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Week 14—It’s the busiest time of the year

Grad Show Preview. Photo: Juan Posada

Grad Show Preview. Photo: Juan Posada

“The best thing about the future is that it comes only one day at a time.”—Abraham Lincoln

Week 14 at ArtCenter is always a dizzying feast of activity—walls are being transformed into exhibition spaces; projects are being completed in classrooms, shops, hallways, parking lots and any conceivable available space; final presentations are underway and every single person on campus appears to be going somewhere in a hurry. After years of dedication, hard work, little sleep and countless crits, 188 graduating students will say sayonara to Week 14 forever.

Saturday’s commencement exercises will be the culmination of a week of graduation-related activities and events celebrating these creative and talented individuals who are about to take on the world. As is custom at our Fall Graduation, we also honor alumni who have already paved the way. Here’s what’s in store for the rest of the week.

Thursday, December 14, Hillside: Recruitment Open House, Graduation Show Preview and FullCircle Panel Discussion

Thursday activities start in the morning, when students get to meet select potential employers during Recruitment Open House. In the evening, industry leaders, employers, corporate partners, donors and alumni get the first look at the Fall term’s graduating artists and designers at the invitation-only Graduation Show Preview, held from 6–9 p.m.

Undergraduate candidates from Advertising, Environmental Design, Entertainment Design, Film, Graphic Design, Illustration, Interaction Design, Photography and Imaging, Product Design and Transportation Design will be showing at Hillside Campus. Graduate Film, Graduate Industrial Design and Graduate Transportation Systems and Design master’s candidates will also have work on display at the Hillside Campus.

This year’s Alumni Award recipients will be in conversation with President Lorne Buchman at a FullCircle panel discussion being held at 6:30 p.m. in the Hyundai & Kia Innovation lab on Hillside Campus. FullCircle membership is required to attend this event but anyone can view the livestream.

Thursday, December 14, South Campus: Fine Art Graduation Show Preview, Brown & Proud Dance Party, MDP Work-In-Progress Show and Grad Art Open Studios

Fine Art graduates will be exhibiting their work from 7–10 p.m at the 870 building at South Campus, which is also the location for the second annual Brown & Proud dance party that starts runs from 8:30 p.m. to midnight.

Also at South Campus, at the 950 building, Graduate Media Design Practice students at all levels will be displaying their work in progress from 6–9 p.m. and Graduate Art students will open their studios from 7–10 p.m. The festivities here also include the Kogi food truck and live music.

Saturday, December 16, Hillside: Graduation Ceremony

Our Fall commencement ceremony begins at 10 a.m., in the tent in the Sculpture Garden on the Hillside Campus. It will also be viewed by livestream on our homepageFacebook or YouTube.

Following welcoming remarks by President Lorne Buchman, the baccalaureate and master’s candidates—along with faculty, staff, family and friends—will hear from this term’s Student Leadership Award recipient, Illustration graduate Kayla Salisbury and valedictorian Carly A. Chubak, who is graduating with a degree in Fine Art.

As is our custom during the Fall graduation ceremony, we will be presenting our annual Alumni Awards, publicly recognizing the talent, service and influence of our alumni.

Global design icon Kit Hinrichs, class of 1963 in Advertising, will receive the Lifetime Achievement award in recognition of his extraordinary career; executive education leader Julian Ryder, class of 1972 in Advertising, will be honored with the Outstanding Service award recognizing his significant service to the College; and pioneering industrial designer Jacques Perrault, class of 2014, will receive the Young Innovator award, which honors an alumnus or alumna of the past 10 years for notable professional achievement or creative innovation.

A distinguished designer, author and educator, Hinrichs is considered one of the most influential, respected and revered designers in the field of graphic design. Currently, principal and creative director of Studio Hinrichs in San Francisco, he served as principal in several design offices in New York and San Francisco before spending 23 years as a partner with international design consultancy Pentagram. Throughout his five-decades long career, he has won hundreds of awards and has been the creative force behind several of the most recognized graphic and brand identities known today. His list of distinguished clients includes United Airlines, Sappi Fine Paper, Design Within Reach, Muzak, Gymboree, University of Southern California, Safeco, Museum of Glass, Symantec, KQED, the San Francisco Zoo, Restoration Hardware and many more. His work is included in the permanent collections of the Museum of Modern Art in New York, the San Francisco Museum of Modern Art and the Library of Congress. He is co-author of five books, including TypewiseLong May She Wave and The Pentagram Papers.

A practicing artist since high school, Ryder started his career at Lockheed Aircraft in the engineering department but quickly realized his calling was to be a creative. After going to night classes to develop his skills, he applied and was accepted to ArtCenter. A committed lifelong learner, he spreads the design thinking gospel to legions of business leaders each year as chief creative officer of The Right Brain Project, a creativity education and training firm. His goal is to help build creative cultures and bring design thinking to bear on challenges and opportunities in the business world. Prior to starting his own businesses, he was a creative director for major advertising agencies in New York and Los Angeles. He produced advertising for world-class brands such as Nike, Proctor & Gamble and Honda Motors. In terms of his outstanding service to the College, Ryder was a member of the faculty and co-chaired the advertising program from 1983 until 1986. Today, he serves as co-chairman of FullCircle, ArtCenter’s membership community open to anyone interested in supporting art and design education.

“We have the opportunity, if we reflect on a challenge, to question fundamentally what’s been done and respond to it with things that haven’t been thought of yet, that haven’t been imagined,” said Jacques Perrault who, through the use of new computational design tools, is pioneering a revolutionary new process to create high-performance running shoes. He integrates sports science data with writing scripts and algorithms to reduce creation time and more efficiently pave the way to making a midsole custom fit to each athlete’s movements. As a computational designer with Adidas Futures, he is leading the way to a new level of additive manufacturing in mass production on a global scale.

Following the presentation of the awards, Lifetime Achievement award winner Kit Hinrichs will present the commencement address.

Saturday, December 16: Graduation Show

After the ceremony, Graduation Show opens to the public at both Hillside and South Campuses from 1–6 p.m., where work by the newest ArtCenter graduates will be on display. The College’s dual-campus Graduation Show offers friends, families and the general public an opportunity to see the stellar work of this term’s graduating students.

Service to the community beyond the classroom: the Student Leadership Award

Fall 2017 Student Leadership Award Winner Kayla Salisbury. Photo Juan Posada

Fall 2017 Student Leadership Award Winner Kayla Salisbury. Photo Juan Posada

Graduating from ArtCenter is a remarkable accomplishment; the College provides a rigorous education and everyone who satisfies our degree requirements has much to be proud of. During each graduation ceremony we also take the time to recognize a number of exceptional student achievements—students who graduate with honors, with distinction, those who have been awarded an ArtCenter Honors or LAUNCHLAB Creative Entrepreneurship Term and the top academic achieving student is recognized as valedictorian of the class.

But perhaps the most coveted of all is the Student Leadership Award. This award fulfills ArtCenter’s vision of educating artists and designers who are not only leaders within their professional fields, but leaders in their communities. Each term, the College reaches out to the campus population for nominations from peers, faculty and staff. All nominations are considered by a committee of faculty, staff and students and they select the student who most demonstrates leadership through their participation in ArtCenter’s campus life, community outreach, student organizations and department initiatives. The selection committee is often faced with a difficult task of choosing between exceptional students who have achieved not only academic success, but have taken valuable time outside their demanding coursework to help others and provide service to the ArtCenter community. This term was no exception. We would like to take the time to highlight this year’s winner and nominees.

Illustration graduate Kayla Salisbury, the Fall 2017 Student Leadership Award winner, was nominated for her substantial contribution to the discussion of diversity and sensitivity at the College. Her activism here started with a comment on the institutional Instagram page, which led to an invitation in 2015 to author a blog post for ArtCenter’s then blog, Dotted Line (now ArtCenter News), where she made a call to action to her fellow students to get involved, speak up and participate in the solution. Since then she has taken a leadership role in promoting dialogue and action at the College. Some of her contributions include: participating in campus club Chroma’s “Diversity Open Dialogue;” serving as the student voice on the College’s “Diversity, Equity and Inclusion” panel discussion; creating a forum and support group “Woke” for students who felt marginalized to gather, share, heal and organize; representing ArtCenter at the Race on Campus College Conference at Redlands University; and working with Director of Faculty Development Sam Holtzman on creating a handbook for faculty illuminating the nature and impact of micro-aggressions. She has attended faculty and Diversity Council meetings, received a College Diversity grant, served as a consultant for a Designmatters class looking into the issue of food deserts in Compton, and brought her voice to Berlin, where, while participating in one of ArtCenter’s Study Abroad programs, she was invited to speak at an Anti White Supremacy and Unite Berlin gathering and was interviewed at a rally with a panel of others speaking out against racism, misogyny and homophobia.

In a statement in support of her nomination, Kayla says, “What I did here is no more than what I want to do for the rest of my life, loudly and unapologetically representing others.”

Kayla’s contributions to ArtCenter cannot be measured. She has been instrumental in pushing the College to continue to make changes and take action to create a learning atmosphere that is positive and constructive for all students. As one of her nominators noted, “we should consider ourselves truly fortunate to have role models like [Kayla] who remind us all of the necessity to question, reflect and embrace change for the benefit of all.”

Other nominees also boasted impressive community service resumes. Graphic Design graduate Jimena Gamio Valdivieso was lauded as “hands down the most generous, hardworking, helpful, engaged students I’ve had in the 3+ years I’ve taught at ArtCenter,” according to one of her nominators. Impressively, she organized a successful petition to have a specific faculty member teach a course that was not going to be offered due to faculty unavailability. She was also a teaching assistant and was very involved in ArtCenter student organizations. She founded the Picnic Club, and provided substantial support and leadership to others. She also created a group, Design Broads, that brought together female students and alumni that became an important support group especially following the election.

Photo graduate Yasara Gunawardena was celebrated for her service as an Orientation leader, department student representative and mentor. Many of her fellow students praised her for her willingness to assist others both in and out of the classroom. As one of her nominators noted, “Yasara is extremely rare, you don’t fine many people who show so much compassion for others around her, who is so selfless and always willing to provide a hand for those who need it.”

Environmental Design graduate Emily Nyburg was commended for her participation in Designmatters’ Safe Niño’s project, her performance as a teaching assistant and her leadership with the early stages of the College’s Art Reach program, developing curriculum for and leading a workshop for girls ages 7 through 15 at Pasadena’s YWCA. Emily sums up her extra-curricular activities at the College, “[a]lthough I may not have been part of every program at ArtCenter, and may not have led a trophy leadership role during my time here, I believe I may have left an impactful trace on the side lines.” We suspect Emily’s lasting impact at the College will be more than just a trace.

Product Design graduate Riley Gish’s nomination noted her extensive work with Designmatters, “Riley has been a team player, leader and collaborator,” according to one of her nominators. She represented Designmatters at the National Net Impact conference in Seattle, where she engaged in a series of workshops and lectures around designers’ role in the business of social and environmental change. She also developed a student club that showcases female designers through online platforms. Like other nominees, she boasts a long list of service but, in her words, “more impactful than any of those [things], I did the most important thing my parents taught me how to do; I’ve connected with people.”

Graduate Industrial Design graduate Chen Chen was nominated for her dedication and leadership with the student club ACBA (ArtCenter Branding Atelier). As president, she introduced the ACBA Pitch—a sort of “Shark Tank” that offered students a platform to pitch their ideas and designs to investors, industry professionals and the public. She also helped organize Pitch Bootcamps, to prepare students for the Pitch event, and facilitated Xboarder Industrial Design Competition, with Hanhai Studio, a venture capital company based in Burbank and China. Her nominators commended her dedication to networking to help fellow students build connections with professionals.

Product Design graduate Nicolas “Nico” Ramirez “inspires others to join him on his quest to make the education at ArtCenter a constructive and transformative experience while helping those that are in need of assistance,” according to one of his nominators. Noted for his contributions to the Designmatters “Fresh Eyes Cuba” studio, INSEAD study abroad program, JPL/NASA design symposium and Mexico earthquake relief effort, Nico also served as a teaching assistant for the Graphic Design Department. All his nominators remarked on his energy, passion, sense of humor and leadership.

Environmental Design graduate Jingze “Cooper” Dai, was so inspired by the ArtCenter mentor he met during orientation that he, in turn, devoted much of his time here to mentoring others. He served as a peer mentor twice, he represented his department on student government and he was a teaching assistant. He received the most peer nominations of all this term and his nominators were unanimous in recognizing his assistance, patience and kindness.

ArtCenter thanks and congratulates all the nominees for their commitment and dedication to making the College a more compassionate, transformative and life-changing environment for all of us.

Educational Technology’s Kwasi Boyd-Bouldin’s photo series featured in The New York Times

blog (7)Educational Technology Specialist Kwasi Boyd-Bouldin spends his days helping our faculty with educational digital technologies. Like many other ArtCenter staff, he also has an outside creative pursuit. In 2017, he was included in Time magazine’s 12 African American Photographers You Should Follow Right Now. Recently, The New York Times featured his current series, The Los Angeles Recordings, a long term project documenting the changing urban landscape of Los Angeles, in its Lens section.

From the article:

When Kwasi Boyd-Bouldin and his family migrated to Hollywood in 1980, they found a neighborhood of short brick apartment buildings, strip mall laundromats and liquor stores with bars on the windows and doors.

They had escaped from New York to California the romantic way, by train, three kids in their tweens and teens. They had fled Brownsville, Brooklyn, at a time the New York City was broke and dirty and crawling with mobsters.

Change was necessary. Also, Kwasi’s father had moved to Hollywood shortly after he was born. If they were going to have a relationship — and his mother wanted them to — they would have to live nearby. That this lead them to the land of endless sun and countless movie stars made the move seem charmed, even magical.

Mr. Boyd-Bouldin, now 40, grew up on the streets of a humble neighborhood in Los Angeles that would eventually go bad. It would even claim one of his sisters during the crack era. But he still loved Hollywood. As a near-native, he rolled through the sun-bleached streets on his skateboard, taking in the scenery. He picked up his first camera, an Olympus Pen-F half-frame his dad left him, at 23, a trained observer of his cityscape. He’d studied the alleys and avenues, the angles of buildings against the sky, like Jane Goodall studied lowland gorillas.

These days, when he is not at his day job (as an education technology specialist at a Pasadena art school), Mr. Boyd-Bouldin, who is married and has two daughters, is haunting the streets of his youth. “The Los Angeles Recordings,” his continuing documentary profile of his adopted hometown, serves as a visual introduction to his Hollywood, as he likes to say, among other fond places.

You can read the entire article here and check out all of his projects on his website.

What is it like to be an art model at ArtCenter?

Photo: Juan Posada

Photo: Juan Posada

This story, written by Solvej Schou and photographed by Juan Posada, first appeared on Dot online.

After downing a cup of coffee, art model John Mackey—wearing a pirate hat and long brown jacket—raises a sword above his head. Next to him, art model Jonnathon Cripple grips a pistol in one hand and a sword in the other, gritting his teeth. You can imagine them shouting “YAAARRRRR!!!!!”

Instead, they’re perfectly still and quiet, facing each other fiercely like Pirates of the Caribbean foes. They stand in front of a packed classroom of students in instructor Will Weston’s Fall 2017 Illustration figure drawing course Inventive Costume.

The students sketch Mackey and Cripple as dynamic swashbuckling characters. In between five, 20 and 25-minute poses, the pair laugh and rest. Weston walks around looking at student work, and gives his expert insight about drawing a figure’s shape, designing a costume and adding folds.

“I tell the students that the models are assuming poses, and that you should change the pose you draw to suit your composition and narrative storytelling,” says Weston, who spent 18 years as an advertising illustrator before going into animation at Walt Disney Animation Studios, Warner Bros., Nickelodeon and Sony, and has taught full-time at ArtCenter for the past decade.

“In here, I’m teaching mechanics,” he adds. “How do you group figures effectively so that the eye can easily make its way through the composition? How does the costume further the storyline?”

Mackey and Cripple—former mimes who have known each other for decades—are two of 90 active art models in ArtCenter’s Model and Prop Department, modeling for academic departments including Illustration, Fine Art, Product Design and Entertainment Design. Besides Inventive Costume, other Illustration courses with art models include instructor Gayle Donahue’s Drawing for Illustration and Jeffrey Smith’s Illustrative Storytelling.

Mackey, who switches mischievously between a Southern and British accent, has modeled at ArtCenter for the past six years, and owns more than 100 costumes. An artist and actor (he appeared in Pirates of the Caribbean: Dead Man’s Chest), some of his campier costumes for Weston’s class have included a priest from the Middle Ages with bloodshot eyes and an alien jester outfit.

“Even though I’m standing still, I’m telling a story. I’m emoting,” Mackey says. “It’s rewarding when students see and draw exactly what I’m thinking. You’re pretending to smoke a cigarette as a detective, and they put a cigarette in your finger. Or they’ll draw blood on the ground, even though there’s no blood.”

Cripple—wearing rainbow striped pants and a teal embroidered pirate jacket—has modeled for 47 years, including at ArtCenter since 2008, and has an undergraduate degree in directing. He once owned and operated a Los Angeles company employing hundreds of actors and actresses for themed events.

His most wacky costume? A Charles Dickens-era rat catcher, complete with a plastic rat named Whitey, Cripple’s self-appointed mascot.

“I use him in almost all of my modeling. He gives me something to work off of as a prop,” says Cripple, grinning. “As a teacher, Will is all about how the artist can get rules and then work with them to create rather than just render. He also understands that as models, we know what we’re doing.”

On a different day in Weston’s class, Illustration student Jacki Li sits front and center—wearing big headphones—as three art models, including Marissa Gomez and Debra Haden, pose for the class in retro burlesque style lingerie.

Gomez, wearing brown lace-up boots and polka dot tights, holds a green fan in one hand, and a martini glass in the other. Haden, wearing a black corset, her bangs curled under like ‘50s pin-up model Bettie Page, points at Gomez angrily. Flowers are strewn on the ground.

“What’s the story, and are you driving the story?” Weston asks the class, lobbing nuggets of advice. “You’re the magician. Don’t have the models be equidistant from each other. Draw them close together or far away. If a hand or arm is not in the right position, move it.”

Li, her hand flying over her paper, sketches a full scene with a curtain draped around the three figures. She aspires to land a job in visual development or storyboarding at Disney, DreamWorks or another studio.

“I love working directly from the models because you can practice so much,” says Li. “You can play a lot with expressions and poses. It’s really about not just depicting the figure as is, but pushing it to be as expressive as possible.”

Haden, who has an undergraduate degree in fashion design, and is also an actress, makes her own costumes and has modeled at ArtCenter since 2010. A fan of the elaborate costumes on RuPaul’s Drag Race, she says she loves to create full characters who express happiness and sadness.

“Sometimes students don’t know how to create a scenario or character,” she says. “If I can provide that inspiration for them to draw from later—‘Oh, I remember that model, I remember her bangs!’—that’s amazing.”

A musician working as an art model at ArtCenter since 2002, Gomez used to be a waitress, and artists would draw her in restaurants. At ArtCenter, her gigs have included being painter Frida Kahlo as a Siamese twin, with another model.

“I’m a very still person, and I don’t have a problem with people staring at me,” says Gomez. “As models, we bring our creativity and our costuming, and it makes it fun for the students, too, this interaction. And because we’re entertainers or performers, we are many selves, so we can be those authentically.”

Designer, Strategist and National AIGA President Su Mathews Hale joins ArtCenter Board of Trustees

blog (6)

As part of a larger effort to build a strong and multitalented leadership core, ArtCenter has appointed graphic designer and brand strategist Su Mathews Hale to the Board of Trustees. A senior partner in design for Lippincott, a global creative consultancy, Mathews Hale joined ArtCenter’s Board at its meeting Saturday.

“Under a new strategic plan with efforts to provide the best educational experience possible for our students while expanding their professional network, we’re at a critical turning point for ArtCenter’s Board of Trustees,” said Board Chairman Robert C. Davidson Jr. “Su epitomizes the next stage of leadership for the College, representing the importance of industry experience and individual support for the next generation of artists and designers.”

“Joining ArtCenter’s Board is something I’ve looked forward to for a long time,” Mathews Hale said. “I have a deep respect for my professional peers who teach at ArtCenter and I’m honored to join this group of leaders to make the College as dynamic and relevant as possible for the next generation of artists and designers.”

“Given her impressive experience helping major companies build brands and identify the innovation spaces that matter most to the customer of the future, Su brings a much-needed perspective to the Board—and the College as a whole,” said ArtCenter President Lorne Buchman, who also serves on the Board of Trustees. “She’s an extremely interesting and intelligent person with a wealth of ideas for connecting design practitioners and advocates to our educational programs.”

For more than two decades, Mathews Hale has thrived at the intersection of graphic design and brand strategy. Using the power of design to develop inspiring creations and solve business problems, she has worked with a broad range of notable clients including Chick-fil-A, eBay, Hawaiian Airlines, Hershey’s, Hyatt, IHG, Liz Claiborne, New York Public Library, Red Robin, Samsung, Shutterstock, Taco Bell and Walmart.

Mathews Hale is president of AIGA, the professional association for design, that serves 70 chapters and more than 25,000 members worldwide. She spearheaded Women Lead, an AIGA committee dedicated to celebrating the achievements of women in design, cultivating awareness of gender-related issues, and connecting women both within and beyond the design industry.

Additional biographic information about Mathews Hale can be found on the ArtCenter Trustees webpage.

“Su was brought into the fold by current Trustee and ArtCenter alumnus Kit Hinrichs,” Davidson added. “Kit has proven to be an engaged and dedicated Trustee. We’re extremely grateful for his leadership and his advocacy on behalf of the College.”

Alum’s Dina’s Dumpling Food Truck at South Campus

DinasDumplingsFood Truck Dina’s Dumpling, the product of a partnership between ArtCenter alum Eric David Wallace and his wife Dina, will be parked in the South parking lot at the 950 Building, South Campus on Wednesdays from 11:30 a.m.–2:30 p.m.

After running a small fashion clothing line for about five years, Eric enrolled in ArtCenter searching for an education in branding, advertising and marketing. He was a Graphic Design major but also took Environmental Design and Film courses during his approximately three years and a half years at the College. After ArtCenter, he worked at the Let There Be Dragons division of TBWA\Chiat\Day in Los Angeles, that was literally a studio on wheels. It was there that he learned how much can be achieved with a truly mobile work station.

He left the advertising world and worked with some smaller film production companies and design firms. At a low point in his life, he met Dina, who he describes as “a ray of sunshine.” Dina grew up in a small town of Rugao China, with her grandmother cooking and making dumplings by hand every day. After they were married, she mentioned she wanted to open a dumpling restaurant. As Eric recalled, “[a]t the time we couldn’t afford it, so I said, ‘how about a food truck instead?’ She agreed and we were off to the races.”

As creative director of Dina’s Dumpling, Eric decided to make the truck pink, in reference to a jump suit Dina was wearing when he first met her. He says it is, “bright, happy, approachable, warm hearted and fun. All great qualities for a brand.”

In addition to creative director, Eric wears the hats of designer, head of marketing, advertising director, driver, order-taker, and point-of-contact for any and all events. Dina makes the amazing dumplings.

Dina’s Dumpling aims to bring the traditional handmade authentic Chinese food to Americans in a modern and approachable way. In addition to the traditional pork dumplings, Dina’s offers beef, vegan and shrimp dumplings. They also offer unique side dishes and special items that change daily.

How did ArtCenter help create this tasty business? According to Eric, “ArtCenter really pushes you to have a rigorous work ethic, thoughtful design, to never give up and to have great presentation skills with a professional demeanor. All of which you need to be successful in any type of business.”

Come check out Dina on campus on Wednesdays at lunchtime in the 950 Building parking lot and be sure to sample Eric’s favorite item, Pork Dumplings + Cucumber Salad with a Mexican Coke.

Happy Birthday to Us!

ArtCenterModel

Monday, October 9, 2017 marks ArtCenter’s 87th birthday. In celebratory fashion, the Student Success Task Force, in partnership with ArtCenter’s Student Government, would like to offer you two opportunities to join in on the festivities.

At 12:00 p.m., campus-wide, BIRTHDAY PARTY TABLES will be set up with cupcakes, buttons, and balloons. Nearby you will find posters that highlight 87 years of history! Stop by the Hillside Campus south entrance, the 870 Building’s lobby, the 950 Building’s 2nd floor (near the Library) or 1111 Building’s 3rd floor (near the Student Store) for a free sweet treat and some take-a-ways!

At 3:30 p.m., in the Student Dining Room on the Hillside Campus, a POP UP PHOTOGRAPHY INSTALLATION will feature over a dozen photos (thanks to Archives and the Photo + Imaging Department) that capture ArtCenter from its early days in downtown Los Angeles to the 1990s at Hillside. Stop by to view the photographs, partake in free appetizers and refreshments, and mingle with other community members.

Both events are open to all community members, but it is important to note that food is available on a first-come, first-served basis.

A Message From ArtCenter President Lorne Buchman

Photo: Juan Posada

Photo: Juan Posada

Dear ArtCenter Community,

The events of the last few weeks and devastation to the lives of so many in Puerto Rico, Mexico, Florida, Texas and throughout the Caribbean – shake us to the core. And then last night we learn of the horrifying mass shooting in Las Vegas and horror builds on horror. But let us not mistake the suffering born of natural disasters that come of earthquakes and hurricanes with the carnage that emerges from a human act of violence. We certainly need to ask whether the tragedy of last night could have been prevented, a question that haunts me.

Beyond wrestling with that fundamental dilemma, I want to call on us all to recommit to the work we do as educators, designers and artists in a way that is compassionately directed to those in need and to a world that calls out for both the fight and the solutions that only the creative spirit can imagine. Practically, we can give charitably, according to our means, to help those in need and/or donate blood if we are well and able. And let us be unswerving in our support of our students and their commitment to making a positive difference in the world.

Please know that counseling is available through the Center for the Student Experience or Human Resources for anyone who might need help processing this latest tragedy.

In all our heartbreak, let’s find the voice to influence change. We have a calling of enormous significance.

Lorne M. Buchman
President

Exchange and Study Away Office lines up a full slate of events for International Education Week

IEW 2017 POSTER

The Exchange and Study Away program hosts an International Education Week (IEW) each Fall Term to celebrate diverse cultures and promote the program’s many study away opportunities. This term, IEW will be happening Week 4, October 2–6.

Director of Exchange and Study Away programs Hannah Huang explains “we want to bring awareness to our programs and the range of opportunities we have for students who want an international study option.

“We aim to dispel the notion that study away lengthens a student’s academic career or is prohibitively expensive,” she continues, “we have programs that are well integrated into the curriculum and there are financial aid and grant opportunities available for our students.”

Each day celebrates a different region of the world. The ArtCenter café menu will be tailored to match the day’s theme and there will be a “featured drink” at the coffee cart that also corresponds to the featured region.

Students are encouraged to participate in events throughout the week. Here is what to expect from the week:

Monday, October 2: Worldwide

Study Away Fair
12:00-2:00 p.m.
East Bridge, Hillside Campus

IEW 2017 will kick off with the annual Study Away Fair, which sees a variety of departments and organizations come together to promote study away programs and initiatives. Those tabling at this year’s Fair include Exchange and Study Away, Designmatters, the library, and the LA Passport Agency. Students will be able to apply for their passport, speak to current exchange students about their home institutions, or learn how to study away for free post-graduation through the Fulbright program!

Tuesday, October 3: The U.S.

Bob Baker Marionette Theater
12:00-1:00 p.m.
Student Dining Room, Hillside Campus

Since 1963, Bob Baker has been entertaining the LA community with his handmade puppetry performances. Now, he and his team are coming to ArtCenter for a unique theatrical experience and to help renew an appreciation for the art of puppetry. Featuring a special U.S. theme, this show will utilize notable aspects of American history such as the American circus and Vaudeville.

Financial Aid & Scholarships for Study Away
2:00-3:00 p.m.
Conference Room B, Hillside Campus

During this workshop, students will be able to learn about the financial aid and scholarship opportunities available for use on study away programs. Topics covered include the difference between faculty-led and exchange programs, the Diversity and Access Stipend Award (DATSA), and other scholarship opportunities.

Wednesday, October 4: Europe

London Ancient/Modern 10th Anniversary
1:00-2:00 p.m.
6th Floor Gallery, 1111 Building
South Campus

In celebration of London Ancient/Modern, which has now run for 10 years through the Illustration department, this event will recognize the program’s achievements and inspire future students to participate. All are welcome to come hear some of the program’s lead faculty speak, enjoy “high tea” with English tea and pastries, and admire the work of past student participants.

Fika Break & Study Away Table
3:00-5:00 p.m.
1st Floor Lobby, 870 Building
South Campu

In a condensed version of Monday’s study away fair, students at South Campus will be able to learn about ArtCenter’s exchange and study away opportunities. Information will be available regarding upcoming faculty-led programs, continuing exchange partnerships, and various scholarship opportunities. Simultaneously, ESA will encourage everyone to take a “fika” – a traditional Scandinavian break time with coffee, tea, and pastries.

Thursday, October 5: Asia & The Middle East

This is How We Roll: Sushi-Making Workshop
11:00 AM – 12:30 p.m.
Room 201, Hillside Campus

Ever wanted to learn how to make your own sushi? Here’s your chance to learn from a professional! In addition to learning how to prepare, pack, and roll their own sushi, students will also be taught this Asian food’s history and evolution over time. For this event, space is limited and advance sign-up is required.

Study Away, Get Ahead: Marketing Your International Experience to Employers
1:00-2:00 p.m.
Conference Room B, Hillside Campus

International experiences grow you as a student, an artist, and a person. But did you know that they can also help grow your career? Exchange and Study Away and Career + Professional Development, with support from CSE and Academic Advising’s #workingit series, are hosting this workshop to provide students with strategies on marketing their international experiences to employers. Topics covered include resume tips, cover letter suggestions, and interview techniques.

Friday, October 6: Latin America

Jones Coffee Workshop
1:00-2:30 p.m.
Mezzanine, 950 Building
South Campus

Join us as Jones Coffee Roasters, a coffee shop located in Old Town, Pasadena, leads a workshop on coffee bean processing, production, and roasting. This special presentation will focus specifically on coffee sourced from Latin American countries, where the story of Jones Coffee first began in the 1870s. Best of all, free samples will be available for tasting – stop by for a Friday pick-me-up!

Study Away Table
3:00-5:00 p.m.
6th Floor Gallery, 1111 Building
South Campus

In a condensed version of Monday’s study away fair, students at South Campus will be able to learn about ArtCenter’s exchange and study away opportunities. Information will be available regarding upcoming faculty-led programs, continuing exchange partnerships, and various scholarship opportunities.

South Campus population expands

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Welcome to the 2017 Fall Term! As you are settling in to your classes, you probably noticed that some things have changed around campus. Over the Summer Term, interdisciplinary departments Humanities and Sciences and Integrated Studies moved their base of operations to the third floor of the 1111 Building at South Campus. Despite the move, H&S and Integrated Studies classes continue to be held throughout the College, including classes at Hillside as well as South Campus.

Over the break, between Summer and Fall, the Graphic Design and Advertising departments moved into their newly renovated spaces on the fifth floor of the 1111 Building. Graphic Design, Interaction Design and Graduate Graphic Design Senior Coordinator Danielle Ferrer gushes, “I love the new floor it looks absolutely amazing. I saw what it looked like before and what it is now—talk about night and day. The lighting alone is amazing.”

Graduate Graphic Design’s space on the North end of the floor is beautifully outfitted with Herman Miller furniture and has a fantastic view of the San Gabriel mountains. Although a fair amount of Graphic Design classes are being held in the new classrooms, the department is still running some classes at Hillside at the 950 Building.

Advertising is housed on the South end of the floor and is currently holding all of its on-campus classes at 1111.

The fifth floor also boasts ample gallery spaces to show off student work.

The influx of Graphics and Advertising students, staff and faculty has had an impact on the infrastructure at 1111 and there have been a few growing pains. The popular Foodies Café prepared for increased demand by increasing their grab and go items but the line can get a little long at peak demand times. To help with demand for sustenance, the third floor vending machines have been replaced by a Micro Market that offers self-serve coffee drinks, assorted energy drinks, water and other beverages along with fresh salads and sandwiches, an assortment of frozen entrée offerings and snack and dessert items.

The elevators are a little more crowded and it may take a little more time to catch one at peak times. Please note, you can use the stairwells at the North and South of each floor to travel throughout the building (except the parking levels—you will need to use elevators to reach P1 and P2).

Parking has also been affected with increase demand for P1 parking slots. As a reminder, valet parking is available when needed at the 950, 888 and 870 lots—just across the train tracks. Staff are also reminded that they should be parking on P2 to allow students and faculty access to the spaces on P1.

Like other Campus buildings, 1111 is open from 7:00 a.m.–11:00 p.m. every day. The elevators to the second and fourth floors are restricted after 8:00 p.m. because no classes are scheduled on those floors. After hours access is available to students through their faculty or department staff. Any questions about access for 1111 or other buildings, please contact Director of Security Jim Finch.

There are more changes planned for the 1111 Building. The Mullin Gallery is slated to open at the end of the Summer/beginning of the Fall of 2018, in the lobby of 1111. The second and fourth floors will be built out after current tenants move out and Foodies Café will expand into a larger space to be better able to serve a larger hungry population.

All of these moves are part of the College’s Master Plan that envisions a robust presence at South Campus as well as needed renovations at our Hillside Campus.