Autonomous for the people: cars of the future will need to balance new features with safety

 

Still from Media Design Practices students Elaine Cheung’s Connected Mobility “video sketch.”

Still from Media Design Practices students Elaine Cheung’s and Shan Shen’s Connected Mobility.

Last week, Chevrolet announced that more than a dozen of its 2016 cars and trucks would be compatible with Apple’s CarPlay and Google’s Android Auto, the tech giants’ competing in-dash interfaces for vehicles that connect to the driver’s smartphone.

Considering both CarPlay and Android Auto were only publicly announced last year, the speed of Chevrolet’s adoption of these interfaces could signal a sea change in how quickly automakers respond to consumers’ demands.

Geoff Wardle, executive director of Art Center’s graduate Transportation Systems and Design program, says Silicon Valley’s forays into the transportation arena have lit the proverbial fire under Detroit.

“Traditionally the car industry has designed vehicles over a three- to four-year time period,” says Wardle. “But people want the same features in their cars that they have on their smartphones, which change every few months.”

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Students stir emotion with light and shadow at Salone del Mobile 2015

Inspired by invisible depths of both light and shadow in urushi, the "Continuum" family of luminaires is a meditation on the seamless relationship between light and shadow. By Connie Bakshi, Kouichi Miyazaki

Inspired by invisible depths of both light and shadow in urushi, the “Continuum” family of luminaires is a meditation on the seamless relationship between light and shadow. By Connie Bakshi, Kouichi Miyazaki

Mokume lights that use wood grain to reveal the passage of time. Pendant lights that echo the ephemeral life of the raindrop. Porcelain luminaires that freeze calligraphy, revealing the beauty of the form’s imperfections. These are a few of the projects that emerged from the 9th annual Pacific Rim international collaboration between Art Center and Tama Art University in Tokyo. Hosted and lead by the Environmental Design Department, Pacific Rim challenges students from both schools each year to collaborate to envision new lighting designs by exploring the way light impacts the way we perceive our world, influences our mood and colors our experiences. This year’s collaboration encouraged students to investigate the sensorial qualities of light and shadow within the context of Japanese history, tradition and culture. Continue reading

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Doing the unimaginable: Alum Dan Santat’s Caldecott-winning book to become animated feature

Detail of an illustration from Beekle by Dan Santat. Courtesy Little, Brown Books for Young Readers

Detail of an illustration from Beekle by Dan Santat. Courtesy Little, Brown Books for Young Readers

It’s been quite a year for Illustration alumnus Dan Santat (BFA 01).

Back in February, he was awoken at 4:30 a.m. by a call from the American Library Association (ALA) with the news that his childrens’ book The Adventures of Beekle: The Unimaginary Friend had won the Caldecott, the nation’s most prestigious award for childrens’ literature.

And this Wednesday it was announced that Jason Reitman, the Oscar-nominated director of Thank You for Smoking, Juno and Up in the Air, would be writing and directing an animated film based on Beekle for Dreamworks Animation.

“I was book shopping with my daughter, when a little tooth-shaped character wearing a paper crown stole our hearts,” said Reitman in a press release announcing the deal. “His name was Beekle, and I’m now honored to be adapting Santat’s charming story into a feature film.”

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Venice Family Clinic gives Art Center designers a seat at the table for new pediatric center

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“Design has an enormous and growing role to play in developing health and wellness products and spaces,” says Art Center Product Design faculty member Jeff Higashi.

So it shouldn’t be surprising that when the Venice Family Clinic, an affiliate of UCLA Health System, was preparing to launch its new Children’s Health and Wellness Center, organizers made sure that designers—including 12 Art Center students—had seats at the table. Continue reading

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JUMPSUIT: The ungendered monogarment to replace all clothing

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A spectre is haunting fashion — the spectre of JUMPSUIT. Fine Art Adjunct Instructor Maura Brewer and Rational Dress Society co-founder Abigail Glaum-Lathbury are bringing the people a new voice for non-choice. Curious? The Dotted Line caught up with Brewer in between lectures in Sweden, guerrilla actions at fashion week in NYC and her successful Kickstarter campaign to find out more about the project.

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Future road trip: Autospaces 2025 to explore the changing automotive landscape

Students Angela Dong, Thokozani Mabena,Vivia Liu and Sarineh Issagholian discuss their concepts with Jaguar Land Rover representatives at the New Car Experiences midterm. Photo: Chris Hatcher

Students Angela Dong, Thokozani Mabena,Vivia Liu and Sarineh Issagholian discuss their concepts with Jaguar Land Rover representatives at the New Car Experiences midterm. Photo: Chris Hatcher

It’s the end of the schlep as we know it. And we feel fine.

Well, perhaps not quite yet, but thanks to rapidly evolving technology making autonomous vehicles possible, that daunting commute we face every day may soon be a thing of the past.

Tomorrow in the Wind Tunnel at South Campus, Art Center hosts Autospaces 2025, a one-day symposium that brings together designers, researchers, and government and industry leaders to explore issues of connectivity, trust and mediation with autonomous and semi-autonomous vehicles.

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Alumni video: Strategic brand storyteller Michael Etter sources his inspiration for the ‘beerification’ of wine

Pizza delivery, filmmaking and teaching are not typical bullet points on a designer’s resume. But Michael Etter (BFA 03 Graphic Design) took a roundabout route to his chosen field at Art Center, which he ultimately came to see as the most effective means to exercise his passion for storytelling. The thread connecting all his diverse interests has always been a narrative one, which continues to inform his work today as a strategic brand storyteller.

What does that mean exactly? As you’ll see in the above video and the Q&A below, Etter works to define brands as if they were characters in a story he’s writing. He then shapes a campaign around the specific attributes of the company. It’s a process that has yielded supremely successful results. Case in point: His recent campaign for Union Wine Company, which was designed to take the pretension out of wine drinking and make it more casual and accessible to non-oenophiles. The resulting campaign combined design innovation—selling wine in cans. But it was Etter’s bold narrative about the “beerification of wine” that distilled the essence of the idea into a media-friendly easily digestible package, generating a smash hit for Union, which quickly sold out of its first run of cans and is now expanding its reach far beyond its roots in Oregon.

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Film alumnus Chris Campbell’s Maglite commercial wins student Emmy

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Alumnus Chris Campbell accepts the 1st Place Commercial award for “Maglite – Dreamweaver” at the 36th College Television Awards, presented by the Television Academy Foundation at the Skirball Cultural Center in Los Angeles on Thursday, April 23, 2015.

And the College Television Award for best commercial goes to….Art Center alumnus, Chris Campbell, for his Maglite—Dreamweaver spot, a heartwarming ad concept which features a father and son bonding while using the flashlight to make shadow puppets.

The Television Academy, which hosts the Emmy Awards, created The College Television Awards to offer film students a national platform to showcase their work and talent. Modeling itself on the Primetime Emmy judging process, entries are reviewed by active Television Academy members. With more than 1,100 students from 500 schools across the United States vying for a few slots it is also extremely competitive.

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How Design touts TestLab Berlin’s life-changing impact on its participants and design itself

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A new environment can stimulate inventive thinking that leads to brilliant design work—but according to the TestLab Berlin participants, it might just stir you to change your way of life, too.

TestLab Berlin is a study abroad program offered by Art Center College of Design that is structured as a series of immersive 14-week trans-disciplinary projects under the direction of Nik Hafermaas, graphic design department chair and executive director of Berlin Programs. Students from a range of studio majors offered by the college—including illustration, photography, environmental, interaction, product and graphic design—can apply to participate. Twelve students are selected to travel from Pasadena, CA to Berlin to work for a semester at Art Center’s pop-up design studio in the recently renovated Bikini Berlin, an historic 1950s urban marketplace and recreation center located across from the city’s famed Zoological Garden.

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Leap Before You Look: Inside the revealing new exhibition on Black Mountain College, with MOCA curator Helen Molesworth

 

Photo: Hazel Larsen Archer, Merce Cunningham Dancing, c. 1952-53, gelatin silver print, 8 ¾ x 5 7/8 inches. Estate of Hazel Larsen Archer and Black Mountain College Museum and Arts Center.

Photo: Hazel Larsen Archer, Merce Cunningham Dancing, c. 1952-53, gelatin silver print, 8 ¾ x 5 7/8 inches. Estate of Hazel Larsen Archer and Black Mountain College Museum and Arts Center.

“Most people in the room probably know a little something about Black Mountain College, and it’s probably part wrong and part true,” said Helen Molesworth. Relaxed in black sneakers and a loose sweater, the new chief curator at the Museum of Contemporary Art in Los Angeles, less than five months into her new job, offered a candid and engaging behind-the-scenes look at her work on a revealing new exhibition about Black Mountain College—the first comprehensive exhibition on the subject to take place in the United States.

The curator’s talk in February, a full year ahead of the exhibition’s opening in L.A., was part of both the Wind Tunnel Lecture Series and Art Center Dialogues. And as she disclosed to her unsuspecting audience at the outset, “You’re the first! I haven’t actually given a Black Mountain talk yet.”

For Molesworth, Black Mountain College’s mythic status—as the birthplace of the neo-avant-garde and the site of legendary collaborations by Robert Rauschenberg, John Cage and Merce Cunningham—has in fact been a problem to overcome, an impediment to a more complete understanding of its history. “It was a place charged in ways that engendered mythmaking from its inception,” she said, “and a lot of that mythmaking was self-generated.” Continue reading

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