The Dotted Line: What can 3D printing technology do?
Andy Ogden: The technology can make a solid 3D ( material) model (output) of anything one can imagine in a 3D modeling program—from cookies, to doorstops to rocket engine tooling.
These machines churn out working prototypes (not just models) made from solid usable parts. This technology is especially valuable for making models, mockups and prototypes that do not require the time or labor traditionally necessary to achieve a similar result.
Illustration by Katia Grifols
Richard Keyes didn’t stay long the first time he took the stage at Art Center’s 2013 Summer commencement ceremony to accept the Great Teacher Award. That’s likely because he knew he’d return shortly in his other capacity, as the event’s keynote speaker. Keyes, who is both an alum (Graphic Design ’87) and beloved faculty member has made a habit of multitasking throughout his career at Art Center, where he straddles five departments — Graduate Industrial Design, Entertainment Design, Photography, Integrated Studies and Art Center at Night. For insight into why he received the highest honor awarded by Art Center students, look no further than the speech itself (posted in its entirety below), which culminates in a moving fable, accompanied by a slideshow of images hand-drawn by student, Katia Grifols, who has been Keyes’ T.A. for three terms.
You have reason to expect a celebrity sending you off into the world today, but you are getting a teacher. Conversely, when I came to Art Center 30 years ago I occasionally expected teachers and got celebrities, so I hope I can redress the balance somewhat. But not before I state how much I have learned from you, quite probably the most impressive student body in the creative world.
When James Dyson Foundation was looking for ways to inspire the next generation of design engineers, Art Center Industrial Design students kept appearing on the Foundation’s radar.
“We’ve consistently received strong entries to the James Dyson Award from Art Center,” says Erin Webb, Foundation manager, referring to the Foundation’s annual international design competition. “It was clear to us that the College has a very iterative approach to the design process and that Art Center students are challenged not just to come up with ideas but also to create prototypes.”
Pentago Yu’s U-Haul Conversion Kit
Katherine Bennett teaches advanced research in graduate and undergraduate industrial design at Art Center College of Design, where she pioneered the integration of professional-level design research into the product design curriculum. The following article was originally published in the current issue of the Industrial Design Society of America’s journal, Innovation.
Stepping beyond problem finding to problem framing and the need to eliminate bias on the part of designers and clients—these are big topics in the world of research. But are they in industry? While techniques on their own won’t eliminate bias and properly frame the problem, it is necessary to address these issues.
IDEA Award-winning designs by Nina Viggi, Marc Dubui and Shingo Mamiya
Art Center continued its legacy of award-winning leading-edge design with yesterday’s announcement of the 2013 IDEA Awards, which included three medal-winning student projects and eight finalists among the honorees of the Industrial Designers Society of America’s prestigious annual awards program.
“The IDEA awards program continues to be an effective witness to the state of industrial design and design education today,” explained Katherine Bennett, faculty member in the Graduate and Undergraduate Industrial Design Departments. “The process of articulating their designs for the IDEAs’ worldwide audience gives practitioners and students a forum for important causes we want to address, and to tell the story of design’s value to our clients, our customers and society as a whole.”
Each of this year’s trifecta of winning projects illustrates Art Center’s trademark focus on innovative design with real world social impact, informed by a meticulous, research-based approach. Graduate Industrial Design student, Nina Viggi’s One Degree High Performance Dinghy Shoe, durable footwear designed for sailors, received a gold medal. Product Design student, Marc Dubui, took home a silver prize for his hard hat suspension system, titled Oblikk, designed to protect the wearer from lateral and rotational impact. Finally, Product Design undergrad, Shingo Mamiya, was awarded the bronze for A Better Working Environment for Certified Nursing Assistants, a waste disposal system for the elderly.
Art Center students have long been a formidable force at the IDEA Awards, collecting a total of 70 medals over 22 years, with a wide array of inventive designs, ranging from the UnBathroom to the U-Haul Emergency Response Conversion Kit for the American Red Cross. This year’s winners were selected from a field of 687 finalists, to be announced live on August 21 at its 2013 International Conference in Chicago.
From computers to sports cars to space capsules, America’s infatuation with invention has fueled industrial design. Now a prestigious grant from the National Endowment for the Humanities (NEH) is invigorating Art Center’s efforts to preserve the College’s rich history of industrial design images and materials.
Students working on an architectural model of a future Art Center campus in a project taught by Kem Weber. Gift of Irene Vermeers (PHOT 1937). Photography by Irene Vermeers.
According to College Archivist Robert Dirig, the grant will support a pilot project to digitize, preserve and make accessible a portion of Art Center’s collection of photographs, film and print materials documenting American industrial design education over an 80-year period.
Art Center President Lorne Buchman, left, and alum Richard Law (Industrial Design ’58)
Art Center alumni are playing a growing role in helping to implement the College’s community-generated strategic plan, Create Change, with philanthropic support across a broad range of areas. Among the most talked about during the past year were gifts totaling $5 million to enable Art Center to acquire a former U.S. Postal Service property in Pasadena. The new property will effectively double the size of South Campus, transforming it from a “satellite” location to a fully-realized campus, with extensive benefits for students and faculty and for local residents.
Richard Law (Industrial Design ’58) is one of the visionary alumni donors who made the purchase possible. He generously offered his thoughts about investing in Art Center at what many are calling a pivotal moment in the College’s history.
Art Center: Can you lead us through your process of making your gift to Art Center? Was it a difficult decision?
Richard Law: It was always important to me to do something with my resources that made a difference in other people’s lives. When I saw the building for purchase, adjacent to the existing South Campus, I thought: This is fabulous. This is what Art Center should be doing. The property, in an urban environment on the edge of Old Pasadena where all the action is, as well as public transit, is a great example of renewing older areas, creating a vital, energetic place.
Guest post by College Archivist Robert Dirig and Transportation Design Director Jay Sanders
Strother MacMinn teaches class on lawn, 1960 (Photo courtesy Art Center Archives)
Art Center’s Car Classic has become one of the most highly anticipated transportation events in Southern California, if not the entire country. Over the past nine years, the event has showcased amazing automobiles and brought together industry leaders–many of whom are Art Center alumni. As we approach Sunday’s Car Classic 2010: Freedom of Motion, join us in looking back at how Art Center became a leader in the world of transportation design.
Jergenson is shown in this circa 1950 photograph with student A.K. Ragheb PROD '51. (Photo courtesy Art Center Archives)
It is estimated that more than half of the world’s car designers are Art Center graduates. Transportation Design alumni currently hold top positions at the studios of Pininfarina, Ferrari-Maserati, Ford, General Motors, DaimlerChrysler, BMW, Porsche, Audi, Volvo, Nissan, Aston Martin, Mazda, Toyota/Lexus and Volkswagen North America.
The field has a long and storied history at the College. Years before Transportation Design became a major at Art Center, our graduates were taking positions with General Motors’ Buick Division in Detroit in the 1930s.
In 1948, Transportation Design became an official course of study at the College, with such influential faculty members as George Jergenson, Strother MacMinn and John Coleman establishing the school’s connection with transportation design—a field that would lift Art Center into international prominence.
