Pretty Hurts (Art 257) started out as a class that stirred debate and outright defiance both within Art Center’s student community and online publications. As the instructors of Pretty Hurts we would like to highlight the outcomes of the course as well as the projects that originated as a result of the class and how the ideas discussed fractured away from the class to influence Art Center College of Design’s student and faculty community. (more…)
Archive for the ‘Diversity’ Category
“Leaders in art, film, business and design practices, our speakers have changed both the questions we ask and the solutions we might find when it comes to thinking about 21st-century culture,” says Humanities and Sciences (H&S) Chair Jane McFadden, who curates the series, Art Center Dialogues. The most recent speaker was Dede Gardner. Her long list of producing credits in film and television include award winners such as Tree of Life and 12 Years a Slave, as well as box office smashes World War Z and Eat Pray Love. As President of Plan B, (Brad Pitt’s production company), she has overseen the creation of dozens of films with some of the industry’s top talent.
The auditorium was at capacity with students eager to participate in the Q & A, followed by a screening of the Academy Award nominated Selma, her most recent project. Gardner was on campus to talk about leadership, and much to the pleasure of the crowd, a little insider gossip. When an audience member asked if she was able to speak about Andrew Dominik’s Marilyn Monroe project she said, “Yes, do you have eighteen million dollars?” Or, when a student inquired if she would do everything the same again, starting over as a 16 year-old, she quipped, “Can I start at 36, instead?”
Taken as a whole, the sweeping scope of topics discussed within the sessions on offer at SXSW Interactive formed an MRI-like portrait of the sub-currents coursing beneath the surface of our society. One of the dominant themes to emerge throughout the conference was the need to populate the tech, design and creative industries with makers and leaders who reflect the diversity of the audiences and users they aim to serve.
This imperative for inclusivity among the ranks of our creative and technological influencers bubbled up early and often on Day 2 of our coverage, in a variety of milieu beginning with our first session of the day: What Does an Art and Design Incubator Look Like? The panel’s lineup of NY-based artists and innovators included Art Center alum Lisa Park (Fine Art), whose performance installation pieces deploy technology in the service of illuminating our emotional lives through the use of sensors and sound, in addition to three other artist-entrepreneurs whose creative practices straddle the intersection of the entrepreneurial, technological and creative spheres.
The following post was written by Martel McCornell & D’Angelo McCornell ( The Next Level Brothers ), who are biological brothers and film directors from Cleveland, OH. They both are currently attending Art Center College of Design for undergraduate and graduate Film studies. They were truly born Next Level—inspired and determined to continue to become greater together, providing value through great game changing film, design and community innovation.
When we were first approached to create this donor Thank You video, we were very excited and honored to represent Art Center by doing what we love. Projects that are about value is our niche and purpose. We knew it was an opportunity to write history and create a positive legacy by expressing our gratitude to those who helped us get where we are today.
This guest blog post comes in response to recent digital conversation sparked by an article on MTV.com taking issue with the description for an undergraduate Fine Art course (co-taught, not incidentally, by a woman of color) entitled “Pretty Hurts.” This piece, composed by Fine Art department chair Vanalyne Green and course instructors Ariel McCleese and April Bey, was intended to contribute to this vital and momentous exchange as well as to elucidate the intentions animating the description’s provocation. We hope the dialogue will continue as we wholeheartedly embrace the values of inclusivity and gender equality that have informed this conversation as well as the work of all the artists discussed below. Please continue to weigh in with your thoughts and ideas on this dynamically shifting terrain in the comments section below.
Over 100,000 photographs, 2,000 films and videos and 500 linear feet of print materials—all documenting aspects of American design history—make the Art Center Archives a treasure trove for exploration by scholars, faculty, students and the general public. But making those materials accessible to a world beyond campus raises challenging questions: Who decides what to preserve first? Once digitized, where should a collection live online? How does one prepare for inevitable changes in technology?
To begin tackling questions like these—and to start the process of bringing the Art Center Archives to the world—the National Endowment for the Humanities in 2013 awarded the College a prestigious grant to launch a pilot project to digitize, preserve and make accessible a portion of Art Center’s industrial design collection. As the project wraps up one year later, Bob Dirig shares his thoughts about collaboration, unexpected outcomes and the future of the College as a locus of art and design scholarship.