Category Archives: General Interest

Aquatopia: Rolling in the deep with Grad Art alumna Jennifer West

"Heavy Metal Sharks Calming Jaws Reversal Film" (2011) by Jennifer West. Super 8 print transferred to hi definition video with sound.

“Heavy Metal Sharks Calming Jaws Reversal Film” (2011) by Jennifer West. Super 8 print transferred to hi definition video with sound.

With 90 percent of the earth’s oceans yet to be explored, “the deep” is and has always been a place of mystery, fear, desire—and wild imagination. One Art Center alum who’s creatively plumbed this furtive, fertile territory is Jennifer West ’04 (Graduate Fine Art). Her recent multimedia work, “Heavy Metal Sharks Calming Jaws Reversal Film” (2011) is featured in Aquatopia: The Imaginary of the Ocean Deep, a major exhibition that opened this past weekend at the Nottingham Contemporary in Nottingham, England, continuing through September 22.

Bringing together more than 150 contemporary and historic artworks, Aquatopia explores how “the deep” has been imagined through time and across cultures. Sea monsters, sirens, sperm whales, giant squids, octopi, submarines, drowned sailors and shipwrecks are all portrayed. In a show that includes iconic works by JMW Turner, Odilon Redon, Hokusai, Barbara Hepworth and Oskar Kokoschka, West finds herself in prestigious company.

West is known for her digitized films that are made by hand-manipulating film celluloid, and the description of materials and processes she used to create “Heavy Metal Sharks Calming Jaws Reversal Film” tells a story in itself: “Faded pink super 8 film print — library copy of select scenes from “Jaws” — from Lorain, Ohio public library — treated with black fabric dye enriched with heavy metals: iron and zinc vitamins, celluloid grated with stone, whipped with hair headbanging, impressed with thumb and pink prints devil ears. Super 8 print transferred to hi definition video with sound.” Total running time: 6 minutes, 47 seconds.

In reviewing a previous show of the artist’s work, Wendy Vogel noted on Artforum.com, “Like her experimental predecessors, West forgoes narrative cohesion in favor of creating jumpy cuts and abstract visual collages — splicing, rolling, and drenching the celluloid using materials from Mylar tape to pickle juice, whiskey to candle smoke.” Writing on West’s work in Frieze, Joanna Kleinberg observed how “the intermingling of materiality, feeling and identity creates a wild blend of synaesthetic experience wherein the substances of life literally and figuratively colour the film.”

Born in Topanga, Calif., West lives and works in Los Angeles. Before earning her MFA at Art Center, she received a BFA from Evergreen State College in Olympia, Wash. She has had solo exhibitions in museums and galleries in Europe, Asia and the U.S., and has done commissioned projects for exhibitions at MIT’s List Visual Arts Center, the Aspen Art Museum and the Tate Modern. West also creates “zines” — DIY photo booklets of production stills of the making of her films — in conjunction with her exhibitions.

Curated by Alex Farquharson, Aquatopia is a collaboration with Tate St Ives in Cornwall, where it will be on view from October 2013 to January 2014.

“Like” Jennifer’s film on Facebook!

Nap Stars: Art center students rally around a dedicated sleep space

Nap time for Isaac Oaks

Nap time for Isaac Oaks

In addition to the beautiful illustrations and sleek looking car models adorning the halls at Art Centers’ Hillside Campus, there’s an intriguing installation viewable to students and visitors alike. In the library, on couches in the hallway and on top of most any flat surface available: students can be found splayed out catching some shut-eye, desperate for a place to rest their head during the long demanding days and weeks of the term.

Rumors and horror stories flood new students, with tales of students who crashed their cars and somehow walked away unharmed (i.e.’How funny it is that so-and-so hurt themselves while building a model?’) and how people in authority positions support and contribute to this propaganda of self-denial. As the student population diversifies in age and life experience it is clear that additional co-curricular and non-curricular structures are necessary to continue producing top-notch designers and artists.

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From Breaking Bad to Modern Family: 2013′s Emmy noms confirm TV’s at the top of its game

Aaron Paul and Bryan Cranston in Breaking Bad

Aaron Paul and Bryan Cranston in Breaking Bad

I write this day before the Emmy nominations are announced. As a member of the TV Academy I vote for the Primetime Emmys; and for several years now it’s been hard to choose a favorite in each category.  This year in particular has had an embarrassment of riches when it comes to outstanding TV.

Rather than try to predict the nominees (to be announced tomorrow) or the winners (revealed during the live broadcast on September 22), here is a very subjective list of can’t-miss current series. I am also including some guilty-pleasure shows I’ve been known to watch, none of which run the risk of getting an Emmy nomination.

Sometimes I come late to a series that has already become a phenomenon (24). Or I’ll skip it all together (Lost.)  I mention this to explain why I am the last person on the planet not to be caught up in Game of Thrones mania.  I watched the first episode and didn’t find a good reason to come back to that world or those characters.  But everyone tells me it grows on you, so I will catch up one of these days.

Another reason I’m not actively seeking another series to watch is that there are so many great ones that I’m hooked on already.

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Art Center in the News, May/June 2013

Environmental Design student Jonathan Wook Kim with his new design “Remix” as seen in the Los Angeles Times coverage of the International Contemporary Furniture Fair and New York Design Week.

From the launch of Art Center’s The Design Accelerator to showcasing new chair designs at the top industry confab in New York, from Grand Theft Auto to anti-gun violence campaigns — here’s where you can catch up on any news you may have missed with our latest media roundup.

Bloomberg Businessweek, “Want to Build the Next Pinterest? Focus on Great Design,” June 26, 2013: Art Center partners with Caltech and teams up with Idealab to develop design-driven startups.

Huffington Post, “Entrepreneurship Driven by Design,” May 29, 2013

Bunch Magazine, June 2013: Interview with Grad Art shop instructor and alumnus Zack Stadel (GART 04).

Brand Republic, June 20, 2013: Student Gevorg Karensky’s short, Grand Theft Auto: RISE, selected for Saatchi & Saatchi’s New Director’s Showcase.

GOOD Magazine, “Reducing Gun Violence, One Middle School Class at a Time,”June 19, 2013

KCRW DnA: Design and Architecture, June 18, 2013: Designmatters’ Mariana Amatullo and Elisa Ruffino are featured in the first segment of the program about the Uncool Anti-Gun Violence initiative.

KCET Artbound, June 11, 2013: Art Center, JPL and Caltech present symposium on the emerging field of data visualization.

Los Angeles Times, “ICFF 2013 and New York Design Week: Top trends in home décor,” May 24, 2013: Environmental Design students Jonathan Wook Kim and Zara Vardayan are featured in this story about furniture companies which premiered their newest designs at the International Contemporary Furniture Fair and New York Design Week. Chairs designed by both students through the Art Center Bernhardt Design partnership are shown in a roundup of designs and trends spotted during the show.

For the latest Art Center news, follow us on Twitter at @art_center.

Form follows fungus at the Williamson Gallery’s Intimate Science exhibit

Philip Ross’s "Mycotecture" series, part of the Williamson Gallery's "Intimate Science" exhibition.

Philip Ross’s “Mycotecture” series, part of the Williamson Gallery’s “Intimate Science” exhibition.

Bricks. You know, those hard rectangular cubes made of heavy solid stuff like cement, stone, concrete, rock . . . and fungus. Yes, fungus. Clean, lightweight, extremely durable, sustainable, (dead) fungus. There’s a sculpture made of those fungal bricks shaped into a half-arc tunnel – not to mention two fungus-grown chairs –  on display in the Williamson Gallery’s current exhibitionIntimate Science (through August 18).

Known for its curatorial connections to the burgeoning ArtScience movement, the Williamson Gallery’s recent projects have extended this theme to include artists who are productively reckless when considering the boundaries between traditional domains. Stitching together performance, installation art, design, citizen science, and maker-ingenuity into a complex fabric of artistic practice, ArtScience artists are challenging older single-channel paradigms.

Originally organized by curator Andrea Grover for Carnegie Mellon University’s Miller Gallery and now on a national tour, Intimate Science includes a compelling assemblage of crossover objects and intentions. The exhibition’s stop at the hillside campus has brought works by artists from London, Seattle, San Francisco, Pittsburgh, and Tokyo to join hometown L.A. participant Machine Project in provoking students, faculty, staff and a stream of inquisitive visitors.

Two recent workshops organized by Machine Project transformed a section of the gallery into an interactive learning lab for unconventional artistic palettes. Attendees examined processes that might inform future hybrid projects by harnessing the behavior of sound vibrations and twisting auditory perceptions, and interfacing with the dynamics of electricity and the natural flow of current in the human body.

At the exhibition’s opening reception on May 30, scientists from Caltech and Jet Propulsion Lab mixed with artists, designers, writers, students, faculty, and the generally curious. Carnegie Mellon’s Astria Suparak remarked on bringing the exhibition to Art Center’s gallery: “We were thrilled to open Intimate Science at the Williamson Gallery — to have the opportunity to bring the gallery’s work to Los Angeles, to be seen by a wider audience and have a larger impact.”

 

Design gurus from Art Center, Facebook and MySpace share trade secrets on the past, present and future of web design

Marshall Rake, Maria Giudice and John Chambers at 3X3

Marshall Rake, Maria Giudice and John Chambers at 3X3. Photo by Chuck Spangler.

Ask a group of web designers to describe the state of internet aesthetics and you’re likely to get as many answers as there are designers. There are few working environments more fluid than the digital domain, a kind of primordial soup where new innovations and ideas constantly bubble up, creating a rapidly evolving field where the rules of engagement are constantly shifting.

However, the most recent installment of Art Center’s 3X3 lecture series, Web Design: Past, Present and Future (held on the evening of June 26 at the College’s Hillside campus) made some major strides toward delivering a clear picture of how to best navigate and succeed in this nebulous arena.  The event featured a trio of design luminaries — Art Center faculty member John Chambers, Facebook Director of Product Design, Maria Giudice and MySpace Creative Director (and Art Center alum) Marshall Rake – each of whom brought an array of  diverse professional experiences to bear on a specific phase of the state of the art of web design.

Chambers kicked off the proceedings by offering a longitudinal perspective of digital design, from its primitive beginnings (back in the 1980’s) through its rough infancy (when nobody believed it would survive) to the restless adolescent it has become today. The popular web design instructor harkened back to a time when designers had very few tools with which to ply their trade beyond simple HTML code, which, he pointed out, remains the through-line connecting the web’s earliest iterations and the complex motion-graphics enabled sites of today.

Maria Giudice then took the stage, donning a headset and unleashing a dynamic presentation that could have easily been mistaken for a TED Talk on the rise of web design in tech circles. (That’s no coincidence given that she’s no stranger to the TED stage).  Guidice described her career trajectory, which began in print, where she redesigned the PacBell yellow pages before migrating to the web and launching her own design firm, Hot Studio, which she recently sold to Facebook, where she now works as the social network’s design guru.

Giudice strongly emphasized the notion that we’re in the midst of a tectonic shift, from an entrepreneurial culture centered on engineering expertise to one driven by design innovation. “When Facebook acquired us, it was a declaration that designers have value too,” said Giudice. “Engineers used to have all the currency. But companies are making an investment in design. I think we’re going to see the rise of the DEO – leadership by design. They’re going to be the future leaders of companies. You have to think and act like a designer to unlock innovation.”

Graphic Design alum Marshall Rake followed Giudice and echoed some of her thoughts about how designers must respond to the explosion of content generation by taking a curatorial approach to their web presence (think: Pinterest). He also emphasized the idea that the future of web design has yet to be invented and encouraged aspiring designers to experiment and expand upon what’s already been created.

“On the web your creations are always on the brink of being discovered,” said Rake. “Three things to think about with every web design challenge are how to simplify, organize and contextualize information.” Following his brief, high-decibel video montage of some of the recent work he’s done for MySpace, Rake ended the evening with an imperative to future designers: “We have a crazy opportunity in front of us,” he insisted, as a mischievous smile spread across his face. “The web is a place we can experiment because so much stuff doesn’t exist yet. It’s our job to go out there and detonate.”

Calling all video sleuths: Archivist issues APB for lost footage of Keith Haring

Keith Haring painted this mural at Art Center shortly before his death

Keith Haring painted this mural at Art Center shortly before his death

 

The Archives needs your help locating a lost video treasure.

In 1989 artist Keith Haring was invited to paint a mural at Art Center to serve as a “permanent memorial to members of the art community who have died of AIDS and as a symbol of hope and compassion.” Painted over the course of two days, the mural covers a large wall near the Hillside campus Library and offers a daily source of inspiration to the College’s growing community of students focused on social impact art and design. Haring’s painting also stands as tribute to Haring himself, who passed due to AIDS-related complications in February 1990, two months after the Art Center public work was completed.

It was a significant moment in the College’s history; and steps were taken to capture the process on video. However, after searching high and low, we’ve been unable to locate a single frame of the footage captured while Haring worked on the painting.  Can you help us locate it?  We worry that video from that event is deteriorating somewhere. And without Indiana Jones around to dig it up this Holy Grail of archival material, we’re turning to you for help.

The Archives collects, preserves, and makes accessible materials related to the history of Art Center.  We accept items on a regular basis, including photographs, documents, course materials, examples of student work, and film and video.

If you would like to donate materials to Art Center, contact College Archivist Robert Dirig at: archives@artcenter.edu or 626.396.2208. As Keith Haring might have encouraged anyone with an inkling about where this footage might be hidden: Silence = Death (and/or a serious void in Art Center’s archives).

Say Goodbye to the Old Paradigm. Here Comes the Next Generation of Design-Driven Startups

Accelerator

Art Center  and Caltech today announced the launch of The Design Accelerator, an incubator aimed at helping startups grow by merging great design, cutting-edge technology and business strategy to create innovation. The Accelerator initially will be housed within Idealab, which is well known for creating and operating pioneering companies in its own right.

“In today’s economy, artists and designers play a vital role as creative leaders and catalysts for innovation and change,” said Art Center President Lorne M. Buchman. “Integrating technology, design and business, The Design Accelerator creates an opportunity for Art Center and Caltech alumni to expand on what they learned as students and provides a stimulating space for their concepts to become viable businesses.”

The Accelerator is an integral part of Art Center’s 2011–2016 Strategic Plan. Understanding students’ concerns about employment prospects following graduation, The Accelerator fills a critical gap by giving students and alumni the opportunity to develop their concepts into sustainable and commercial ventures—a bridge between academic and professional life.

Fred Farina, Caltech’s chief innovation officer, adds, “We know that making connections across different areas fuels innovation, and that’s why we’re excited about this collaboration. The combination of our complementary but very different perspectives in a startup team promises powerful results.”

The Design Accelerator benefits from its prime location in Pasadena, Calif., which has become a hotbed of innovation and entrepreneurship with vibrant creative, technology and business communities, enriched by the presence of Art Center, Caltech, angel investors and venture capitalists.

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Art Center Partners with Dwell on Design Conference

IMG_4313

This student creation is on display in the Goodwill’s first boutique store in Tustin. The vinyl rockabilly outfit was part of a 2012 Designmatters project for Goodwill of Orange County focused on upcycling.

Art Center College of Design will be the only school recognized as an educational partner of Dwell on Design, “America’s Largest Design Event,” taking place Friday, June 21 through Sunday, June 23 at the Los Angeles Convention Center. The three-day exhibition and conference will feature world-class speakers, product demonstrations, continuing education classes for design professionals and seminars for consumers.

As an educational partner, Art Center is the only design school to have an exhibition space on the showroom floor featuring the work of Environmental Design and Product Design students.

Additionally, Art Center will host a special presentation on the Demo Stage Saturday, June 22 at 2:30 p.m. Environmental Design faculty will present the concept of upcycling, or the process of converting used goods, waste material, and “useless” items into new materials or products of better quality to improve their value and reduce the overall impact on our environment, as explored in Art Center’s sponsored projects and transdisciplinary studios.

Members of the Art Center community can receive a $5.00 discount off regular prices with Promo Code EDU13. To register for tickets, visit dwellondesign.com/edu13.

 

Related: Goodwill and Art Center embrace the upcycle lifestyle

 

 

Robert and Faye Davidson Named Arts and Culture Ambassadors by Pasadena Community Foundation

Robert and Faye Davidson share a passion for the arts and have long appreciated and supported the unique cultural mix that makes Pasadena special. Now they are doing it officially.

The Pasadena Community Foundation (PCF) has appointed the Davidsons as Arts and Culture Ambassadors to lead the organization’s 60th anniversary celebration.

Robert and Faye Davidson have been appointed Arts and Culture Ambassadors by the Pasadena Community Foundation (PCF). Photo credit Evan Robinson.

Robert and Faye Davidson have been appointed Arts and Culture Ambassadors by the Pasadena Community Foundation. Photo credit Evan Robinson.

“The artistic and cultural resources in this community are vast,” says Robert Davidson.

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