Artist Erik Mark Sandberg explores the intersections of landscapes, tacos and razzle dazzle

"Girl with a Floral Headband" (2011) by Erik Mark Sandberg.

“Girl with a Floral Headband” (2011) by Erik Mark Sandberg.

For artist, Illustration alumnus and Art Center at Night (ACN) instructor Erik Mark Sandberg, life is constantly presenting contradictions ripe for artistic exploration.

“I was on my way recently to the Sierra Nevada Mountains to do some backpacking and thought, Gosh, look at that pristine pastoral landscape, when suddenly my view was obstructed by a large billboard advertising that Doritos Locos Tacos Supreme were available at the next gasoline station,” says Sandberg with a laugh. “And I thought Wow, those look good and I do need fuel. It was so strange.”

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Blazing a trail from Art Center to Burning Man


Burning Man, the annual creative bacchanal drawing some 50,000 hedonistic seekers, makers and disrupters, kicks off next Monday in the Black Rock Desert in northern Nevada. This year’s week-long confab celebrating self-expression, community and the ephemerality of art and life itself draws its theme from John Frum, the messianic figurehead of the cargo cults of the 1930’s and ‘40’s, which sprung up on South Pacific islands after American troops landed there and dazzled the natives with their exotic first worldly possessions. After the servicemen departed, the islanders built altars and monuments intended to lure these otherworldly Americans (John Frum was derived from the endless series of G.I.’s introducing themselves as “I’m John from…” ) back to bestow them with another bounty of MRE’s and walkie-talkies.

It’s a legend tailor-made for Burning Man, which culminates with the incineration of a giant effigy of the eponymous wooden figure, constructed on site by an army of artists. And though Art Center has never embodied the anarchic temporality of the Burning Man ethos. There’s an argument to be made that Burning Man’s cultivation of a cult of makers, sustainability evangelists and big-dreaming visionaries is more closely aligned with Art Center’s forward-thinking values than it may seem to the naked eye.

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2013 Great Teacher Award-winner, Richard Keyes, delivers graduation address. Student-drawn allegory included.

 

Illustration by Katia Grifols

Illustration by Katia Grifols

Richard Keyes didn’t stay long the first time he took the stage at Art Center’s 2013 Summer commencement ceremony to accept the Great Teacher Award. That’s likely because he knew he’d return shortly in his other capacity, as the event’s keynote speaker. Keyes, who is both an alum (Graphic Design ’87) and beloved faculty member has made a habit of multitasking throughout his career at Art Center, where he straddles five departments — Graduate Industrial Design, Entertainment Design, Photography, Integrated Studies and Art Center at Night. For insight into why he received the highest honor awarded by Art Center students, look no further than the speech itself (posted in its entirety below), which culminates in a moving fable, accompanied by a slideshow of images hand-drawn by student, Katia Grifols, who has been Keyes’ T.A. for three terms.   

You have reason to expect a celebrity sending you off into the world today, but you are getting a teacher. Conversely, when I came to Art Center 30 years ago I occasionally expected teachers and got celebrities, so I hope I can redress the balance somewhat. But not before I state how much I have learned from you, quite probably the most impressive student body in the creative world.

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Highlights from Art Center’s 2013 Grad Show Preview

This has been a summer of record-breaking heat waves and dramatic conclusions to ongoing narratives in the news (Nelson Mandela’s miraculous recovery from a life-threatening illness coinciding with his 95th birthday) and culture (Superman will face off against Batman on the big screen). Last night’s Grad Show Preview played right into this season’s “go big or don’t go at all” ethos, with its spectacularly well-attended (upwards of 500 guests) display of graduating Art Center students’ creative heat.

Each term at Art Center culminates with Graduation Show Preview, an invitation-only event, where students unveil final projects as well as highlights from their time at the College. While the show eventually opens up to the public following Saturday’s graduation ceremony; there is a particular electricity and excitement coursing through Hillside campus on the preceding Thursday night when students debut the feats of ingenuity and imagination they’ve spent the past four years cultivating and refining.

“It’s such a special night with incredible energy and great opportunities for our graduates to share their work with industry and celebrate the completion of a tremendous amount of hard work,” says Alumni Relations executive director, Kristine Bowne. “It’s the only time during the whole year when the work of our graduating students is on display and the only time you can visit and get a sense of the breadth of creativity and innovation of our students and the impact they will have on our world.”

For those of you who weren’t on the list last night, here’s a glimpse at what you missed.

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Precognition 101: Media Design Practices’ visiting researchers explore the ability to predict the future

"Brainwave Canon" (2011), an earlier project by visiting researcher Sitraka Rakotononiaina.

“Brainwave Canon” (2011), an earlier project by visiting researcher Sitraka Rakotononiaina.

Each summer, Art Center’s Media Design Practices (MDP) graduate program invites outside researchers to join its faculty researchers and post-graduate fellows to run design-driven investigative projects.

As part of this week’s graduation week festivities, MDP is hosting a free event tomorrow from 3–5 p.m. in the Wind Tunnel at South Campus to share with the public the result of this summer’s research.

“Design-driven investigations can generate new approaches to design, culture and technology,” says Anne Burdick, Chair of the department. “They can provide insights into people and their daily practices, and bring new knowledge to life.”

MDP’s summer research projects often result in works that don’t fit neatly into conventional categories, such as Curious Rituals by Nicolas Nova, which studied the gestures, postures and digital rituals that have emerged with the use of current technology, and Suspension of Disbelief (“The Promise”) by Ingrid Hora and Daniel Salomon, which explored the worship of objects through the creation of a fictional cult.

And this summer’s projects—one of which explores human precognitive abilities—promise to be just as unconventional.

This summer’s visiting researchers are Andrew Friend, associate lecturer in the Department of Spatial Practices, Central St. Martins College of Art and Design, University of the Arts London, and Sitraka Rakotoniaina, co-founder of Good One, a speculative design collective with friends coming from computer science and architecture backgrounds.

Together, Friend and Rakotoniaina will discuss their project The Prophecy Program, which is part of their ongoing research into the convergence of art and science through artifacts and experiences that address people’s perception of emerging technologies.

According to the duo, the project “looks at how the power of predicting the future has often been attributed to prophets or people with super capabilities, yet on closer inspection we all have the ability to experience a premonition of future events that cannot be otherwise foreseen. The Prophecy Program proposes that through undergoing the correct, intensive training one may be able to improve their pre-cognitive ability, in turn gaining an ability to project into, and (to a degree) take control of a future.”

Also on hand to discuss their research will be MDP faculty researchers Ben Hooker and Shona Kitchen, whose project Neighborhood Watch Files imagines a world in which drones are as ubiquitous as pets, as well as Art Center Fellow Tanner Teale and MDP Post-Graduate Fellow Jeremy Eichenbaum.

Immediately afterwards, there will be a reception and exhibition featuring work by MDP’s Field track students.

Research Review: 3–5 p.m.; Reception and Exhibition: 5–10 p.m.
Thursday, August 15, 2013
Art Center College of Design, South Campus, The Wind Tunnel
950 South Raymond Avenue, Pasadena, CA 91105

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Watch: ‘Trick or Drink,’ a riveting video memoir by new Fine Art chair, Vanalyne Green

 

With today’s announcement of Vanalyne Green‘s appointment as chair of Art Center’s Undergraduate Fine Art program, the College unveiled a pivotal panel in a larger canvas depicting the program’s evolution. Green is an internationally-recognized pioneer in the feminist art movement, whose work has been shown at the Whitney Biennial, the Guggenheim Museum and the Museum of Modern Art, where the above video is currently housed as part of the museum’s video collection.

“Trick or Drink,” which debuted in 1984, a decade after Green graduated from CalArts’ Feminist Art Program (spearheaded by Judy Chicago and Miriam Schapiro), offers an intimate and provocative look at the different forms addiction takes on as it’s passed among generations of family members. Green adapted the video from a live performance she’d developed from autobiographical material incorporating her experiences growing up in an alcoholic household and her own battles with bulimia. “Truth or Drink” is the rare video work to be as heralded for its artistic achievement as it is for its therapeutic value to patients in hospitals and treatment centers.

This particular work illuminates more than a lifelong social justice bent to Green’s creative sensibility. It also offers a glimpse at how the Fine Art Department’s new Artmatters concentration — an interdisciplinary curriculum launching this fall emphasizing collectivism and collaborative projects in the public sphere — might manifest itself in the real world.

Green, a founding member of the pro-choice, pro-sex agitprop group, No More Nice Girls, expressed her kinship to Art Center’s trans-disciplinary approach to social impact creativity as follows: “This is an especially optimistic moment for education programs such as Art Center because of the unusual flexibility it offers to students to cross disciplines,” Green stated in her application for the position. “My goal is to support young artists to recognize their inherent interests and to strengthen their commitment to work through a program of experimentation and exposure to an international art world.”

Regarding the role she will play at Art Center, Green stated, “For some, making art and administrative leadership within an educational institution are inimical. To the contrary, I find pedagogy and program development to be intrinsic to the project of being an artist: they involve narrative, composition, architecture and art as a form of social energy. This idea of a porous boundary between practices originates in the unorthodox programs I was privileged to experience.”

 

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Culmination celebration: Summer 2013 graduation events

Graduation at Art Center

With the all-nighter intensity of finals safely in the rear-view mirror, excitement mounts as Summer Term 2013 graduation week gets underway. Here’s an overview of the campus agenda, which teems with an array of culminating events showcasing the handiwork of the creative talent pool about to flow into the marketplace.

Thursday, August 15

Industry leaders and professionals, employers, corporate partners, donors and alumni will get the first look at the Summer Term’s graduating artists and designers at this year’s invitation-only Graduation Show Preview. The show will feature student projects from major fields of study at Art Center, including Advertising, Entertainment Design, Environmental Design, Film, Graphic Design, Illustration, Photography and Imaging, Product Design, Transportation Design, Graduate Industrial Design and Graduate Media Design Practices.

Graduation Show Preview will be held at Hillside Campus from 6:00 to 9:30 p.m., with a private reception hosted by Alumni Relations immediately following.

From 3:00 to 5:00 p.m., Graduate Media Design Practices will host a lab research discussion followed by an exhibition and reception, from 5 to10 pm, in honor of this term’s cohort of graduates, which includes the program’s first Field Track students. These events take place on South Campus (950 Raymond) and are open to the public.

Saturday, August 17

Join us in the Sculpture Garden at Hillside Campus from 5:00 to 7:00 p.m. for our graduation ceremony. Cross-disciplinary faculty member and alum, Richard Keyes — who teaches popular classes in color theory, design principles and narrative structure — will deliver the commencement address. We will also hear from valedictorian and Environmental Design student, Rosa Tsaihua Lee and present the Art Center Student Leadership Award to Photography and Imaging student, Kate Marie Buntsma.

After the ceremony, Graduation Show opens to the public from 6:00 to 9:00 p.m., where work by the newest Art Center graduates will be on display. In addition to Hillside Campus activities, Graduate Art and Graduate Media Design Practices will host  a Graduation Show at South Campus from 6:00 to 11:00 p.m.

Free valet parking will be provided at the Hillside Campus from 6 – 10 p.m.  Self-parking will be available at South Campus throughout the evening.

Congratulations to our Summer Term 2013 graduates!

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Beijing team’s rubber band-powered car snags grand prize at 8th Annual Formula-E race

Formula-E Best in Show winners, from Beijing University of Technology

Formula-E Best in Show winners, from Beijing University of Technology

Champagne flowed as winners and challengers celebrated after a long road of trial and error in the annual Formula-E race at Art Center on August 8, 2013.

Teams from three Southern California colleges and two universities in China were sweating it out as their remote controlled, rubber band-powered cars zoomed around the tracks for five hours in the afternoon sun.

The top award, Best in Show, was presented to team Final-E from Beijing University of Technology. The talented team members Sui Hao, Xuan Jinran and Zhang Han also placed in three other race categories. The only other competitor to do the same was Art Center’s team Tensegrity, consisting of Renee Mascarinas, Kun Huang and Jecky Chow. (See below for more race results.)

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An early peek at Art Center at Night’s newest offerings for makers, change-makers and career-changers

Waiting_KristinKirgan

Need a career makeover? Ready to explore a new path? Have a dream to fulfill?

Consider your wait over.

Next Wednesday, Art Center at Night (ACN) is holding its annual open house at Art Center’s South Campus from 7–9 p.m. At the event, visitors have a chance to explore the broad range of opportunities available through Art Center’s continuing education program.

At Experience Art Center at Night, visitors can: sit in on classes (see participating courses); observe student presentations and critiques; meet ACN’s instructors; see student work; register for Fall courses; learn about Art Center’s full-time degree programs; enter a raffle to win a free ACN course; and share their ACN experiences in the event’s first ever video confessional booth.

The event is also the perfect opportunity to learn more about and sign up for ACN’s newest courses. This coming Fall term, the program is offering more than a dozen new courses, including:

Digital Painting for Entertainment
Painting can seem complicated. But by understanding the medium and combining foundation skills with more lateral approaches, you can discover the joy of digital painting. This introductory digital painting course is designed specifically for aspiring entertainment design, entertainment arts, and illustration students. Instructor: Justin Pichetrungsi

Dimensions: Exploring Dynamic Objects
Before you can successfully create sculpture or make art, you must expand your definition of objects and object-making past the notion of craftsmanship. This course will challenge you to consider how objects can engage us emotionally and conceptually and offer you the opportunity to work with new tools and materials. Instructor: Mason Cooley

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What does it means to be a zine? A zine-ster reveals all.

Student Linus Shentu with two photography zines he donated to the Library

Student Linus Shentu with two photography zines he donated to the Library

During the month of July, the Art Center Library was one of many zine libraries around the world to celebrate International Zine Month.  Our zine-reading party showcased student and alumni made zines over break time snacks and coffee, and our button-making workshop gave students the chance to create tiny, wearable pieces of art.

At this point, dear reader, you may find yourself asking: What in the world is a zine anyway? And why are zines relevant to Art Center?

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