Tag Archives: Art Center College of Design

Andrea Santizo: Pulling the Strand on view

PortraitThis Friday, April 10th, from 7pm – 9pm, an opening reception will be held for Andrea Santizo’s senior show, Pulling the Strand.

The work ranges in scale and media, from large wooden and wool wall pieces that encompass the viewer, to small copper and salt sculptures that could fit in a child’s hand. Her hybrid objects blend artistic and craft traditions with personal and art historical references. The result is a generous and inviting array of objects that want to shift when you grasp at them but linger in your mind long after the encounter.

In her own words:

As far back as I can remember, there has been a clash between my cultural background and the transplanted American culture in which I was raised. I find myself pushing together what is considered valuable art histories of: frames, prescribed minimalist shapes, drawing and painting, up to traditional textile, fiber, and domestic objects that lack validity within the same art worlds structure in which the formerly mentioned genres reside. In order to form a dynamic exhibition that allows for a critical viewing of such histories, traditions, and acceptable forms of high art, and in doing so directly confronting the polarized art histories and blatant appropriation of traditionally “female” shapes and practices, and questioning the exclusion of craft into the realm of “fine art.”

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Found footage: Archivist recovers lost video of Keith Haring at Art Center

KEITH HARING on Super 8mm by Hadi Salehi from Hadi Salehi on Vimeo.

For the past several years we have been searching for footage of Keith Haring painting the mural at the Hillside Campus in 1989. Thank you to everyone who contacted us with their interest in the project and leads to the footage and photography.

In late 2014, we received a tip that 1991 Photography alumnus and former faculty member, Hadi Salehi may have captured footage of the mural’s creation. We contacted his studio and were excited to discover that Salehi shot Super8 footage of Haring as he painted that he recently digitized, along with a number of photographs of various phases of the process.

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Change/Makers alumni profile video: Entertainment Designer James Paick on designing a life of play

With its bookcases full of toys, games, models and monstrous action figures, the lobby of Scribble Pad Studios could double as a Comic-Con booth or a teenager’s fantasy boy-cave. Not far off is a large room full of people mouse-clicking in front of monitors containing the dark landscapes of video games. While this kind of activity might get a person in trouble at most other jobs, the work is all about play at this entertainment design firm, founded by Art Center Alum James Paick (Illustration, ’04),  specializing in character, creature and concept design for video games, TV and film.

Paick, who founded Scribble Pad in 2008, didn’t attend Art Center with the intention of becoming an entertainment designer. In fact, the Entertainment Design department didn’t yet exist back then. But in the years since, it has become one of Art Center’s most sought-after degrees, which has inspired the launch of the new Character Animation track in Entertainment Design, now accepting applications for Fall 2015.

Ultimately, it was Paick’s passion for popular culture and science fiction informed his illustration work, which he leveraged to land work in various video game design firms before he set out on his own and launched his own business. There’s a lot to admire about James Paick (the subject of our newest Change/Makers alumni video profile) who now spends his days creating fantasmagorical alternate realities and conjuring the creepy creatures who inhabit them. Check out the above video and the Q&A below to learn more about his creative inspirations and the wisdom behind making work out of the booming business of play.

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Student/Space: Kristina Ortega—Media Design Practices, Episode 2

In our first episode with Media Design Practices student Kristina Ortega she was just beginning her investigation into the human micro biome. In this episode we learn about her recent deployment of bacteria covered cheerleaders in a Los Angeles cul-de-sac and her strategies for reimagining civic health.

What is Student/Space?

We identify three students from different disciplines who are in the process of completing an ambitious project. Over the course of the term we work with them to create three videos capturing the launch, obstacles and completion of their finished work of art and/or design. At the end of the term, each student’s trio of episodes constitutes an intimate take on the agony and ecstasy of bringing an idea to life.

Video by Grad Film student Tatyana Kim

Grad Film alum Elran Ofir conjures a slot in Cannes Short Film Corner

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Spring brings the arrival of many things. Swans pursue the thawing lakes in the north. Leaves return to barren trees. And film moguls descend on the white beaches of Cannes for premiers and deal making. This year, alum Elran Ofir (Grad Film 14), will be one of the fortunate few whose film will be included in the Cannes Short Film Corner, a special section for filmmakers to gain access to industry meetings, workshops and conferences on strategic issues.

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February 2015 Art Center alumni notes

Illustration by Kim Ryu for the February 2, 2015 edition of the New York Times Sunday Book Review

Illustration by Kim Ryu for the February 2, 2015 edition of the New York Times Sunday Book Review

It’s been a fruitful awards season—and not just for the creative team behind Birdman. Art Center alums have amassed an impressive array of accolades, from the Caldecott Medal (the Oscars of children’s literature) to the Oscars themselves. So in lieu of glitzy after party, we’ve done the next (or perhaps next, next) best thing and compiled highlights from our alumni community’s recent accomplishments below. Enjoy!

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Giving design the business: The ROI on Art Center’s longstanding partnership with INSEAD

What at first felt like a total culture clash just a decade ago is now standard practice in most top-earning companies. The idea of blending design innovation with business strategy has quickly evolved from a seedling, to a trend and now to a “must have.”

Art Center alumni and friends reunited in San Francisco on February 28 to celebrate the 10-year partnership of the College and INSEAD, one of the world’s leading and largest graduate business schools. Close to 150 industry leaders gathered at the posh play-inducing headquarters of Airbnb on Brannan Street to toast the success of a concept early adopters admitted seemed wacky.

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Scholarship recipient strikes “Gold” with Imagine Dragons music video

Bryan Fugal on set

Bryan Fugal on set

Graduate Film student Bryan Fugal has already done more in the world of professional music video production than, well, many professionals his age. The Utah native and recipient of an Art Center MFA departmental scholarship recently wrapped up a video shoot for the Imagine Dragons‘ song, “Gold,” where he filled two roles: producer and first assistant director. It’s his second time working on a video for the band—and, he hopes, not his last. We asked him to tell us a little about the experience, the role of scholarships, and how Art Center did or didn’t prepare him for the gig.

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Jeff Wall on artifice, actuality and accident — and why he doesn’t make films

Jeff Wall spoke about his work and its influences. (Art Center photo by Juan Posada)

In the Grad Art Seminar series, Jeff Wall spoke candidly about his work and its influences. (Art Center photo by Juan Posada)

Vancouver-born and -based artist Jeff Wall is now living and working part-time in Los Angeles, which is good news for students at Art Center. A capacity crowd filled the L.A. Times Media Center at Hillside Campus last Tuesday night, eager to hear what he had to say.

Jack Bankowsky, who co-curates the popular Grad Art Seminar series with fellow faculty member Walead Beshty, introduced Wall, and reminded the audience of three of his works—opaque black and white prints—that are set in Los Angeles: Citizen (1996), a man lying on the lawn in a public park; 8056 Beverly Blvd., Los Angeles (1996), a cinema-turned-synagogue, framed in a circular black vignette; and Office Hallway, Spring Street, Los Angeles (1997), a man in a dimly lit, nondescript hallway.

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Prominent theorist Ezio Manzini to discuss new book connecting design culture to social change

 

Ezio Manzini

Ezio Manzini

Ezio Manzini, a leading force in social impact design and founder of the DESIS (Design for Social Innovation towards Sustainability) network of university-based design labs (including Art Center’s Designmatters department), will present a lecture based on ideas addressed within his new book, Design, When Everybody Designs, published by MIT Press. The event, which begins at 7pm in Art Center’s LA Times Media Center, will include an hour-long talk about design culture’s role in driving the future of social change and a book signing at 8pm.

The following excerpt from Manzini’s book, which was originally published as part of Mapping Social Design‘s Expert Workshop, offers an enticing preview of the innovative and deeply-considered ideas Manzini will address in his presentation at Art Center next week:

In the 21st century social innovation will be interwoven with design as both stimulus and objective, indeed it will stimulate design as much as technical innovation did in the 20th century. At the same time, it will be what a growing proportion of design activities will be seeking to achieve. In principle, design has all the potentialities to play a major role in triggering and supporting social change and therefore becoming design for social innovation. Today we are at the beginning of this journey and we still need a better understanding of the possibilities, the limits and the implications of this emerging design mode, but what is already clear is that design for social innovation is not a new discipline: it is simply one of the ways in which contemporary design is appearing. Therefore, what it requires is not so much a specific set of skills and methods, but a new culture, a new way of looking at the world and at what design can do with and for people living in it.

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