In search of textured stories: An Illustration student explores children’s books by African-American illustrators

 

Art Center librarian Simone Fujita and Illustration student Kristina Halcromb discuss children’s books by African-American illustrators. Art Center photo by Sylvia Sukop

“You get a feeling of music. Totally music. Rhythm,” Kristina Halcromb muses out loud as she runs her fingers over Duke Ellington’s blazer, rendered in rich hues of purple, pink, blue and brown in a children’s book she is encountering for the first time. Emanating from the trombone pressed to the jazz musician’s lips, clouds of sound swirl across the page.

“The hand drawing makes it more appreciative,” says the Illustration major, in her final year at Art Center College of Design.

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Art Center gets interactive at SXSW

Art Center tech-heads will have a chance to talk design at the 20th annual SXSW Interactive festival, held March 8 to 12 in Austin, Texas.

The College will host an alumni event March 7 with panelists – including Anne Burdick, Chair of Graduate Media Design Practices, and Maggie Hendrie, Chair of Interaction Design – discussing challenges facing designers in a networked global future.

Additionally, a trio of alumni from the Media Design Practices program will sit on panels: Jayne Vidheecharoen (Shaping the Future of Play Is Serious Work), Carina Ngai (Design for Aging, Your Future-Self) and Jennifer Darmour (The Next Frontier of Interactive: Smart Fashion).

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Alum Leslie Ekker reveals how he designed modern-day ‘Munsters’

Visual Effects Supervisor and alum Leslie Ekker recently earned a Visual Effects Society award nomination for “Mockingbird Lane,” NBC’s reboot of the 1960s classic “The Munsters.”

The pilot, which earned a nom for Outstanding Visual Effects in a Broadcast Program, starred Jerry O’Connell as family patriarch Herman Munster, Portia de Rossi as his wife Lily, and Eddie Izzard as Grandpa. We caught up with Ekker to learn how he helped design modern-day Munsters.

Describe the visual effects your team is being recognized for on “Mockingbird Lane.”

There were 75 visual effects shots for a 40-minute pilot. For example, specially designed particle animations were created to show the appearance and special powers of matriarch Lily Munster (Portia De Rossi), who first arrives in a wooden crate. A languid vapor begins to flow from the chinks in the crate and then flow together to form a nude Lily. Continue reading

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‘Rise of the Guardians’ director to speak at Art Center

“Rise of the Guardians” director Peter Ramsey will speak at Art Center Thursday at 4 p.m.

Ramsey’s Hollywood credits include “Panic Room,” “Fight Club,” “Batman Forever” and “Backdraft.” And by helming DreamWorks Animation’s “Rise of the Guardians,” Ramsey became first the African-American to direct a major animated film.

His decades-long Hollywood career includes turns as a storyboard artist, illustrator, continuity artist and production illustrator.

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Art Center hosts distinguished speakers from the art world

Andrea Fraser

The Graduate Art Seminar at Art Center College of Design welcomes internationally recognized artists, critics, art historians, architects, filmmakers and writers to Pasadena to share their insights into the world of contemporary art. The seminar — a core component of Art Center’s Graduate Art program — takes place at the Hillside campus Tuesday at 7:30 p.m. throughout every Spring term.

All events are free and open to the public.

Next up Tuesday evening is New York-based performance artist Andrea Fraser, whoseinstallations have been featured at the Berkeley Art Museum, the Kunstverein Munich, the Venice Biennale and the Whitney Biennial.

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Black History Month: A few things you might not know

Carter G. Woodson

In terms of socio-political significance, February is also an important month in the United States. It is Black History Month. It is a time when the country recognizes the struggles, achievements and contributions of the African-American community. In the course of researching this topic, I learned something I didn’t know before. I want to pass it along.

Black History Week was founded at a time (the 1920s) when forces actively tried to write famous African-Americans, such as Harriet Tubman and Crispus Attucks, out of the history books.

The annual observance was created by Carter G. Woodson. He was an educator who graduated from the University of Chicago and was the second black man (behind W.E.B. Du Bois) to receive a doctorate from Harvard University.

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Re-designing movies: How Art Center educates the next generation of filmmakers

During a break on the set of Man of Steel, the upcoming Superman reboot directed by Zack Snyder FILM 89, Jack Foley, a teen actor whose character in the film bullies a young Clark Kent before the two become friends, started asking questions. “I began talking with Zack about how he became a filmmaker, and the conversation led to film school,” Foley says. “I asked him about where he went, and he spoke very highly of Art Center.”

Like many others, Foley is an actor who wants to direct. And in Snyder he saw his college future. “I was pretty much set to go to a different film school, but after seeing Zack’s methods and the way he controlled his set, it was clear to me that I was working with a true artist. I started looking into Art Center.”

The Visual Storyteller, Act One:

As befits a successful screenwriter (Rush Hour), novelist and, most recently, graphic novelist, Ross LaManna, chair of the undergraduate Film Department since 2006, has countless stories to tell. Many center on the program’s students, such as Dan Bartolucci FILM 10, who got a job on the graveyard shift at special effects house Lola, right after graduating.

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Sustainable solutions: by bike, on a plane or by hand

Pop quiz:

What do the following design concepts have in common: a streamlined re-design of in-flight meal preparation and service that reduces air-travel waste; a bicycle for tourists that collects environmental data as cyclists explore the city; and a human-powered washing machine and spin dryer for families living on $4 to $10 per day?

a. They were all designed by Art Center students.
b. They reflect the growing awareness of sustainability within art and design.
c. They are the winning concepts of the 2012 Denhart Family Sustainability Scholarship Prize.
d. All of the above

Too easy? The answer (d) shouldn’t surprise anyone who is familiar with the cutting-edge role Art Center students are playing in environmentally and socially responsible art and design. This year’s Denhart Prize winners, chosen from a highly competitive pool of undergraduates from Fine Art, Film, Photography, Illustration, and Industrial and Environmental Design, represent some of the year’s top design ideas in sustainability at Art Center.

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Art Center for Kids students imagine fashion on Mars

Instructor Yelen Aye (right) gives his Saturday High students some fashion sketching tips.

In less than two weeks, Art Center and students in grades 4–8 will be taking fashion to a different level. Or in this case, a different planet.

Every Spring term, all Art Center for Kids classes—from Animal Sculpture to T-Shirt Design—focus on a common theme: imagining life on Mars.

It’s all part of the Imagine Mars Project, an interdisciplinary program sponsored by NASA and the National Endowment for the Arts that takes students on a virtual mission to Mars and brings them back with a new outlook on community, science and the arts.

For these classes, Art Center for Kids students have an opportunity to meet with scientists and engineers from NASA’s Jet Propulsion Laboratory (JPL) to bring this theme to life.

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Explore ‘Spaces In-Between’ before Sunday

“Spaces In-Between,” an interactive exhibition organized by Media Design Practices faculty member Sean Donahue, will close Sunday.

The exhibition, on display at the Hollywood WUHO project space, is a series of apparatus, temporaries, places, spaces and conversations intended to advance broader participation in community discourse.

“It’s these in-between spaces that my practice aspires to intervene and explore different trajectories,” Donahue told KCET of the project.

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