From The New York Times to Esquire, from Cannes to the Venice Biennale — Art Center alums have been busy making, making headlines and making their talents known within some of the world’s most prestigious events, platforms and publications. In addition to this primer on their accomplishments, we’re also inviting the Art Center alumni community to nominate candidates for this year’s Art Center Alumni Awards. Read on to learn more.
Archive for the ‘Entertainment Design’ Category
Edmund Liang is a multidisciplinary artist specializing in transmedia narratives and multi-sensory spatial experiences. Last fall, Liang was named one of Complex Art+Design’s 25 People Shaping the Future of Design and his projects—video games, interactive media, film and animation, motion graphics, photography—are as eclectic as his client list, which includes the Famous Group, Jim Henson Company, Dreamworks, Psyop, Imaginary Forces and Logan.tv.
A self-described “provocateur” in his field, Liang was once an “art kid” in high school who had no idea that there was a world of design. “I didn’t know that the keyboard in front of me was designed,” he recalled. “I didn’t know that the video games I was playing had people behind them.”
By the time it came time to consider colleges, Liang was first attracted to Art Center’s Illustration program and touring the campus prior to enrolling, he said, “I got the impression that it was a very rigorous and serious school. That’s what I wanted.”
Captain America soars at the box office, thanks in part to Tim Flattery’s Helicarrier and Quinjet designsMonday, April 7th, 2014
Marvel’s Captain America: The Winter Soldier flexed and flaunted its superpowers at the box office during its opening weekend, earning more than $300 million worldwide. With those kind of numbers, it clearly wasn’t just fanboys (and girls) vying for an early glimpse at Hollywood’s latest super-sized comic book adaptation.
This widespread embrace was particularly gratifying to Art Center Entertainment Design Chair (and resident alpha fan), Tim Flattery, who collaborated with production designer Peter Wenham on designs for the movie’s spectacular Helicarrier (yes, an airborne aircraft carrier) and the Quinjet. “I love working on comic book movies,” Flattery said. “I’ve always been a fan and read comics as a kid.” (more…)
LAMAG.com recently published the following piece about a transmedia comic book collaboration between Art Center alums, Nick Ebeling BFA FILM 01 and A.P. Menzies BFA FILM 00. Please join us in thanking LAMAG for graciously allowing us to deliver this inspiring story of creative ingenuity to your digital doorstep.
With the Oscars just days away, we decided to chat with Film instructor and alumnus Dan Bartolucci who, as a member of the Lola Visual Effects team, is Academy Award nominated for best visual effects for Lone Ranger. Visual effects tends to be one of the more mysterious and mystifying categories, capable of stealing the spoils of a perfectly predicted Oscar pool from the savviest of movie buffs. With that in mind, we sought answers from the ultimate insider. Bartolucci is an esteemed Autodesk Flame® artist and VFX editor who remains very dedicated to his alma mater, where he currently teaches two classes. He can’t reveal the title of his current project but we’ll be sure to find out and let you know when it’s available for public consumption.
Immediately after completing Art Center’s undergraduate film program in 2010, Bartolucci ignited a VFX career that’s been soaring ever since. He has conjured many memorable feats of special effects magic, including shrinking Chris Evans in Captain America, aging the lead actors at the end of Harry Potter and the Deathly Hallows Part 2, and emaciating Bella in Twilight Saga: Breaking Dawn Part 1.
If you’ve always thought Imagineers—the creative elite who design immersive entertainment experiences for Disney theme parks and resorts—needed engineering or movie industry backgrounds, think again. In 2013, the annual ImagiNations Design Competition, established in 1992, was swept by a team of four Art Center Illustration majors: upper-term students Jennifer Cho and Sunmin Inn, and recent graduates Angela Li ILLU 12 and Sophie McNally ILLU 12. All on the Entertainment Arts track and already good friends, they collaborated on the project that won First Place and Best in Show in this prestigious competition designed to promote diversity and inspire curiosity about cities around the world.
This Saturday, following years of all-nighters, critiques, finals, internships and hopefully some fun, 153 Art Center students will graduate. As that day approaches, we take time to celebrate these creative and talented individuals who are about to take on the world and, as is custom at our Fall Graduation, we also honor alumni who have already paved the way. Here’s the lowdown for the week.
Thursday, December 12: Graduation Show Preview
Industry leaders, employers, corporate partners, donors and alumni get the first look at the Fall term’s graduating artists and designers at the invitation-only Graduation Show Preview. This event, hosted by Alumni Relations to welcome new graduates into the community, gives our graduating students an opportunity to network with potential employers and fellow alumni. The show features student projects from major fields of study at Art Center, including Advertising, Entertainment Design, Environmental Design, Film, Graphic Design, Illustration, Photography and Imaging, Product Design, Transportation Design, Graduate Film and Graduate Industrial Design.
Graduation Show Preview will be held at Hillside Campus from 6 to 9:30 p.m., with a private reception immediately following.
Friday, December 13: MDP Work-In-Progress Show
Media Design Practices is holding a work-in-progress show from 6 to 10 p.m. in the Wind Tunnel Gallery at South Campus (950 South Raymond). The MDP/Lab track will be presenting thesis work in progress from their Ciphertexts & Cryptoblob inquiry and the MDP/Field track with be featuring projects from Kampala, Uganda.
Saturday December 14: Graduation
Join us in the Sculpture Garden at Hillside Campus from 4 to 6 p.m. for our graduation ceremony. At the ceremony, we will honor three of our alumni who will be presented with Alumni Awards. This year, all the awardees received degrees in Product Design. Gordon Bruce will receive the Lifetime Achievement Award, Stan Kong will receive the award for Outstanding Achievement and Spencer Nikosey will receive the Young Alumni Innovator Award.
My work at Sony has been a furious whirlwind of improvement. I guess that's what drawing eight hours a day, five days a week gets you. I can't post anything I've made there, so I'm making an effort to make publicly viewable things that show the growth I've experienced there." -- Amanda Jolly, Entertainment Design
Let’s face it: Halloween has become scarier than ever before. Unfortunately, that’s happened for reasons that have little to do with the ghosts, goblins and the great gobs of candy that began as Celtic custom marking the death and rebirth signifying the of the harvest season. Over the past decade or so, Halloween has been co-opted by profit-hungry pop-up superstores hawking disposable “Scream” masks and spooktacular inflatable lawn decorations to consumers hoping to purchase a more sanitized version of the collective cultural experience.
But as Halloween has become more homogenized and commodified, there are fewer surprises that await revelers, leaving a major deficit of the kind of adrenaline-spiking thrills that have defined the mythic tales that have defined the holiday, like Washington Irving’s “The Legend of Sleepy Hollow” and Edgar Allen Poe’s the “The Tell-Tale Heart.” In other words, all treats and no tricks makes Halloween a very dull holiday.
It’s time fright back into Halloween night. With that in mind, we’ve resisted the temptation to celebrate the proliferation of clever (but defiantly un-scary) costumes referencing politics (the debt ceiling) or pop culture (“Breaking Bad”). Instead, we’ve plumbed the deepest recesses of the creative firepower on hand at Art Center for the kind of mythically unsettling visual storytelling that evokes a low-grade version of the terror that follows a night of spooky campfire stories. The above slideshow is a curated selection of images by current and former Entertainment Design students, whose work often involves conjuring the reference points for otherworldy cinematic sci-fi fantasias. You’ll also find the artist’s explanation for the ideas informing the dark and twisted images which capable of sending the fragile among us sprinting to safety. Care to join us in our effort to re-haunt All Hallow’s Eve?