and alumni look at how to prepare our students for tomorrow, we realize that the world is much more complex, and far more demanding. Therefore, it’s the responsibility of the school to provide an environment and instruction and vision for students to thrive in this new world. 

Continue reading

Who Will Take on Craig Ellwood?

Photo © Steven A. Heller/Art Center College of Design

More than three decades ago, Craig Ellwood Associates designed a building for the College’s new Hillside Campus nestled in the San Rafael Hills overlooking the Rose Bowl. The 200,000-square-foot modernist steel-and-glass slab soon became an Art Center icon and a Pasadena historic landmark.

A lot has changed since we originally moved here, including the way we teach and the resources our students need. At 35 years old, the Ellwood building is in need of a few changes and renovations, and we’re looking at architecture firms for the job.

The renovation will encompass not only the classroom structure of the building, but also make important seismic upgrades. We’ll be looking at issues of sustainability and access as well.

Our search for an architecture firm parallels the College’s strategic planning process, which has engaged students, faculty, staff, alumni, trustees and members of the community in a meaningful dialogue about the future of art and design education. The strategic plan focuses on critical issues related to curriculum and pedagogy, governance and diversity, and facilities and technology—some of which will be addressed in the renovation.

“Art Center is looking forward to getting to know each of these firms as we look for the best fit for this project, our culture, our mission and our strategic plan,” said Art Center’s Senior Vice President of Real Estate and Operations George Falardeau.

The finalist firms include:

Art Center will announce the chosen firm early next year. And that’s just the beginning! The strategic plan and selected firm will inform Art Center’s Master Plan with lots of discussion between the College, our neighbors and city officials before anything is set in stone (or glass and steel). Stay tuned!

For more details, our friends at A/N Blog first reported the story: Exclusive: Art Center Renovation Shortlist