Category Archives: Diversity

President Buchman updates the community at All Hands Meeting

buildings and facilities-3797Approximately three times a year, President Lorne Buchman holds an “All Hands” meeting to update the community on the status, plans and priorities of collegewide initiatives. The All Hands meetings are customarily scheduled shortly after Board of Trustee meetings to allow the President to announce any decisions or areas of focus for the Trustees. On March 16, President Buchman updated the group on current priorities for the Trustees and College leadership.

Space planning and facilities upgrades are always moving targets. The College is mindful of the fact that moving is stressful and disruptive and the Facilities and Campus Planning department is spending considerable time looking at alternative scenarios to achieve a planned end result with the least disruption. One of the big issues presented to the Board of Trustees was the question of whether to prioritize building out academic spaces and completing essential building upgrades over building student housing. The College and the Trustees recognize that student housing is a significant concern for the student body and entering students. On the other hand, it is critical that the College create appropriate space for each academic program, including providing necessary shops, equipment, other student services and galleries.

The College decided on the following drivers for decisions regarding sequencing and implementation of facilities updates

  • Must be education focused
  • Must include removal of the Annex
  • Make all possible efforts to move programs only once
  • Balance interim needs with permanent spaces
  • Consider available space
  • Maintain maximum classroom counts
  • Achieve long term vision of redistribution
  • Consider financing strategies and constraint

Most importantly, should the College decide to update academic spaces prior to building on-campus student housing, the Trustees intend to launch a simultaneous initiative to address housing and affordability issues for students. Preliminarily, there are discussions surrounding the option of providing housing allowances or pre-leasing buildings in the surrounding area or along the Metro Gold Line. Any initiative surrounding student housing will have affordability as its primary goal. You can see various scenarios for who will be housed and where on the walls of the break room on the fourth floor of 1111 and will be posted on the Facilities and Campus Planning section of Inside ArtCenter later this month

President Buchman also reported on the ways ArtCenter is taking action regarding issues of diversity, equity and inclusion as detailed in a recent campuswide email from the Council on Diversity and Inclusion:

  • Personnel—the College is actively recruiting for a new Discrimination, Harassment, Retaliation Administrator and Title IX Coordinator; two new outside Contract Title IX/Discrimination, Harassment & Retaliation investigators; and is currently drafting a job description for a new Coordinator of Diversity, Equity and Inclusion, that will report directly to the President.
  • Training—We are exploring training options for employees, including exploring mandatory diversity training for all staff and faculty. We are also simultaneously exploring cultural sensitivity training for all students and/or expanded intercultural co-curricular programs; and piloting a design culture immersion program during the Summer term to help international English language learners to adapts to ArtCenter and the U.S.
  • Communication & Support Systems—Art Center is committed to better communication with student, faculty and staff; streamlining existing reporting structures; exploring best practices in regards to sexual harassment, based on the work of fellow institutions; looking at issues of access and affordability; and developing new strategies with the Board of Trustees to address issues of homelessness and chronic hunger, as well as catastrophic loss of financial resources

The President also reminded the community about the upcoming WSCUC accreditation visit and reported on the results of the Shared Governance Assessment Task Force. The complete All Hands address to the community, as well as earlier All Hands meetings, can be viewed here.

Knowledge is power: A Transportation Design student’s journey from Zimbabwe to ArtCenter

Zimbabwe

This story first appeared in Dot magazine.

One day, when then 6-year-old future Transportation Design student Thokozani Mabena was playing with friends in the shanty town where he grew up, in authoritarian-ruled Zimbabwe, he was drawn to a magazine he spotted near some trash bins.

Poring through the magazine, Mabena saw an article showcasing a Japanese designer who conceptualized the Nissan Z sports car. The article also featured a big, round, bright orange dot. Mabena didn’t know, during that pivotal moment of curiosity, that the dot represented ArtCenter, but he instinctively liked the article’s gorgeously vivid car design sketches.

“I’ve been sketching since I was 3. I was like, ‘Wow, maybe this is something I could do one day!’ and I just stored the thought in my memory bank,” said Mabena. “I didn’t know what a classic car was. I knew public transportation. I rode in carriages, pulled by a donkey. One time I rode an actual bull. Sometimes we had to walk long distances. Sometimes we took a truck with an open bed, and stood for hours. We rode bicycles, and in trains, buses, and then cars.”

Three decades after first seeing that ArtCenter dot, Mabena—who came to the United States in 2006 as a refugee—is now set to graduate this term, and will debut his ArtCenter Grad Show thesis project Airbnb-GO on April 20.

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Designmatters 15 buzzwords for 15 years: Co-creation

15yearsDM.CoCreation

Earlier this month, in association with ArtCenter’s 85th anniversary, Designmatters Co-Founder and Vice President, Mariana Amatullo, PhD, kicked off the 15 Years of Designmatters (#DM15Yrs) storytelling campaign. Designed to celebrate and commemorate the groundbreaking program’s achievements in social impact design, this multi-platform series will feature posts of various shapes and sizes by Designmatters faculty, alumni, students and partners. The following reflection on Safe Ninos field work in Chile by faculty members Penny Herskovitch and Dan Gottlieb offers empirical proof of the value of co-creation. 

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Nothing to lose: A conversation with OutNetwork president and graphic design student Gianfranco Ocampo

Gianfranco Ocampo at ArtCenter College of Design

Gianfranco Ocampo this summer at ArtCenter College of Design’s South Campus. Photo by Chuck Spangler

Before Gianfranco Ocampo embarked on his first trip to Europe this fall as a participant in the Berlin Studio study away program, we sat down for a conversation with the upper-term Graphic Design major. Ocampo loves to travel, and over the years his family in Los Angeles has hosted many exchange students, one of whom in turn hosted Ocampo when he visited Japan for his 18th birthday. Already bilingual (English and Spanish), Ocampo learned to speak Japanese and to cook Japanese food. Confident and outgoing, he’s a people-centric person at home in the role of ambassador. As a peer mentor with the Center for the Student Experience (CSE), he welcomes incoming students to ArtCenter and this year was named president of OutNetwork, ArtCenter’s Gay, Lesbian, Bisexual, Transgendered, Questioning, Intersex and Allies (GLBTQIA) student club. The group is dedicated to fostering a multidisciplinary, multigenerational community that shares an interest in the intersection between GLBTQIA identity and the creative arts; members include current students and faculty as well as alumni. For Ocampo, advocating for important causes is integral to his calling as a designer.

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Celebrating the ADA’s 25th birthday with a primer of inclusive design at Art Center

Kira Song's floatation vest for brain-injured athletes with limited motion.

Kira Song’s floatation vest for brain-injured athletes with limited motion.

As the nation prepares to celebrate the 25th anniversary of the Americans with Disabilities Act (ADA) on July 26, the community of makers at Art Center College of Design continues to innovate products and experiences that help improve the world for people who have essential life function limitations.

Since its founding 85 years ago, students, faculty and alumni have been making a difference through inclusive design by applying a human-centered theory to assistive products and experiences for populations challenged by issues of aging, race, gender, ability, chronic disease, psychological or developmental disorders, and more.

“We have a community of students who want to leverage their creativity to impact people’s lives,” said Product Design Chair Karen Hofmann (BS 97 Product) who has guided designers making significant contributions through rethinking how products can improve people’s lives for more than a decade. “That’s the most meaningful work designers can do.”

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Beyonce and beyond: Pretty Hurts students explore the intersection of art, feminism and pop culture

Laura Solomon

Laura Solomon

Pretty Hurts (Art 257) started out as a class that stirred debate and outright defiance both within Art Center’s student community and online publications. As the instructors of Pretty Hurts we would like to highlight the outcomes of the course as well as the projects that originated as a result of the class and how the ideas discussed fractured away from the class to influence Art Center College of Design’s student and faculty community. Continue reading

Art Center Dialogues: Dede Gardner on leadership in Hollywood

Gardner_Dotted_V2

“Leaders in art, film, business and design practices, our speakers have changed both the questions we ask and the solutions we might find when it comes to thinking about 21st-century culture,” says Humanities and Sciences (H&S) Chair Jane McFadden, who curates the series, Art Center Dialogues.  The most recent speaker was Dede Gardner. Her long list of producing credits in film and television include award winners such as Tree of Life and 12 Years a Slave, as well as box office smashes World War Z and Eat Pray Love. As President of Plan B, (Brad Pitt’s production company), she has overseen the creation of dozens of films with some of the industry’s top talent.

The auditorium was at capacity with students eager to participate in the Q & A, followed by a screening of the Academy Award nominated Selma, her most recent project. Gardner was on campus to talk about leadership, and much to the pleasure of the crowd, a little insider gossip. When an audience member asked if she was able to speak about Andrew Dominik’s Marilyn Monroe project she said, “Yes, do you have eighteen million dollars?” Or, when a student inquired if she would do everything the same again, starting over as a 16 year-old, she quipped, “Can I start at 36, instead?”

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Art Center @ SXSW Interactive 2015: Malcolm Gladwell, John Maeda, immortality and mind-clones

John Maeda delivers the Design in Tech Report at SXSW Interactive 2015

John Maeda delivers the Design in Tech Report at SXSW Interactive 2015

Taken as a whole, the sweeping scope of topics discussed within the sessions on offer at SXSW Interactive formed an MRI-like portrait of the sub-currents coursing beneath the surface of our society. One of the dominant themes to emerge throughout the conference was the need to populate the tech, design and creative industries with makers and leaders who reflect the diversity of the audiences and users they aim to serve.

This imperative for inclusivity among the ranks of our creative and technological influencers bubbled up early and often on Day 2 of our coverage, in a variety of milieu beginning with our first session of the day: What Does an Art and Design Incubator Look Like? The panel’s lineup of NY-based artists and innovators included Art Center alum Lisa Park (Fine Art), whose performance installation pieces deploy technology in the service of illuminating our emotional lives through the use of sensors and sound, in addition to three other artist-entrepreneurs whose creative practices straddle the intersection of the entrepreneurial, technological and creative spheres.

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Designmatters student Adriana Crespo hones her human-centered design skills in Nigeria

Designmatters student Adriana Crespo

Designmatters student Adriana Crespo

This past summer, I was fortunate enough to be part of an incredible team of creative people with backgrounds in business design, interaction design, industrial design, engineering and writing, to mention a few. This multidisciplinary group of people make up IDEO.org, a non-profit born from design consultancy (IDEO).   IDEO.org saw the power and success of design thinking and human-centered design, and decided to apply these methodologies to solve pressing issues of poverty around the world.

Being a Designmatters Concentration student, I couldn’t have asked for a better opportunity to start exercising my design skills in the social impact field. My title of “graphic design intern” only partially describes all the tasks and challenges I was asked to take on.

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Thanks + Giving: A Next Level dose of brotherly love for Art Center donors

Thank You! from Art Center College of Design on Vimeo.

The following post was written by Martel McCornell & D’Angelo McCornell  ( The Next Level Brothers ), who are biological brothers and film directors from Cleveland, OH. They both are currently attending Art Center College of Design for undergraduate and graduate Film studies. They were truly born Next Level—inspired and determined to continue to become greater together, providing value through great game changing film, design and community innovation.

When we were first approached to create this donor Thank You video, we were very excited and honored to represent Art Center by doing what we love.  Projects that are about value is our niche and purpose.  We knew it was an opportunity to write history and create a positive legacy by expressing our gratitude to those who helped us get where we are today.

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